Showing 125 items matching renaissance

Kew Historical Society Inc
Journal, Kewriosity : June 1986
Kew Junction is buzzing / p1. Bold proposal for Kew Junction [Kew Junction Committee] / p1&5. Correction [garbage collection dates] / p1. Dates for June / p2&8. [Community ] Notices / p2&8. Commentary by the Mayor Cr Phyllis Hore - Survey shows that bigger is not always better [Local Government Restructure] / Cr Phyllis Hore p3. New faces at Kew Council [Elizabeth Sullivan, Children's Services Officer; Craig Midgley, Integration Officer] / p3&5. In Brief [Recreation Centre update; North Ward meeting] / p4. Profile - Cr Anne Glasson / p4. Calling Kew business people [Group Apprenticeship Scheme] / p5. Safeway expansion / p5. Q Student Gallery opens [Kew High School] / p6. [Kew Citizens'] Band News [Junior Band, Senior Band] / p6. Volunteers needed [Wurundjeri Industries] / p6. Keeping you informed [Citizens' Advice Bureau] / p6. Kew Peace Project gets grant / p7. How Kew became home for Renaissance Dance team [Ripponlea Renaissance Dancers; Helga Hill; St Paul's Anglican Church] / p7. A story with a happy ending [Dietrich Werthauer] / p7. The Probus Club of Kew / p8. Deepdene and District Inter-Church Council / p8. You can help the Salvos [Red Shield Appeal] / p8. Caring for cats (dogs and maidenhairs too!) [Animal Feeding Service] / p8. Footy news [Kew Football Club] / p8.
Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionKew Junction is buzzing / p1. Bold proposal for Kew Junction [Kew Junction Committee] / p1&5. Correction [garbage collection dates] / p1. Dates for June / p2&8. [Community ] Notices / p2&8. Commentary by the Mayor Cr Phyllis Hore - Survey shows that bigger is not always better [Local Government Restructure] / Cr Phyllis Hore p3. New faces at Kew Council [Elizabeth Sullivan, Children's Services Officer; Craig Midgley, Integration Officer] / p3&5. In Brief [Recreation Centre update; North Ward meeting] / p4. Profile - Cr Anne Glasson / p4. Calling Kew business people [Group Apprenticeship Scheme] / p5. Safeway expansion / p5. Q Student Gallery opens [Kew High School] / p6. [Kew Citizens'] Band News [Junior Band, Senior Band] / p6. Volunteers needed [Wurundjeri Industries] / p6. Keeping you informed [Citizens' Advice Bureau] / p6. Kew Peace Project gets grant / p7. How Kew became home for Renaissance Dance team [Ripponlea Renaissance Dancers; Helga Hill; St Paul's Anglican Church] / p7. A story with a happy ending [Dietrich Werthauer] / p7. The Probus Club of Kew / p8. Deepdene and District Inter-Church Council / p8. You can help the Salvos [Red Shield Appeal] / p8. Caring for cats (dogs and maidenhairs too!) [Animal Feeding Service] / p8. Footy news [Kew Football Club] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters
Kew Historical Society Inc
Journal, Kewriosity : April 1984
Information sharing in Kew - Public Meeting (Kewriosity Editorial Committee] / p1. Hay's Paddock - something for everyone / p1. Kew Citizens' Band Concert Tour / p2. 3MBS-FM: Kew's own radio station / p2. Community artists / p2. Public meeting [Shrublands, Children with disabilities] / p2. Financial counselling [Care Force, Citizens' Advice Bureau] / p3. Kew Recreation Centre / p3. Children's Services / p3. Fires and incinerators / p4. New Building Regulations / p3. Eggshell spectacular [Kew Library] / p3. Kew East Primary School [history] / G.F. Lindsay p4. Heritage Week - Historical Photograph Collection / p5. Renaissance dancing / p5. K.G.C. leaves no stone unturned [Kew Garden Club] / p5. Native Plant Group / p5. Exercise the rhythmic way / p5. Kew Young Liberals / p5. Rheumatism and arthritis / p5. Traffic management / p6. Drivers and jockeys wanted [Meals on Wheels] / p6. Delivering Kewriosity / p6. Hyde Park Fellowship / p6. Rate payments / p6. Information officer / p6. Trash and treasure [Carnsworth Garoopna] / p6. Youth Resource Centre / p7. Kew City Bowmen / p7. Scrabble [The Scrabble Club] / p7. Billabong Club / p7. Kew (Daytime) Garden Club / p7. Mayoral Comment - Media Merger; Role of Council / Cr Jill O'Brien, Mayor [of Kew] / p8. Coming events / p8.
Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionInformation sharing in Kew - Public Meeting (Kewriosity Editorial Committee] / p1. Hay's Paddock - something for everyone / p1. Kew Citizens' Band Concert Tour / p2. 3MBS-FM: Kew's own radio station / p2. Community artists / p2. Public meeting [Shrublands, Children with disabilities] / p2. Financial counselling [Care Force, Citizens' Advice Bureau] / p3. Kew Recreation Centre / p3. Children's Services / p3. Fires and incinerators / p4. New Building Regulations / p3. Eggshell spectacular [Kew Library] / p3. Kew East Primary School [history] / G.F. Lindsay p4. Heritage Week - Historical Photograph Collection / p5. Renaissance dancing / p5. K.G.C. leaves no stone unturned [Kew Garden Club] / p5. Native Plant Group / p5. Exercise the rhythmic way / p5. Kew Young Liberals / p5. Rheumatism and arthritis / p5. Traffic management / p6. Drivers and jockeys wanted [Meals on Wheels] / p6. Delivering Kewriosity / p6. Hyde Park Fellowship / p6. Rate payments / p6. Information officer / p6. Trash and treasure [Carnsworth Garoopna] / p6. Youth Resource Centre / p7. Kew City Bowmen / p7. Scrabble [The Scrabble Club] / p7. Billabong Club / p7. Kew (Daytime) Garden Club / p7. Mayoral Comment - Media Merger; Role of Council / Cr Jill O'Brien, Mayor [of Kew] / p8. Coming events / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters
Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.
Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture
Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.
Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture
Mrs Aeneas Gunn Memorial Library
Book, McMillan and Co, The life of Benvenuto Cellini, 1908
You should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novel
Index, p.450.non-fictionYou should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelart - italy - history, artists - florence - biography