This Brodie helmet was issued to the BCOF (Japan) in 1946Rare version with Rising Sun BadgeSteel Brodie Helmet with kahki WWII textured (non-reflectiev) paint, leather skul band and webbing chin strap. This helmet has a Rising Sun Badge affixed to the front.brodie, helmet, bcof

Human beings appear to have been making their own ceramics for at least 26,000 years, subjecting clay and silica to intense heat to fuse and form ceramic materials. The earliest found so far were in southern central Europe and were sculpted figures, not dishes. The earliest known pottery was made by mixing animal products with clay and baked in kilns at up to 800°C. While actual pottery fragments have been found up to 19,000 years old, it was not until about ten thousand years later that regular pottery became common. An early people that spread across much of Europe is named after its use of pottery, the Corded Ware culture. These early Indo-European peoples decorated their pottery by wrapping it with rope, while still wet. When the ceramics were fired, the rope burned off but left a decorative pattern of complex grooves on the surface. The invention of the wheel eventually led to the production of smoother, more even pottery using the wheel-forming technique, like the pottery wheel. Early ceramics were porous, absorbing water easily. It became useful for more items with the discovery of glazing techniques, coating pottery with silicon, bone ash, or other materials that could melt and reform into a glassy surface, making a vessel less pervious to water. https://en.wikipedia.org/wiki/CeramicThe discovery and development of ceramics in numerous shapes, form and materials, revolutionised the world.Plain cream ceramic bowl with flat bottom inside. Shiny glaze fades to flat texture towards base. Possibly hand thrown pottery. No backstamp. Bad crazing and staining.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ceramics

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture

"Dennys, Lascelles Limited Annual", third issue, August 1925. Annual publication produced by the wool brokers Dennys, Lascelles Limited and containing articles of general interest, as well as on wool related topics.Two copies of the report, 114pp: Small booklet, mushroom soft textured cover, title and date in black ink. "Dennys, Lascelles Limited Annual 1925". Includes information for woolgrowers.Wording: Graham Rees Method: handwritten Location: inside front coverwool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of several people walking across a raised walkway in a building with rough textured walls, and stained timber ceiling beams. There are two rows of wine barrels in the foregroundmt ophir, mount ophir, wine industry

Certificate of Appreciation presented to the Shire of Korumburra for the Karmai Festival Committee, March 1994. Printed in black ink on grey textured paper. Signed by the President of the Festival Committee John Bailey.

Wallpaper fragment consisting of thick paper material with pink-brown textured background. Border along one side of fragment with leaf and curved line intertwined in red, green and brown.Lounge Room written on the back in red marker. Newspaper markings also on back.buildings, painting/decorating, wallpaper, fragments, interior, wall, decoration, leaf design, vine.

World War I ashtray made in Ypres, France'Trench Art' ashtray with coat of arms in centre. rectangular, made in brass with cigarette holder grooves at each corner Coat of arms, vertical rectangle with small point as base, surmounted by open crown. Top third of shield features Cross of Lorraine on burgundy background, lower two thirds contains textured cross. ashtray, trench art, wwi

Ash tray-large rectangular floor. Made from a wooden box covered with textured metal and relief design. Has "smokers" across top of back. "Town Hall" printed on bottom. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This is a pocket sized book. It has a textured cardboard black cover. The title is embossed in gold print. The symbol of Gideons Society is embossed on the front. It has 582 pages printed in black ink.bible, christian religion, passchendaele barracks trust

Pair WWII dress gaiters, khaki canvas material with leather straps & brass buckles. .1) Leather reinforcements are brown smooth leather. .2) Leather reinforcements are black textured leatherInked by hand on 1.) “M (?) J Dunbar” & (?) “M Field”uniforms - army, passchendaele barracks trust, gaiters

Poster applied to canvas on timber frame painted texture. Nurse in Red Cross uniform is coloured, the cross is red & print is black. Produced by the Australian Red Cross Society ARCS 248.Front of poster: “REMEMBER Red Cross needs You AUSTRALIAN RED CROSS SOCIETY” essential services - red cross, illustrations, carpentry

Set of three cloth badges of different colours and texture but all of Royal Crown. Two cloth epulettes with two pips embroidered on. Two gold badges and a single bullet also in packbadges, insignia

Metal laryngoscope in two parts. A round hollow handle with a textured grip and a screwed in base for holding batteries. The metal blade screws in to the handle and has a moulded section for a small light bulb. Engraved in to top of blade, D.A. Engraved in to base of handle, B.T.S. / R.W.H. D.A. Stamped in top of the handle, PAT.NO.683731 Stamped in top of the handle, BRITISH [indecipherable]laryngoscope, light bulb, battery

Brass plaque featuring raised text on a textured background. Inscription: South Gippsland Shire/Council Library/Opened by/Cr Peter Western/Shire President/ On Monday 28 July 1997

This wedding dress belonged to Barbara Stewart, nee Bellamy, who married Alexander Stewart at St Andrews Church in Brighton on 15 June 1968. The dress was made by 'Madam', a dress shop in Church Street. At the time of donation, Barbara had been a Brighton resident for 80 years.Cream mini-dress of net and wool lace with textured floral pattern. High round neck and long sleeves, with small frill at collar, cuffs and hem. Satin lined, with a zip at the back.barbara bellamy, barbara stewart, alexander stewart, st andrew's church brighton, 1960s, wedding dress

Printed on textured paper which has suffered significant colour degradation towards orange/red. Colour photograph1976, eltham festival, festivals, parade, lyon bros ford, fire station, margaret ball

Printed on textured paper which has suffered significant colour degradation towards orange/red. Colour photograph1976, eltham festival, festivals, parade, lyon bros ford, fire station, margaret ball

Printed on textured paper which has suffered significant colour degradation towards orange/red. Colour photograph1976, eltham festival, festivals, parade, lyon bros ford, fire station, margaret ball

Printed on textured paper which has suffered significant colour degradation towards orange/red. Colour photographeltham, 1976, margaret ball, woodridge estate

Printed on textured paper which has suffered significant colour degradation towards orange/red. Colour photograph1976, eltham festival, festivals, parade, lyon bros ford, fire station, margaret ball

Printed on textured paper which has suffered significant colour degradation towards orange/red. Colour photograph1976, shillinglaw cottage, trestle bridge, margaret ball

Associated with lecturer Paul Lambeth's photography class. Different textures and tonal qualities. skin and sand. Black and white photograph adhered to card. Tom Lambeth at Lorne.in pencil on verso "Tom Lambeth"tom lambeth, photography, paul lambeth.

The raised dots texture of this bottle clearly distinguishes the bottle as a poison. Poison bottles were often brown.Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. This bottle has an aesthetic element in that the shapes, colour and texture are visually appealing. They reflect the type of glassware used for poisonous contents that was in circulation in the first half of the 20th century. A brown glass bottle with angled sides and raised dimples on two sides. One side has "NOT TO BE TAKEN". It has a screw thread.On base -M On side NOT TO BE TAKENbottle container poison

Police Helmet made of leather or hide, black in colour, lined with brown textured material in layers. has band attached. no badge but holes where number would have been on front and topinside rim signature of owner and in bowl of helmet is a blue label not able to read. 21 3/4" written in bluepolice helmet trooper goal

The Loch Torridon was built in response to the need for a large cargo-carrying ship in the 1870s becoming famous for being one of the most per4fect four-masted barques ever built. She was built for the Loch Line in 1880 by Messrs. Barclay, Curle, and Co. Her measurements were 287 feet in length and 42 feet in beam, and 24 feet depth of hold. She was well sparred and her sail plan was so perfectly balanced that she was a very handy ship, easy on her helm, which was not a common virtue amongst large four-masted ships of her day. Her sails were interchangeable on all three masts, which was common in the last days of sail for both economical and practical purposes. The Loch Torridon was considered one of the most graceful and elegant ships ever launched from the Glasgow shipyards. The first master was Captain Pinder, the first cargo was bound for Melbourne Australia, after which she went on to Calcutta with a cargo of horses. On August the 22nd 1882 with a cargo of Jute onboard loaded in Calcutta the Loch Torridon ran into a storm. Sailing in heavy seas the captain, the second mate also the man at the wheel, and a boy was washed overboard with the first mate just escaping the same fate. Captain Pinder and the crew members could not be rescued and were never seen again with the first mate having to bring the ship home. The next Captain was Robert Pattman who was regarded as a fine navigator and seaman who sailed the Loch Torridon for the next twenty-six years and nine months. He had made 25 voyages around the world during this time without any serious mishap. In 1909 Captain Pattman resigned his command of the ship to switch to a steam vessel but unfortunately was injured on his first voyage and had to be landed at Falmouth, he dies of his injuries shortly afterwards. The Loch Torridon kept on sailing until 1915 after having been sold to a Russian company two years earlier. Near the end of January 1915, the ship sprang a leak of the west coast of Ireland and was abandoned sinking shortly afterwards. For further information regards possible maker of the model see Provenance sec this document: The item is of significance as an item made possibly by a man who served on the original ship making the item of historical significance given that the original craft was a well-known and respected trade vessel making voyages between England and Australia as well as the near East. Ship model Loch Torridon 4 masted, hull is black, grey and white. Ship in full sail with 4 lifeboats on deck. Ship sits on textured base. Has plain blue background. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village