A PHOTOGRAPH OF THE YANKEE QUARTZ MINE IN CLUNES.1 SEPIA PHOTOGRAPH OF THE YANKEE QUARTZ MINING COMPANY, REGISTERED, CLUNES. .2 .3 SMALL PHOTO PRINTS OF SEPIA PHOTOGRAPH local history, photography, photographs, mining

Photo shows tin shed with name on front Spion Kop store and My William in background man in centre of photo! copy B/W 1 copy sepiabuildings, shops, mining, gold mining

Black and white (sepia) photograph of the 4-masted barque Herzogin Cecilie in full sail in the English Channel on June 4, 1926. The photographer was E.G. Hammersley. Photograph, black and white (sepia), of 4-masted barque Herzogin Cecilie. Reverse side states “4 masted Bqu. - taken in English Channel, June 4 1926 by E.G. Hammersley.” Reverse side states “4 masted Bqu. - taken in English Channel, June 4 1926 by E.G. Hammersley.” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, photograph, sailing ship herzogin cecilie, sailing ship in english channel 1926, e.g. hammersley, sailing ship 1926

Sepia Photograph of Stabb and Fair Coachbuilders Corner of Main and Wimmera Streets. Row of workmen and horse drawn coaches in the street. 1890's. This buisness was started by Mr. Aldred, who came to Stawell in 1874. Mr Stabb had served his apprenticeship in Ballarat with mr Aldred. Some time later Mr Stabb took over.Sepia Photograph of a weatherboard factory with a row of workmen and horse drawn vechicles i the street.Sign above the Factory. STAWELL COACH FACTORY J.H. STABB COACH BUILDER WHEELWRIGHT on both sides of stawell industry, j.h. stabb, coach builder

The photograph printed on this postcard comes from the collection of the Mitchell Library in Sydney. It is sepia in tone and depicts seven men standing and sitting around a mine shaft in the Beechworth region. The photograph has been dated to approximately 1872. This period in history post-dates the Victorian gold rushes which occurred 1852-1853 in Ballarat, Bendigo and Beechworth. During this period, in the 1870s, the surface alluvial gold had been discovered and removed from location. Therefore, in order to reach the deeper and less accessible alluvial gold, diggers began to dig shafts into the earth. These shafts sunk below the ground level by 20 to 30 feet and required timber structures around the entrance and winches to bring the paydirt to the top. The top of this wooden structure is visible behind the man standing in the upper right of the image. This type of mining was highly dangerous as mines often caved in which injured the minors and often resulted in death. Thus, following this period, in the early 1900s, miners opted instead for hydrolic slucing which cut away the earth without the devastating consequences of a mine cave in. This particular group of miners appear to have been unable to afford a horse (then worth around 50 pounds) which were generally used at mines like this to help pull buckets attached to ropes up and down the mine. Instead, this group brought the buckets up and down by windlass. The windlass was a wooden structure mounted over the mining shaft and fitted with a hand-cranked winch which enabled the bucket attached to the rope to be brought up and down.Gold was first discovered in Beechworth in Spring and Reid's Creek in the summer of 1852-1853. At its popularity, this region had approximately 8000 people on the gold fields searching for gold on the banks of these creeks. These periods did not require the use of heavy machinery or the digging of deep mining shafts like the one depicted in this image. Therefore, this image has important connotations for the technologies associated with mining during the approximated 1870s when gold was harder to access. This is a later period in gold history which does not fit into the "gold rush" period. Instead, it occurred after the surface gold had disappeared and therefore, is essential for researchers who are investigating the mining techniques and structures used to reach the alluvial gold which was located deeper under ground in the 1870s. This period predates the use of big heavy machinery used to mine in the 1900s which include dredges. Images such as this one can also impart essential information as to the wardrobe and fashion of men during this period. It also imparts knowledge about the landscape of Beechworth which is useful for people researching the environment and impact of gold mining in the north-east region of Victoria. In addition, since this image is a postcard reproduction of an early Australian image which may date to approximately 1990 it can impart knowledge as to the interests of people during this time period when there may have been an increase into Australian history.A sepia tone facsimile of an early Australian photograph (circa 1872) printed as a postcard.Obverse: BEECHWORTH / Victoria, Australia / Reverse: GM 2 3275 / CORRESPONDENCE / AUSTRALIAN / YESTERYEAR / CARDS / ADDRESS / Published by George Symons (057) 65 3240 / THE MINEHEAD C. 1872 / The easily gleaned gold of the early fields did / not last very long. In order to reach less / accessible alluvial gold diggers began sinking shafts as much as twenty to thirty feet down / and the mines required timbering and winches / to bring the paydirt to the top. / This syndicate has been unable to afford the / luxury of a horse (about 50 pounds) and so everything / must go up and down by windlass and rawhide / bucket. / Photo: Mitchell Library, Sydney / A sepia tone facsimile of / an early Australian photographmining album, gold mine, beechworth, burke museum, mine shaft, postcard, australian yesteryear cards, george symons, the minehead, gold fields, alluvial gold, early australia, c.1872, 1872, gold diggers, north east victoria

Also sepia copy 10x15cm, black and white copies 10x17cm, and 14x24cmSepia coloured small format postcard of the Western wharf, Lakes Entrance, Victoria. It shows the pier variously called the Post Office Jetty, Freemans Jetty, as the steamer leaves. Smaller vessels moored beside jetty. Shoreline edged with bluestone, wooden tree guard surrounding young memorial cypress tree. Lakes Entrance VictoriaThe Pier Lakes Entrancememorials, jetties, waterfront, ships and shipping

Taken during the construction of the Bethanga Bridge (1927-1930), this sepia photograph shows a view of the incomplete bridge taken from inside the structure and looking down the span of the bridge from where the photographer stands. The photograph depicts an incomplete deck, with loose-looking wooden planks/panels lain along the centre in groups of three. Once complete, the original decking of the bridge was made of timber before being replaced by cement in 1961 (Victorian Heritage Database).Bethanga Bridge is of historical significance to the Indigo Shire for its associations with the construction of Hume Dam, its associations with the River Murray Waters Agreement and the River Murray Commission, and illustration of the needs and influence of the farming communities along the river in this area - particularly in relation to the building of the Weir. It also represents the collaboration between New South Wales and Victoria on a large infrastructure project, being the only built structure shared by both New South Wales and Victoria due to its location. also reflecting on the Shire's geographical closeness to this neighboring state. This photograph is part of a series that documents the construction of this well-known heritage site of significance to the Indigo Shire. It reflects upon a period of growth and change in the area.Sepia, rectangular photograph printed on matt photographic paper, unmountedReverse: 1997.3190 / Another snap of the bridge. taken on the bridge showing huge steel sides / 84-19-4 / V [in circle] 354 / KODAK PRINTbethanga bridge, hume dam, bridges album, construction, road construction, hume weir

3 photographs (2 large black and white, 2 small- 1 black and white, 1 sepia) Written on all photographs, "View at Ringwood" Typed below large photograph: "Main St looking east. Right hand side of gully now Ringwood Lake. Written on back of sepia print: "1870, Sandy Creek now Ringwood Lake"

A folded cardboard printed Christmas card with paper insert from a soldier stationed in Egypt. The card has a small, sepia coloured photograph of an Egyptian scene showing some pyramids attached to the front and has a ribbon tied in a bow threaded through the cover and insert. A handwritten note "Wishing you a merry Christmas and a bright New Year with best love and wishes" is written on the insert opening, on the opposite side of the insert opening is a printed message wishing the recipient a merry Christmas. The card is addressed to Dear Rene from Les Suitor, dated November 14th, 1915.The card front page is printed in sepia tones: "Greetings from a soldier boy in Egypt", "1915 - 1916".

SEPIA COPY OF PHOTOGRAPH OF HANNAH SHRIGLEY NEE PARKER (5TH FEB. 1835 - 19TH APRIL 1899). BORN IN LIMERICK, IRELAND. MARRIED IN MELBOURNE 12TH JAN. 1855 TO JOHN ALFRED SHRIGLEY.PHOTOGRAPH - SEPIA COPY OF HANNAH SHRIGLEY [NEE PARKER] 5th FEB.1835 - 19th APRIL1899. BORN IN LIMERICK, IRELAND. MARRIED IN MELBOURNE 12TH JAN. 1855 TO ALFRED SHRIGLEY.HANNAH SHRIGLEY NEE PARKER (5TH FEB. 1835 - 19TH APRIL 1899) BORN IN LIMERICK, IRELAND. MARRIED IN MELBOURNE 12TH JAN. 1855 TO JOHN ALFRED SHRIGLEYlocal history, photography, photographs, crick, shrigley, mc lennan, lazarus

A digital copy of a sepia photograph of Arthur Dickinson aged 6. Arthur built Marysville House in the late 1920s and they ran it as a guest house. Marysville House was the only guest house in Marysville to have survived the 2009 Black Saturday bushfires. It is now the private residence of Peter and Linda Dickinson.A digital copy of a sepia and white photograph of Arthur Dickinson aged 6. Arthur built and owned Marysville House along with his wife Grace.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, photograph

taken at their home Inglewood Punt Rd Metung Victoria. Also a sepia toned photograph of all ten children of James and Marion Howlett taken in 1901 c taken at the family home Inglewood Punt Rd Metung by P HancockSepia toned photograph showing James and Marion Howlett with their children Marion, Eva, Arthur, Ethel, Mabel, Maud, Herbert and Alfred . plus two other photos of same family genealogy, families

also Black and white copy 10 x 12|also Sepia toned copy 10 x 15Sepia toned small format postcard of the steamer Gippsland leaving Kalimna Jetty, Gippsland Lakes Victoria, also showing boat ramps beside jetty, three rowing boats moored at lower landing, persons pushing trolly along jetty, Navigation light on jetty, rustic jetty and small boat in background. Lakes Entrance VictoriaKalimna Jetty Gippsland Lakesjetties, waterways, ships and shipping

Also new sepia print 10 x 15 cm. See also Peter Synan's book 'Highways of Water'Sepia photograph showing paddle steamer Tanjil at Latrobe Wharf. Swan Hotel on left and Victoria Hotel on right. Timber stacked on wharf. People on wharf and in small boats on river on left, taken from opposite side of Latrobe River. This scene is immediately downstream of present swing bridge on Latrobe River. Sale Victoriaboats and boating, jetties, hotels

2 photographs- 1 sepia copy on cardboard backing, 1 larger black and white copy.Written on back of sepia copy: "Ringwood Show at old hall, Ringwood East." Photo by Frazer & Vallance. Salisbury Buildings, C/o Bourke & Queen Sts, Mellbourne. Typed below black and white copy: "Celebration held at Ringwood Hall, Mt.Dandenong Rd,1908. Hall burnt down 1909."

The photograph on the obverse side of the postcard was taken some time between 1914-1918. Depicted are five unidentified Australian soldiers. They are all dressed in military uniforms. It is believed that these soldiers were part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Another characteristic of the Australian Imperial Force uniform are rectangular colour patches. One is visible on the soldier in the front row, first from the left on this postcard. In March 1915, a new scheme of unit identification was devised to replace the wearing of unit titles. This consisted of cloth colour patches on the right arms of a soldier’s tunic. The sepia nature of the record means that we cannot determine the colour, and therefore cannot establish which battalion this soldier was part of. Furthermore, the man seated in the middle of the front row has an Overseas Service chevron patch on his coat. In January 1918, the Australian Imperial Force approved the wearing of the overseas service chevrons which had been adopted by the British Army. These were embroidered or woven inverted chevrons worn above the cuff on the right arm. Due to a shortage of supply, some men had chevrons privately made. For each year of war service, a blue chevron was awarded, and those men who had embarked in 1914 received a red chevron to indicate that year’s service; however, the sepia nature of the postcard makes it difficult to determine what colours are on this man's patch.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on paper.Reverse: CARTE POSTALE / hyossest (?) / 6538 /military album, army, aif, australian imperial force, postcard, wwi, world war i, portrait, soldiers

Sepia photo taken c.1890 of Charlton's first fire station. Fire station replaced in c.1930 with a £1200 Fire Station after inspection by Chief Officer Chellew. A wooden fire station with a tall bell tower. In front are 19 brigade members. There is also a horse drawn fire cart in front with 6 members on. 4 members have two hand drawn fire carts which are ready to roll out. Firemen are dressed in uniform.The sepia portrait photo is mounted on green card. Both the card an photo show extensive damage."Fire Station" across the front of buildingcharlton fire station, charlton, fire, charlton fire brigade

The main sepia photo is Francis A Burchnall VX58285 POW. The small inset photo is Francis R Burchnall 1666 and VX64477 WW1, WW2, POW WW2. Refer Cat No,s 1116P and 1117P for their service details.Main photograph sepia tone of a soldier in uniform minnus a hat, small B & W photo glued on top left hand corner, frame is metal with a plastic covering protecting the main photo, Small photo is not protected.“Vincent Kelly Bendigo”photopaper, framed, pow, sandakan

Nov 17th, Miss Alice Osborne (teacher) Children Back Row small boy Tom Wood, Syd Monk, George D'Alton, 2 McDonalds, Will D'Alton, 2 Woods, Mrs Alice Osborne and J D'Alton Front Sandy McDonald, Wood, 2 McDonalds, @ D'Altons (Clare and Amy)House of D'Altons and school House Students and teach in photo3 large copies (one sepia) and 1 smaller copyeducation, schools, silver springs

Photograph (3 copies- 2 large black and white, 1 sepia postcard) Typed below one of the photographs, "Maroondah Highway looking west. Shops to right now Eastland carpark. Shops in centre are opposite station entrance" Typed below other copy: "Main St. looking west. Adelaide St corner on right. c1924." Typed on sepia postcard copy: "Main Street, Ringwood, Victoria. Valentines Series. M4801."

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Sepia photograph of school students with John Brown, Head Teacher (1889-1906) John Brown died 23 Sept 1906 after a short severe illness at age 55 and is buried in Box Hill Cemetery (Evelyn Observer 28 Sep 1906 p2). The book "We did open a school in Little Eltham" incorrectly states his date of death as 16/12/1906.Sepia photograph mounted on card Roll of 35mm black and white negative film, 3 strips Kodak Safety 5062 (copy of print)schools, eltham, john brown, class photo, eltham state school no. 209

Sepia photograph of W. Curnow's store in 1877 in the High Street. Various goods hang from the front wall. Two men and two young girls stand out front. W. Curnow died in 14th of September 1919. His daughters were S. Procter, L. Dew and Son Clive Curnow.Sepia photograph of W. Curnow's store in 1877 in the High Street. Various goods hang from the front wall. Two men and two young girls stand out frontshops, business, curnow, charlton

Table croquet game set, comprising four wooden mallets and balls, 2 wooden markers and two wire hoops.Cardboard box containing table croquet set ( four wooden mallets and balls, 2 wooden markers and two wire hoops)Faded sepia photograph of kittens on lid; "Grandma" written in ink on backgames, croquet game

An early photograph of a miner and his family standing outside their tent in the Australian bush.An early sepia photograph of a miner and his family standing outside their tent in the Australian bush. This postcard was produced by George Symons as a souvenir of Marysville.AUSTRALIAN/ yesteryear/ CARDS P7 CORRESPONDENCE ADDRESS IN THEIR SUNDAY BEST c. 1880 A miner's family dressed in their Sunday best/ outside their tent dwelling./ Despite the difficulties of tent life the woman/ has brought her touch to the camp and is still/ able to dress her family immaculately for their/ Sunday stroll down the track. Photographer Unknown A sepia tone facsimile of/ an early Australian photographmarysville, victoria, mining life, australia, george symons, postcard, souvenir

August 1977 Third Year Photos - Six sepia photos- Nurses have red stripes on Cap this means finals passed but still time before RN captails worn. 6 Photos of Nurses in hospital environment in various activities6 Sepia Photos - 1st Nurses checking medication 2nd Group of Nurse some seated and some standing. 3rd Nurse with patient in bed with broken leg. 4th Nurse holding child. 5th Nurse standing over bed with equipment. 6th Nurse with patient in red robe. nursing history, nursing training