Donated by Carine Williams Wettenhall in 1991 for the Centenary Year.Sepia photograph.Draught horse with cartload of hay and 2 men working.On reverse, "Tom. Mr. Russ second in command on the hay. 1929." draught horse, hay, men, carine williams (née wettenhall), 1991, centenary, 1929, tom, mr russ, agrostology

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Black and white photograph. 5 female students seated outside the Pavilion. On reverse, "Carine Wettenhall, Pat McVickar and others 1929."female students, pavilion, pat mcvickar, carine williams (née wettenhall), 1991, centenary, 1929

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Black and white photograph. 5 female students standing under or on top of the "Langwarrin" sign.On reverse, "An excursion to Langwarrin 1929."female students, langwarrin, excursion, carine williams (née wettenhall), 1991, centenary, 1929

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph. A group of 12 female and 2 male students seated and standing on the lawn.On reverse, "The Seniors in 1929."female students, students, carine williams (née wettenhall), 1991, centenary, 1929, 1929 year group

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph of 2 women standing on the lawn beside a palm.On reverse, "Miss Allender (left) our lady boss (and a real lady too) and Matthews 1929."Dorothy Allender (staff), O. Matthews (1930).women, lawn, dorothy allender, staff, o. matthews, carine williams (née wettenhall), 1991, centenary, student

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph of George Russ Standing in a garden bed of dahlias.On reverse, "Mr. Russ (our Garden Boss) - a good disciplinarian and needed to be! 1929"garden beds, carine williams (née wettenhall), 1991, centenary, 1929, george russ, dahlias, staff

Note by T.H. Kneen, "The main entry to the Pavilion is surmounted by the small bell tower," and by E.B. Littlejohn, "Staff assembled under the bell tower waiting the bell to sound before moving off for home circa late 1930's."3 copies black and white/sepia photograph of the Pavilion. Lily ponds in the foreground. (1) On reverse of larger copy, "1909." (2) On reverse of second copy taken by A.P. Winzenried for consideration for inclusion in, "Green Grows Our Garden.", "The old pavilion (pre cement Admin building) Pre 1940's."lily ponds, 1909, pavilion, bell tower, a.p. winzenried, green grows our garden, luffmann ponds

An e.21st century digital print on foamcore, of an original l.19th century sepia photographic print. Image features an informal group portrait of young men and women, on a tennis court. All subjects are holding a tennis racquet. Materials: Foamcore, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features a group portrait of men and women, some of whom are holding tennis racquets. This image possibly depicts members of a tennis club in Wales. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original l.19th century sepia photographic print. Image features a group of men, women and children, sitting on, around, or standing above a flight of steps, in front of a large mansion. Most of the participants are holding tennis racquets. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features an informal group portrait of men, women, and children. The teenaged boys wear blazers, and are holding tennis racquets, whilst the younger boys wear sailor suits. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features an informal group portrait of men, women, teenage girls and a boy. Many of the girls hold tennis racquets. A neo-classical sculpture of a maiden features behind the subjects. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features a group portrait of men, women, and children. Some of the subjects hold tennis racquets, whilst one lady holds a croquet mallet. Behind the subjects is a wooden pavillion. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original l.19th-e.20th century sepia photographic print. Image features a group of men and women, with a child and dog, seated, or standing in a wooded field, in front of a large mansion. Most of the participants are holding tennis racquets. Signature of photographer 'BACMNER' features at lower left of print. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original 1886 sepia photographic print, and of the paper label beneath. Image features a group of men, women, and a child, seated or standing along a wall, continuing up the stairs located behind it. Many of the participants are holding tennis racquets. Image was taken in Hyderabad, British India. Inscription across the label section below: HYDERABAD WEEK. 1886. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

peter stirling collection, eltham, fred orford, montmorency, postcard, tom smart, william mcdonald

Josiah Earl BARNES (Australian, 1858–1921) was a noted WW1 photographer who took many photographs of departing troopships and men. The Australian War Memorial holds around 1,436 negatives and prints by J.E. Barnes. His daughter, D. Barnes (married name Smyth) was also a photographer and lived in Diamond Creek from around 1910 to circa 1940.david smyth collection, cottles bridge

Josiah Earl BARNES (Australian, 1858–1921) was a noted WW1 photographer who took many photographs of departing troopships and men. The Australian War Memorial holds around 1,436 negatives and prints by J.E. Barnes. His daughter, D. Barnes (married name Smyth) was also a photographer and lived in Diamond Creek from around 1910 to circa 1940.david smyth collection, yarra glen, yarra river

Josiah Earl BARNES (Australian, 1858–1921) was a noted WW1 photographer who took many photographs of departing troopships and men. The Australian War Memorial holds around 1,436 negatives and prints by J.E. Barnes. His daughter, D. Barnes (married name Smyth) was also a photographer and lived in Diamond Creek from around 1910 to circa 1940.david smyth collection, eltham, warrandyte, yarra river

Josiah Earl BARNES (Australian, 1858–1921) was a noted WW1 photographer who took many photographs of departing troopships and men. The Australian War Memorial holds around 1,436 negatives and prints by J.E. Barnes. His daughter, D. Barnes (married name Smyth) was also a photographer and lived in Diamond Creek from around 1910 to circa 1940.david smyth collection, pound bend tunnel, warrandyte, yarra river

Josiah Earl BARNES (Australian, 1858–1921) was a noted WW1 photographer who took many photographs of departing troopships and men. The Australian War Memorial holds around 1,436 negatives and prints by J.E. Barnes. His daughter, Beatrice Dorothy Barnes (married name Smyth) was also a photographer and lived in Diamond Creek from around 1910 to circa 1940.david smyth collection, warrandyte, warrandyte battery, yarra river

Josiah Earl BARNES (Australian, 1858–1921) was a noted WW1 photographer who took many photographs of departing troopships and men. The Australian War Memorial holds around 1,436 negatives and prints by J.E. Barnes. His daughter, Beatrice Dorothy Barnes (married name Smyth) was also a photographer and lived in Diamond Creek from around 1910 to circa 1940.david smyth collection, warrandyte, pound bend tunnel, yarra river

Josiah Earl BARNES (Australian, 1858–1921) was a noted WW1 photographer who took many photographs of departing troopships and men. The Australian War Memorial holds around 1,436 negatives and prints by J.E. Barnes. His daughter, Beatrice Dorothy Barnes (married name Smyth) was also a photographer and lived in Diamond Creek from around 1910 to circa 1940.david smyth collection, warrandyte, yarra river

Josiah Earl BARNES (Australian, 1858–1921) was a noted WW1 photographer who took many photographs of departing troopships and men. The Australian War Memorial holds around 1,436 negatives and prints by J.E. Barnes. His daughter, Beatrice Dorothy Barnes (married name Smyth) was also a photographer and lived in Diamond Creek from around 1910 to circa 1940.david smyth collection, warrandyte, yarra river