Four folios by Lillie Bush entitled 'The Voice'. A: Soprano Mezzo Contralto; b: Book 2 (pencil corrected copy); c: Book One - How to get notes (corrected copy, both 1&2 Book; d: A Voice Tonic for Speakers and Singers. Inscribed L. B. Lilly Bush, Royston, 64 Dandenong Rd., Caulfield, Vic.Lillie Bushperson, individual, bush collection - personal

Phonograph record, black shellac with red His Masters Voice label. Fantasia on Melodies of Johann Strauss (Weber). Artists: Marek Weber and his Orchestra.Cat. No C 2189

A master tape of songs performed at a concert known as "Electric Piano" in August 1994. This performance is by the Diamond Valley Choral Society. Songs include: Love changes, Imagine, One voice, We are Australian, Sleep little princess, Bush night song, Mighty, Serenade, Speed your journey, We're riding to the Never-never, The happy wanderer, Waltzing Matilda, Mary's boy child, Cradle Valley carol.2 audio cassettes in clear plastic casesHandwritten on cassette 1: "Side 1: Master DVCS 12.8.94. Love changes, Imagine, One voice, we are Australian. Side 2: Chorus We are Australian, Sleep little princess"; on insert of cassette 2: "Bush night song, Mighty, Serenade, Speed your journey, We're riding to the Never-never, The happy wanderer, Waltzing Matilda, Mary's boy child, Cradle Valley carol".diamond valley choral society, bundoora

Phonograph record with red "Capitol" label, with "His Master's Voice" cover. Side A: Adios, Side B: La Cumparista. Played by Les Baxter and his Orchestra.Reference number CP104 MX 45241 - 68951

Phonograph record, black shellac with red "His Master's Voice" label. A&B sides: Primrose Selection Part 1 & Part 2. Artist: Mayfair Orchestra.Cat. No. C 1180

Phonograph record with red 'His Master's Voice' label; Side 1: 'Morning Papers', Side 2: 'Du Und Du' - Marek Weber and his Orchestra

Corporal Trevor H Parrott served in Royal Corps of Australian Electrical and Mechanical Engineers, 1RAR, 1965 - 66.Set of six voice recordings of letters of Cpl Parrott, 1BN RAR to his wife in Kent Town South Australia. Each tape secure in postage boxrecording tapes, 1 rar, parrott, th parrott, tape, letter, recording

Bendigo Advertiser ''The way we were'' from February 2001. Full-voiced: Eaglehawk male choir, 1923. Photograph courtesy Bendigo Historical Society. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Contains information about - Building Bunjilika, Koori Voices, Belonging to Country, Two laws, Suggested Reading, A Note on Terminology, Keeping Places in Victoria, Photo Credits, Acknowledgements.colour photographs, b&w photographs, artworkbunjilaka, victorian keeping places, koori history, victorian history, bunjil, kulin, yorta yorta, wurundjeri

Phonograph record with red His Master's Voice label. Side A: Sans Souci. Side B: Tik Tak Polka. Performed by the Boston Promenade Orchestra conducted by Arthur Fiedler.CAT. E.A. 3751

Wooden shield with tin plaques attached"South Street Competitions Ballarat 1930" "Church Choir Contest 35 Voices & Over" "Won by Glendearg Grove Choir"

Newspaper clipping of an article about Australian forces fighting in the Middle East doing a radio broadcast for friends and families at home. Exact date is unknown but during WWII. VX 27898 Corporal Thomas John Morris Thomas (Tom Thomas) donated several items to Cranbourne RSL. He served in the Australian Corp Signals in WWII both in Australia and overseas. He was born at Womerah on 9/11/1906 and died at Koo Wee Rup 16/06/1984. He enlisted at Yarram on 1/7/1940 and was discharged at Royal Park on 9/3/1945.Newspaper clipping adhered to brown support card with note typed by a typewriter down left side.Printed: "SOLDIERS' VOICES HEARD IN RADIO GREETINGS' Typewriter: "STH GILAND SOLDIER - CPL. TOM THOMAS VX 27898"newspaper article, wwii

Associate Professor Meg Tasker was employed at Federation University Australia (formerly University of Ballarat) from July 1989 to September 2018 where she lectured in literary and cultural studies. She supervised one of the first PhDs in the University, and was one of the first University of Ballarat staff to be awarded an ARC Discovery Large Grant for on Australian Writers in Britain 2003-2006. Meg Tasker served as the General Editor of the Australasian Victorian Studies Association Journal from 2014 to 2018. She published a critical biography of Francis W.L. Adams, and is recognised as an authority in the field of 19th century Australian cultural studies. Copy of a photographic portrait of Dr Meg Tasker at her graduation in 1990 where she was awarded a PhD (English) from Monash University. Thesis: Multiple Voices in the Poetry of A.H. Clough meg tasker, doctorate, floppy hat, graduation, phd, federation university, university women

A damaged book titled 'Hullah's Part Music edited by John Hullah. Sacred Pieces. Music in score for The Voices of Men. London: John W. Parker, West Strand. M.DCCC.XLV.'48p.John Hullah Editorbooks, music, scores, books, music, score, recreation, choir, singing, performing arts

Collection of Margaret ScarlettFlat, round Bakelite record. Hole in centre. Red sticker in middle - 'His Master's Voice'. 'Dinah' / reverse side 'Love to Whistle' - Fats Waller and his Rhythm . Speed 78Polydor - Allan's (see above)musical instruments, accessories

Bendigo performance of ''Victoria Welsh Male Voice Choir'' - Poster with blank space for where the performance is ''At'' - with photo of choir group before Melbourne background. The poster has a handwritten inscription of ''1996''bendigo, entertainment, theatre

Dr Lisa ANDERSON (1958- ) Dr Anderson’s research questions environmental issues that impact on the social structures of communities and their mapped or metaphysical borders. She develops projects around ways of understanding the effects of climate change. These include work with folklore, legends and religions that tell stories of coping with weather, forced migration of animals and people and coping with difference. She has undertaken international residency programs and exhibitions in the Arctic, Iceland, Paris, Norway, London and China, and she was the first Artist in Residence at the Australian Museum. These unique opportunities continue an extensive art practice of installation work, video, photography and sculpture. Anderson has an extensive record of exhibitions in Australia and overseas with work included in both private and corporate collections. Her exhibitions include Journeys: Due North, a large installation work that includes work created over a 10-year period of engagement in expedition and science work North of the Arctic Circle. Beneath the Beauty of Architecture, an exhibition at her London Gallery, Bicha, used images created in China, Nunuvut Territory in Canada and the Antarctic while working with the migration stories of survival. Dr Anderson has created many large scale artworks that challenge notions of occupation of the City, including Writing the City, a three-year program of installation works to shift the use of Sydney to being a city of public space in its pre-Olympic development. Singing up Stones celebrated the people who created and use the Opera House and the Quay for performance and ideas. This included the first image projection onto the Sydney Opera House, a projection onto the Sydney Harbour Bridge and a ballet of cruise liners with the sound simulcast on the local radio station. Two digital prints with acrylic on metal and bullet holes. This work is the result of research on the hidden voice of landscape undertaken by Dr Lisa Anderson while an Honorary Professor at Federation University Australia. lisa anderson, available

This Edison Ediphone voice recording electronic business machine is manufactured to suit a small office and is light enough to carry between work and home for use outside normal business hours. It is a dictation machine, also called by the competitor’s brand name ‘Dictaphone’, and is used for recording spoken words that would later be transcribed and typewritten. A wax cylinder would be installed onto the machine’s drum and the Reproducer on the machine would be lowered onto the cylinder. The user would speak a message into a microphone and the reproducer would then convert the sounds to scribed marks on the cylinder. Later, the cylinder could be played and the Reproducer would enable the sound to be amplified through an attached speaker. This machine is currently without its power cord, microphone and speaker horn. Thomas A. Edison extended the technology of the telegraph to his phonograph machine, invented in the late 19th century. It could record and play back sounds of music and voice on a manually operated mechanical machine that used wax cylinders to store the sound. He envisaged the way this technology could be an asset in the office, and he was right! However, most of his phonograph machines were used for entertainment, some for playing lessons, and some for-teaching languages. In 1916 Edison introduced the Ediphone, which grew in popularity after the First World War and into the late 1920s until flat round records replaced the wax cylinders. This Edison Ediphone is significant for improving the way business administration was carried out in the early 20th century, freeing up precious time for professionals and administrative personnel. It was the forerunner of audio tapes and digital technology. The Ediphone enabled letters to be dictated when the time and place suited and reduced the time professionals needed to spend with their secretaries. Secretaries were able to type the letters as they played the recording and they could replay the message if necessary.Voice recorder; a dictation machine; desktop model Edison Ediphone. The electronic machine is in a medal case with remnants of the original grey colour. It has a rectangular base with an A4-sized footprint and a domed hood that retracts halfway into the back of the base. The corners of the base have metal reinforcing, and a short metal bar is on the front centre edge of the lid and the base. A long metal drum is mounted inside the machine. A round device called a ‘reproducer’ is mounted above the drum. There is a folding handle on the left front of the machine and an angled stand with paper guides in front of the drum. A rear cover has the maker’s name stamped on it. An electrical socket with eight pins is recessed beside the cover. Made by Edison.In white letters; “EDISON”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, edison, ediphone, dictating machine, office equipment, voice recorder, usa, dictation, communication, office machine, dictaphone, speaking phonograph, thomas edison, ediphone voicewriter, voice writer

Phonograph record with red 'His Master's Voice' label; 'Song of the Volga Boatmen' (arranged Chaliapin & Koenemann) and 'The Prophet', op.49 (Rimsky-Korsakov); Feodor Chaliapin - sung in Russian; Cat. DB 105

Phonograph record with red 'His Master's Voice' label; Carnevale in Venezia (Jules Benedict), Parts 1 & 2; Artist: Toti Dal Monte, Soprano, with orchestral accompaniment. Ref.DB821 In original record sleeve

Clock radio in dark red/brown plastic case. Model 63-53, His Masters Voice (HMV) logo of the dog listening to the gramophone is on front left side. Clock has Telechron movement.Model 63-53 [in aperture on back of case].hmv, telechron, the gramophone company pty ltd/emi

The author has set out to study the effects of newly developing literacy on a predominantly oral society. She persuasively argues for an awareness of the dangers of denying a voice to the very people who are the objects of such linguistics research.Mapsbilingual education, kriol, ethics and research

Object. His Masters Voice Record. 78 RPM recording of Open Road & Love Can Be Dreamed from The Gypsy Baron. Performed by John Charles Thomas with victor Symphony Orchestra conducted by Frank Tours.audio-visual technology, audio appliances, 78 rpm record, gertrude perry collection, his masters voice record

Gramophone needles container for 1 time use only."His Majesty's Voice" copyright Loud Tone. Has hinge lid. Top of lid has advertising design of dog looking into speaker. Colour mainly red.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

A Program of public events held at the Bendigo Art Gallery. Monthly mini tours, Evening Viewings and Calligraphy Workshops. Light brown coloured paper - Top of the page has the words - A voice from the Golden City - BendigoBendigo Art Gallery

Collection of Margaret ScarlettFlat, round Bakelite with hole in centre, red sticker in middle. /other side 'Glad Doll' / 'Smiles' or red sticker. Vinyl disc imprinted in 'tracks' for music to be played on gramophone.. 'His Master's Voice'. 78 speed.Polydor - Allan's - 'Smiles' - Crazy Otto.musical instruments, accessories

His Masters Voice - Soft tone.Green tin with picture of dog and gramophone on front, containing approximately 200 English gramophone needles. Used in gramophones which played 78 rpm shellac records.styluses (audio), gramophones

Baskerville’s Echo references the Ancient Greek myth of the nymph Echo. The goddess Hear punished Echo for misusing her gift of voice by ensuring that she could only echo the voice of others. Echo falls in love with Narcissus, who spurns her and instead falls in love with his own reflection in a pool and drowns trying to reach it. Grieving, Echo fades away until only her voice remains.patinated plasterecho, female, figure, margaret baskerville, ancient greek myth, nymph, sculpture, relief, plaster