Showing 261 items
matching yarns
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Stawell Historical Society Inc
Norwellan Woolen Mills, Wooden Spool
Wooden Spool held yarn to be wound onto loom bobbins for weaving at Norwellan Woolen Mills North Western Woolen Mills became Norwellan Textiles then AUNDEWooden Spool from weaving Loom, metal rims over wooden ring ends centre hole runs though to hold in placeindustry, norwellan -
National Wool Museum
Functional object - Yarn Spinner and Accessories, John Nesbitt, 19th Century
Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design.Custom made wooden hinged box with a hook latch. Brass yarn spinner, attached to a mahogany wood plinth base, which spins fibre into cord/yarn/thread. It has dials to set the rate that it spins. Metal plaque with black inlaid enamel lettering. Small cork inlay. Brass rod with hinge and wingnut, and ball at end. Ball at end has an adjustment mechanism. Rod also has an adjustable circular collar. Pair of curved tweezers. Circular magnifying glass on long thin handle. Glass has two concave lenses. Weaving sample in shades of blue, green and brown. Twill weave. Alternate pattern samples separated by red thread.Brass plaque on base of spinner: 42 MARKET St / John Nesbitt / REGd TRADE MARK / LIMd / MANCHESTER Underside of wooden plinth: 4976apparatus, textile, testing, spinning, nino corda, magnifyer, tools, brass, mahogany, tweezers, yarn, spinner, design, john nesbitt, manchester, england, 19th century, engineering, manufacturing -
Hume City Civic Collection
Headwear - Hair nets
Hair nets were used to hold unmanageable hair in place. Earlier nets were made from fine natural yarn but nylon replaced the natural fibres in latter years.2 hair nets in different shades of grey inside a small white paper bag.hair accessories, hair nets, personal effects, george evans collection -
National Wool Museum
Book, How to Spin with Australian Wool
"How to Spin with Australian Wool: instructions for learning how to spin, plus a selection of simple patterns to be made from hand spun yarn" - Australian Wool Corporation, c.1985.handicrafts knitting, australian wool corporation, hand spinning, spinning wheels, handicrafts, knitting -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: LIGHT BLUE NYLON PANTIES, 1950's
Clothing. Cream coloured nylon woman's panties with gusset and straight legs with 3cm hem. Printed on lower leg on LHS ''Saturday'' with two wine glasses, a wine bottle and bubbles. Ribbed elastic waistband.Tag on inside seam ''PATOLAINE'' ''SW'' '' LINGERIE OF REFINEMENT''. Tag on inside seam. ''Patolaine Lingerie Guanteed Quality Pbl'', ''Made from Ceylanese Yarn '' ''Trade Mark'' '' SW''.costume, female underwear, woman's light blue nylon panties -
Geelong Gallery
Sculpture - Moonlight becomes you (silver fox), WEAVER, Louise, 2019
) fox: hand crocheted cotton, lamb�s wool synthetic yarns and reflective tape over high density foam, papier mache, wire, mirrored acrylic, cotton fabric and synthetic fabrics, synthetic polymer emulsion and glass beads; 2 5) various fibres; 6) base: enamel gloss paint on fibreglass -
National Wool Museum
Letter
Letter, on "The Myer Woollen Mills Pty Ltd" letterhead, printed black, dated 19th June, 1941 from H Lewis, Designer, to W R Lang offering to gift shade cards of yarn.wool - research textile design textile research, gordon institute of technology the myer woollen mills pty ltd, dyeing, weaving looms, hand spinning, lang, dr w. roy lewis, h - the myer woollen mills pty ltd, wool - research, textile design, textile research -
National Wool Museum
Stencil - HUDDERSFIELD
This stencil was used as a location stamp for the transportation of wool bales. HUDDERSFIELD Valley Worsted Mills is located in Geelong. Stencils marked HUDDERSFIELD would have been transported to the Worsted Mills to be made into yarn and fabric.Wool bale stencil - HUDDERSFIELDHUDDERSFIELDwool - transportation, wool sales -
Parks Victoria - Cape Nelson Lightstation
Functional object - Flag set, navigational
The flags were used for communicating messages to passing ships. Knowledge of visual signaling was mandatory for all lightkeepers and all stations maintained a set of these flags. Although used for centuries, visual flag signaling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages.The Cape Nelson Lightstation is architecturally and scientifically (technologically) important as the most intact complex of lightstation buildings in Victoria. The octagonal signal station is a unique feature which is all the more important for its complete set of signal flags’. Cape Nelson Lightstation’s complete set of 41 alphabetic and numeric visual signaling flags (including substitute and answering pennants) are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations, and some of the fabric is hand sewn and bears inscriptions. Attachments include handmade wooden toggles, brass clips and hemp rope. -
National Wool Museum
Photograph
Depicts the yarn store from one of the Godfrey Hirst mills in 1966. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096godfrey hirst and co. pty ltd -
National Wool Museum
Photograph
Depicts the yarn store from one of the Godfrey Hirst mills in 1966. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096godfrey hirst and co. pty ltd -
National Wool Museum
Spool
Spools used at Foster Valley Mill. Large bobbin to hold fine yarns like silk or mercerised cotton (slippery, shiny threads) Used in production ofmen's suiting fabric with a fine stripe or thread effect. -
National Wool Museum
Textile - Quilt, 1921
Now 100 years old, this quilt belonged to the donor’s grandfather John William Huffstutter. John was Born in 1898 in a log cabin in the Ozark mountains of Missouri, USA. Tragically, John’s mother died when he was four years old. John said that he could always remember her voice calling his name as he hid under the porch in one of the many thunderstorms that frequent the area with his dog. John was raised by his grandmother and was treated as the youngest to her other children, growing up with his aunties and uncles rather than brothers and sisters. John began to study engineering at the State University of Iowa before serving in the US Army Engineer Corps in The Great War. He enlisted when he became eligible and served briefly before the Great War ended. He then returned to his engineering studies in Iowa, and shortly after finishing his studies got his first job with Westinghouse in Pittsburgh at age 23. It was when John was leaving for this job that he was given the quilts as a reminder of home from his grandmother Sarah Jane "Sallie" Tindall Coble, and her daughter (John's Aunt) Ottie Maude Coble Bittick. Widowed at age 78, John took to sleeping in his screen porch under one of these quilts. John remembered one winter in Missouri waking in his log cabin to find snow covering him and his quilt. When he died at age 94, the quilt he used was completely worn out and discarded. This remaining quilt was shipped to Australia, where Carol’s (the donor) immediate family had emigrated in 1970. Opening the box that contained the quilt released a wave of comforting smells, emotions, and a flood of childhood memories. Carol distinctly remembers sleeping under these quilts for afternoon naps at her grandparents' house. The quilt is 74 x 80 inches (1880 x 2030mm), matching the size of a modern-day king bed. It is made of various four-inch (100mm) squares. These squares are made of old men woollen suits in dark colours of browns and greys. The quilt is layered with a wool backing fabric and a batting lawyer of unknown material, possibly cotton or wool. The quilt is tied together with red wool yarn and the backing fabric is folded over the edge to be used as a binding. Embroidered across the front of the quilt in purple wool yarn is "John Huffstutter", "13 Oct 1921". A small, printed cloth label "HUFFSTUTTER" is pinned on the reverse of the quilt. The quilt is well-worn but in good condition considering its age. The care instructions passed down by word of mouth with the quilt were to "never wash, only air".Front embroidered. Purple handstitching: "John Huffstutter / 13 Oct 1921" Reverse. Printed cloth label: "HUFFSTUTTER"ozark, missouri, usa, textile history, quilt heritage -
National Wool Museum
Book, Knitting, Patons and Baldwins' Specialty Knitting Book no. 40
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.12 / EXQUISITE MODEL GARMENTS / from PATON'S "LACETTE" YARN / A "P & B" BRAND / 6D. / PATONS / AND / BALDWINS' / "ERICA" / "SHIELA" / No. 40 / P&B / SPECIALTY / Knitting Book / P&Bknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Wool Textile Research
"Wool Textile Research; CSIRO Research for Australia 9". Contains articles re: the latest CSIRO research (as of 1986) into areas such as wool marketing, wool cleaning, standard descriptions of wool, production of woollen fabric and yarn and current research trends.wool marketing woolclassing, csiro, scouring, dyeing, wool marketing, woolclassing -
National Wool Museum
T-shirt
Australian womens top/t-shirt from the formal uniform for the Sydney 2000 Olympic Games. Manufactured by Blossom Road Pty Ltd from Colana yarn (a wool/cotton blend) from Rocklea Spinning Mills Pty Ltd.fashion, woolmark company blossom road pty ltd, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002) -
National Wool Museum
Instrument - Scales, 1880-1898
At the time of sale, the last of the Hirst family to work in the mill located in Geelong gave Donald (donor Bruce's father) Doherty a set of scales that had been used by several generations of Hirsts and adapted by them over time for specific use in their mill. These Scales were saved from waste and being thrown away at the time of sale to remain in use in the industry in the hands of someone who knew how to use them. The scales were used in calculating the weight of cloth and simultaneously calculating the amount of yarn required to weave it following the instructions printed within the box. The box bears the signatures of two Hirst family members, one being Lewis Hirst dated at 1898. The original brass pole has been replaced with a replica metal somewhere throughout the years after the brass pole broke through use. Hirst was brought by McKendrick in the 1960s and these scales sat for 12 months as part of the 12 month "cooling off" period. The scales were then handed to Donald rather than being disposed of.Scales used for weighing and calculating weight and thread count of textile samples. Originated from Godfrey Hirst Mills in Geelong. Writing describes how to utilise scales. Scales are made from brass, pole for holding scales once brass now replaced with metal pole. Scales held inside wooden box with black text in ink depicting use of scales on paper located inside and outside of box.Outside of box. Wording: APPARTUS for TESTING the WEIGHT per YARD of CLOTHS & COUNT of YARN from a small SAMPLE. -------------------------------------------------------------------------------------------------------------------------------------------------- Indispensable to Manufactures, Merchants & handling Woollen, Worsted, Cotton, Linen, Jute, Hemp, Flannel, Felt, Army, Navy, Police, Railway, Sail & other Cloths -------------------------------------------------------------------------------------------------------------------------------------------------- USED IN GOVERNMENT DEPARTMENTS -------------------------------------------------------------------------------------------------------------------------------------------------- The apparatus consists of Scales, Weights, 1, 2 & 4 sq. inch Cutting Templates & Book of Tables --------------------------------------------------------------------------------------------------------------------------------------------------By weighing a small Sample the accurate Weight in Ounces of a yard of Cloth any width from 18 to 64 inches, the Weight per Square Metre in Grams, the Counts* of Warp and Weft, and the approximate length of full & short ends of pieces of fabrics, [without unrolling and measuring for stocktaking & other purposes] can be ascertained without any Calculation --------------------------------------------------------------------------------------------------------------------------------------------------Price in United Kingdom, 25s., Carriage Paid. Price to Canada & U.S.A. $6.75 do. H. Lord. 10, And Place, Bradford, England. --------------------------------------------------------------------------------------------------------------------------------------------------*When ordering, state on what system you base your YARN COUNTS. Inside of box. Wording: DIRECTIONS FOR USE --------------------------------------------------------------------------------------------------------------------------------------------------TESTING WEIGHT OF CLOTHS. Place sample to be tested on a piece of cardboard, put a Cutting Template on it, cut card and cloth round template with scissors and weigh it according to instructions given in Book of Tables. TESTING FOR YARN COUNTS. Cut out 1 square inch of cloth, draw out wrap or weft threads, according to which is being tested, and the number of inches so drawn, that balance respective weight is the approximate Count. The same rule holds good when number of inches are drawn from a bobbin. In testing from the cloth, allowance has to be made for loss or gain in the process of manufacture. Weight marked C is for Cotton Counts " " W " " Worsted " " " WS " " Woollen Skeins " " L " " Linen Counts. The weights for testing samples of cloth are 20, 10, 10, 5, 3, 2, 1, grains in brass & '5, '3, '2, '1 [tenths of a grain] in aluminium. Inside of box. Signtures, handwritten: Bottom right: Lewis Hirst !898 Top Left (Smudge ?) W Hirst !935godfrey hirst, hirst family, textile design, textile creation -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SPINNING YARNS
Bendigo Advertiser "The way we were" from Wednesday, May 26, 2004. Spinning yarns: workers at the winding and doubling rooms of Bradford Cotton Mills in 1956. Back row: Pat Bau, Gertie Rotering Beryl Prologue. Centre row: Dawn Drummond, Joyce O'Brein, Margaret Aherne. Front row: Sylvia Tebb, Doretta Phillips, Brenda Barter.newspaper, bendigo advertiser, the way we were -
Vision Australia
Photograph - Image, Woven wall hanging
A yarn wall hanging depicting sky, trees and river. Felt houses, a wooden bird and animals or fishes made from beads. Red ribbed paper outlines the picture, which is glued to a hessian covered board. This artwork was created by participants at the Day Centre in Kooyong.Striped artwork attached to brown hessian backingassociation for the blind, day centre -
National Wool Museum
Book, I.C.S Reference Library No. 106
"I.C.S Reference Library no. 106: arithmetic, logarithms, mensuration, woollen and worsted yarn calculations, mechanical definitions, mechanical calculations, reading textile drawings, wool, wool washing, wool drying, burring and carbonising, wool oils and oiling" International Correspondence Schools Ltd, 1923.textile production wool processing, international correspondence schools ltd, cloth - woollen, cloth - worsted, carbonising, burring, textile production, wool processing -
National Wool Museum
Photograph - Framed Printed Coursework, Gordon Institute of Technology, Textile College, 1950
Framed papers outlining the courses and coursework for the Textile College at the Gordon Institute of Technology in 1950. The courses include Woolcombing, Worsted Spinning, Woollen Yarn Manufacture, Designing, Weaving and Turning and Finishing. A digital copy of this item was made for the National Wool Museum Collection, with the original remaining with the donor. Digital TIFF file, 100 MB, showing image of framed printed paper.D.P.C. WILSON MEMORIAL BURSARIES. / Textile College / Gordon Institute of Technology. / GENERAL INFORMATION / TERM DATES 1950 ...courses, gordon institute of technology, textile college, geelong, woolclassing, weaving, spinning, coursework, 1950 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, napkins damask, early 20thC
Damask is a reversible figured fabric of silk, wool, linen, cotton, or synthetic fibres, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Damasks derive their name from the city of Damascus - in Middle Ages it was a large city active both in trading, as part of the silk road, and manufacture. By the fourteenth century damasks were being woven on draw looms in Italy. Modern damasks are woven on computerized Jacquard looms. Damask weaves appear most commonly in table linens and furnishing fabrics, but also in clothing. The Damask weave is used extensively throughout the fashion industry due to its versatility and high quality finish.6 white damask, dinner napkins with varied patterensbrighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, early settlers -
Orbost & District Historical Society
pattern books, Patons Specialty Knitting Book, 1940-1950
These knitting pattern leaflets were published by Patons and Baldwins and contain knitting patterns for women's and men's garments. Patons & Baldwin began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son and Co., founded in 1814 by John Paton of Alloa, Scotland. Both men had formed their businesses using the spinning mule developed by Samuel Crompton. They mainly produced yarns for commercial knitting machines. Patons established itself in Australia with its first mill built in Tasmania in 1923. For decades, Patons was the leading hand knitting yarn brand but due to the market conditions in the mid 1980's, Patons felt the decline and eventually amalgamated with Alliance Textiles, New Zealand in 1996. Patons Australia was acquired by Australian Country Spinners in 2000. Knitting has always had a great appeal to women, as it needs few tools. Companies which manufactured yarn often produced instruction guides and patterns. These pattern books are typical of the knitting pattern books commonly used in the mid 20th century. The patterns contained are for garments commonly worn at that time.Two knitting pattern books. Both are black / white and contain knitting patterns. 821.1 cost 7d, is titled "Patons Specialty Knitting Book No. 145" and has on the front cover a lady standing near a buggy wheel. 821.2 cost 1/3, is titled " Patons Knitting Book No. 394 (introducing Patons Double Quick Knitting)" and has has on the front cover a photograph of a man on a boat.knitting-patterns needlecraft patons-baldwin -
Orbost & District Historical Society
pattern book, Patons Knitting Book, mid 20th century
This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for women's garments. Patons & Baldwin began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son and Co., founded in 1814 by John Paton of Alloa, Scotland. Both men had formed their businesses using the spinning mule developed by Samuel Crompton. They mainly produced yarns for commercial knitting machines. Patons established itself in Australia with its first mill built in Tasmania in 1923. For decades, Patons was the leading hand knitting yarn brand but due to the market conditions in the mid 1980's, Patons felt the decline and eventually amalgamated with Alliance Textiles, New Zealand in 1996. Patons Australia was acquired by Australian Country Spinners in 2000.Knitting has always had a great appeal to women, as it needs few tools. Companies which manufactured yarn often produced instruction guides and patterns. This pattern book is typical of the knitting pattern books commonly used in the mid 20th century. The patterns contained are for garments worn at that time.A seven page stapled booklet of knitting patterns. It is titled Patons Knitting Book No. 444, Ladies' and Girls' Gloves and Hats. It has a price 1/3.On the front cover are photos of the garments for which the patterns are provided.knitting handicrafts patons-and-baldwins -
Eltham District Historical Society Inc
Book, Hyland House, Alan Marshall's Australia, 1981
One of a collection of books by local writer Alan Marshall held at EDHS. This one is of "anecdotes and yarns" as described by Marshall before its publication in July 1981 in the Canberra Times. Alan Marshall's Australia, the Australia of "I Can Jump Puddles" has vanished. No longer do we have time to sit on the sliprail and exchange yarns, to drive buggies down long, quiet dusty roads, or to watch the king-hit merchant operating in some small hotel. Even the Cu-nims hold no terrors for a Boeing 427! And yet - Alan Marshall's Australia lives for all those who read this book. Meet Lance Skuthorpe who tethered an old bull in Bourke Street and offered £5 to anyone who could ride it for half a minute and Binjarrpooma, the Arnhem Land terror. Accompany Alan in his horse-drawn caravan or buggy to country sales, pubs and stations and listen with him to great bush eccentrics, lairs and yarn spinners. Go further back and remember Conversation Lollies, the cigarette cards you collected and the school yard games. Can you recall how to test an axe blade, choose a pocket knife, or the penetrating power of Goanna Oil? But this book is more than a nostalgic journey into the past ; it is history for the young and a timely reminder for us all - it is our roots. - Front end papers viii, 165 p. : ill. ; Two copiesISBN 0908090390alan marshall, prose, short stories, ancedotes, australia, tales, yarms -
National Wool Museum
Sample, dyed wool
This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin -
National Wool Museum
Sample, dyed wool
This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin -
National Wool Museum
Sample, dyed wool
This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin -
National Wool Museum
Sample, dyed wool
This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of home dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin -
National Wool Museum
Sample, dyed wool
This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of home dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin