Uncredited 1988 Entrant No. Ref: Series 34, Items 116, 117 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34

Uncredited 1988 Entrant No. Ref: Series 34, Items 116, 117 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, mudbricks

Photograph shows SEC Ballarat tram No. 34 climbing Bakery Hill in Victoria St. The photo is taken at Humpffray St looking west. There is a Grocer on the left hand side of the photo. Photo by I K Winney of Sydney, 12/1949.Yields information about the view looking west along Victoria St from Humpffray St during 1949.Black and white photograph with photographers details on rear."Bogie No. 34 (ex MMTB C class) en route to Victoria St. Ballarat city area in background. 12/1949, I K Winneytramcars, tram 34, victoria st, bakery hill

Model of UH-2 Huey helicopter mounted on plinth in protected sand bagged area34model, helicopter, uh-2 huey

Acquired when "Classweave Industries" closed down.34textile mills - staff woollen mills, classweave industries pty ltd federal woollen mills ltd, textile mills - staff, woollen mills

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white photograph of 'Roseneath' in Pakington Street, Kew."34"historic houses -- kew (vic.), roseneath -- pakington street -- kew (vic.)

The Book of Common Prayer 34flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the book of common prayer, book, prayer book

Ill, maps, p.34.non-fictionThe story of the hellfire pass memorial in Thailand to remember the construction of the Burma-Siam rialwayburma - siam railway, war memorials - thailand

The is a speech given by Zelman Cowen in Melbourne, on Wednesday 1st May 1974 for the 41st Sir Richard Stawell Oration, Australian College of Surgeons. This may have been sent to Patricia Boyd since the Zelman Cowen was a long time friend of the family.This is a speech – 41st Sir Richard Stawell Oration, Australian College of Surgeons, Melbourne 01.05.1974Typewritten, quarto, 34 pagessociological jurisprudence, law, ethics, politics, social history, authority, justice, richard stawell, zelman cowen

In Memoriam booklet of 34 pages.

ill, maps, p.34.non-fictionDetails of the use of 3 position automatic semaphore signals on the Victorian Railways.railroad operations - victoria, railroad signalling - victoria

This swimsuit belonged to Jessie Aldred (nee Dell, 1903-1995). Jessie was a dressmaker who married Frederick Ashley Aldred (1902-1974) in 1928. They lived at 34 Thomas Street, Sandringham from the late 1920s until at least the late 1970s. BHS also has a photo of Jessie on Hampton Beach in the 1920s. Seagull swimsuits were designed by Peter O'Sullivan (who also designed Black Lance swimwear) and manufactured by Botany Knitting Mills Pty Ltd in Melbourne.One piece black wool lastex swimsuit with mini-shorts and a modesty skirt to cover the tops of the thighs. White straps and white lacing down centre bodice. Seagull logo on left thigh. Low back; straps fasten with buttons at back waist. Hidden drawstring at back waist.Label: "This Seagull Swimsuit is protected by the patent and designs reg. nos. 22340/35, 13277, 16028/34".jessie aldred, jessie dell, swimwear, seagull, 1930s, melbourne designers

Black & white photograph of Ballarat 26 an 27 at "tramway centre". Both trams heading east on Sturt St. Tram 34 on other side of road. Both trams have been fitted with dash canopy lighting but not extended white strip under driver's windows. No. 26 has "Gardens via Sturt St. West" destination. Both are fitted with Briquettes roof ads. Robbie Burns statue in background. Dated Nov. 1964. On Kodak paper.On rear in black biro, "Nov 1964, 26 and 27, Sturt St. Ballarat, Bogie 34, other side."trams, tramways, ballarat, sturt st, tramway centre, tram 26, tram 27

Report titled "State Electricity Commission of Victoria, Fifteenth Annual Report, Financial Year ended 30th June 1934", together with appendices. Has a table of contents, graphs and appendices. Notes on Ballarat and Bendigo - page 6 and Geelong page 34. Enclosed within the report is a with compliments slip and an addendum. Note; this full document can be accessed on the Parliamentary Library Annual Reports database. Yields information about the activities of the SEC through its Annual Report.Annual Report - 68 foolscap pages, stapled within grey covers. Stamped "Brisbane Tramway Museum Society J150/1" on the first page. Written in red ink "Geelong tramways page 34"tramways, trams, sec, geelong, ballarat, bendigo, reports, electricity generation

1 photo of number 28-34caulfield north, hawthorn rd, edwardian houses, o’donnell, jenny

Photograph of 1933-34 A Team premiershipmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, cricketers, charlie williams, arthur robertson, roy moore, fred glenie, jack shiell, harry scoullar, fred armstrong, ted wolsley, george terry, jack murray, g fulling, t jeff riley, ted wolsley, charlie williams, percy love, w reid, ernie frankland, peter robertson

Article celebrating the Tower Hill State Game reserve and the new Natural History Centre, designed by Robin Boyd.Double page, p 34-35walsh st library

Stawell Swimming Club 1933-34stawell

34 pages, A4 size, Stapled.non-fictionJournal published by the Kadimah Jewish Cultural Centre and National Library, Melbourne. Contains essays, reviews, fiction and poetry in both English and Yiddish.connie barber, yehuda svoray, maria-louise stephens, peter hellman, anne wroby, m. verstandig, catherine hoffman, andrew furst, m. zalisz, rabbi michael katz, m. fershtendik, m. a., sholem g., ben-tsion feldshuh, y. kape, m. ayznbud, y. m. levin, hershl bacharach, dr. sh. kholovski, sh. benet, moshe ajzenbud

34 page soft cover bookletNational Library of Australia card and ISBN Number ISBN O 9590801 0 4

Australia 1913 - 1986Lithograph 34/100 s.19Edition and signed

Boyd discusses the things that influence architects to devise form, particularly the relationship between the engineer and architect. He gives a history of the Opera House and Jørn Utzon's creative process in relation to debates around functionalism and the justification for sculptural forms.Typewritten (c copy), pencil edits. 2nd copy 34 q 4-6 missing, quarto, 34 pages. (Two copies)functionalism, le corbusier, ronchamp chapel, sculpture, guggenheim gallery, jørn utzon, sydney opera house, robin boyd, manuscript

Head and shoulders of an unknown man wearing a suit, collar and tie.On back: "34"glen iris presbyterian church