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Bendigo Historical Society Inc.
Clothing - WOMEN'S CREAM COLOURED LONG SLEEVED LINEN NIGHTGOWN
Clothing. Women's cream coloured long sleeved linen nightgown. High round neckline trimmed with 1.5 cm dark pink and white lace. Front has three vertical tab sections (6-7 cm wide0 of dark pink and cream ribbon and lace insert. Underneath the tabs is a diagonal pattern of ribbon and pin tucks. front opening (24 cm) left of centre is fastened with two 1 cm plastic buttons and cotton loops. Long straight sleeves gathered into a cuff of dark pink and white ribbon and lace inserts. Fabric yoke across shoulders at back with body of nightgown pleated at centre back below fabric yoke. ''A'' shaped garment widening to hem.costume, female, women's cream colored linen nightgown -
Bendigo Historical Society Inc.
Clothing - WOMEN'S CREAM COLOURED LONG SLEEVED LINEN NIGHTGOWN
Clothing. Women's cream coloured long sleeved linen nightgown. High round neck with 4.5 cm broderie lace frill. Front has lace bib below neckline (45 cm X 35 cm deep) dipping to a V shape below the bustline. The outer edges of the bib have zig zag ribbon insert lace (4.5 cm) threaded with pink satin ribbon (1.5 cm) tied in bows on either side. The central bib section has vertical lace strips and pin tucks from the neckline. Centre front opening (28 cm) has a placket and is fastened with four press-studs. Long sleeves are trimmed at wrist with pin tucks, 4.5 cm ribbon insert lace threaded with 1.5 cm pink ribbon tied in bows and 4.5 cm broderie lace frill. A shaped nightgown widening to hem. At centre back 20 cm vertical pin tucks run from the neckline.costume, female, women's long sleeved linen nightgown -
Bendigo Historical Society Inc.
Clothing - WOMEN'S CREAM COLOURED SHORT SLEEVED LINEN NIGHTGOWN
Clothing. Women's cream coloured short sleeved linen nightgown. High round neckline with 4.5 cm broderie lace frill. Front has lace bib below neckline.(45cm wide X 30 cm deep) dipping to a V shape across the bustline. Bib section made up of 4.5 cm broderie lace around the edge. Centre front opening (15 cm) from neckline, fastened with two press-studs with lace frill covering the opening. Short set in sleeves edged with pin tucks, ribbon and 4.5 cm broderie lace. "A" shaped nightgown widening to the hem.costume, female, women's cream coloured linen nightgown -
Bendigo Historical Society Inc.
Clothing - GRAYDON COLLECTION: BODICE, 1870-1890
Clothing. Women's black embossed silk bodice. Part of two piece set (skirt 11410.2). Stand up lace collar (7 cm) boned on either side and edged with cream coloured lace. Collar fastened at centre back with three metal hooks and eyes. Front opening left of centre fastened with eight metal hooks and cotton loops and three across the left shoulder. Crossover section at front is pin tucked below the neckline and is tapered into the waist with centre pleats. Both sides of the crossover have decorative beading along the edges. The inner layer of the bodice is fastened at centre front with 15 metal hooks and eyes - alternating directions. The bodice is shaped from the waist with 9 boned casings. The back is shaped in at the waist finishing with two U shaped tails (11cm X 8cm) with V shaped tails (4 cm X 6cm) on either side. The waistline and tails are finished with a double row of decorative black beading. At the waistline at centre back are three metal hooks to attach bodice to skirt. Long sleeves are gathered at the shoulder, shaped at the elbow tapering to the wrist. Below the wrist is a two piece cuff (13cm X 7cm) with decorative black beading. The bodice is fully lined with light brown cotton fabric with grey splash pattern. Historical Notes: This bodice and skirt belonged to Elizabeth Graydon (nee Richardson). Photograph of Elizabeth wearing this outfit (11410.3).costume, female, women's black silk bodice -
Bendigo Historical Society Inc.
Clothing - GRAYDON COLLECTION: WOMEN'S YELLOW FULL LENGTH LINEN SKIRT, 1870-1890
Clothing. Women's yellow full length linen skirt. A-shaped from waist with lower section (36 cm) made up of three horizontal sections,1/ Vertical tab shaped pieces with pin tucks, 2/ Horizontal strip with pin tucks, 3/ Horizontal strip with pin tucks and frill along top edge. Darts around waistline with 1.3 cm waistband with drawstring on RHS only. Centre back opening (26 cm) fastened with two metal press-studs.costume, female, women's yellow full length skirt -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Coloured printed postcard. Image is of a painting entitled 'When waves do rise and tempests rage'. A stormy sea with large waves crashing onto rocks. Gulls are in the sky against a cloudy background. The words When waves do rise and tempests rage are printed in white along the bottom right hand edge. On the reverse it is addressed to Miss Dean Esmond Golden Square Bendigo. A one penny stamp is affixed and is postmarked Kerang. The words Raphael Tuck and Sons 'Oilette" (regd) Postcard 7062 "Rough Seas" Art Publishers to Their Majesties The King and Queen After the black and white originals by Elmer Keene are printed in red along the left hand edge.postcard -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Coloured printed postcard. Image is of a black and white painting entitled 'Runswick Bay'. Image is of a steep cliff with houses and cottages above rocks. Waves are breaking over the rocks and gulls are flying over the waves and in the sky. The words Runswick Bay are printed in white along the lower right hand edge. On the reverse, it is addressed to Miss Dean McKenzie Street Golden Square with a one penny stamp affixed postmarked Bendigo. The words Raphael Tuck and Sons "Sapphire Rough Seas" Series 6307 Phototyped in Berlin "Whitby" Art Publishers to Their Majesties The King and Queen appear along the lefthand edge.Raphael Tuck and Sons 'Sapphire Rough Sea' Series 6307 'Whitby'postcard -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Printed coloured postcard. Image is of The Eddystone Lighthouse and depicts a lighthouse on rocks with a smaller brick structure nearby in stormy seas and gulls in the sky. The words The Eddystone Lighthouse with a small symbol in white appear along the bottom left hand edge. Reverse is addressed to Miss Dean 'Esmond' Golden Square Bendigo and has a one penny stamp affixed postmarked Kerang. The words Raphael Tuck and Sons "Oilette" (Regd) postcard 7062 "Rough Seas" Art Publishers to Their Majesties the King and Queen after the black and white originals by Elmer Keene are printed in red along the left hand edge.Raphael Tuck and Sons 'Oilette' Regd Postcard 7062 'Rough Seas'postcard -
Bendigo Historical Society Inc.
Book - CHILDRENS BOOK COLLECTION
Children's Book Collection. "Favourite Fairy Tales". hard cover Children's Book. "Favourite Fairy Tales" Edited by Captain Edric Vredenburg. illustrated by R. C. Petherick, A. A. Dixon, A.L.Bowley and others. Published by Raphael Tuck & sons Ltd "Father Tucks' Golden Gift Series" Published to theirMajesties the King & Queen, London, Paris, New York. Designed and printed Great Britain. Inside front cover 1. jim Burns, 4r4 Old Violet Street Bendigo, 2. to Dear Jim from Oswald with best wishes 12th February 1927.books, children's, favourite fairy tales -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: DARK CREAM SHORT/WRIST LENGTH LEATHER GLOVES, Early 1900's
Clothing. Wrist length, dark cream, machine stitched leather gloves. Machine stitching-two rows, gives the effect of pin-tucks, are sewn in a diagonal direction from the outer wrist, across the back of the hand. The shorter outer stitching, 4 cm long has two 6mm long leather stitches, at right angle to the machine stitching. The second diagonal stitching runs around the top of the glove, and 9.5 cms across the back of the hand. It is offset with three 6 mm stitches at right angles. There is a 3 cm long, bound slit at the outer side top of the gloves.costume accessories, female, dark cream wrist length leather gloves -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BOLSTER PILLOW CASE WITH PIN-TUCKS AND BRODERIE TRIM, Early 1900's
Textiles. Fine linen fabric, white in colour. A 19 cm wide panel of fabric has been sewn to the top of the cover, and is edged on three sides with finely embroidered broderie anglaise featuring a circular, six petalled flower impression. A panel of the same broderie runs through the centre of the panel, and is bordered by a band of three pin-tucks on each side. An envelope of the linen fabric backs the bolster pillow.textiles, domestic, bolster pillow case with pintucks -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BOLSTER PILLOW CASE WITH CROCHET AND PINTUCK TRIM, Early 1900's
Textiles. Fine linen fabric, white in colour. The top of the cover is finished with an 8 cm deep band of cotton crochet, featuring a diamond shaped pattern - each diamond 5.5 cms deep. A band of 4 pin-tucks, in a 6.5 cm band of linen, and then another band of 4 pin-tucks and a 5 cm deep band of crochet with a slightly narrower band of diamond shapes, and five rows of pin-tucks complete the handwork.textiles, domestic, bolster pillow case with crochet -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BOLERO, Late 1800s
Clothing. Guipure lace and spotted tulle bolero with sleeves. The 8cm cuffs of the sleeves are also guipure lace. The lace is of a floral design with tiny looped picots separating the floral motifs. Sleeves are of spotted tulle (.7 cm spots). The back of the bolero is shallow - just 26 cm deep, while the front dips to two peaks in the centre front.From shoulder to lower edge is 44 cms. No fasteners are evident. Armhole seam is bound with tulle.costume, female, cream tucked net collar and jabot -
Bendigo Historical Society Inc.
Postcard - LYDIA CHANCELLOR COLLECTION: JULIET
An image of 'Juliet' after the original painting by A. Asti (Paris Salon.)Tuck's Post Card. Carte Postale. Postkarte. Raphael Tuck & Sons 'Connoisseur' series No. 2731. ' Juliet' is in a red gown with a white garment underneath. She has long flowing hair and has a hat or band around her hair. Art Publishers to their Majesties the King and Queen. Post card addressed to Miss L. Pethard, Fir St., Golden Square. Victorian stamp dated 26/ 5/ 06.postcard, photograph, female portrait, lydia chancellor collection, collection, female, individual, portrait, painting, costume, fashion, clothing, tuck's post card -
Bendigo Historical Society Inc.
Postcard - LYDIA CHANCELLOR COLLECTION: OILETTE
Raphael Tuck & Sons 'Oilettte' Connoisseur postcard 2747. Tuck's Post Card. Carte Postale. Postkarte. The 'Crayon' series. Four ladies are enjoying tea in a formal room. There are pictures on the walls and a lamp and clock on a mantelpiece. On a stand or auto tray are teapots and cups and saucers. Art Publishers to the King and Queen. The post card is addressed to Miss L. Pethard, Fir St. Golden Square. The one penny (1d.) Victorian stamp dated 3/11/?.postcard, lydia chancellor collection, collection, female, entertaining, entertainment, costume, fashion, clothing, recreation, tucks post card -
Bendigo Historical Society Inc.
Clothing - JOHN FREDERICK HARPER COLLECTION: PAIR OF WHITE COTTON GLOVES, 1950-1990's
Clothing. Pair of short, men's gloves, with three 6 cms long pin-tucks fanned out across the back of the hand. Wrist edge of the glove is bound in the glove fabric, giving a .5 cm binging, which continues around a 7 cm opening at the inside of the wrist. This opening is fastened by a silver coloured metal press-stud, at the centre of this opening.costume accessories, male, white cotton gloves -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, 1880- 1890's
Clothing. White linen camisole with peplum 8.5 cm deep. Round lace yoke at the front, with a panel for a ribbon insertion. Some evidence exists on the right front, that once there was a pink ribbon - possibly silk, but now there are only a few threads left. The insertion panel continues around the back neck edge. Two panels of three .5 cm tucks run from the neckline to the waist of the centre back. Front opening, with two 1 cm pearl buttons still evident, and a cotton tape and casing at the waistline. ON each side of front opening, a group of five pintucks, 7 cm long run from the waistline toward the bustline.All items belonged to Margaret Ann McLean.costume, female, white linen camisole. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLOUSE, Late 1870's - 1880's
Clothing. A concealed full length back opening reveals five tiny covered buttons, 7 mm in diameter and five hand-stitched button holes. This opening is bordered by two groups of five very fine pin tucks with a 3 cm spacing between the two groups. The blouse is made from very fine Swiss lawn cotton fabric, and is very soft to the feel. The front has a broad panel thirty cm wide of exquisite pintucks, crochet, lace and embroidery. The embroidery is white on white, and features flowers and leaves in a curved pattern. A crochet panel below the high neckline is 4 cm x 10 cms and is peaked at the lower edge. This is bordered by 1.5 cm wide cotton lace, and horizontal pintucks. Two panels, one on either side of three pintucks, 1.5 cm panel of lace, and then the central panel of embroidery, pintucks, lace, and crochet. Five pintucks, 1.5 cm panel of lace and five more pintucks run the length of the short sleeves. Sleeves are puffed, and gathered at the shoulder, and at the 1.5 cm deep cuff, which is also pintucked. A 1.5 cm deep 'stand-up' collar, spoke-stitched to the garment, as are the sleeves and shoulder seams. Front hemline is curved. Back hemline is straight.costume, female, a full length back opening blouse -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, Late 1870-80's
Clothing. Fine white linen fabric. A .8 cm 'tuck' edged at top and bottom with a spoke-stitched border, marks the waistline. Below the waistline is a peplum, split at the centre front with 8 cm deep peaks. These peaks are repeated at the centre back. The peplum tapers to 7 cm deep at side seams. The camisole is trimmed at the top edge with a 4 cm deep band of cotton lace. The top edge of the linen fabric has a double row (off set) of cotton embroidered 'spots' 2 mm in diameter, and three rows of drawn thread work - one cm in width, 3.5 cm wide lace form the shoulder straps. The back opening fastens with six tiny 7cm pearl buttons, and hand-stitched button holes. The lower button fastens with a loop at the waistline 1880-90's. A 'fan' of pintucks, arched from 4 cm long at the ends, to 6 cm long at the centre, fans the midriff at the centre front, above the waistline - 28 tucks in total.costume, female, camisole. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: COLLAR AND DETACHED SLEEVES, Late 1800's
Clothing. Ladies' collar. Net fabric, entirely sewn into 'pin-tucks' .5 cm deep in the high stand-up collar, and increasing to 7.5 cm at the lower edge of the jabot front. Opening at the back, the jabot is fastened by nine metal hooks, and hand-stitched loops. Collar has a tightly gathered double frill of the tulle fabric, at neck and is held up right by five 'covered' 'bones'. The lower edge of the front and back is edged with a 1.5 cm wide silk fabric frill. Centre lower edge of back has two 59 cm long silk ribbon ties. This ribbon is also attached to the lower edge of the jabot 58 cm and 60 cm long - presumably for the wearer to tie firmly in place. Neckline seam is re-inforced and neatened by an organdie type fabric, hand-stitched in place. Two fine elastic loops (now perished) one 52 cm, one 58 cm would once have helped to hold the jabot in place, with the arms passing through the loops, to keep the jabot in place. Detached sleeves. Net fabric, entirely sewn into .5 cm tucks. Reaching from the wrist to above the elbow. A double net frill edges the wrists, where a 6.5 cm opening, fastens with metal hooks and hand-stitched loops. A cotton tape, .5 cm wide neatens and re-infrces this seam, and a row of chain stitch, in silk thread embellishes the outer side of the seam. Upper edge of the sleeve has a fine binding of silk ribbon.costume, female, cream tucked net collar and jabot -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM SILK AND TULLE VICTORIAN EMBROIDERED BODICE, Layte 1800's - early 1900
Clothing. Beautiful deep cream silk bodice, fully lined with cream tulle/net. Elbow length sleeves have a semi-circle of embroidered silk, and an embroidered tulle ''flounce'', edged with cream cord - 17 cms long. The bodice has seven pin-tucks, angled from the shoulder to the waistline on each side of the front and back. Between the pin-tucks at centre front panel is an extensive cream silk, floral embroidery. A rounded neckline at front and back, is in-filled with embroidered tulle - small 1 cm diameter flowers, in a 3 cm diameter circle, defined by 12 small (3mm) embroidered circles. The tulle infill extends to a 7 cm high stand-up collar-supported by seven plastic ''bones''. The collar also features the same, circular, floral embroidery, and is also edged at the throat with cream cording. The bodice while in good condition, has been cut at the hemline, and a 10.5 cm strip of fabric has been added but unfinished. 18 metal hooks, and hand-stitched loops fasten the back of the bodice. Sleeves are an extension of the bodice.costume, female, cream silk and tulle bodice -
Bendigo Historical Society Inc.
Textile - SUGAR-BAG WAIST APRON, 1930-40's
Textiles. A delightful Depression or Wartime, home made item. Cut in a wedge shape, with a bottle green nylon fabric, waistband, extending to become the tires at the wearers back. The green nylon also forms a one inch (2.4 cm) border along the sides, and extending to a 1.5 cm border on the reverse. This binds the hession to prevent fraying. Two wedge shaped pockets are also bound on three sides, and tucked into the side edge bindings at each side of the apron. 5.5 cm from the top of each pocket is a 1.5 cm band of drawn threadwork, interlaced to form a pattern with green wool. This drawn thread pattern is repeated 3.5 cm above the lower edge. The lower edge is stabilised with a row of blanket stitch in green wool, and a 3 cm fringe of the hession fabric. Two small 1 cm pleats shape the apron at the waistband.textiles, domestic, sugar-bag waist apron -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LIGHT GREY KID LEATHER ELBOW LENGTH GLOVES, Late 1800-1900's
Clothing. Light grey kid leather gloves, with a sueded 'chamois like' finish feel. A 12 cm long plackett at the wrist, fastens with three .7 mm, rounded pearl buttons. Six rows of fine machine stitching fan out across the back of the hand, giving the effect of three pin tucks. Top edge of the gloves is gently curved.costume accessories, female, light grey kid leather gloves -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: CUP FEVER
Bendigo Advertiser "The way we were" from Tuesday, November 9, 2004. Cup fever: dressed for a winner at the 1964 Bendigo Cup were Pauline Gastin, Ged Storm, Lee Morrison, Josie Tuck, Mary Ryan and Lorraine Smith.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: INTRIGUING
Bendigo Advertiser "The way we were" from Wednesday, April 27, 2005. Intriguing: this picture of the Bendigo Flee was discovered in a box tucked away in a Bendigo shed.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Clothing - JOHN FREDERICK HARPER COLLECTION: BLACK BOW TIE, 1950-1990's
Clothing. A pre-tied, black bow tie, attached to a plastic clip, and frame which tucks under the wearers collar, while the clip tucks over the shirt neckline. Two rectangles of black fabric 12 cms x 5 cms, with a 1 cm wide strip, passing twice around the centre of the rectangles, forming a bow.costume, male, black bow tie -
Bendigo Historical Society Inc.
Clothing - MCGOWAN COLLECTION: INFANT'S CHRISTENING GOWN, Late 19th Century
Clothing ,white cotton christening gown. Low round neckline with casing and cotton tape ties. Bodice at front and back.Casing at waist with cotton tape ties to back. Back opening 31 cm. Long sleeves trimmed with 3 cm broderie lace and vertical pintucks. Front of christening gown has inverted V section from waist to hem of broderie lace (9 cm at waist to 51 cm at hem). Centre panel edged with 3 cm lace from neckline to hem. Hem at back and sides has 4 cm border of broderie lace below three tucks. Old box 524.costume, children's, christening long gown -
Bendigo Historical Society Inc.
Clothing - HOSKING AND HUNKIN COLLECTION: BABY'S PETTICOAT
Clothing, white cotton baby's petticoat. Shoulder openings, no fastenings. Neckline and arm openings edged with 1cm scalloped lace.Lower edge has two horizontal tucks, a 1cm lace insert and the hem is edged with 1cm scalloped lace.costume, children's, baby's petticoat -
Bendigo Historical Society Inc.
Clothing - HOSKING AND HUNKIN COLLECTION:BABY'S DRESS
Clothing. Cream coloured silk baby's dress. Sleeveless with yoke at front and back. 2cm white embroidered ribbons form shoulders. LHS has opening with press stud fastener. Yoke front and back edged with .4cm scalloped lace. Cut work open pattern at lower edge of yoke front and back. Bottom of dress edged with .4cm scalloped lace.Front yoke has three pin tucks with embroidered pink and blue flowers and green leaves. Lower LHS of skirt has embroidered posie of pink and blue flowers and green leaves tied with a blue ribbon.costume, children's, baby's dress -
Bendigo Historical Society Inc.
Clothing - HOSKING AND HUNKIN COLLECTION: TODDLERS NIGHTGOWN, 1880
Clothing. Fine white cotton lawn nightgown. Round neck, with back opening. 12 cm deep yoke, and tiny cap sleeves of embroidered cotton. A V shaped panel of embroidered cotton at the centre front of the yoke. A drawstring in a casing fastens at the back neckline. A tiny .75 cm button, fastens the back yoke. Nightgown is machine stitched, with some hand stitched decorative stitching. The long skirt has two bands of narrow tucks-one tuck of 1.04 cm and six bands of .04 cm. This is edged with a band of hand stitched embroidery. This band of tucking is repeated, and edged with a 6 cm wide band of eyelet embroidery. This panel is repeated with the lower edge of embroidered cotton finished with a scalloped shaped edge. A scalloped braid edges the neckline. Skirt is two-tiered-top tier very finely gathered to yoke is 15 cm deep. Lower tier is 71 cm deep.costume, children's, toddlers nightgown.