Order of service for the opening ceremony of theAustralian Service Nurses National Memorial in Canberra, held on 2 October 1999, includes a description of the memorial designed by Robin MoorhouseOf significance to the AHNL as a memory of Alfred nurses who servedStapled booklet with salmon pink cover and black print, in adition to the title, there is a black & white illustration of the Australian Service Nurses memorial, Canberra and logo of 'their service -our heritage', a Federal Government programmeThere is a printed black and white donation sticker: black Maltese cross in circle, 'This book was donated to Alfred Archival Association Nursing Division by Jan Ekins [handwritten in black ink] bottom of front end-page, Previous catalogue number is written in black ink at top right of this pageaustralian service nurses national memorial, nurses, war memorials-australian

Cover has a cream background with red print detailing title, poducer and logo of the Royal College of Nursing Australia. There are also two parallel lines at left and basenon-fictionCollection of eighteen papers presented at the conference and includes a bibliographynursing-australia-history, national nursing archival project, ethics in nursing

VH-UQM (Miss Currie) was the second commercial plane to operate out of Western Junction (after Miss Flinders), the first owned by the Holyman Brothers, which eventually become ANA etc. And we think it was one of the first planes destroyed in WW2, when it was lost in the hangar fire in Broken Hill just after war was declared. It was believed to have been sabotaged by Italian or German workers at Broken Hill at the time. It also was part of the early Flying Doctor service in NSW. Item currently held in Archives Australian National Aviation Museum (ANAM) September 2021

The "My Heart is Breaking" national touring exhibition was the only exhibition to be included as part of the Australian Reconciliation Convention in Melbourne between 26th - 28th May 1997. The exhibition toured to several State and Territory capitals and to regional Victoria. It was a joint venture between the Public Record Office Victoria and the Koorie Heritage Trust, in association with Australian Archives and the Lake Tyers Aboriginal Trust. One of the highlights of the convention was the release of the "Bringing Them Home" report on the stolen generation.Public Record Office Victoria Koorie Heritage Trust. "My Heart is Breaking" National touring exhibition at the Australia Reconciliation Conventionaborginal, aborgine, first nation, reconciliation, lake tyers aboriginal trust, koorie heritage trust

Copy of original"National Library of Australia. http:nla.gov.au/nla.news-page 1745781"city of sunshine

Newspaper Article The Age 8 November 1982 75 year old wage judgement gets new relevance|Handwritten notes|Drawing Sunshine District Business Centre|Archives and Manuscripts February 1974 The Oral History Collections of the National Library of Australia|Archives and Manuscripts August 1974 Restoration and Preservation of Documents|Archives and Manuscripts May 1974 Local Body Archives in New Zealand|Archives and Manuscripts February 1975 the organisation of Records in Local Government in New South Wales|Librarianship Local History Today Current Themes and Problems for the Local History Library|National Conservation Program Summary Report August 1995|Archives and Manuscripts May 1974 On Acquiring an Archives Thoughts on the Tasmanian Archives in 1974|The Commonwealth Basic Wage 1907 to 1953braybrook junction, sunshine

Penleigh Boyd wrote this in The Age obituary to Dorothea Patricia Davies AM (3 Jan 1921-5 Nov 2009). "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a life member and former president of the National Gallery of Victoria Women's Association." The Walsh Street Archive also holds the Certificate associated with this honour (item D502).awards, honours, robin boyd, walsh st

Patricia Boyd was on the Board of the Australia Opera for several years. The Walsh St house holds a significant collection of opera recordings. Penleigh Boyd wrote this in The Age obituary to Dorothea Patricia Davies AM (3 Jan 1921-5 Nov 2009). "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a life member and former president of the National Gallery of Victoria Women's Association." The Walsh Street Archive also holds the Certificate and the medals associated with this honour (items D502 and F126 respectively).opera, patricia boyd, patricia davies, robin boyd

Patricia Boyd was on the Board of the Australia Opera for several years. The Walsh St house holds a significant collection of opera recordings. Penleigh Boyd wrote this in The Age obituary to Dorothea Patricia Davies AM (3 Jan 1921-5 Nov 2009). "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a life member and former president of the National Gallery of Victoria Women's Association." The Walsh Street Archive also holds the Certificate and the medals associated with this honour (items D502 and F126 respectively).Black hard plastic 2-ring binderMrs Patricia Davies Board Meeting 12/4/84 The Australian Opera

As Penleigh Boyd wrote in his obituary to his mother: "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the Board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a Life Member and former President of the National Gallery of Victoria Women's Association." The Walsh Street Archive also holds the medal associated with this honour (item F126).Certificate on a presentation board with 4 corners holding it in place, contained in a envelope with Mrs Dorothea Patricia Davies, AM.The Order of Australia (Signed) Ninian Stephen Governor-General of Commonwealth of Australia and Chancellor of the Order of Australia. To Dorothea Patricia Davies Greeting. Whereas with the approval of Her Majesty Queen Elizabeth The second, Queen of Australia and Sovereign of the Order of Australia, I have been pleased to appoint you to be a Member in the General Division of the Order of Australia. I do by these Presents appoint you to be a Member in the General Division of the said Order and authorise you to hold and enjoy the dignity of such appointment together with Membership in the said Order and all privileges thereunto appertaining. Given at Government House, Canberra, under the seal of the Order of Australia this thirteenth day of June 1988. By His excellency's Command. (Signed) David I Smith Secretary of the Order of Australia.

The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives

CD Rom Australian National Placenames Survey|Typed Report Australian national Placenames Survey|Typed List Abbreviations Code Description|Typed Report Australina National Placenaes survey ANPS Data Entry Instruction Brief for Research Friends|Typed List Contact Details|Typed Placename Data Entry Form|Map for Victoria Local Government Areas|Newsletter March 2003 Placenames Australia

Stanislaw and Teodazja Pierzak migrated from Poland to Australia in the early 1950s.Stanislaw Pierzak Certificate of Identity for the purposes of immigration to Australia Exit permit dated 15 June 1950|Teodczja Pierzak Certificate of Identity for the purposes of immigration to Australia from Augsburg Germany|A marriage certificate Swiadectwo Slubu Testimonium Matrimonii|Military government of Germany Temporary Registration for Teodczja|Stanislaw Pierzak Swiadectwo urodzenia i chrztu|Teodczja Pierzak Bel Abmeldung Jahreasmeldung anachriffenanderung April 1941 to August 1945|Headquarter JRO Area 5 Notification of Personnel Action 2 December 1949 for Stanislaw Pierzak Policeman at Camp Gablingen Displaced Person|Certificate of Authority to Remain in Australia for Stanislaw Pierzak dated 28 May 1952|Stanislaw and Teodczja and Halina International Refugee Organization Resettlement Status Slip Dated 13 February 1950|Jon Pierzak Birth Certificate born at Migrant Holding Centre Parkes|The Welcome Wall Application|The Welcome Wall Acceptance 25 August 2015|The Welcome Wall Invite to Unveiling on the 6 December 2015stanislaw pierzak, teodazja pierzak

Part of the Gwenyth "Gwen" Goedecke CollectionBox 1| Women's International League for Peace and Freedom WILPF| National Council of Victoria Inc. NCWV| Centre for Working Women Co-op| Union of Australian Women UAW| Women's Electoral Lobby Victoria WEL| Coalition of Australian Participating Organisations of Women CAPOW! | Box 2| National Women's Advisory Council| Victorian Women's Advisory Council| Office of the Status of Women Canberra|Women Workers of the West|Women's Bureau Canberra|Office of Women's Affairs| Rural Women's Network, Victoria| Victorian Women's Trust| International Alliance of Women I.A.W| Women's International Democratic Federation (WIDF)| International Women's Rights Action Watch (IWRAW)| Inaugural Women's Research Officer's Newsletter March 2003| Women of the West Network minutes Feb '85/July '86| UN Association of Australia Young Women's Christian Association (YWCA) agenda Oct 1981| Women's Peace Camp report by Gwen Goedecke (1 page only) 1995 PUBLICATIONS: United Nations Commission on the Status of Women 51st session (New York) Financing for gender equality and the empowerment of women - a written statement submitted by Rhonda Sharp, Professor Economics, University of South Australia 2007|Parliament of Australia, House of Representaties News Release 1997 re grants to Women's Non Government Organizations (NGO's)| Presentation of Australia's Third Progress Report on Implementing the United Nations Convention on the Elimination of all Forms of Discrimination Against Women 1997| Status of Women Committee UNAA (Victorian Division) Agenda 2007| United Nations Mandates of International Space Year 1991| Charter of the United Nations and Statute of the International Court of Justice From the Office of the Status of Women - Australian Federal Government -|Women's Budget Programme Assessment (85/86)|Newsheets Sept to Oct 1983|Activities of the Office 1982-1983|Directory of Government Resources for Women 1983|Fair Exposure (1983)|Budget Impact Statement 1987 to 1988|National Economic Conference - an information paper on the economy Women's Contribution to Economic Recovery 1983 |Affirmative Action for Women vol 2 (1984)|Women's Advisory Committee to the Prime Minister - report (1977)|International Alliance of Women (IAW) The Increasing importance of women in north south cooperation (International Literacy Year 1990)|International Women's Year Priorities and Considerations - Australian National Advisory Committee (1974)|Women's Studies International Forum vol 7 #6 (1984), Pergamon Press UK|'The 51% Minority' - Womens's Policy Co-ordination Unit (Victorian Gov't) 1984women

Gwyneth "Gwen" Goedecke collection.1st United Nations (UN) conference - World Conference of the International Women's Year: World Plan of Action, Mexico City, 19 June - 2 July 1975| 2nd United Nations (UN) conference - World Conference of the United Nation's Decade for Women: Equality, Development, and Peace. Copenhagen, 14 - 30 July 1980| 3rd United Nations (UN) conference - World Conference to Review and Appraise the Achievements of the United Nations Decade for Women: Equality, Development, and Peace. Nairobi, 15 - 26 June 1985| 4th United Nations (UN) conference - World Conference on Women: Action for Equality, Development and Peace. Beijing 4 - 15 September 1995 | 28th Triennial World Conference of International Council of Women. Ottawa, June 1997| Women in Life, Women in Leisure - Conference Proceedings. Melbourne, 25 - 26 October 1982| National Women's Advisory Council - Recommendations of Pre-Conference Meetings 1979 re: UN Decade for Women, 1976 - 1985| Australian Federation of University Women Diamond Jubilee Conference, Quality of Life - The Continuing Challenge: the Impact of TECHNOLOGY WITH SPECIAL REFERENCE TO WOMEN. Canberra, 25 January 1982.| Women in Politics Conference - Canberra, 1975| Report by Gwen Goedecke - Fiftieth Anniversary Conference: The United Nations - Between Sovereignty and Global Governance La Trobe University, 2 - 6 July, 1995. Women and Poverty Workshop - Women Wise Up Conference NSW University, February 2001 | NB - Women + Labour Conferences. Australia, 1978 - 84 National Women's Conference. Adelaide, 1984. Were given to Libby @ the ALP, 21/11/2023 by Alan Dash.women

This book provides a brief visual and text description of what the national archives do with regard to the preservation of the cultural history of Australia.Australian Archives Holding On To Our History

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back

Isobel Clement has been practising since the 1980's. She completed her post graduate diploma at Phillip Institute (RMIT) in 1990. She paints, draws and uses installation for creative discourse. She has had more than ten solo exhibitions. Her work is included in collections such as National Gallery of Australia, the Australian Print Workshop Archive, Art Bank Australia and The Bundanon Trust. She has been shortlisted for the contemporary painting prize, the Bayside Art Award, on three occasions in recent years and was the winner of the Nillumbik Prize in 2009.Isobel Clement is a local artist who won the 2008 Nillumbik Prize. Painted in monochrome the artwork depicts two vases (with decorative edges) and two cups on a table in a row. Each of the four objects are slightly different in scale and shape and parallel to the picture plane. N/Astill life, nillumbik prize, painting, monochrome, vases, cups