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Glenelg Shire Council Cultural Collection
Negative - Negative - Henty Landing Centenary Monument Portland, Victoria, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows Henty Landing Centenary Monument, Portland. Photo taken looking up from Henty Beach. -
Glenelg Shire Council Cultural Collection
Negative - Negative - Fawthrop Lagoon Portland, Victoria, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows Bird sanctuary (Fawthrop Lagoon) View across water to Portland. Wooden fence - ? boundary of walkway, trees in foreground -
Glenelg Shire Council Cultural Collection
Negative - Negative - Portland Baths Victoria, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows Side-on view of Baths at Portland, taken from Railway Pier. Whaler's Bluff in background. -
Glenelg Shire Council Cultural Collection
Negative - Negative - Portland Bird Sanctuary Victoria, c. 1934
... Negative for a black and white photograph. Image shows... photograph. Image shows views of Portland Bird Sanctuary, remains ...Negative for a black and white photograph. Image shows views of Portland Bird Sanctuary, remains at wooden fence across section of water. -
Glenelg Shire Council Cultural Collection
Negative - Negative - Portland scene, Victoria, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows Gun emplacement on Battery Point. Harbour, piers, Botanical Gardens, town of Portland in background -
Glenelg Shire Council Cultural Collection
Negative - Negative - Portland Scene, Victoria, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows view from Bentinck Street looking over Portland Public baths and Ocean Pier. -
Glenelg Shire Council Cultural Collection
Negative - Negative - View from Henty Beach lawns Portland, Victoria, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows view from Henty Beach lawns, looking towards Whaler's Bluff. Beach shelters, samd,, Railway Pier, Baths, Ocean Pier, lighthouse and water tower on Whaler's Bluff. -
Glenelg Shire Council Cultural Collection
Negative - Negative - Mrs. Arabella Maschmedt with her daughter Eliza, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows Photo of Mrs. Arabella Maschmedt with her daughter Eliza standing on the verandah of a wooden building with an iron sloping roof. Several doors open off the verandah into the building ? licensed inn. -
Glenelg Shire Council Cultural Collection
Negative - Negative - View over Harbour, Portland Victoria, Zilah Maschmedt, 1961
... Negative for a black and white photograph. Image shows view... photograph. Image shows view over Portland Harbour, Whalers Bluff ...Negative for a black and white photograph. Image shows view over Portland Harbour, Whalers Bluff and lighthouse, right foreground, Lee Breakwater, Ocean Pier, LS Anderson Wharf, Battery Point and Lawrence Rocks. -
Glenelg Shire Council Cultural Collection
Negative - Negative - Lee Breakwater under construction Portland, Victoria, Zilah Maschmedt, 1961
Negative for a black and white photograph. Image shows Lee Breakwater (SL Patterson) under construction, taken near old baths, Whaler's Bluff in background. -
Glenelg Shire Council Cultural Collection
Negative - Negative - KS Anderson Wharf Portland, Victoria, Zilah Maschmedt, 1961
Negative for a black and white photograph. Image shows a view for KS Anderson Wharf, from elevated position. Looking along pier to the Corkscrew. Wharf entrance in foreground transit shed. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - CEMA Arts Centre Portland, Victoria, 1990s
Coloured photo. Eterior view of CEMA Arts Centre, taken from Glenelg St. Shows left hand side of stairs and front entrance. This photo was taken at a different time to 10443, 44,45. Front door and wood work blue -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - advertising John De Lacy's business Portland, c. 1909
Postcard, black and white, advertising John De Lacy's business, which included upholstery manufacture and import of carriage materials, and his stand at the Royal Agricultural Show between August 31 and September 4 1909. Photo of stall, description of business either side of photo.Back: 'Mr. Vivian Saddler, Glenthompson' - handwritten in black ink. Postmarked Melbourne Aug. 24 09. Also rifle club scores in pencil -
Glenelg Shire Council Cultural Collection
Craft - Cotton Doyley, n.d
Part of a collection of doyleys and cloths, hand worked by Florence Millard, who won numerous prizes in local showsEmbroidered cotton doyley with crochet edging, cream, oval, yellow wattle design.domestic item, craft, handicraft, embroider, womens history -
Glenelg Shire Council Cultural Collection
Photograph - Images - Syd Cuffe, Town Crier, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Identification numbers 9217 a,b Two images of Syd Cuffe printed on one sheet of photographic paper. One shows Syd sitting on a chair, in Town Crier regalia. Other shows Syd standing at lectern in Town Crier regalia. Both photos at same function. -
Glenelg Shire Council Cultural Collection
Certificate - Certificate - Best Baby's Set Warracknabeal 49th Annual Show, Warracknabeal Herald Print, Sep-34
Certificate, blue cardboard, gold print, white insert for recipient's name. First prize awarded to Mrs. A.E. Osbourne for Best Baby's Set (all wool), at the Warracknabeal 49th Annual Show on Thursday, September 20th 1934 -
Glenelg Shire Council Cultural Collection
Clothing - Silk Christening Gown, Mrs. Grace Osbourne, n.d
Items hand made by Mrs. Grace Osbourne. She won prizes at the Warracknabeal Show and elsewhere for her hand work.Cream silk christening gown. Short sleeves, Peter Pan collar, skirt gathered on at waist, opening down front, single pearl button at waistline. Hand crocheted picot edge around all edges. Flowers embroidered on edges of collar, both sides of front opening, and around bottom gown and sleeves. -
Glenelg Shire Council Cultural Collection
Photograph, c. 1963
Sourced from Casterton Town Hall (former Shire of Glenelg)Black and white photo of Casterton Hospital. Front view, shows hospital sign.Back: Black stamp - 083826 -
Glenelg Shire Council Cultural Collection
Print - Print - Urban Gums, 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 ans 1984Laminated screenprint with three panels separated by a green border. The panels vary in size and are predominantly various shades of green. Within all panels the foreground illustrates gum tree foliage and the background shows a cloudy sky.Front: Artists Proof (lower left) Urban Gums (lower centre) R.Davies 84' (lower right) Back: 3 -
Glenelg Shire Council Cultural Collection
Print, Alcoa - Heathland, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36 -
Glenelg Shire Council Cultural Collection
Print, Dawn of an Error, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.Front: 40/60 (lower left) "Dawn of an Error" (lower centre) CJ Snook '84 (lower right) (pencil) Back: 29 -
Glenelg Shire Council Cultural Collection
Print, One Farm's History, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four images of houses displayed in a vertical layout. The top image is a close view of a yellow wall, white door and green foliage. The next image shows a pink house with purple and yellow details, a white picket fence and several large trees. The third image is of a yellow house with a red roof, white wire fence and trees. The bottom image shows a pink brick house with brown roof.Front: 20/22 One Farm's History, Tyrendarra. Carmel Wallace 1984 Back: 48 -
Glenelg Shire Council Cultural Collection
Print, The Captain Sails, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a child's drawing of a ship. The work is a red line drawing with "Michael" written in a child's hand. The image show a ship with a person standing on board and a flag above them which says 'ME'. On the left of the work is the sun.Front: (no inscriptions) Back: 49 -
Glenelg Shire Council Cultural Collection
Artwork, other - Tapestry, The Portland Fibre Group & Valerie Kirk et al, From the Land to the Sea, 1996-2004
Woven by The Portland Fibre Group, proposed for installation in the foyer of the Glenelg Shire Council Offices, opposite the entry to the Council Chambers.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms features two birds standing on grey platforms, either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of the shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale. -
Glenelg Shire Council Cultural Collection
Painting, Portland Submarine Shoe, c. 1999
Exhibition in the Arts Company in 1999?Painting of a fanciful show with chunky high heel, resting on a rocky sea bed, Shoe is fitted with portholes, and periscope like a submarine. The sea is full of stylised red fish, and more fish can be seen in the show itself.Front: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Phillip Petrie, Langley's Bridge, 1990
Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00 -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 16, Bob Stone, 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Sixth in a suite of 16 in the Admella Rescue Series. Shows head and shoulders and right arm of man on Admella, holding the hand of someone in the sea. Two bands and forearms of another person in the the sea reaching up. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859 - hand written in black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 3, Bob Stone, '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut Print. Third print in suite of 16 in the Admella Rescue Series. Shows two men on rocky shore, rough sea in background. One man on hands and knees, the other, still in water, holding a long box. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 2009 '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859' - handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Artwork, other - Engraving, North Bluff, Portland, c. 1876
... shows north Bluff Portland, back rear, sea on right, sea gulls... coloured.) The engraving shows north Bluff Portland, back rear, sea ...Purchased from Demigod Antique Prints (Malvern) at Ballarat Heritage weekend.An engraving (engroved with name 'B. Turner.' taken from a late 19th century publication thand coloured.) The engraving shows north Bluff Portland, back rear, sea on right, sea gulls foreground right. Sky grey clouds, with rays of sunlight. Wooden vessel on sand, front left, man sitting on sand leaning against it. Two small buildings, man, woman and child walking on beach. Set in cream folder, narrow green matboard.Front: Front- North Bluff, Portland -
Glenelg Shire Council Cultural Collection
Print, Ermes De Zan, Swiming Pool, 1973
Print Council of Australia Members' Print Commission, 1973Four figures swimming in a swimming pool. In the upper image there are reflected objects in the pool. The top of the image does not include the reflected object, being instead framed with a theatrical stage awning motif. These objects include a canopied shelter, rails, trees and part of a building. Four naked male figures (different views of the same figure) are swimming, jumping or standing. Foreground shows edge of pool with two deckchairs. Printed n pale blue and black inks. Mounted in cream matt with a timber frame, with glass glazing.Front: 2/15 (lower right) Swimming Pool (centre) Ermes De Zans '73 (lower left) (pencil) Back: Ermes De Zan "Swimming Pool" Etching (1973) (typed lable, upper left) 1973 (yellow sticker, upper left)