Archie Hoadley was involved with Antarctic Exploration, and taught at the Ballarat School of Mines in 1914 and 1916. A black and white image showing Lord Robert Baden-Powell, Chief Scout of the World and founder of the Scout Movement with the walking stick, and Charles Archibald 'Archie' Hoadley to his left. They are walking through Gilwell Park, Gembrook.hoadley, archie hoadley, charles archibald hoadley, baden-powell, scouts, gilwell park, gembrook, antarctica, ballarat school of mines

cast iron, hand tooled, with movement up and down. Originally had a strike plate. Possibly from the Athenaeum front gate when the Athenaeum was fenced. A 1930's photograph shows a picket fence with a front gate.Handmade cast iron with markings of tooling.

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

Markings on flap cover of 46802 Woolford

The photos provide a snapshot into the way the Gardens have been used over the years for play by children. They are evidence that the cannons were in the Gardens in the early 1960s. Black and white images of small boy playing in the Gardens. He is wearing a knitted jumper with three light coloured buttons on the front. The boy is on the grass border of the main palm avenue looking into the camera. His hand is blurred by movement. Aidrian White / (formerly The Esplanade) / (1961/2?) / Photo donated by / Mrs White Sept 2012 / Williamstown Botanic Gardenswilliamstown botanic gardens, hobsons bay city council, 1961, aidrian white, cannons, fence, pinetum

Front dust cover has a photograph of a group of Girl Guides sitting around a camp fire reading.non-fictionThe story of The Girl Guide movement in Australia.girl guides, australia, history

Booknon-fictionAnthology of articles on the history and theory of community arts in Australia written by artists and artsworkers involved. community arts, collaborative practice, art history, political art, community arts network, aboriginal land rights

The use of the colours purple, green and white reference the colours used during the first wave feminist movement initially in the UK by the Women’s Social and Political Union (WSPU), and subsequently emblematic of the Australian women’s movement.Graphic illustration of a naked female seated figure in purple, white and red, against a background with 'rays' of purple, green and white. Main text in red, with additional text at base in purple.Additional text: "A woman's place is… …in the struggle : 24th consecutive rally and march : 6:30pm steps of Parliament House : Dance afterwards 8:30pm Brunswick Town Hall (cnr. Sydney Rd. + Dawson St.)."women's liberation

This booklet was produced by the national YCW as a means of engaging new and existing members. Divided into sections, the booklet places the Australian movement in an international context and includes pictures of founding chaplain of the Australian movement, Fr. Lombard. 9pp. colour booklet

Primitive Methodism was seen to originate in a full day of prayer or "Camp Meeting" held at Mow Cop in 1807, and this led, in 1811, to two groups joining together; the 'Camp Meeting Methodists' and the 'Clowesites', led by Hugh Bourne and William Clowes respectively.Commemorative plate in Royal Semi-Porcelain by Wood and Sons of Burslem, Staffordshire, issued in 1907, to mark the centenary of the Primitive Methodists' first camp meeting, held at Mow Cop on 31 May 1807. The plate is decorated with transfer prints, heightened with gold lustre, depicting preachers Hugh Bourne and William Clowes together with notable chapels of the movement, all to be found in "the Potteries". The reverse printed with details of the movement's membership beneath the title, "What God Hath Wrought!", this all enclosed within a scrolled cartouche below which is the Registration No.491901 together with the Maker's Mark. primitive methodist centenary, hugh bourne, william clowes

Parade of Boy Scouts and Cadets, Through City Streets, Friday 24 May 1946 - 1:30 to 2:20pm Approximately Letter from HS Wooton, Melbourne Town Clerk to the Secretary MMTB advising of Empire Day Movement procession through the city on 24 May 1946. Letter dated 11 April 1946. Memo from Assistant Manger to Officers Concerned. Memorandum - several typed sheets (8"x10.5") - titled "Parade of Boy Scouts and Cadets, Through City Streets, Friday 24 May 1946 - 1:30 to 2:20pm Approximately" from JM Harry, District Traffic Superintendent S.S. to Mr Mazoletti, Malvern Depot, Mr McLean, Hanna Street Depot, and Mr Cliff, Glenhuntly Depot. Memo dated 21 May October and specifies tram shunting and special trams for the procession."Empire Day Movement Procession Fri 24/5/46" written in red pencil on the letter. Date, assembly point and procession route underlined in red pencil. "13 mts to pass ? & City Rds 1.30 to 1.43" initials and date written in black ink. "5 copies" and "23rd" "1947" written in black pencil on Malvern memo "4 copies" and "23rd" "1947" written in black pencil on Hanna Street memo "5 copies" and "23rd" "1947" written in black pencil on Glenhuntly memotrams, tramways, letters, instructions, events

In memory of auxiliary members who had passed away, gifts were sometimes presented to the RVIB for use in the office or sale to raise funds. In this example, two prints from a fox hunting collection were made in memorium of Margaret MacFarlane, who was a foundation member of the Alberta Auxiliary and the Executive Council of Auxiliaries for RVIB.Images of 2 framed prints of "The Fox Hunt" and "The Preparatives"Presented by Alberta Auxiliary in memory of Miss Margaret MacFarlane foundation member of Alberta Auxiliary member of Executive Council of Auxiliaries and esteemed and loyal member of R.V.I.B. Auxiliary movement 16/3/1987. royal victorian institute for the blind, gifts

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of the observation tower at an Australian Fire Support Base - the Diggers used the tower to maintain a close and distant surveilance of any possible NVA/VietCong movement, which may prove dangerous to those in the confines of the Fire Support Base.photograph, fire support base, nva/vc, observation tower, gibbons collection catalogue, denis gibbons, photographer, vietnam war, diggers

The Trefoil Guild consists of former members of the Girl Guide Movement. It is a self governing and self financing guild that provides support to the Girl Guide movement. Originally formed as "Old Girl Guides" in 1936, it became the Trefoil Guild in 1944/45.Grreen cloth banner. The words Merle Bush Trefoil Guild at the top. Taking most of the centre a gold triangle, at top right a poppethead and top right a bottle of wine and grapes. At the centre of the triangle Bendigo flower emblem and at the bottom Suu Loong and the word Bendigo. At the back. Green for the local gum leaves and reefs of gold. Bendigo's position marked in the golden triangle by its floral emblem, the waxflower. Poppet head for Bendigo's wealthy foundations. Sun Loong for the heritage and many nationalities that contributed to Bendigo's character. Lettering the colour of our summer land and grass. Grapes for the vineyards and wines in the area. By Gwen Berby 1997. The banner is in a green carry bag.

A speech describing the modern architecture movement, its different styles.Typewritten (c copy), quarto, 9 pagesmodern architecture, modernism, anti-classicism, walter gropius, harold desbrowe-annear, robin boyd, manuscript

Long slideshow talk on beauty in architecture and the progress of the modern movement.Talk illustrated with slides.Handwritten, quarto, 8 pagesSlide number markings. Missing many pages: 2, 6-17, 19-22, and more. Has written "LIGHTS" cue for end of talk.john ruskin, eero saarinen, paul rudolph, plato, vitruvius, beauty , robin boyd, manuscript

Wooden American Kitchen clock made by the Ansonia Clock company with acid etched glass door showing a peacock and birds, chromed disc pendulum and winding key. Clock has a 30 hour movement with time and strike, partial paper label on back.Ansonia Clock Company New York USAhorology, clocks, ansonia

Many of the early sewing machines were powered by a treadle mechanism. The treadle was operated by pressing down on it with a foot, or both feet, to cause a rocking movement. This movement spins a large wheel on the treadle frame, connected by a thin leather belt to a smaller driving wheels on the sewing machine.A treadle sewing machine flywheel mad of cast iron. It is three tangent circles within a larger circle.3treadle sewing-machine flywheel

Book, The Manhood of the Master, Les Gillies Collection. A green hard covered book by Harry Emerson Fosdick,D.D.. Melbourne Student Movement Press, 225 Collins Street, Melbourne. Brown,Prior & Co. 167-171 Queen St., Melbourne. 186 pages.Harry Emerson Fosdick, D.D.religions, christian, christian religion

Bob Brothers' Memorial Letter to Mr K Beamish, Town Clerk, City Council from Allen W Llewellyn, secretary of the Bob Brothers Movement. Article 'Bob Brothers Memorial' by A W Llewelleyn. Copy of Henry Lawson story 'Send Around the Hat'.bendigo, history, bendigo

Belonged to Susan Erey's grandmother and mother - C 1909 - 2011Example of interesting personal objectSmall personal fan. Marked La Braise Pat 21777 (French - English, The Breeze (Feminine) - nickel plate|steel. -3 bladed fan (plastic) operated rake + pinion movement with a thumb plunger. -decorated with pierced cavities in case filled with red enamel.La Brise Pat 21777costume accessories, female

The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII.Rare document from Light Horse Regiment at beginning of WWIIFour page type - written Camp Administrative Order No.1 dated 9 February 1939 signed by Captain W.B. Maguire, Acting Adjutant 20th Light Horse Regiment. Contains instructions for the movement of men, horses and equipment to a Camp of training at Broadmeadows, Victoria.Signed on Page 4 " W.B. Maguire "20 light horse, training, broadmeadows

Mr. George Harrison-Russell was an active member of the Victorian Laymen’s Missionary Movement.Gloss, black and white, head and shoulders studio portrait of Mr. George Harrison-Russell.harrison-russell, george, methodist, victorian laymen's missionary movement

Group of girls in the Girl Guide movement in Port Fairy in 1948 (all named)Black and white photograph of a group of girl guides and brownies in their uniformsdawn fox, jan emms, betty king, lorna bellamy, girl guides, betty forsythe, isobel roberts, vivienne manuell, maree mcdonald