'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 6 Campbell Grove, Hawthorn East by Margaret Picken.6 Campbell Gve, Haw E, Margaret Picken '93. Woodards - Hawthorn: PR. artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

+Additional Keywords: Reading from Left to Right: Back row boys: 1. Alan Carter, 2. ??, 3. Maurice Henry, 4. Peter Van Ketwich, 5. Douglas Hume, 6. ??, 7. John Callam, 8. ??, 9. ??, 10. ??, 11. Peter Gluth, 12. ??, 13. Geoff Edwards, 14. Len Armfield, 15. Ray Davidson".(incorrect list)Written on backing sheet, "Ringwood High School. 1956?" No children are identified.Paper list with photographs reads, "High School - Bedford Rd. Ringwood. Photo Pupils Form 1C. Reading from Left to Right. Back row boys: 1. ?, 2. Keith Anderson, 3. Peter Zaff, 4. Jim Ord, 5. ?, 6. ?, 7. ?, 8. Bernard Whitney, 9. ?, 10. ?, 11. ? 12, ?. Boys sitting front: Robert Crutchfield, 2. ?, 3. ?, 4. ?, 5. John Smart, 6. Ronald Crutchfield. Girls standing: 1. ?, 2. Norma Walsh, 3. ?, 4. ?, 5. ?, 6. ?, 7. Sandra Davenport, 8. Margaret Williams, 9. Margaret Norwood, 10. ?. Girls sitting: 1. Kathleen Lower, 2. Valma McLean, 3. Sandra Tindall, 4. Gilliam Morris, 5. Esma Bradley, 6. Jill Pump, 7. Judy Byrne, 8. Shirley Kofeod, 9. Marlene Mangels, 10. ?, 11. Myrna Cooper, 12. Elizabeth Hinchcliffe.

1st Australian Press Unit A.I.F Table Tops Newspaper Dated 20/6/1945 1st Australian Press Unit A.I.F Table Tops Newspaper Dated 20/6/1945 1st Australian Press Unit A.I.F Table Tops Newspaper Dated 20/6/1945 Surrender Talks For All Solomons Japs - Jap Envoys Nearing Manila - 150,000 PW's To Be Liberated Soon - Many Australian Goods will remain Scarcesurrender talks for all solomons japs - jap envoys nearing manila - 150, 000 pw's to be liberated soon - many australian goods will remain scarce

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 1-6/12 Hartwood Street, Kew East by Margaret Picken.1-6/12 HARTWOOD ST., KEW E / MARGARET PICKEN 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 1-6/12 hartwood street -- kew east (vic.)

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. A. Smart, Mayor of Kew 1875-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.A. Smart, Mayor [of Kew] 1875-6mayors of kew (vic), cr. a. smart, kew (vic.) — municipal collection

Honiara West Special signed by 7 members of 5/6 RVR who were deployed on Operation AnodeThe Map is framed in the glass frame withe the Operation Anode patch, Australian Flag and 5/6 unit symbol displayed below the Map. It has been signed by 7 members of 5/6, each member's PMKey is also displayed on the Map

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

The History of the Concogella Primary School, and recollections by some of the former staff and studentsWhite Card Cover with black line border, with colour photograph in the center.Concongella Primary School 1972-2005 through the eyes of its students and staff. Below Photograph. A Project of Grades 4-6 Students, 2005. Funded by Department of Education, Science and Training and Australian Government for celebrating democracy week. Voluntarily typed by Ms Wendy Fox.stawell education

Local Newspaper reporting World War 2 Events Dated 9/6/1941Local Newspaper Reporting On World War 2 - Special My War Part 16Local Newspaper Reporting on World War 2 Events - Special - My War Part 16 Dated 9/6/1941Allied Forces March Into Syria - Success In Syria success in syria, world war 2, allied forces march into syria.

Prepared for the launch of Geelong Tram No. 2 giving details of the program and the tram itself. Has a list of speakers and timing. Launched on 6/2/2022 at Depot Junction.Yields information about the program to launch Geelong No. 2 and the tram itself.Printed A3 sheet, double sided, giving details of the Launch programme 6/2/2022trams, tramways, geelong, tram 2, btm, programmes, program

50th Anniversary lift out - D-Day 1944 Newspaper The Age dated 6/6/1994 50th Anniversary D_Day 1944Local Newspaper with Special Lift Out - of D_Day 194450th anniversary lift out - d-day 1944

A concise account of the Dunera boys for their 50th anniversary reunion.Mainly black cover white stripes on which in red 1940-1990 50th Anniversary Reunion 6 September 1990 at the passenger terminal wharf 13 Pyrmont. The Dunera boys reunion a brief history.1940-1990 50th Anniversary Reunion 6 September 1990dunera boys, 50th anniversary reunion, internment camps, hay, tatura

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. This is an Occupational Health and Safety Course for RAAF Hygiene Inspectors developed by the Faculty of Engineering at Ballarat College of Advanced Education. "The overall objective of the course is to provide delegates with the basic knowledge and approaches to enable them to diagnose and solve problems in health and safety." The conceptual framework is set out in Figure 1. The detailed syllabus is set out in behavioural objectives. The course goes over five weeks with detailed timetable provided.A4 size booklet with yellow cover. (Staples removed from left edge). 19 pages, timetable pages yellow.viosh, victorian institute of occupational safety and health, raaf hygiene inspectors, ballarat college of advanced education, faculty of engineering, occupational health and safety, diagnose and solve problems

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Coloured brochure advertising the VIOSH Courses at the University of Ballarat. Amendments to the information are marked in blue pen. The courses are outlined and information given on resources and research activities. There is an Open Day Sunday 28 August 1994. Application details are available from VIOSH, University of Ballarat.Coloured 4 pages - pp2, 3, 4, divided into three columnsSymbol of University of Ballarat. Date of Open Day - 28 August 1994viosh, victorian institute of occupational safety and health, university of ballarat, brochure, graduate diploma in occupational hazard management, open day, information resources, research activities, course applications, master of applied science (ohs), occupational health and safety certificate

MEDIUM: Acrylic on canvas. DESCRIPTION: Blue and black, no external frame. A figurative nude, the close up takes most of the canvas. It sits on a dark background in undefined surroundings. The blue woman sits flat as many of Matisse’s works do, favouring this style over the illusionistic depth to achieve his aim, here we see this replicated. Matisse is also noted for his use of colour as a means of expression rather than description. Here we have a woman painted all in blue, with this knowledge we could say the artist has painted his subject as someone who has been captured in a very relaxed, very calm version of herself, an ocean onto herself, mysterious and captivating in this moment. Her arm slung confidently above and around her head, her view directly facing the viewer provocatively. The only other colour on her other than the thick black lines which outline and shadow her contours, is the circular red of her earring -mirroring the generous sweeping curves of the work. The presence of visible brushstrokes produces a sense of movement and energy as well as providing a decorative quality to the painting.Signed and dated on bottom proper left of center of image (on reverse of canvas).acrylic, darvall, matisse

Paper program for a play performed at the Athenaeum Theatre from 12 September 1970; coloured cover, 16 p. includes articles about the play, the actors and advertisementsathenaeum theatre, program, programme, "oh, sir henry", phiilip productions pty limited, aztec services pty ltd, alan babbage, sheila bradley, peter adams, bob hornery

ceramic (earthenware), glazes, music mechanismek prac 2015

Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramaphone, record, textile mills - staff