Showing 466 items matching scalloped
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Bendigo Military Museum
Souvenir - HANDKERCHIEF, SILK, c.1914-18
Item relates to H E HEWSTON No 40, 3rd Pioneer Battalion AIF. Refer Cat No Cat No 2759.2 for his service history. Part of the HEWSTON collection WW1 & WW2.Square cream silk handkerchief with a scalloped lace edging heavily embroidered with coloured flowers & a blue bird.Embroidered: “Souvenir of Belgium 1914-18 War AIF”costume accessories, military history - souvenirs, belgium, silk -
Cheese World Museum
Toilet set, bowl, R Fowler Ltd
Used by the Percy Uebergang family of Tooram Park, Allansford. Cheeseworld museum has a photograph (P0127)of Ray Uebergang, aged approxiamately six months, sitting in this bowl. His twin Joyce is sitting in a striped bowl, also in the collection. Large white china bowl with fluted rim. The scalloped design dips down the sides and into the centre of the bowl.H1809 Trademark: crouched archer R Fowler Ltd Australiauebergang, allansford, tooram park, ablutions, toilet sets, bowls, fowler r -
Friends of Westgarthtown
Doily
Circular crochet doily with scalloped edges, in 12 parts. Consecutive circular patterns radiating from the centre.No visible markingshandcraft, crochet, doily, mat, handcrafted -
Kew Historical Society Inc
Househild Textile, Hand Towel
White huckaback scalloped rectangular hand towel with hand-crotched edges either end. Punctured holes. household textiles, hand towels, crochet -
Maryborough Midlands Historical Society operating the Worsley Cottage Museum
Ceremonial cape, 1990s
The now defunct Golden Wattle Festival was celebrated each Spring in Maryborough, and was an important part of the town's cultural history.The cape forms part of the Golden Wattle festival collection of memorabilia held by the society.Gold lame cape or cloak with collar (tied with bow) and train. Scalloped edges are decorated with diamente borders. -
Mont De Lancey
Textile - Doily
Small round floral embroidered doily in blue, purple and green. Has a white scalloped embroidered edge.doilies -
Mont De Lancey
Textile - Doily, Unknown
A round cream linen doily with khaki coloured floral embroidery, open cut pattern and a scalloped edge.doilies, table linen, furniture accessories, soft furnishings -
Whitehorse Historical Society Inc.
Textile - Doyley
Round white cotton doyley decorated with cut out embroidery. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen -
Whitehorse Historical Society Inc.
Textile - Doyley
Square white cotton doyley with centre flower embroidery in white. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen -
Glenelg Shire Council Cultural Collection
Functional object - Apron, 1900-1920
Scalloped edged white maid's apron, bib attached. Checked fine lawn. Cotton backing on edge. -
Glenelg Shire Council Cultural Collection
Clothing - Apron, 1900-1920
Scalloped edged white maid's apron, bib attached. Checked fine lawn. Cotton backing on edge. -
Glenelg Shire Council Cultural Collection
Souvenir - China Scallop Dish, Westminster, Australia, n.d
White fine china Westminster scallop dish with gold rim and coloured decal of Gardens Cottage, Portland.Front: 'GARDENERS COTTAGE EARLY 1800 PORTLAND - VIC' Back: Makers stamp 'Fine china WESTMINSTER AUSTRALIA' -
Flagstaff Hill Maritime Museum and Village
Textile - Doily, c. 1910
This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. Doily, lozenge shape with floral embroidery and crocheted scalloped edge. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery -
Mont De Lancey
Domestic object - Oval Platter, Wilkinson's, Unknown
families served food on platters such as this. A medium sized cream coloured octagonal vintage porcelain serving platter with a scalloped edge and flounced embossing.'Wilkinson's Royal semi-porcelain England' printed inside a crest with a crown.serving platters, kitchen equipment, dinnerware, tableware -
Whitehorse Historical Society Inc.
Clothing - Collar
Fine cream cotton lace collar with scalloped edges. Raised round flower pattern as part of design.costume accessories, collar accessories -
Clunes Museum
Domestic object - HOT WATER BOTTLE COVER, APPROX 1920
WHITE LINEN EMBROIDERED HOT WATER BOTTLE COVER,SCALLOPED EDGE, DRAW STRING COTTON TAPEW HULLlocal history, hot water bottle cover -
Kew Historical Society Inc
Clothing - Two Piece Iridescent Silk Day Dress, 1860s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece olive green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s -
Kew Historical Society Inc
Clothing - Two Piece Pale Green Silk Day Dress, 1860s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece pale green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. 1860-70. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s -
Whitehorse Historical Society Inc.
Clothing - Dress, 1920s
Belonged to donor's aunt or grandmother. She was born in 1888 and lived in Rooks Road, MitchamCream sleeveless round neck shift dress. Pink embroidery, 9 fine pintucks from neck to below hipline. Embroidered scallop flaps overlaid in three tier to scalloped hemline. Hipline has two horizontal darts. Embroidered halfmoon pink shape around waistlinecostume, female -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, assorted metal pastry cutters 20thC, 20thC
The early settler women of Moorabbin Shire managed the household while their market gardener husbands cultivated the produce to be sold at the market Normal daily life involved washing clothes, ironing, cooking meals and baking cakes, scones, bread, and pastries. whilst caring for the children and making and mending the family's clothes The early settler women of Moorabbin Shire had to be self sufficient and were skillful cooks providing meals for their familiesAn a assortment of metal pastry, biscuit and scone cutters and tartlet tins with straight and scalloped edges in original condition with no repairs. kitchen equipment, cooking, baking, early settlers, pioneers, moorabbin shire, bentleigh, cheltenham, market gardeners, farmers, -
Phillip Island and District Historical Society Inc.
Photograph, 11/1969
Part of a collection presented and donated by Mrs Helen Jansson. Second Phillip Island Bridge to Sand Remo. Opening 21/11/1969.Close-up with Tea Tree in middle foreground - scalloped edges. Second Phillip Island Bridge to San Remolocal history, photography, photographs, slides, film, civil engineering, bridges, phillip island bridge 1969, coloured photograph, mrs helen jansson, second phillip island bridge 1969 -
Kew Historical Society Inc
Clothing - Pink Polyester Nightdress, Leon Worth, 1950-1989
Self patterned pink polyester nightdress featuring a scalloped hemline. Manufacturer: Leon Worth, Australia. Size 12.women's clothing, nightwear, nightdresses, leon worth -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1910
White Embroidered Scallop (Buttonholed) edge Table Runner. Each end embroidered basket with flowers and bow on handle. stawell clothing material -
Bright & District Historical Society operating the Bright Museum
Plate
Reconstructed, but incomplete, ceramic dinner plate. Blue floral design around scalloped rim - Asiatic Pheasants design."Asiatic Pheasants" inside a floral surround. dinner plate, tableware, ceramic, asiatic pheasants, aldo gios -
Bright & District Historical Society operating the Bright Museum
Bowl, Fruit
Silver bowl on stand with round base, and with a scallop pattern. The bowl has a dot and diamond pattern around the edge.E.P.A.I.N.S.silver, bowl, fruit stand, tableware -
Orbost & District Historical Society
lace, late 19th-early 20th century
Australian women of the late 19th to mid 20th century focused on the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture. Embroidery and crochet work provided a much needed creative outlet for someSeven pieces of lace of fine cotton possibly dyed or stained. All but one are straight edged. .1 is scalloped.lace handcraft crochet needlework -
Orbost & District Historical Society
dish, 1930's
A shallow silver dish with scalloped edges. It has handles on each side. The handle is broken and has a bakelite insert.Base - A1 inside a circle EPNS A Phoenix PRODUCTsilverware tableware dish phoenix -
Churchill Island Heritage Farm
Textile - Lace Trim
A broad and luxurious lace this length would be a beautiful trim on a lady’s gown. It appears to be a copy of a Carrickmacross Irish lace where - when handmade - the motifs are embroidered onto a muslin and net sandwich and the excess muslin is cut away. This 142.5cm length however is machine made and was very likely made on a Leavers machine which was another adaptation from John Heathcoat’s machine with the Jacquard patterning device being adapted to it in the 1830s. It was developed by John Levers in Nottingham but the ‘a’ was added to the name for ease of pronunciation in France. The Leavers machine is one of the most versatile of all machines for making patterned lace and Leavers lace was Nottingham’s chief lace product until recently.The Amess family owned Churchill Island from 1872 to 1929Length of lace trim with scalloped edge and straight selvage edge, floral design on net ground. Machine madechurchill island, lace, janet amess lace collection, trim, amess -
Coal Creek Community Park & Museum
Gloves, Ladies' or Child's fingerless long gloves, Circa 1900's
Ladies' or possibly child's crocheted long fingerless gloves with the thumb hole only, cream in colour with scalloped edge. -
Coal Creek Community Park & Museum
Door Hook
Grey bronze door hook, scallop design on inside, has two bends, one large and one medium