Old tools Identification Guide Compiled by Ken ArnoldGreen booklet - old tools Identification guide - 64 PagesTed Arrowsmithwoodwork

p.258.non-fictionSaigon,1967. Fresh-faced 25-year-old Hugh Lunn arrives in Vietnam at the height of the war to cover it for Reuters and quickly meets a fascinating cast of characters: journalists, Vietnamese, military and best of all, Dinh, the Vietnamese reporter and guide who spoke his own brand of English (Dinglish) and whose wisdom and humour become inextricably bound up with the young reporter's view of the war. Before long the author experiences the full horror and tragedy of war, and finds himself questioning not only the US/Australian role in Vietnam, but his own role in a war where images and words could be as powerful as bullets. vietnam conflict 1961-1975 - personal recollections, vietnam conflict 1961-1975 - history

Second photograph of a trade vessel at the oil rig.Colour photograph of an oil rig in Bass Strait. Port Albert Victoriawaterways, oil and gas industry

Golden Square Methodist Church Centenary of the Church Building Celebrations Record of the Day's Anthems and organ recitalsreligion, history, lydia chancellor collection, church

Black and White Booklet produced by the Golden Square Methodist Church 1972. Seven Pages of notes on the history of the Golden Square Methodist Church from 1872 to 1972. Photo on the front cover of the outside of the church. On the rear cover photos of the interior 1873, the changes in the balcony 1939 and the outside of the church in 1873.100 years history, detailed history, religion, lydia chancellor collection

SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, advertisment, eltham photographic survey exhibition, eltham shops, eltham square, fish shop, neville emerson real estate, sign, wattle studios

Looking east from Midland Highway at intersection of Violet StreetDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo, bendigo tramways no. 7, central deborah gold mining co. n.l., eaglehawk, george coop collection, golden square, high street, midland highway, tram, violet street

Looking east from Midland Highway at intersection of Violet StreetDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo, bendigo tramways no. 7, central deborah gold mining co. n.l., eaglehawk, george coop collection, golden square, high street, midland highway, tram, violet street

The tram line proceeds up to the left just pass Moray Crescent where it terminated alongside the railway line in North Bendigo in 1972Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo, bendigo tramways no. 7, george coop collection, moray crescent, north bendigo, railway crossing, railway line, thunder street, tram

Birney (USA manufacture) tram carDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyarnold street depot, bendigo, bendigo tramways no. 28, eaglehawk, george coop collection, golden square, tram, birney (usa) tram car

Photograph of invitation to third year Graphic Design / Multimedia dinner and portfolio show. The dinner was held at the Ballarat Fine Art Gallery, and show at the university Camp Street Campus. For this student show, Melbourne-based designers were brought to Ballarat via special carriage on a V/Line train to Lydiard Street Station and walked to the new Camp Street Campus.Digital photographs of optical disc (DVD rom) in clear plastic case created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2002.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy

Written on back of photograph, "Demolition to make way for Target and market 1984".

Written on back of photograph, "New roadway leading to Target".

Written on back of photographs: SS0346r: "E654. N23A. Work on the market buildings". and SS0346n :"E654. N24A. 18/1/82. Work on the market buildings"

Catalogue card reads, "Seymour St. Ringwood, 1982. ... Ringwood Market." 3 Views.

l.l; N.J.Caireaustralian photographer, albumen, bendigo, golden square, sandhurst, town, city, skyline

Hardcover w/ Dust Jacketchildren's fiction, walsh st library

Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro

symbiogenesis, symbio, laughing waters, paul kalemba, aviva reed, community project, public art, eltham town square

aylsham

Devizes is a medieval market town in the centre of Wiltshire, 16 miles from Stonehenge and 8 miles from Avebury. The building of a castle in Norman times dictated the layout of the town which is still visible. It contains over 50 Heritage Plaques. There were people in Devizes locality in prehistoric times and a Roman villa once stood on The green. The Wiltshire Museum is home to one of the best Bronze Age collections in Britain and includes finds from around Stonehenge including the famous Bush Barrow gold. Some convicts that were tried at the Devizes Assizes were transported to Australia. Amongst these was John Chew, transported to Tasmania, but later his family settled in Victoria.devizes, bear hotel, staircase, window

shoppee square, ballarat town hall, streetscape, sturt street, garden, statue, commerical, building, vehicle

Shows cab stand outside Town Hall. Prior to establishment of gardens.ballarat town hall, sturt street, cab rank, vehicles, streetscape