Minor thesis submitted as part of the Master of Arts in Public History, Monash University, by Pat Hawkins, member of the PMH&PSCompeting ideas for the inner city - local responses to central planning initiatives in the City of Port Melbourne 1925 - 1985 by F Patricia Hawkins, 1991built environment, town planning, local government - city of port melbourne, f patricia (pat) hawkins

Given to Archives by Emma Ferguson and Jo van Berkel who used it in preparation of their 1994 thesis on the history of the Burnley Gardens. Photocopy of a plan depicting Burnley College as it was in the 1930's. It shows the Pavilion and surrounding gardens, coops and yards, various small outbuildings. Shows the contours of the land in the northern section of the property bordering Swan St. Some additions and comments have been added to original document, mainly to do with sewerage and water supplyburnley college, pavilion, emma ferguson, jo van berkel, orchard, water supply

885 pp. Read leather bound; black & white photos; includes bibliography and referencesnon-fictionA history of Box Hill Boys' Technical School from 1943-1983. The work is broken into parts covering the establishment and growth of the school 1943-1983; focus on the curriculum, discipline, social background of students. the school community, the development of the senior school and teachers & school administrators. schools, box hill boys' technical, education, students, teachers, technical schools

Zelda Martin was a PhD candidate at the University of Melbourne. This paper was an introduction to the proposed chapters 5-9 of her thesis - "The Main Towns and Their Hinterland".Nine page article on Victorian goldfields town. The article was written during the author's PhD study. zelda martin, victorian goldfield towns, hinterland, central place theory, mining camps, bendigo, castlemaine, ballarat, buninyong, moonambel, william dale, elizabeth dale, the loddon, redbank, maldon, george clendinning, richard william schmidt, newbury, william newbound, william luelf

Research material for a Thesis on John West, Pioneer Irrigation and orchardist, Ardmona. Contains, also a map of Ardmona irrigation information from local newspapersBlue plastic cover, black binding on spine. Hand written labelirrigation, books, rural, industry

PhD thesis of Dr John Crawford Bower, who undertook his MSc at the University of Melbourne before completing his doctorate at the Cavendish Laboratory in 1939. Bower was in the RAF Operational Research Group in World War II before returning to the University of Melbourne to become a physics lecturer after the war.

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). Black and white photograph showing the demolition of Town Pier. A worker is standing on the roof of a partially demolished shed.piers and wharves - town pier, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). Black and white photograph looking toward the city from a rooftop in Bay Street in 1975.bay street, port melbourne town hall, nancy u'ren nee morris

Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). Jack GOULD probably created this from an earlier photograph.Black and white aerial photograph showing the Port Melbourne foreshore and the piers from Princes Pier to Lagoon Pier and beyond. C. 1922-23.piers and wharves - princes pier, piers and wharves - town pier, piers and wharves - lagoon pier, foreshore, piers and wharves - railway pier, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). Jack GOULD probably created this from an earlier photograph.Black and white photograph looking along Railway Pier with many sailing ships berthed on either side. C. 1880s.piers and wharves - railway pier, transport - shipping, nancy u'ren nee morris

The three theses relate to the Post Office Museum in Melbourne (by Sarah Therese Murphy), the collections of Barry Humphries and Dame Edna Everage (by Diane Soumilas), and the preservation of watercolour paintings (by Peter John Struthers). They may have been kept by Kevin Kerle as part of his own thesis research on museum studies.

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). Probably taken by Jack GOULD. This image is different from the one that appears on p55 of A History of Port Melbourne. The church was demolished in the 1970s.Black and white photograph of Methodist Church in Graham Street.graham street, religion - wesleyan methodist church, nancy u'ren nee morris

This book is the second of Gardner's 3 volume history on the Kurnai tribes. It studies the Kurnai through the diaries and letters of various European observers, including an explorer, squatters, government officials, Aboriginal protectors, missionaries and an anthropologist. There is also an account of one of the victims, a summary of Gardner's massacre thesis and an appendix on the 'white woman' affair. This book is considered the most professional production of the trilogy and was highly commended in the Caltex-Bendigo Advertiser Awards of 1988. B&w illustrations, b&w photographshistories, victorian aborigines, victorian history, local history, victoria, gippsland, kurnai, european