This Man's White 'Silk' Dress Scarf, with a black and white silk fringe, was worn with a dress suit as part of the formal wear for men in City of Moorabbin c 1960 for special occasions, events and ceremonies This Man's White 'Silk' Dress Scarf was worn with a dress suit as part of the formal wear for men in City of Moorabbin c 1960 for special occasions, events and ceremonies Man's White 'Silk' Dress Scarf with a black and white silk fringe . Tootal Scarf / Wash as Silk / Men's Wear Centre / Smythes / 115 Glenhuntly Rd E'wick clothing, evening wear, dinner suits, formal wear, scarves, collars winged, tailcoats, bow ties, cheltenham, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, maynard dennis, post world war 2 estates ,

Cloth cutting shears as used in dress making during the late 1800's and early 1900'sObject holds significance in the tailoring industry as retailed by Holden and FrostSteel dress makers cloth cutting shearsdress making shears, steel

These spurs lacking rowels were likely worn with dress uniform at mess occasions.Chrome plated dress spurs, no rowels, with leather straps. spur, light horse

This form of winter dress for the Australian Army replaced the WWII style tunic c.1952. The silver regimental badge replaced the silver Rising Sun on the black beret in 1955.Mannequin dressed in battle dress uniform with boots, belt and beret. Hat badge is 8/13 Victorian Mounted Rifles.military, uniform, armour

Taken in 1920, the photograph depicts a very large group of men, women and children dressed in fancy costumes. They are congregated inside the R & B Hall in Beechworth.The photograph is historically significant due to its production in the early twentieth century. Additionally, it also provides insight into the types of arts, recreation and leisure activities enjoyed by local residents during this time.Sepia rectangular photograph printed on matte photographic paper mounted on board.Obverse: R & B. Hall. / Beechworth. / Reverse: Fancy Dress / Ball / Federal Hall / Beechworth / 1920 / 30 + 12 / 1997.2554 /entertainment album, costume, fancy dress, beechworth, r&b hall, arts, recreation, leisure, entertainment, ball

Studio Portrait of Four Ladies. By C Hewitt Stawell Photographic Company close to Railway Station. Note very fine Dresses fans and books.Four Ladies dressed up around central pedestal table in studio portrait. Three younger ladies have tightly corseted dresses.stawell

Brighton local Margaret Cooke (nee Parish) had this dress made for the Miss Summer Festival competition fundraiser. The idea for the dress came from a photograph in the Womens' Weekly. A professional dressmaker cut and made the dress. It has an 18" waist. There is a black and white photocopy on file of the dress being worn at the time.Floral cotton dress with matching belt and shoes. Sleeveless polished cotton cream dress with large red, pink and brown rose print. Heavily ruched front. The skirt has an in-built crinoline structure made with thick Vielene lining and corded hoops. Separate belt with bow at centre front. Shoes made to match by 'Suzette' in their original box. .1- dress .2 - belt .3 a-b - pair of shoes .4 a-b - shoe box and lidShoes - Label, printed in gold on white leather in sock: Suzette / Styled in / NEW YORK-PARIS-ST. LOUISprinted fabric, miss summer festival, 1950s, margaret cooke

Made for use with dress uniform for Australian army personal.Black dress belt with 3 buttons and brass buckle at one end.

Knitted dress and panties were made by a member of our society who designed the dress and panties to fit the doll.Twenty cm standing celluloid doll. Yellow hair. Painted shoes. Hand knitted dress and panties.toys, dolls

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This dress was made by Mrs Dorothea Fush, the mother of the donor, and won an award for dress making at the Royal Melbourne Show. The award certificate is kept with the dress.Ballerina length black sheer evening dress with shoe string straps. women's clothing, australian fashion - 1960s, cocktail dresses, thea sartori

Fancy Dress c 1955 Evelyn Cray, Ken & David Perry, Jean Cray, Barry CornwellB/W Photo: Five Students in Fancy dressdeep lead school, education

This dress was a wedding dress. Horseshoes have always been a traditional symbol associated with good luck . . Because the horseshoe is " U " shaped, to retain the the good luck forever, it is essential that the horseshoe is hung by the ribbons which are attached to the shoulders. The horseshoe should not be turned upside down or else all the good luck of the marriage may fall out.This dress reflects the needlework skills of women in the first half of the 20th century.A hand-made white full length lace dress with a lace-covered horseshoe attached to the shoulder. It has lace cap sleeves. The dress is lined with cream coloured silk.costume-female dress-wedding needlecraft hand-made horseshoe

This dress was hand crocheted by Miss Muriel 'Dolly' Williamson, who was noted for her skill at handicrafts and her sense of fashion. Throughout her life she hand made many of her own clothes and enjoyed wearing them to local social events. She had a large collection of hand knitted and crocheted clothes, most of which were dispersed amongst her friends when she finally went into a nursing home. The donation of this dress was facilitated by Ms Julia Fry from Community Options Barwon who is Miss Williamson's case worker. This dress is typical of the style of the 1960s, with its bright colours and long line. Miss Williamson called it her 'Carmen Miranda' dress.Dress, hand crocheted by Miss Muriel Williamson in bands of mid green, light green and white wool, c.1960s. Detail of dress hand crocheted by Miss Muriel Williamson, c.1960s.fashion handicrafts crochet, williamson, miss muriel blanche, fashion, handicrafts, crochet

Worn in WWII as Dress Uniform on Formal Occasions.RAAF Dress Uniform worn on formal occasions by Flight Sergeant Charles Cull.

PEOPLE DRESSED IN VARIOUS OUTFITS ATTENDING A FUNCTIONBLACK AND WHITE PHOTOGRAPH MOUNTED ON BROWN MAT BOARD, FANCY DRESS BALL.local history, photography, photographs, events and celebrations, fancy dress ball

A brown wooden award with a gold coloured plate above a wreath inscribed "V.B.T.T.A. Presented by St Andrews Badminton Club Glen Waverley 1970". At the base of the award a smaller gold coloured plate is engraved 'The Black & White Trophy'. Multiple small silver shields with the names of individuals and the year that they won the award are located either side of the larger plate, with four shields having no inscription. The smaller shields are engraved with the following: 1970 P. Sittlington, 1971 P. Goebel, 1972 L. Poore, 1973 B. Sitlington, 1974 P. Sitlington, 1975 P. Sitlington. A brown wooden award with a gold coloured plate above a wreath with 10 mini shieldsassociation for the blind, swish, awards, p sitlington, p goebel, l poore, bryan sitlington

This pretty yellow, Nylon dress with jap silk petticoat was made by Mrs Sharp c1962 for her daughter. Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. Nylon became a very popular easy care material c 1960 so that women in City of Moorabbin, who were accomplished dressmakers, made very pretty clothes for their families. Child's yellow nylon dress with jap silk petticoat Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s

1970's Indian cotton, block printed dress.- Indian cotton printed dress (block printed) - Wrap style, long sleeves, tie belt, side splits - Skillful use of block printing in dress design - Black colour washed out, verging on dark brown'Dellriwala" Handmade in India 100% cotton size 8clothing, indian, block printed

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of an informal dress rehearsal for The Maid of the Mountains, which was due to be performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph.Underneath the photograph, Marion Tilley wrote: "Informal dress rehearsal of Maid of the Mountains"performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

.1) & .2) Copies of original photos - see Reg No 3899.3P. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details..1) Black / white photo of 2 men dressed in RAAF uniform standing in front of a building. .2) Black / white photo of 3 men dressed in RAAF uniform standing in front of a building..1) Handwritten in blue ink: Mrs J Davey Pres, Strathdale CWA. Fred on right in battle dress. Ted Forman (Navigator) on left). My husband Fred was a Flying Officer 410533 who won the DFC for 35 trips over occupied territory., photography, raaf

This wedding dress came from the estate of Ena Heazlewood. Born in Warrnambool in 1920 Mary Josephine (Ena) Todd was a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. She was wearing this wedding dress. The dress was also worn by two other brides – Ena’s sister-in-law. Mavis McDonald when she married Jim Heazlewood in December 1942 and her sister Rita Todd when she married Bill Kane in 1947 (the bodice of the dress was altered for Rita’s wedding). The photograph shows the wedding of Field James (Jim) Heazlewood and Mavis Marie McDonald who were married on 23/12/1942This dress is of of some significance as it is not only a lovely example of a 1940s wedding dress but it has local provenance, being worn by a Warrnambool person, Ena Todd when she married another Warrnambool identity, Jack Heazlewood in 1942. This is a white lace dress with a fitted bodice, a square neckline and a lace band at the waist edged with satin. The dress has set-in long sleeves with a press stud clips at the wrists. The waist at the back has a loose band of lace material. The skirt is slightly flared and is floor length at the front with a cotton net frill edging, now slightly tattered. The dress at the back has a wide rounded train with a net frill edging. The side ends of the train have inserted lace panels. The dress is slightly yellowed with age. vintage clothing, todd & heazlewood families, warrnambool

The dress is an excellent example of mid-1970s evening wear and comes with its original box and dockets. It was purchased from a local op shop by a Brighton Historical Society volunteer, who subsequently donated it to BHS in 2017. The receipts tell us that the dress was originally purchased from Georges department store on Collins Street by Mrs Eunice Amelia Hill (b. 1917) of 6 Webb Street, Brighton. Eunice placed the dress on lay-by and paid for alterations in December 1974; it was delivered to her home in January 1975.Full-length knit dress of blue, green and silver patterned lurex with Georges box and receipts. High neck with metal zip centre back. .1 - dress .2 a-b - Georges box with lid .3 a-c - envelope & 3 layby & alteration receipts stapled together & separate delivery invoice .4 - Receipt for dress alteration & delivery chargeLabel, woven black on white acetate, centre back: PRINTED BY HAND / Pelilla / MADE IN ITALY Label, printed black on white acetate, centre back: 65% RAYON / 35% POLYESTER / MADE IN ITALYevening dress, maxi dress, 1970s, brighton, eunice amelia hill, georges of collins street, pelilla

RAAF JacketSqdn Leader dress jacket

Dress and bonnet was used on the childhood doll of Rosalie Whalen (nee Schwerkolt). Doll NA5163 and another dress NA5166.Doll, whose name was Janet was given to Rosalie Schwerkolt Whalen as a child in 1945 with a lemon voile dress and matching bonnet and a patterned voile dress.Lemon coloured doll's bonnet and match lemon coloured doll's dress. Dress has bodice with V shaped bib style collar two lines of blue stitching and pink and white variegated thread trim. Sleeves have pink braid with blue stitching vertically from armhole to cuff. Gathered skirt has three lines of blue stitching around hem line. Bonnet has frill and a sun visor trimmed with pink and white variegated thread. Doll is NA5163 and other dress is NA5166doll, dolls clothing, handmade, sewn

Solid black bakelite/plastic base. Two mini shields with inscriptions attached to side of base.WON BY / YENDON S.S. / NO 719 / 1927 / STASIL WON BY / YENDON S.S. / NO 719 / 1928 yendon state school, yendon public school, fisken cup, school sports, sports trophy

Cpl Ian Marshall served in Vietnam and died later in 1987.Memorial for local veteran.Silver frame around photograph including mini medals, dog tag descriptive label and coin.[Photograph of] Cpl Ian Calder Marshall, [Army number] 33241 [who served with] First Field Medical and Dental Coy Vietnam. Died Friday November 6th,1987.