Methodist societies and churches issued quarterly tickets (or class tickets or love feast tickets) as a way to identify members of good standing in the society or church. Tickets also became a way of offering admission to the love feast, or Agape, which was a service around a shared meal, but distinct from the Lord’s Supper. Quarterly tickets typically included the member’s name, the minister’s name, the date, as well as a Scriptural text. The practice of issuing quarterly tickets began in the mid-eighteenth century with John Wesley and continued in many Methodist organizations throughout the nineteenth century. Issuing tickets fell out of practice in the early twentieth century. https://findingaids.library.emory.edu/documents/P-MSS441/printable/Printed envelope containing a Quarterly Ticket for March 1930. The card has the donor's name written on it together with the month and year."Doris Wise" "March 1930"northcote methodist circuit, methodist quarterly tickets

Semak is an Australian company, manufacturing Australian-Made equipment for the Foodservice Industry. It was established in 1948. The most famous Semak appliance is the 'Vitamizer'. Designed in 1948 it quickly became the standard for blending. An updated version was relaunched in 2012. The Semak vitamiser was advertised as a wonder machine which every housewife should have.Advertising claimed that the Semak could whip cream, grind coffee, blend jam, makes soups and sauces, makes cakes, sandwich spreads, ice-cream, special diets, puree fruit drinks, supper snacks, mayonnaise and dessert. It sold for £21. Demonstrations were conducted in electrical stores across the nation. A recipe book and full instructions for operation was included.This item is representative of a popular Australian-made kitchen appliance used across the country. A food vitamiser in 2 sections. Top section is detachable for cleaning. Has electrical cord attached.Surrounding power control: Semak Vitamiser Under base: CAT No. S2/ 230 - 25 V / 240W / 40 - 60kitchen appliances, food vitamisers, semak industries

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pleated pink and white striped cotton apron interspersed with bands of a separate blue and white fabric.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Multicoloured cotton apron using a fabric design employing floral emblems and figurative detail. The apron is hemmed with a pleated fabric of a different colouraprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Simple blue and white apron embroidered with a border in cross stitch, the same stitch used to create a repeated pattern of dogs and balls in profile.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Handmade apron created out of a blue and white dress fabric that has a pattern of leaves. The apron is highlighted with red braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pink and white cotton apron highted with blue braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion -- 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Olive green and white pinafore decorated on the bodice with yellow braid. protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pinafore using a fabric coverd with an abstract design in bue, pink and yellow. A plain pink cotton fabric is used to decorate the pocket and the shoulders.protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Brigtly coloured pinfaore using a representative 1950s fabric with a design of kitchen items in different coloursprotective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Navy blue and white pinafore picked out with sections of plain blue fabric on the pocket, waist and bodice.protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.One of three single piece commercialy produced pinafores, each in a different size.protective clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s

One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Linen table cloth with printed images of birds of Australia with a two-tone green borderlisa sylvan, household linen, table cloths, australiana, australian birds

Hand written note in the box: "I am Chaplain of Wesley College"Brown leather case with handle and metal locks at front. Blue fabric lining. Three copies of "Order for the Administration of the Lord's Supper", a Wesley College New Testament and Psalms (1947) in fitted slot. Silver salver (12cm diameter) and silver wafer tin (7.5cm diameter) in fitted slots in lid. In body of box: two plain glass bottles with plastic screw tops and two plain corks, a silver goblet (13.5cm high and 7.5cm diameter) and four glass communion tumblers. Small brown bottle with a plastic lid. Includes large white linen communion cloth. Gold lettering on front of set.On case: "The "CHAPLAIN V.T.L. ROBERTS" Inside lid on leather: "THE GIFT OF THE METHODIST PADRE'S AUXILIARY OF VICTORIA"methodist padre's auxiliary of victoria, wesley college

Churchill Island Heritage Farm has a large photograph collection dating from the mid nineteenth century to the last decade. This photograph shows two members of Margaret Amess' household at Tynefield.Sepia photograph of a wedding portrait of a bride and groom standing in the apse of a cathedral.Catalogue number written in pencil on reverse. Written in pen on reverse: 'Mary Clay (nee Hennebery) was maid to Margaret Amess at "Tynefield" Elwood until she married the gardener./ Mary was auntie to the donor Joyce Hurle. The two oil paintings donated by Joyce had originally been given to Mary by M Amess as had the supper cloth embroidered by MA and damask dining table cloth used by her.'margaret amess, churchill island, photograph, wedding portrait

Churchill Island Heritage Farm has a large photograph collection dating from the mid nineteenth century to the last decade. This photograph shows two members of Margaret Amess' household at Tynefield.Sepia photograph of a wedding portrait of a bride and groom standing in the apse of a cathedral.Catalogue number written in pencil on reverse. Written in pen on reverse: 'Mary Clay (nee Hennebery) was maid to Margaret Amess at "Tynefield" Elwood until she married the gardener./ Mary was auntie to the donor Joyce Hurle. The two oil paintings donated by Joyce had originally been given to Mary by M Amess as had the supper cloth embroidered by MA and damask dining table cloth used by her.'margaret amess, churchill island, photograph, wedding portrait

Annual wildflower shows took over the Hall's Gap Hall during spring and, in the 1930's, transformed it into a veritable wonderland. So popular were these displays that they have continued through until present times, the format has altered but the display of flowers remains the same. Ladies' Committees were formed to sell art and crafts during shows, and much of the revenue from these events went towards a future new building. In 1938, the Wildflower Show was to be held on 30 September and 1 October, and was to be opened by A. McDonald, Esq., MLA. Admission in that year was 1/- (one shilling), with children being half price (a comparison with record 388 shows that this was the same as the 1933 price). Afternoon tea or supper were also 1/- and an entry fee of 3d (three pennies) was charged per exhibit. In that year the organising secretary was H. Williamson (whose phone no. was 26!).A flyer for the "Grand Wildflower and Nature Show" to be held at the Hall's Gap Hall on 30/09/1938 and 01/10/1938.media, flyers, events, wildflower show

The flag was placed on an empty chair, the Siege Perilous, for Court Rituals. Siege Perilous - Arthurian legends Some legends also note a special chair at the Round Table, called the Siege Perilous, or 'Dangerous Chair'. Legend says that the seat could only be used by a knight who had a pure heart. A person with a pure heart was seen as someone who had committed no crimes or done any wrong. In the tale, anyone who sat in the chair but did not have a pure heart would die instantly. It was kept free by Merlin for the person who would one day find an object called the Holy Grail. This was a magical cup that was supposed to have been the one that Jesus drank out of during the Last Supper. In the story, this person was either Sir Galahad or Sir Percival, depending on what version of the story is told. https://simple.wikipedia.org/wiki/Round_Table White flag with MOK symbols in centre of red cross and at each corner.methodist order of knights

“The Squadron’s Most Prestigious Trophy” THE CACTUS STORY Years ago a story was told of a Donkey which lived in the desert. The standard of living was poor, and the main course on the menu when things were tough was cactus. The Donkey accepted the good with the bad, and in bad seasons it was always cactus. One day during his wanderings he came to a high fence. On the other side of the fence was lush grass and all sorts of vegetation and animals in prime condition. The Donkey said to a horse, “things look good in there, how does one get in”. The horse said “go down to the end of this fence, and you will come to a gate, there will be someone at the get, ask to get in”. The Donkey went to the end of the fence, found the gate and asked to get in. The horse at the gate said, “what do you want to come in for, all of us are geldings?”. The Donkey said “if that is the case, it is back to the cactus for me”. It was during the early stages of the great depression of 1929-1932, that this story was simulated to the conditions at the then Royal St. Kilda Yacht Club, when during the yachting season there were very few trophies due to the lack of money. A lot of members were out of work, and each Monday many would front up for the jobs that were offering or those who missed out went back to the dole or as many put it “Back to the Cactus”. The “Cactus Cup” race, to be free of entrance fees, was an idea conceived by H.A. (Toby) Armstrong, soon to be backed by Bert Bryant, Ivor Bowles and Jim Thorpe. It was First sailed March 25, 1922, when 9 yachts on sealed handicaps, raced over a 5 mile rectangular course for a small Trophy donated by Jim E. Thorpe and the winning crew of the yacht Helen, skippered by D.Dowse, entertained at a café after the race by the instigators of the race. The next contest was April 12, 1930, for another small trophy also donated by Jim Thorpe, and the crew of the winning yacht Petrel, skippered by Stan Gamble, later on having to arrange for a mussel supper to the extent of Trophy money at an informal musical evening held in the spar room. From then on races for the Cactus Cup became an annual event. In time the format was changed to result in the crew of the first winning yacht having to collect mussels from the pier on the first Saturday of July, cook and prepare them for a no charge informal supper and entertainment evening held in the spar room, towards which the Club provided a keg of Beer. Member Bob Ellis had a special song for the occasion, “Up at Tumba Bloody Rumba shooting Kanga Bloody Roos”. Jim Thorpe then agreed to purchase a Perpetual Cup to be named the Cactus Cup. As guest of honor at the Cactus Supper Evening, May 1940, a dinner suit function in the Spar room, he presented the Cup along with Replica to Barney Snider who won with Eun-Na-Mara. Soon entries became few, for reason nobody wanted to win because of the penalty of having to collect, cook and prepare the mussels. In the interest of the contest and its revival, it was decided that the crew of the last yacht to finish had to collect, cook and prepare the mussels. On the death of Jim E Thorpe in 1944, the trophy, along with its annual replicas, were then provided for by Ivor Bowles until his death in 1970. In time for reason of pollution, the collecting of mussels from the pier was discontinued, so Otto Meik the new provider decided that the format be changed and be replaced by a supper on the day of the race, consisting of bottle mussels, beer and frankfurts. Following the death of Otto Meik in 1979, with no provider for the trophy of replicas, the Squadron in the early 80’s broke tradition by introducing race entry fees. In 2006 the Cactus Cup Tradition was reinstituted by a donation from J.H. (Bert) Ferris – RMYS historian. The Cactus Cup is now free to enter once again for all. The race is run early and a late afternoon feast of mussels and frankfurts is eaten afterwards.Deep sectioned Silver Cup, 300mm high to lip, tapering to thick plain stem flaring out to stepped footing, has two shaped handles. Silver Lid with Donkey positioned on shaped dome. Overall height 110mm. Cup stands on 145mm high round black base with stepped footing, surrounded with Silver winner inscription band.ROYAL ST. KILDA YACHT CLUB PERPETUAL CACTUS CUP INAUGURATED 1922 INSTIGATED BY H.A. ARMSTRONG ESQ. ORIGINAL CUP PRESENTED BY J.E. THORPE ESQ.cactus cup, trophy

Straw container, original to the Cafe, which supplied afternoon teas and suppers to casual visitors and Chalet guests. Spiders and milkshakes were popular with yung guests after evening tournaments, films and concerts. 'When the Victorian railways took over managemen of the Chalet from 1 october 1924, they ran their dining room and cafe in similar fashion to the dining cars on their trains and refreshment rooms on their stations, using the same ceramic hotel-ware and electro plated nickel silverware (EPNS), all made to order items that are clearly idenitified by the distinctive 'VR' monogram. The Chalet retains a good selection of of the diverse range of EPNS item formerly used in the dining room..- which in all theoir variety and function help to interpret the dining room protocols of the 'tourist house' and the service provied by the Victorian Railways refreshment and Services Branch. Many of the items were manufactured by by Stoke & Sons of Melbourne (est. 1856.' (Pg 103. Historica) Listed in Draft Inventory of Significant Collection items. Appendix A.3.Tableware. (Pg 166 Historica).Electroplated silver drinking straw container. Tube shape. Moulded circular base with matching lid with central post which can be pulled up to reveal drinking straws resting on it.On front, "VR / Straws" Also silver stamp on base and inscription;"Parmount / plate / best / EP A1 NS / quality / warranted / hardsoldered / K. G. LUKE / MELB / 6889"

A notice of a charity ball that was being held for Legacy. It mentions that the bars open at 9, supper served at 11, and a hot buffet at 12.30am. A newspaper article on Trove describes the attendees and their fashion. Another article mentions that the ball raised £453 for Legacy. Charity balls were held with the proceeds from the evening going to aid Melbourne Legacy. The ball was held under the patronage of 'His Excellency the Administrator of the Commonwealth of Australia, General Sir Dallas Brooks.' From Wikpedia: "Brooks was appointed Governor of Victoria by Premier Thomas Hollway and served from 1949 to 1963. During his term as governor, he acted as Administrator of the Commonwealth three times. He served in this capacity for almost seven months after the governor-general, Viscount Dunrossil, suddenly died in office in 1961 after serving only one year. Sir Dallas was in effect Acting governor-general until the appointment of the Viscount De L'Isle.A record that Legacy used gala dinners and balls for fundraising events. Printed notice of a ball to be held in aid of Legacy, at Palais de Dance, St Kilda, 12 May 1938.fundraising, events

List of the Seating for Supper, includes Official Party, Debutantes and their Partners, and Other Guests. Official Party consisted of: Sir George Lansell, Lt General Wells & Mrs Wells, Col J W Swatton & Mrs Swatton, Cr. Oliver & Mrs Oliver, Mr F E Jackson & Mrs Jackson, Mr R C Wright & Mrs Wright, Ladies Auxiliary, Mr A V Palmer and J. Barton. Other Guests: Miss Liddell, Col. J Lockwood & Mrs Lockwood, Col P Seymour & Mrs Seymour, Major P Kennedy & Mrs Kennedy, Ladies Carpet Bowls, War Widows Guild, S. S. & A. Mothers, Eaglehawk Sub-branch, Parma Dance Club, Harcourt Sub-branch, Mr B Wood & Mrs Wood, Mr Tout & Mrs Tout, Mrs Keck, Captain Poole,event, social, victory ball, r.s.l. bendigo collection - rsl victory ball 1951 seating for supper, sir george lansell, lt general wells & mrs wells, col j w swatton & mrs swatton, cr oliver & mrs oliver, mr f e jackson & mrs jackson, mr r c wright & mrs wright, ladies auxiliary, mr a v palmer, j barton, miss liddell, col j lockwood & mrs lockwood, col p seymour & mrs seymour, major p kennedy & mrs kennedy, ladies carpet bowls, war widows guyild, s s & a mothers, eaglehawk sub-branch, parma dance club, harcourt sub-branch, mr b wood & mrs wood, mr tout & mars tout, mrs keck, captain poole

The motor vessel "Kanimbla" from Mcllwraith, McEacharn Ltd was brand new in 1936 and was used several times for charity balls. "Kanimbla Ball" (Australasian (Melbourne, Vic. : 1864 - 1946), Saturday 28 November 1936, page 12) Over 1,000 people were present at a very successful ball given on board the m.v. Kanimbla this week, to aid the funds of the Limbless Soldiers' Association and the Victorian Mission to Seamen. The ship was gaily decorated with balloons and international code flags, while vases of mixed flowers gave charm to the supper tables in dining saloon. His Excel- lency the Governor and Lady Huntingfield attended by Lieutenant A. W. P. Robert-son, were present, and were received by the chairman of the ball committee (Major-General Brand) and Mrs. Brand, Admiral Sir Francis and Lady Hyde, Com- mander and Mrs. Smith, the chaplain of the mission (the Rev. F. L. Oliver), Mr. and Mrs. James Kelso, the president of the Limbless Soldiers' Association (Mr. T. S. Gray) and Mrs. Gray, and the honorary secretary of the ball committee (Mr. C. R. Laragby) and Mrs. Laraghy. Lady Huntingfield wore a becoming gown of copper-red crepe, with a faint silver stripe. and was presented with a bouquet of deep red gladioli.Padre Oliver had a friendly relationship with the captain of the Kanimbla.Digital copy of a colour poster advertising for a ball on board the MV Kanimbla.m.v. kanimbla, ball, mission to seamen, 1936, mcilwraith mceacharn ltd, frank leslie oliver, lord huntingfield, limbless soldiers association

Cream coloured card. Folded in half. Black writing. Pictures of native flowers on each 'page' National Folk Festival Easter - Canberra Traditional Colonial Ball Music by Wongacreek (Wongawilli, Emu Creek and friends) Mc, Anthony Simon. 1 Circular Waltz/ St Bernards Waltz 2 Evening 3 step, 3 Grand March/ Fitzroys, 4 Dashing White Sergeant, 5 La Rinka Waltz, 6 Jolly Miller Highland Schottische, 7 Lancers, 8 Varsoviana, 9 La Gallopodes, 10 Polka Cotillion, Supper Break. 11 Ithoca Circassion Circle, 12 National Quadrille, 13 Gay Gordons, 14 Seige of Ennis, 15 Pride of Erin, 16 Polka Quadrille, 17 Bastone 2 Step/ Four Sisters Barn Dance, 18 Waltz Country Dance, 19 Galop Quadrille, 20 Swing Waltz, 7 Lancers, 12 National Quadrille, 16 Polka Quadrille, 19 Galop Quadrille.person, individual, peter ellis oam

Kurting. Mechanics' Hall OFFICIAL OPENING. SUCCESSFUL FUNCTION. Favored by beautiful weather, the official opening ot the new Mechanics' Hall erected at Kurting proved an entire success. There was a large attendance ol local and district residents, and a sports meeting held during the afternoon in aid of Red Cross funds resulted in a substantial amount being netted. The hall, which stands on ground generously donated by Mr J. Hogan, between the school and the creek, is a substantialyvconcrete building of pleasing design, and was erected at a cost of about £330 by Mr J. H. Secombe, who also materially assisted the committee in the matter of finance. It is 48ft. long by 24ft. wide, with 12ft, walls, and should prove equal to the needs of the district for many years to come. It is well ventilated, and has large windows, these opening outwards on hinges. Doors at each side, and the back, as well as in front, give free means of access, while a fireplace in the back allows of provision being made for supper arrangements, water being laid on from a tank. Provi sion has been made for the partitioning off ot portion of the hall at any time this may be considered desirable. To provide a stage eight tables of a uniform size have been constructed to fit across the width of the hall. By these it will be possible, when euchre parties are being held, to use the full length of the hall. ... (Inglewod Advertiser, 19 July 1918) and also to convert tiie "stage" into card tables. The committee still has work ahead in the provision of a ceiling for the building and seating accomodation, but there is no doubt that the public support accorded them will be sufficient to enable these matters to be dealt with in the near future. A fine floor has been put down.Photographs of the former Kurting Hall, Victoria.kurting, kurting hall, john hogan, kurting mechanics' institute

Mrs. E Pullin MBE was the President of The Ringwood Research Group for many years and was associated with many groups in the area hence she was well known by successive Mayors and Mayoresses.1. White bifold Invitation to Mrs. E. Pullin to attend luncheon at Civic Centre, Braeside Avenue, Ringwood on Wednesday 19th. March 1975, from the Mayoress Mrs. Lois Morris. 2. Bifold typed letter with City of Ringwood Crest inviting Mrs. E. Pullin to a "last supper" on Monday 28th August 1975 after the Council Meeting. 3. Inviation to Luncheon by the Mayoress Mrs. Shirley Martin to Mrs. Pullin at Braeside Avenue, Ringwood, 17th. March. 1976. 4. 24th June, 1987, letter from the Mayoress Mrs. Lillian Rosewarne to Mrs. Pullin thanking her for the photograph taken at the opening of the Poppet Head in the Ringwood Lake area. 5. Invitation to Mrs. Pullin from the Mayor, Councillor John Caffyn and the Councillors of the City of Ringwood to a "Thank you" for local community organisations at Mines Road on Thursday 19th. May 1988. 6. Invitation to Mrs. Pullin by the Mayoress Mrs. Verna Gardini to a Luncheon at the Ringwood Convention and Performing Arts Centre, Mines Road, Ringwood on Friday 17th. March 1989. 7. Inviation from The Mayor of Ringwood Councillor Margaret Cheevers to Mrs. Pullin MBE to Afternoon Tea at the Convention Centre, Mines Road, Ringwood East on 26th. October 1993.

The Installation of the Benalla Court Officers was held on Saturday 29 May, 1937 in the John Cooper Methodist Hall, Benalla. The ceremony was followed by supper. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Cream folded card with green print. The card has the Order of Knights symbol at the top with the text following. The invitation lists the High Officers, the date, the venue, the Officers for 1937-1938 and Toasts.methodist order of knights benalla court

Yellow folded card. P.Ellis and 2 in circle hand written at top on front. Circular Emblem. Bendigo Club First Annual Old Time Cabaret Ball Friday, June 1st, 1984 8.30 p.m. - 1.30 a.m. $8.00 per head Band: Armstrongs. Star of Evening Belle of Ball Matron of evening. Sections: Geelong Red Sash Warnambool Blue Sash Warnambool Green Sash. Inside reads: Programme 1 Foxtrot 2 Valeta 3 Maxina 4 Foxtrot 5 Charmaine 6 Waltz Oxford 7 Progressive Barn Dance 8 Foxtrot 9 Tangoette 10 Pride of Erin (Star Dance) 11 Parma Waltz 12 Modern Waltz 13 Quick Step (Monte Carlo) 14 Lucile 15 St. Bernard 16 Foxtrot 17 Swing Waltz 18 Evening Three Step 19 Foxtrot 20 Merrilyn 21 Dorothea 22 Foxtrot 23 Irene 24 Hawaiian 25 Foxtrot Thanks for coming hope you enjoyed the evening. Rear reads: Supper Party Pies, Pasties, Sandwiches, Chicken Salad Platters, Cream Sponge, Small cakes, Pavlova, Fruit Salad, Coffee. Catering by Eric Brookes Catering Service who caters for Weddings and Special Occasions Dinner A La Carte 028 Community Service Groups (Rotary, Lions etc) Telephone (054) 43 1359person, individual, peter ellis oam

Yellow card Black stick figure drawing in circle. 2 in circle handwritten in top right hand corner. Bendigo Club First Annual Old Time Cabaret Ball Friday, June 1st, 1984 8.30 p.m. - 1.30 a.m. $8.00 per Head Band Armstrongs Star of Evening Belle of Ball Matron of Evening Sections: Geelong Red Sash Warnambool Blue Sash Warnambool Green Sash. Programme 1 Foxtrot 2 Valeta 3 Maxina 4 Foxtrot 5 Charmaine 6 Waltz Oxford 7 Progressive Barn Dance 8 Foxtrot 9 Tangoette 10 Pride of Erin (Star Dance) 11 Parma Waltz 12 Modern Waltz 13 Quick Step (Monte Carlo) 14 Lucile 15 St. Bernard 16 Foxtrot 17 Swing Waltz 18 Evening Three Step 19 Foxtrot 20 Merrilyn 21 Dorothea 22 Foxtrot 23 Irene 24 Hawaiian 25 Foxtrot Thanks for coming hope you enjoyed the evening. Supper Party Pies, Pasties, Sandwiches, Chicken Salad Platters, Cream Sponge, Small Cakes, Pavlova, Fruit Salad, Coffee. Catering By Eric Brookes Catering Service Who Caters for Weddings and Special Occasions Dinner A La Carte 038 Community Service Groups (Rotary, Lions etc) Telephone (054) 43 1359. 411510 handwritten on back.person, individual, peter ellis oam