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National Wool Museum
Certificate, Certificate of Registration of Trade Mark
Certificate of Registration of Trade Mark, "Alexana", 6/12/1961 Made by the R S & S mill. Mr Lau worked with Mr Schofield untill the fabric was acceptable to all concerned.THOMAS EDWARD ASHTON...Assistant/24 seven... tenth../October...sixty T E Ashton A162,875woollen mills - history textile mills - operation, alexander lau pty ltd returned soldiers and sailors mill, woollen mills - history, textile mills - operation -
National Wool Museum
Magazine, Vogue Australia, March 1965
... a coat made from Alexander Lau fabric. Textile Design Textile ...ogue Australia, March 1965, page 63 features a coat made from Alexander Lau fabric.textile design textile industry - history, alexander lau pty ltd, textile design, textile industry - history -
National Wool Museum
Magazine, Vogue Australia, February 1979
... feature garments made from Alexander Lau fabric. Textile Design ...Vogue Australia, February 1979, pages 72 and 73 feature garments made from Alexander Lau fabric.textile design textile industry - history, alexander lau pty ltd, textile design, textile industry - history -
National Wool Museum
Rug
The rug was made at Albion Mills in Geelong. It was owned by Norman Downie, the uncle of Mary Virr (the donor) who inherited the rug after Mr Downie's death in the early 1990s. Mr Downie and his family had several connections to the wool industry in Geelong. He would send pieces of fabric out to Mrs Virr and her mother in Cobden every year. See attached history.W7215 Statement from Mary Virr on offer of donation Written family history by Mary Virr, page 1 Written family history by Mary Virr, page 2 Partial family tree of Mary Virr, including connections to the wool industry. Photocopy of marriage certificate dated 13th April 1881, marriage between James Downie and Mary Cairns, the grandparents of Mary Virr. A photocopy of a reference dated 15/09/1919 from Mr E. Plumridge from the Corio Wool Scouring Company for Miss M. DownieAlbion Mills Geelong Albion Rug All Wooltextile industry textile mills, albion woollen mills co. pty ltd, albion woollen mills, weaving, geelong, victoria, textile industry, textile mills -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made of rectangular woven samples of polychrome woollen fabric. The samples are machine sewn together. It has a blue, red and yellow pieced backing which is loosely handsewn onto the quilt.Back: [handwritten] A Andersonhandicrafts, returned soldiers and sailors mill, wagga, samples, anderson, mr robert anderson, mrs lucy, geelong, victoria -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made from woven samples of woollen fabric with herringbone and checked designs, mostly in brown, green, blue and red. The samples are machine sewn together. It has a cream backing which is machine sewn onto the quilt.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria, quilts, necessity -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A brown quilt made from woven samples of woollen striped fabric in browns and olive greens. The pieces are machine stitched together. It has an off-white backing which is machined and hand sewn into place.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria -
National Wool Museum
Textile - Textile fragment, c.1797
... history textile mills Wording: Fabric scrap from/wreck of ship ...Woollen fabric fragment from the wreck of ship "Sydney Cove" found underwater after many years.Small fragment of woven woollen fabric, brown colour. with some white fibres through it. The fragment is frayed and coming apart. It is boxed in a circular clear plastic lidded container, taped and with a typed paper label on the lid.Wording: Fabric scrap from/wreck of ship "Sydney Cove"/ NWM 940112";Method: typed;Location: on label on lidwool - history textile history textile mills textile mills, wool - history, textile history, textile mills -
National Wool Museum
Manual, [Hattersley] Standard Loom Tuners Handbook: Setting instructions
This handbook contains the setting instructions for a Standard Hattersley Loom developed by George Hattersley and Sons Ltd. The Hattersley loom was developed by George Hattersley and Sons of Keighley, West Yorkshire, England. The company had been started by Richard Hattersley after 1784, with his son, George Hattersley, later entering the business alongside him. The company developed several innovative looms, of which the Hattersley Standard Loom – developed in 1921 – was a great success. The Hattersley Standard Loom was designed and built in 1921. Thousands of models were expected to be sold, which would bring considerable financial success to the company. After the recapitalisation boom of 1919, cotton yarn production peaked in 1926 and further investment was sparse. Rayon, an artificial silk, was invented in the 1930s in nearby Silsden, and the Hattersley Silk Loom was adapted to weave this new fabric. An example of this type of loom can be seen on Vic Collections here ( https://victoriancollections.net.au/items/54065d0f9821f50e3cc9c122 ) and is also on display within the National Wool Museum in Geelong, Victoria. A copy of this manual may be available by contacting the National Wool Museum Collection Team. Book, 64pp. Red and black loose leaf, soft cover, printed black ink. "[Hattersley] Standard Loom Tuners Handbook: Setting instructions " - George Hattersley and Sons LtdTHE BRUCE WOOLLEN MANUFACTURING CO LTDtextile industry - history textile machinery weaving textile industry - education, george hattersley and sons ltd, weaving looms, weaving machinery, textile industry - history, textile machinery, weaving, textile industry - education -
National Wool Museum
Book, Cloth Sample
Book of fabric samples produced by Yarra Falls Pty Ltd, Melbourne.Book of fabric samples produced by Yarra Falls Pty Ltd, Melbourne. Book of fabric samples produced by Yarra Falls Pty Ltd, Melbourne.Arbuckle Waddell Pty. Ltd. Printerstextile production textile design textile mills, lable, forrest, mr craig - yarra falls pty ltd, melbourne, victoria, textile production, textile design, textile mills -
National Wool Museum
Sample, Cloth
... INTERNATIONA Vivo Textile Co. Ltd. C. Migutani Vivo Textile Fabric ...Fabric samples produced by Aoki International, Japan and sent to Keith Jackson at Victorian Producers' Co-operative Limited.Fabric samples produced by Aoki International, Japan and sent to Keith Jackson at Victorian Producers' Co-operative Limited.Geoff, This is for Keith Jackson fron Aoki International (Vivo textil) Regards, Paul FINE WOOL 152 AOKI INTERNATIONA Vivo Textile Co. Ltd. C. Migutani Vivo Textileweaving textile design, aoki international limited, jackson, mr keith - victorian producers' co-operative limited, weaving, textile design -
National Wool Museum
Sample, Cloth
... Sample of 60% wool blend "7544" upholstery fabric supplied...Sample of 60% wool blend "7544" upholstery fabric supplied... fabric supplied by Macquarie Textiles from the Winter 1997 range ...Sample of 60% wool blend "7544" upholstery fabric supplied by Macquarie Textiles from the Winter 1997 range.Sample of 60% wool blend "7544" upholstery fabric supplied by Macquarie Textiles from the Winter 1997 range.textiles - upholstery, macquarie textile group limited -
National Wool Museum
Sample Book, Palmer 9 oz. Napped Suiting
Textile sample book owned by Ernest Waddington and containing samples of mens suiting in heavy dark fabrics with a nap.PALMER / 9 oz. Napped Suiting Ernest / Waddingtonweaving, raising -
National Wool Museum
Letter
... winder and fabric knitting machine. Knitting Textile Mills ...Letter from , R D Croll, Eagley Mills Pty Ltd, Collingwood 1952 to W.R. Lang, Gordon Institute of Technology, Geelong re. the use of bottle bobbins and the supply of a bottle winder and fabric knitting machine.knitting textile mills - history textile mills - staff, eagley mills pty ltd, lang, dr w. roy, knitting, textile mills - history, textile mills - staff -
National Wool Museum
Sample, Textile
Fred Murgatroyd's twed fabric to be used in conjunction with Nino at Foster Valley for Loom in G2textile industry textile mills, foster valley mill pty ltd valley worsted mill, tweed, murgatroyd, mr fred, textile industry, textile mills -
National Wool Museum
Photograph, Drying machine R S & S
Drying department, R S & S mill.Drying machine/ R S & S/ 2 men operate/ 1 hidden by fabric G Kidman ROBERT POCKLEY/ PHOTOGRAPHERtextile machinery textile mills - history textile mills - staff textile mills, returned soldiers and sailors mill, drying machinery, drying, textile machinery, textile mills - history, textile mills - staff, textile mills -
National Wool Museum
Printing block
... -and-the-bellarine-peninsula Swiss block, used for handprinting on fabric ...Swiss block, used for handprinting on fabricFrom.../Alexander Lau Pty Ltd./ "NICHOLAS BUILDING"/....textile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Textile, "Alexana"
"Alexana"/ 90%wool 10% mohair/ exclusive fabric/ by ALEXANDER LAUtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Textile - Quilt, The World's Worst Wagga, 1930s - 1950s
Part of the Running Stitch collection. Given to "Running Stitch" c1995 by the Korrumburra Art GalleryLarge wagga made from fabric pieces which have been hand stitched together and lined with jute wheat bags. Fabric pieces are roughly rectangular and of various sizes. They are made from cut-down cotton knit garments (green and pink), a pink cotton fabric with floral print and various woollen garment pieces and their linings. Pieces are roughly over stitched together with various woollen threads. Back of the wagga is similarly constructed but with cotton and silk fabrics, both printed and plain.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history -
National Wool Museum
Textile - Quilt, 1940-1959
This small woollen suiting wagga was machine stitched, backed with orange cotton and edged with brown navy and white striped braid. It shows how important old and disused suiting fabric was for quilt making during World War Two. Part of the Running Stitch collection.Small woollen suitings wagga. It is machine stitched, backed with orange cotton and edged with brown navy and white striped braid. Two rows of orange braid and purple ric rac are stitched across the wagga.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history, world war two, wwii -
National Wool Museum
Textile - Quilt, Mrs Elizabeth Morton, c.1934
Made by Mrs Noel (Lizzie) Morton, the donor's mother on their farm "Wanera" at Benjeroop on the Murray River. It was stitched with a treadle machine. Her sister Flora MacDonald did the running stitch and provided the silk backing. The squares were sent as samples from a firm called "Fred Hesse" who advertised in the Melbourne papers "Be smart and dressy In a suit by Fred Hesse". The buyer chose a sample and then sent it back with measurements and received a "mail order" suit.A small knee rug made from suiting samples machine stitched together. It is backed with black silk fabric and finished with a running stitch of orange wool oversewn with black wool thread.farming quilting quilting - history, wanera benjeroop, farming, quilting, quilting - history -
National Wool Museum
Book, Hand books of the textile industry, vol 2: manufacture of narrow woven fabrics
... : manufacture of narrow woven fabrics" - E A Posselt Textile ..."Hand books of the textile industry, vol 2: manufacture of narrow woven fabrics" - E A PosseltK M Chisholm/ Denholm/ Bowenfelstextile calculations textile industry weaving textile industry - education, weaving, weaving looms, yarn - woollen, yarn - worsted, ribbon, textile calculations, textile industry, textile industry - education -
National Wool Museum
Book, Fibre and Fabric
... "Fibre and Fabric: the wool, cotton, textile and allied...-and-the-bellarine-peninsula "Fibre and Fabric: the wool, cotton, textile ..."Fibre and Fabric: the wool, cotton, textile and allied industries in Melbourne's West" - Gary Vines, 1993. This book is a short history of the wool, cotton, textile and allied industries of the area west of Melbourne. It looks at how, why and when these industries developed and their effect upon the cultural and geographic landscape.textile industry - history woollen mills - history, textile industry - history, woollen mills - history -
National Wool Museum
Advertising Sign, Classweave fabrics - the shape of things to come
Acquired when "Classweave Industries" closed down.textile industry, federal woollen mills ltd classweave industries pty ltd commonwealth woollen mills -
National Wool Museum
Sample Book, Patterns, c. 1930
... that are sent to mills in order to produce commercial amounts of fabrics ...Fabric sample book produced by Ernest Waddington with specifications circa 1930. Such a book would work as a catalogue of a designer’s previous Mastercards. Mastercards are specification sheets that are sent to mills in order to produce commercial amounts of fabrics for tailoring into final products, such as suits. Keeping a catalogue of previous designs is useful for designers to take inspiration from in future designs and for re-releases of iconic designs. This sample book is also notable because of its period of creation. It was created in the Great Depression. Despite societies psyche at this time, there is a surprising amount of colour and what may be viewed as daring designs. Fabric sample book produced by E Waddington with specifications.E. Waddingtonweaving textile design textile mills textile mills, waddington, mr ernest, weaving, textile design, textile mills -
National Wool Museum
Photograph, [Finishing, scouring and milling of fabric]
Acquired when "Classweave Industries" closed down.Milling Room - part still there 18 23/87textile mills woollen mills, classweave industries pty ltd federal woollen mills ltd, scouring, milling, textile mills, woollen mills -
Stawell Historical Society Inc
Archive - Laboratory Books, The Textile Institute
Norwellan / Aunde Laboratory Book. Now Closed Testing of Yarns & Fabrics The Hairiness of Yarns Studies In Modern Yarn Production 1968 - John Bennett, Lyddon Hall, Leeds 2, 11/11/64 North Western Woolen Mills became Norwellan Textiles then AUNDEBooksmanufacturing -
Stawell Historical Society Inc
Instrument - Realia, Textile Fabric Pilling Testing Machine, c1950
... Textile Fabric Pilling Testing Machine... that drags metal pin repeatedly over a cloth sample. Textile Fabric ...Used at Norwellan for testing cloth North Western Woolen Mills became Norwellan Textiles then AUNDEWood and iron Instrument with handle that drags metal pin repeatedly over a cloth sample.Peg Load Checked at 2 lbs 20.11.69manufacture -
Stawell Historical Society Inc
Archive - Labratory Book, Statistics
Dye Laboratory Norwellan / Aunde now Clsoed 1: Facts and Figures by M.J. Moroney - John T Bennett Lydon Hall Leeds 2 8/10/69 2: Knotts Matematical Tables 3: Systematic Semi Micro Qualitative Analysis Tabels - John T Bennett Lydon Hall Leeds 2 4: Cambridge Elementarty Statistical Tables 5: Matriculation Trigonometry - John T Bennett Lyddon Hall Laeeds 2 6: Calculations in Yarns and Fabrics North Western Woolen Mills became Norwellan Textiles then AUNDEJohn T. Bennett Lyddon Hall Leeds 2x2 Date 1norwelan, john bennett -
Westbourne Grammar Heritage Collection
Textile - Chapel Altar Cloth, 1989
This altar cloth is one of a set of four of various sizes, embroidered and donated by a parent for the opening of the school's chapel. The chapel was completed in 1989 and officially dedicated 'in thanks for the work of J.R. Pascoe' in March 1990. Religious instruction has never formed part of the curriculum at Westbourne but Christian values have underpinned the school's identity since its very early days. Recognising the importance of spirituality to the broader life of a school, Principal John Pascoe set about building a small chapel at the Truganina campus. In 1988, Reverend George DuRink was appointed as inaugural chaplain, in time to advise on the chapel design, and remained at the school for more than twenty years. Reverend DuRink's friendly, inclusive approach to ministering, drawing largely on his extensive knowledge of philosophy and ethics, and welcoming the many faiths and cultures that came to the school from the growing surrounding community, set the tone for the spiritual dimension of education at Westbourne. An integral part of the fabric of the school, the chapel has been a place to gather for comfort and support during difficult times, a place for quiet reflection and at times a place for music and celebration.This altar cloth has historic significance as it is associated with the very beginning of the Westbourne chapel and was used in the chapel for many years. A rectangular piece of evenweave fabric with a fringed edge and cross stitched with a blue border around the entire piece and a yellow and green Westbourne logo facing the short edge at one end.