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Beechworth Honey Archive
Hand-Written Notes by Frank Lebbell Frost [ca 1915-1924]
Hand-written notes on vegetation and flowering quality. Includes the areas of Rutherglen, Chiltern, Beechworth, Barnawartha, Yackandanda. Includes the trees Yellow Box, Iron Bark, Red Box, Cape Weed, Green Cabbage Box, Stringy Bark and Hill Gum. Written with black ink on paper.hand written, hand-written, notes, flowering, eucalypts, gum, trees, frost, beekeeper, beechworth honey -
Surrey Hills Historical Society Collection
Book, Robin Da Costa-Adams, Enniskillen McAlpin Residence, Feb-09
This report was prepared by historian Robin da Costa-Adams to assess the cultural heritage significance of "Enniskillen" at 14 Balwyn Road, Canterbury. It includes some family history on a number of prominent families - the McAlpin family, the Hindson family and the architect, Arthur William Plaisted who designed 'Enniskillen' for the McAlpin family. McAlpin's was a major Victorian flour company in the nineteenth and early twentieth centuries. Owned and operated by J. McAlpin and Sons, the company sold its flour products across Australia and overseas. McAlpin's developed a successful marketing campaign which was pitched directly at housewives. One innovation was the publishing of a free cookbook which had recipes in it that used McAlpin's products. These free cookbooks were published successively from the 1930s through to the 1960s in Australia. Arthur Plaisted also designed the Surrey Hills Medical Centre in Union Road c1911. Some of his work is featured on the State Library of Victoria Collection. Robin da Costa-Adams has researched and written many publications including 'Blackburn a picturesque history, 1978'; 'Land of Gold: Gwlad yr Aur: James Tipping and a Mining Heritage'; 'Address (with signatories) from the women of Ballarat & Ballarat East to the women of England 1864 : against transportation of convicts', compiled and indexed by Robin; and 'Connie's Story : commemorating the Life of Mrs Edward (Plorn) Dickens'. Robin has been a tireless campaigner for heritage protection in Canterbury. This document on 'Enniskillen' was included with Robin's submission for 2 VCAT hearings regarding possible development of the property. Both resulted in a judgement against the proposed developments. In the recent (2021) hearing the document was specifically mentioned in the judgement.A report prepared by Robin da Costa-Adams in 2009 to assess the cultural heritage significance of "Enniskillen" at 14 Balwyn Road, Canterbury. It includes some family history on the McAlpin family, the Hindson family and the architect Arthur WIlliam Plaisted family.(mr) arthur plaisted, (mr) walter plaisted, enniskillen, shrublands, house names, (mr) francis henty, (mrs) mary henty, (mr) ernest carter, heathfield, (mr) john hindson, (mrs) alice hindson, (mr) william hindson, (mrs) annie west mcalpin, (mr) john mcalpin, mcalpin bakery, (mr) keith matthies, dental surgeon, (mr) william wolf, architects, (miss) mary beacon, robin ca costa-adams -
Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Sherbrooke Foothills Historical Society
Postcard - Blairgowrie Guesthouse ca. 1920
Original postcard with handwritten letter dated 1922 on reverse. Text on front of card: At Blairgowrie. Upwey. Real Photo Series M.3290At Blairgowrie. Upwey. Real Photo Series M.3290 -
Trafalgar Holden Museum
Functional object - Postman's mail bag, Leather goods, Circa 1900
Used by Postal staff in the early 1900's and manufactured by Holden and FrostManufactured by Holden and Frost Ca 1900Rectangular shaped leather bag used to carry mail. Two leather straps around Girth to keep closed16 Irval REAL HIDE120leather, bag, postal -
Trafalgar Holden Museum
Functional object - Satchel back pack
school type bag manufactured by Holden and FrostTwo pocket leather satchel with shoulder straps and carry handle on top with three brass buckles on faceGEERBEZleather, bag/satchel, ca 1900, back pack -
Trafalgar Holden Museum
Container - Propert's Wax Shoe Cream
Imported and sold by Holden and Frost Ca 1900Squat jar with screw top lidPropert's Wax Shoe Cream with horse rider on lid. Inscription on label surroundshoe cream, propert's -
Trafalgar Holden Museum
Functional object - Equine accessory, Equestrian crop
Used by mounted riders to encourage their mounts forward.Manufactured and sold by Holden and Frost Ca 1900Tapered shaft with 60mm loop on end. Other end has a leather know on with metal cap on bottomequestrian crop, whip -
Trafalgar Holden Museum
Functional object - Equestrian crop
Riders crop used by Equestrians to encourage their mounts forwardManufactured by Holden and Frost Ca 1900Tapered shaft leather wrapped, 380 mm long, with leather loop on tip. Steel tip on other end. equestrian, crop, whip -
Trafalgar Holden Museum
Container - S & H Harris's Saddle paste, Circa 1900
This item was used in the care and maintenance of leather harness and saddlesImported and retailed by Holden and frost Ca 1900Circular yellow tin with inscribed lidS & H Harris's saddle paste for Saddles Brown harness and ll kinds of Brown leather followed by instructions for useleather, paste, cleaner -
Trafalgar Holden Museum
Accessory - Equestrian spur - pair, Circa 1900
worn on the rear of boot to edge into the flank of the horse to help urge it forward.As manufactured and sold by Holden and Frost Ca 1900Metal U shaped boot mounted projection, straps for boot mounting buckled on toe of bootequine, spur -
Trafalgar Holden Museum
Functional object - Full single case Hames
Used over leather horse collar to attach to cartImported and sold by Holden and Frost Ca 1900Black painted steel with bracket hookwarranted steel made in England Kangaroo imprint oh hookhames, equine, agriculture -
Trafalgar Holden Museum
Accessory - Boot Horse
Used for the protection of feet and footwear while playing poloManufactured and sold by Holden and Frost Ca 1900Brass covered in leather with loop on top for strapboot, polo -
Trafalgar Holden Museum
Container - Gall salve
Gall Salve used in the treatment of HorsesImported and sold by Holden and Frost Ca 1900Squat round tin black in colour, press lid label stating Gall salveBickmores Gall Salve For Horsesequine, salve, ointment -
Trafalgar Holden Museum
Accessory - Crop
Used by riders for the control of horses, and by cart drivers Ca1900 As manufactured and sold by Holden and Frost Ca 1900Tapered shaft, cotton wrapped 400mm with leather wrapped hand grip and 60mm long leathern loop at other endequine, crop -
Trafalgar Holden Museum
Functional object - Stirrup
Used by Riders to support feet whilst in the saddle and to help in controlling the horseManufactured and Sold by Holden and Frost Ca 1900Nickle plated steel stirrup, flat bottomed with oval foot enclosure. At the top thereof is a slit in the steel to allow a leather strap to hold stirrup to saddleequine, steel, stirrup -
Trafalgar Holden Museum
Container - Wooden box
As used by manufacturer for shipment of his productsas sold by Holden and Frost Ca 1900Small wooden box with no lid, with inscription of manufacturer printed on.3 Dozen Frank Millar Peerless shoe blacking on front 3 dozen Frank Millar Peerless ??? on both ends The Frank Millar Company New Yorkshipping container, box, wood -
Trafalgar Holden Museum
Container - Wooden box
Used by manufacturer to display his goods, harness dressing.As imported and sold by Holden and Frost Ca 1900wooden box no lid with inscriptions on front and backFront panel, "world harness dressing" pictured on diagram of two horsesdressing, harness, box -
Trafalgar Holden Museum
Container - Box
Box used to store containers of Harness dressing as imported and sold by Holden and Frost Ca 1900Brown wooden box without lid with inscriptionsOn both sides and ends Every owner of harnesses should use Frank Millers harness dressing Manufactured by Frank Miller and sons New Yorkbox, harness dressing -
Trafalgar Holden Museum
Tool - Fabric shears, Circa 1900
Shears as used in fabric and leather cuttingShears as used by Holden and Frost in their production of numerous objects Ca 1900Sort handled long bladed upholstery shearsSheffieldshears, fabric -
Trafalgar Holden Museum
Container - Horse shoe holder, Circa 1900
Leather pouch to attach to saddle for carrying spare horse shoesAs manufactured by Holden and Frost Ca 1900Brown leather pouch folding in centre. Inner pouches to hold horse shoes and nails.15 LHequine, pouch, leather -
Trafalgar Holden Museum
Equipment - Buckle Half, C1900
Used on horse tackle during the 19th and 20th centuries and imported by Holden and Frost Imported c1900 and retailed by Holden and Frost for military agricultural and civilian use c1910Nickel plated roller half buckle equine, military, agriculture, civilian ca 1910, buckle half -
Trafalgar Holden Museum
Equipment - Horse ring, C1900
used in horse tackle late 19th and early 20th century, sold and manufactured by Holden and frostImported and sold by Holden and frost for use in equine equipmentBrass ring for use in Equine equipmentNilequine, military, agriculture, civilian, ca 1910, horse ring -
Trafalgar Holden Museum
Equipment - Buckle, c1910
Imported and sold by Holden and Frost c1910 for agricultural use on saddlery Retailed by Holden and Frost Ca 1910 for civilian agriculture and military useNickel plated buckle used as equine accessoryequine, military, agriculture, civilian ca 1910, buckle -
Trafalgar Holden Museum
Equipment - Buckle full, c1900
Imported and sold by Holden and Frost c1900 for the purpose of saddlery for agricultural useRetailed by Holden and Frost ca1910 for military agriculture and civilian use Brass full buckle used as equine accessoryequine, military, agriculture, civilian ca 1910, buckle -
Trafalgar Holden Museum
Accessory - Brass half buckle
used on horse accessories during 1800's and early 1900'sUsed, sold by Holden and Frost Ca 1900Brass half Buckle as used in equine accessories Ca1900equine civilian, agriculture, military c1900, half buckle -
Trafalgar Holden Museum
Accessory - Brass half buckle
Used on horse tackle during 19th and 20th century by Holden and FrostSold by Holden and FrostBrass half buckle used on dress equine accessoriesequine military, civilian, agriculture ca 1900, buckle -
Trafalgar Holden Museum
Accessory - Brass half buckle with steel tongue
Imported by Holden and Frost and used on Horse tackleBrass bodied steel tongue half buckle as used on equine equipment Ca1900 equine civilian, military, agricultural ca 1900, buckle -
Trafalgar Holden Museum
Accessory - Patent split link, Circa 1900
Used on Horse harness by Holden and frost during the late 1800's and early 1900's Imported and used by Holden and Frost Ca 1900Black metal patent split linkequine agricultural, military, civilian ca1900, split link