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Federation University Art Collection
Work on paper - Artwork, 'Shadow of the Night' by Antoinetta Covino-Beehre
Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints -
Surrey Hills Historical Society Collection
Photograph, Pye and Stamford family members at 'Tanglewood', 12 Loch Street, Surrey Hills, c1916-1918, 1916-1918
... artists ...Both Hazel and Mabel Pye were artists and their father built a studio at the back of the 12 Loch Street home. The family were also associated with the amateur theatre group 'The Benwerrin Players'. Information from Frank Stamford (via Surrey Hills History Facebook page), March 2017: "This photograph was taken around 1918. It is a family occasion. The four people sitting down, from left to right, are Clara (Dolly) Stamford nee Noar (my grandmother), Frank Stamford (my grandfather), Laurence Stamford (my father, who was born in 1904), and Hazel Pye (a cousin of my father). The three people standing, from left to right, are Alice Pye (nee Noar) - mother of Mabel and Hazel, and sister of Clara, Reg Stamford (brother of Laurence, and born in 1900), and Mabel Pye." Dorothy Stamford was a cousin of Hazel and Mabel Pye.Black and white photo including Misses Mabel and Hazel Pye with other family members. The group is seated and standing in front of a verandah of a timber Edwardian style home.loch street, artists, 'tanglewood', mrs clara ellen stamford, miss clara ellen noar, frank stamford, laurence stamford, hazel pye, miss alice elanor noar, mrs alice eleanor pye, reg stamford, mabel pye -
Mission to Seafarers Victoria
Print - Reproduction of a painting, Blest Were The Wise Men by Daphne Allen, Early 20th Century
Little known as this print was discovered in an old cabinet in the vestry of the Chapel of St Peter. Possibly a donation meant to be framed or possibly an item used at Port Melbourne Mission which at times ran Sunday school services at the turn of the 19th and 20th C.Allen a child prodigy was a significant popular religious artist. This print is a good example of her work.Appears to be a fine quality full colour reproduction of a nativity scene with angels wise men and madonna in the style influenced by late Pre -Raphaelites mounted on heavy card with printed name of artist at left and printer initials at right and title in centre. see imagenativity scene, daphne allen, artwork-paintings -
Eltham District Historical Society Inc
Photograph, Commercial businesses at the corner of Brougham Street and Main Road, Eltham, Oct 2008, 2008
Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies -
Eltham District Historical Society Inc
Photograph, Commercial businesses at the corner of Brougham Street and Main Road, Eltham, Oct 2008, 2008
Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies -
Eltham District Historical Society Inc
Photograph, Commercial businesses at the corner of Brougham Street and Main Road, Eltham, Oct 2008, 2008
Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies -
Eltham District Historical Society Inc
Photograph, Commercial businesses at the corner of Brougham Street and Main Road, Eltham, Oct 2008, 2008
Four colour photographs; two showing site works at the corner of Brougham Street and Main Road, one showing Michael Wilson Jeweller at 725 Main Road and one showing Victorian Artists Supplies at 715 Main Road, Elthameltham, brougham street, main road, michael wislon jeweler, victorian artists supplies -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: YOUNG FEMALE PHOTO, Ninteenth century
Black & White studio Photograph. Young woman in graduation gown. Mortar board on knee. Printed Front. Duryea 158a Rundle Street Adelaide. Reverse. From the Studio of F Duryea, artist in Photography, No 158a Rundle Street Adelaide.F Duryea Adelaidephotograph, person, female -
Bendigo Historical Society Inc.
Photograph - MINER'S WEATHERBOARD COTTAGE, 1861
blacka nd white photo of wooden house with unusual side porch entrance; large building at rear. Extensive garden with adult male ( artist ? ), adult female and two children. Picket fence fronting street. On back ' not known' in pencil.Batchelderbuildings, residential, miner's cottage -
Bendigo Historical Society Inc.
Document - HANDWRITTEN NOTE - (BENDIGO HISTORICAL SOCIETY?)
Handwritten Note - (Bendigo Historical Society?) with the following handwritten (re a drawing/painting/ artwork): Blacksmith shop of S H Stoneman. Coachbuilder Williamson Street Bendigo 1880. Presented by Miss Edith Stoneman. Artist J S Distonorganization, business, bendigo businesses -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO
Studio portrait man aged around 40 years. Beard & moustache. Written caption on reverse 'Capt. Riddie' 1896. Printed on reverse. Artist & Photographer A J Hilder 267 Barking Road Plaistow E. Same printed on front.A J Hilder 267 Barking Road Plaistow Essex.photograph, person, male -
Coal Creek Community Park & Museum
Phonograph record, T'Ho Voluto Bene / Anna
Phonograph record with yellow and black "M-G-M" label. A Side: "T'ho Voluto Bene", B Side: "Anna" - Soundtrack of the I.F.E. film, "Anna". Artist: Silvano Mangano, vocal, with Instrumental accompaniment. The cover is coloured red and bone.Reference number MGM 5142 -
Bendigo Historical Society Inc.
Artwork,other - AILEEN AND JOHN ELLISON COLLECTION: CHARCOAL SKETCH OF EUCALYPTS
Framed charcoal sketch, original, buff surround. Image shows stand of eucalypts on RH side, rocks in background. On bottom of artwork, printed, D.H.30. Artist unknown. On back of painting, 'Merryn' and 'property of L.J. Ellison' written in pen.unknownperson, bendigo, aileen and john ellison -
Bendigo Historical Society Inc.
Photograph - EAGLEHAWK PIONEERS, 1894
A series of small photographs of Eaglehawk Pioneers arranged around a central photo of Eaglehawk in 1894, 112 Photos in total. Names & dates written underneath each. Mounted on Card with types names & dates on mount, Charlie E Green Artistperson, group, portraits, eagelhawk pioneers, eaglehawk, pioneers, charles e green -
Stanley Athenaeum & Public Room
Artwork, other - Sign, Wooden CFA Fish Sign
Wooden Fish on wooden pole with 'CFA Stanley Surf Life Saving Club' written on a fish shape. Fish has red lips, blue eyes, yellow surround, blue funs, pink body. Hand-painted and constructed by artist.CFA Stanley Surf Life Saving Club. Nails on pole. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Ipse Feci, 1941
Dr Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour self portrait by artist Leonhard Adam. He is wearing a pink/light red collared open shirt with a white vest underneath. His hair is black with streaks of grey through it. He has blue eyes and a ruddy complexion.Ipse Feci . Leonhard Adam. Tatura (Victoria) Austr. 18-21 Januar 1941tatura, dunera, internee camps, leonhard adam, ipse fici -
Tatura Irrigation & Wartime Camps Museum
Programmes, Land of Smiles, 1978-1979
1 of 3 programmes of Turaton Musical Company Productions in 1978, 1979 and 1995. Each programme of 8 pages with synopsis and photographs of players. Introductions to principal artists. Some history of the group and credits. Two other programmes L0596 and L0597Musical productions local groups -
Tatura Irrigation & Wartime Camps Museum
Programmes, The Gondoliers, 1978-1979
1 of 3 programmes of Turaton Musical Company Productions in 1978, 1979 and 1995. Each programme of 8 pages with synopsis and photographs of players. Introductions to principal artists. Some history of the group and credits. Two other programmes L0595 and L0597Musical productions local groups -
Tatura Irrigation & Wartime Camps Museum
Programmes, Voice of Victory Concert, 1978-1979
1 of 3 programmes of Turaton Musical Company Productions in 1978, 1979 and 1995. Each programme of 8 pages with synopsis and photographs of players. Introductions to principal artists. Some history of the group and credits. Two other programmes L0595 and L0596Musical productions local groups -
Whitehorse Historical Society Inc.
Article, Nadrasca's First Art Exhibition, 1993
Disabled artists from Nadascra staged their first exhibition in Sept 1993.Disabled artists from Nadascra staged their first exhibition in Sept 1993. Operating under the name Designer Originals, they have been producing high quality saleable goods since 1991 including, fabric printing, stationery and paper printing.Disabled artists from Nadascra staged their first exhibition in Sept 1993. disabled artists, nadascra, designer originals, sharr, katrina, nasorfis maria -
South Gippsland Shire Council
Book, Boxed, Chinese Art, 2001
Book of Chinese art works. Printed in colour on glossy paper. Brown, gold and white cover and matching slip cover which features a Chinese lotus blossom. Printed in Chinese. Predominately watercolours the book includes details and images of the artists. -
Bendigo Historical Society Inc.
Ephemera - LYDIA CHANCELLOR COLLECTION: CATS, 1960's
A box with a picture of cats on the front. It contains pictures of cats in various sources - postcards -there is a Kruger label on the back , Made in Western Germany, and artist initials E.K.on the front , cards, books, albums, pictures, calendars and magazines. C. 1960's.CATS 3person, individual, lydia chancellor, lydia chancellor, collection, animals, cats, pets, cards, card album, magazines, ephemera -
Tennis Australia
Drawing, 1886
Original charcoal drawing of two flat top racquets, with ball, tennis cap and net. Signed by artist lower right and dated: 'DEC. 22/1886'. Under UV glass. Materials: Charcoal/Wood, Paper, Metal, Wood, Glasstennis -
Clunes Museum
Poster, Clunes Ceramic Award 2017, August 2017
Bartholomew, Walk, Fleming, Drew, Garson, Spoehr, Shatrov, Pilven, Spronk, Lucas, Srivilasa, Mossman, Huhn, Bish, Miliekowski, Thurgate, Murphy, Plumridge, Secombe, Jo, Hiscock, Arregui, Hoffman, Austin, Coad, Kerr-Grant, Williams, Fraser, McGinn, Warren, Ozawa, Franzi, Wemyss, Taylor, Rankine, Jackson, Dobson, Bosworth, Ii, McKenna, Sawyer, Mason, DeMaine, GreenwoodA4 size, 2 sided colour printed poster. Front shows photos of finalist's ceramic pieces. Back shows artist name, title of piece and price. Front also shows exhibition dates and location and back lists sponsors.Nilceramic, awards -
Federation University Art Collection
Ceramic, Malcolm Boyd, Untitled [Male Form] by Malcolm Boyd, 1977
MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.malcolm boyd, ceramics, artist, artwork, jan feder memorial ceramics collection, gippsland campus, alumni -
Warrnambool and District Historical Society Inc.
Painting, Hopkins River - Clifton Banks, Early 20th century
Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton which dates from the 1850s. There are several works of art and photographs depicting Clifton Banks which date from the 19th and early 20th centuries. This oil painting is believed to be the work of Emma McGeorge, the wife of Canon Samuel McGeorge, the Vicar of Christ Church, Warrnambool form 1899 to 1905. It is surmised that Emma McGeorge was encouraged by the artist Mary Norman to take up painting as a pastime or to continue with her art interests. Emma McGeorge may have been a pupil of Samuel Pearce Fuller and Mary Norman. She was successful as an exhibitor and entrant in art exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women, in the late 19th and early 20th centuries in Warrnambool. It was bought at an auction sale in Camperdown by Les O’Callaghan in 1997. This is an oil painting, probably by Emma McGeorge, on art board of Clifton Banks on the Hopkins River. It has a gilt wooden frame with multi-tiered highly-ornamented outer frames in a gold colouring. The lower frame is discoloured (perhaps by smoke from a fire place) and there is a small piece of wood missing on the lower frame. All the gilding is slightly discoloured. The back has been sealed with pasted paper and there are old tacks and old wire for hanging the picture. There is a label on the back from W. Hickford, the Warrnambool picture framer and handwritten information on the artist and the artwork by Les O’Callaghan.Front: ‘E.Mc.G.’ Back: ‘W. J. Hickford, Picture Dealer, Framer and Gilder, Liebig Street, Warrnambool, Mounting and Repairing, Old Frames Re-gilt, Oakley Printer’ ‘603’ clifton banks, emma mcgeorge, warrnambool, hopkins river estuary -
Flagstaff Hill Maritime Museum and Village
Print - Vessel - Steamship, SS Casino off Point Lonsdale, ca. 1899-1932
Print of a picture of the S.S. Casino, This print is from an original painting by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. The S.S. Casino was a passenger and freight steamer built in Dundee, Scotland, in 1882 for the Newcastle and Hunter River Steam Navigation Company of N.S.W. She weighed 425 tons gross with a length of 160.4 feet, beam of 24.1 feet and a depth of 10.2 feet. She had saloon accommodation for 35 people, a fore cabin for 25 more people, and she carried 300 tons of cargo. While on her delivery journey on May 30th 1882 the S.S. Casino called in at the Port of Warrnambool for coal ., narrowly escaping going ashore in gale force winds due to the quick action of the pilot. At that time, still at anchor, she impressed the directors of the Belfast and Koroit Steam Navigation Company so much that they bought her immediately; she was ideal for trade along the West Coast of Victoria. (The Belfast and Koroit Steam Navigation Company was first managed by Messers. Saltau and Osburne and after the passing of Mr. Osburne, by produce merchants Messers H. Sautau and Sons, who had a hay and corn store and shipping agency on the corner of Liebig and Koroit Streets in Warrnambool. ) The S.S. Casino became “the most famous steamer to operate in Victorian waters along the West Coast” by author Jack Loney. Captain Boyd was her first Master, followed by Captain Chapman, who stayed with her from 1890 until 1924. Captain W. Robertson followed for a short term, and then Captain Middleton then took command from 1925 - 1932. The S.S. Casino had several mishaps during her life. One was on 3rd January 1898 when she collided with the S.S. Flinders in Apollo Bay with minor damage. Another was on 24th October 1924 when she grounded on a reef at Point Hawdon near Grey River and most of her cargo (of Christmas goods) had to be dumped into the sea. Then in February 1929 she was ‘holed’ when she struck a submerged object as she entered Lady Bay, Warrnambool. On the morning of 10th July 1932, after attempting to berth at Apollo Bay jetty in heavy seas, Captain Middleton decided to take her out into the bay and wait until the seas abated. It was not realised that the anchor used to steady her as she manoeuvred to her berth had pierced her hull. She put about and headed for the beach but sank. Captain Middleton and nine others lost their lives; nine people were rescued including the two female passengers. Captain Middleton had been in charge of the S.S. Casino for seven years. He was the first ship’s Master to lose his life in a shipwreck in the West Coast trade. In the years following the turn of the century, the S.S. Casino remained the only regular trader with normal passenger accommodation along the West Coast. From 1882 she had made at least 2,500 voyages on the one run. Flagstaff Hill’s collection has a photograph of a portrait of Captain Chapman, , a ship model of the S.S. Casino that shows both forms of power under which she sailed, steam and sail. The ship is painted green and flies three flags. The inscription across the case of the ship model, incorrectly dated, tells the sad story of the wreck of the ship and the loss of lives on July 10th 1932 at Apollo Bay. A print in the Collection shows S.S. Casino underway in the heavy sea off Point Lonsdale, another two photographs show her at the Port of Warrnambool, leaving from the Breakwater in Lady Bay and another identifies the S.S. Casino as a ship from the Belfast and Koroit Steam Navigation Company. (Belfast is the original name for the township of Port Fairy).This print of the S.S. Casino is of significance for its association with the coastal trader S.S. Casino. The wreck of the S.S. Casino is considered an important part of Victorian and Australian cultural heritage and as such has been declared and protected as an Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). The detailed image of the vessel depicted in this print shows one of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors.Print with hand-painted watercolour highlights depicting the port side steamship SS Casinounderway in a heavy sea, merchant flag flying at the stern. Mounted in a decorative wooden frame behind glass. The original painting was by A V Gregory. The title of the picture is repeated in handwritten words on the matte below the artist's signature on the print.Signed "A V Gregory" Hand painted title "SS Casino off Point Lonsdale"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, h. sautau and sons, s.s. casino, west coast trader s.s. casino, victorian coastal trader, captain boyd, captain w. robertson, captain chapman, captain middleton, apollo bay shipwreck, s.s. casino at lady bay warrnambool, saltau and osburne, a v gregory, arthur victor gregory, melbourne artist -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Portland, c. 1954
Lithograph, sepia, view of Portland, showing steam train at Portland station; goods shed, Post Office and Customs House at rear. Off-white background, white mount, matte black wooden frame, reflective glass, wire for hanging, on backFront: 'Portland, Victoria' 'Artists Print' 'Kenneth Jack' (signature) Pencil beneath lithograph 'KENNETH JACK 1954' -bottom left hand corner of lithographkenneth jack, portland -
Wangaratta Art Gallery
Painting, Kevin Taylor, Richmond Patterns, c.2003
Rural City of Wangaratta Collection. Wangaratta Art Prize Grand Winner 2003.A landscape painting of a terrace house painted in oils using yellows, greens, blues, greys, browns, oranges, and white.Obverse: Taylor/ (bottom right corner) Grand Winner - 2003/ Richmond Patterns/ Artist: Kevin Taylor/ Judge: Herman Pekel/ (plaque mounted on frame)wangaratta art gallery, kevin taylor, landscape, painting, richmond, terrace house -
Ringwood RSL Sub-Branch
The First Aviators, Book
Vinyl exterior and paper pages of text and pictures.The finest flying machines of the day wheel their way around a pylon in artist Paul Lengall'e's conception of the worlds first great air meet at Rheims, France.