Coloured slide transparency. Image is of a male standing in front of a bench wearing a white lab coat. He is holding a syringe in front of a machine. To the left of the machine is a printer with graphs spilling out towards the floor. The words Organic lab McCrae St Peter Ellis using Gas Chromat are handwritten along the bottom border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Coloured slide transparency. Image is of a male standing in front of a bench wearing a white lab coat. He is holding a syringe in front of a machine. To the left of the machine is a printer with graphs spilling out towards the floor. The words Organic lab McCrae St Peter Ellis using Gas Chromat are handwritten along the bottom border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Coloured slide transparency. Image is of a male reclining in a chair. He is wearing a white robe over a brown shift. A brooch is pinned to his left shoulder and he has a bracelet on his right wrist. He is holding a bunch of grapes. On the lower edge of the white border the words Roman Toga Ball have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Coloured slide transparency. Image is of a car parked in a bush setting off a road. The car is a light coloured FJ Holden and is parked on dirt amongst low scrub and trees in the background. The words The car used to map the Whipstick are handwritten along the top border and the words The Whipstick Car Aug 31st 1974 are handwritten along the bottom border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Colour slide in a mount. Image from a magazine of Sarasota High School (1958-1960), Sarasota, Florida, USA. (Architect: Paul Rudolph.)Made in Australia / Encircled 7 (Handwritten)slide, robin boyd

Beechworth's Anglican Church, Christ Church St Peter and St Paul, has served the Beechworth community since 1858 in its present form, following its beginnings in a tent in 1855. The Victorian branch of the National Trust classified the building as regionally significant in 1959 and the organ as of significance to the nation in 1992. Building a place for Anglican worship was a priority in the early days of Beechworth's settlement as the town was a site of regional administration due to its association with the economic and social expansion of Victoria during the Gold Rush period. The Church garden features several significant trees monitored by the Beechworth Treescape Group, including a cork oak growing near the Ford Street entrance, an Atlantic cedar, a bunya or bunya-bunya pine and two kurrajongs. Some of these long-established trees may be visible in this lantern-slide image. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: 1 /beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, christ church, indigo shire, north-east victoria, churches, architecture, anglican, religion, atlantic cedar, organ, magic lantern, christ church st peter and st paul, beechworth treescape group, cork oak, bunya pine, bunya bunya, kurrajong, quercus suber, cedrus atlantica f. glauca, araucaria bidwillii, brachychiton populneus

Coloured slide transparency. Image is of a bush area. There is dense medium scrub in the background and dense low growing flowering yellow wattle in the foreground. The words, Wherrakee Wattle Regeneration Lot 18 (Robertson) are handwritten along the bottom border and the words 'Bagshot area Clear area in background was originally cropped. Wattle area was not.' are handwritten along the top border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Diggers & Mining: The Diggers. 2 images on one slide. 1st image: woman in uniform in front of Auastralian flage, caption: 'Were YOU there then?' 2nd Image woman with her daughter, caption: God bless dear Daddy who is fighting the Hun and send him help. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 20. Used as a teaching aid.Visaireducation, tertiary, war

Barbara Hermans 1988 Entrant No. 77 Ref: Series 34, Items 98 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, barbara hermans, diamond valley vineyards, scan - 35mm positive, st andrews

Colour slide in a mount. Image from a magazine of the interior, apartment, Quamby flats, Glover Court, Toorak, 1940-1. (Architect: Roy Grounds.)Made in Australia / G9 (Handwritten) / 17 (Handwritten)slide, robin boyd

Colour slide in a mount. Image from a magazine of Quamby Flats, Glover Court, Toorak, Victoria, Australia (1941-1942). (Architect: Roy Grounds.)Made in Australia / Encircled 47 (Handwritten) / 1A (Handwritten-Cancelled)melbourne, slide

Colour slide in a mount. Image from a magazine of Quamby Flats, Glover Court, Toorak, Victoria, Australia (1941-1942). (Architect: Roy Grounds.)Made in USA / 5melbourne, slide

Colour slide in a mount. Image from magazine, Annunciation Greek Orthodox Church, Wauwatosa, Wisconsin, USA, 1956. (Architect: Frank Lloyd Wright.)Encircled 31 (Handwritten)usa, slide

Colour slide in a mount. Image from a magazine, 278 Cotham Road, Kew, Victoria, Australia, 1902 (demolished in the 1970s) . (Architect: Robert Haddon.)Made in Australiamelbourne, slide

Coloured slide transparency. Image is of a male dressed in a white coat, with a shirt, tie and vest underneath. He is standing with a glass beaker containing a dark liquid in his hand. He is pouring the liquid into a large glass vessel on the bench. There are several glass containers on a shelf above the bench. The words Organic lab McCrae St Peter Ellis making up Carboy Km nOKodachrome Transparencyslide, bendigo, bendigo institute of technology

Coloured slide transparency. Image is of a car parked outside of a shop. The car is a light coloured FJ Holden and is parked to one side of a weatherboard building with a metal roof. A sign on the building says General Store and there are two petrol bowsers to the left of the building. There is various signage on and outside the building. The words Peter Ellis's F J Holden are handwritten along the top border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Colour slide in a mount. Image of the sketch plan of the Desbrowe Annear House (in Robin Boyd's handwriting), 36-38 The Eyrie, Eaglemont, Victoria, Australia (1903)Made in Australia / Encircled 37 (Handwritten) / Encircled A (Handwritten)slide, robin boyd

Colour slide in a mount. Image from magazine- featuring Salle Wilfrid-Pelletier (1963), part of Place des Arts, Montreal, Canada. (Architect: Arcop.)Made in Australia / Encircled 31 (Handwritten)slide, robin boyd

Colour slide in a mount. Image from a magazine of Kansas City's International Airport, Kansas City, Missouri, USA. (Architects: Cooper-Roberson-Carlson-O'Brien.)Made in Australia (Print) / Kansas City's International Airport / Platte County ----- / Cooper-Roberson-Carlson-O'Brien / 10 / Encircled 12 (All Handwritten)slide, robin boyd

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Image of Salle Wilfrid-Pelletier (1963), part of Place des Arts, Montreal, Canada (see also S1090). (Architect: Arcop.)Made in Australia / 34 / JUN 67M1expo 67, montreal, robin boyd, slide

Coloured slide transparency. Image is of a female dressed in costume. She is wearing a short dress of shiny material over a white long sleeved blouse, a conical hat and white knee high boots. She is posed standing with one arm straight and the other bent upwards. On the lower white border of the slide the words Fancy Dress Party Narina Lindrea have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Coloured slide transparency. Image is of a male dressed in costume. He is wearing baggy white printed pants with white long sleeved top, a face mask and metal bra. Various chains are around his neck and waist. He is posed standing with one foot on a stool. On the lower white border of the slide the words Fancy Dress Party Marc de Glas have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology