A letter sent to Mrs. Lydia Chancellor Golden Square from Mr. V. L. Faravoni Deputy Town Clerk of the City of Brighton. The letter conveys Victor Faravoni's and his father Leo's personal regards following the interest Lydia Chancellor took in earlier members of their family who resided in Bendigo in the early 1900s'. 18/08/1966.communication, postal, faravoni family, lydia chancellor collection, collection, bendigo, history, faravoni family, victor faravoni, leo faravoni, len faravoni, stan faravoni, eric faravoni, charles faravoni

Application form to Local History Grants Program Round 3. Four pages with Public Record Office Victoria and logo in the top left corner and Victoria the Place To Be and logo in the top right corner. Written at the top of the page is ? Draft. Application is for a Poppet Head to acknowledge the Men and their families who worked in the underground mining industry and the achievement that Underground Mining made to make the City of Greater Bendigo what it is today. Also mentioned is estimated cost of of the project.bendigo, history, long gully history group, the long gully history group - local history grants program round 3, public record office victoria, long gully community house inc, long gully history group, mr george ellis, city of greater bendigo, long gully linear park, city of greater bendigo recreation department, city of greater bendigo community environmental education department, long gully community newsletter, eaglehawk times, bendigo advertiser, bendigo tourist bureau, shared action project (st lukes)

Copy of a newspaper article titled Gully celebrates. The community staged its second annual Long Gully Live concert and was given a $20,00o cheque to help it building family park. Member for the North Western Province, Ron Best, presented the cheque to the City of Greater Bendigo at the Long Gully Live concert. He said the State Government funding would assist the redevelopment of the Chum Street Reserve Park in Long Gully. Entertainment included Golden City Pipe band, Zenyth, Anne Conway, Voice Pop Foibles, Steve Roscoe and Anonymous Bosch. Article includes a photo of two guitarists.bendigo, history, long gully history group, the long gully history group - gully celebrates, long gully live concert, ron best, city of greater bendigo, chum street reserve, golden city pipe band, zenyth, anne conway, voice pop foibles, steve roscoe, jo cowling, anonymous bosch

Copy of an article from the Bendigo Advertiser Dec 3 - 1992 mentioning the closure of the Gravel Hill and Long Gully Primary Schools. The column about the Gravel Hill Primary School mentions that the Camp Hill School was the one that was going to close and then it was changed to close the Gravel Hill Primary School. The other article titled Sense of history stirs letter protest mentions the Long Gully Primary School fight to stay open. A photo accompanying the article shows a Long Gully student Marie Hooley writing a letter of protest. She is being assisted by former pupil Alan Crossley. Also mentioned is the school secretary, Aileen Ewart and former students Jack Davey, Jack and Christina (nee Sutton) Davey, George Ennor, Geoff Grenfell and the Jack Family. Article written by Nathan Dole.bendigo, history, long gully history group, the long gully history group - gravel hill primary school, rob flavell, education department, camp hill primary, don hayward, bendigo city council, chris stoltz, marie hooley, alan crossley, jeff kennett, aileen ewart, jack davey, jack and christina (nee sutton) davey, george ennor, geoff grenfell, jack family, nathan dole

Family history & various research documentation - re Slarke family.The Argus, The Gippsland Times, The Clarence and Richmond Examiner.person, individual, thomas richard slarke, sandhurst city police court, loyal bendigo lodge, manchester unity i.o. oddfellows, sandhurst city fire brigade

Notes relating to Richard Grice (by Harold Curnow, Bendigo.) Notes taken from letter from letters written by Richard Grice from May 1839 to January 1845 - result of examination of the file on the Grice family on May 8, 1968 by courtesy of the Archivist, University of Melbourne Archives. ''Line of enquiry taken by the writer was to ascertain the names of all the people mentioned by Richard Grice especially the names of those people who were with Richard Grice during the years he occupied the vast sheep station in part of which the City of Bendigo developed''. Mention of ''writer's own observations of the sequence of events in the appropriate places'' and ''an important letter written by Martin Maxwell (?unclear), Mar 25, 1843 and located in the State Archives of Vic..'' This document (2821) is handwritten on the back of a telegram form. It is marked in handwriting (Copyright).person, individual, richard grice, richard grice, harold curnow, melbourne archives.

Permit to dig or make a grave or vault in the Bendigo Public Cemetery, Back Creek, printed on light grey paper, signed by Council members and with a bright blue seal of the City of Bendigo. The permit is for a piece of ground eight feet by four feet in the Church of 'England Section marked No. 14938 Compartment D6. It is dated second day of June 1898. Conditions are printed on the certificate including that Charles Lea is entitled to have, maintain and deep up such vault, monument or tombstone, according to the terms hereof t for the sole and separate use of the said Charles Lea and his (or their) heirs and representatives for ever. Signed by? J. H. Abbott, Hoskins and Wm Honeybone. Also a photocopy of certificatedocument, certificate, lea family, lea family documents - permit to dig and make a grave, charles lea, bendigo public cemetery back creek, j h abbott, ? hoskins, wm honeybone

Object. Oval shaped silver medal with suspension ring. Obverse: 19th Century City of Bendigo -Coat of Arms. Reverse: Around edge ''COUNTY OF BENDIGO AGRICULTURAL AND HORTICULTURAL SOCIETY''. Across the top: ''AWARDED TO''. Engraved below: ''2nd PRIZE POST & HEAD PRACTICE MILITARY TOURNAMENT 1885''. Ian Nunn received the medal from Miss Code when he was 12 years old, believing it belonged to her father Colonel Code who lived at Longlea. Miss Code lived on the family farm on the bankd of the Axe Creek.Ian used to collect the mail and newspaper for Miss Code, who paid him two shillings a week. She gave the medal to Ian as a thnk you. Ian believes that Miss Code's father was in charge of the military escorts between Bendigo and Heathcote. OBITUARY. DEATH OF MR. B. CODE. Article - Bendigonian (Bendigo, Vic. : 1914 - 1918)Tuesday 15 December 1914 - Page 20 Obituary. Article - The McIvor Times and Rodney Advertiser (Heathcote, Vic. : 1863 - 1918)Thursday 10 December 1914 - Page 2numismatics, badges-civil, 19th century city of bendigo

Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy

The financial information relating to the Victorian Deaf & Dumb Institution has been kept in ledgers, journal, monthly accounts and Minutes of the Financial Sub-Committee. The funds available and the expenses of running an educational and boarding school are documented in detail.The Registers document where children came from, their family details and medical information, all relating to the time they were admitted and reflect the society of the time.Green woven cover with red leather over spine and corners, bound book containing ledger pages with handwritten entries. Lists donations from Shires, Boroughs, Towns, Cities and Masonic Lodges from 1913 to 1957.Spine: "MUNICIPAL COUNCIL SUBSCRIPTIONS" in gold letteringdeaf children australia, deaf education, donations, municipal councils

The Vliet is a canal in the western Netherlands, in the province of South Holland. It starts at the Oude Rijn at Leiden and joins the Delfshavense Schie canal at Delft. Places along its banks include Voorschoten, Leidschendam, Voorburg, The Hague and Rijswijk. The canal was dug in 47 AD under command of Roman general Corbulo, who wished to connect the river Rhine, of which the current Oude Rijn stream in Roman times was the main branch, to the Meuse estuary. It is unclear what the canal's trajectory was beyond the current city of Delft; the Delfshavense Schie canal, which connects Delft to the Nieuwe Maas river was not dug until 1389. In the Middle Ages the Vliet was an important trade link that attracted all kinds of trade, as it flowed through the heart of the County of Holland. Windmills have been constructed alongside the Vliet, including the completely renovated mill 'De salamander' in Leidschendam. The Vliet area was particularly attractive among richer families, who built their mansions along its banks.An historic small town scene etched (or possibly printed) on thin metal and subsequently fastened to a plywood backing. The delicately presented scene is said to show the intersection of Old Church Street and the Vliet Canal bridge in Voorburg, as well as a section of wharf. On the canal are one large and two much smaller vessels. A very tall crane-like construction arises from the wharf to the roof of waterside buildings. The people are soberly dressed in possibly 17th or 18th century costumes.On the reverse has been written: "Oude Kerkstraat Brug over de Vliet Voorburg". (Old Church Street; Bridge over the Vliet canal; Voorburg). However, research proves that the church is actually the Old Church in Delft, a short distance further down the Vliet Canal.

May all who visit this park / enjoy the happiness and pleasure / we all had whilst living here / a gift to the residents / of this / Shire of Whittlesea / from / Edna, Vita, Beryl, Hubert, Les, Roy / Ivan, Wes, Clive & Alan the family of the late William & Barbara Guthrie / who owned and farmed this land / March 1981norris bank reserve

Summer Hill at Craigieburnsherwin family, wollert, dr thomas wilson

booklet

"Wangaratta's Own", the 2nd 24th Battalion was formed in Wangaratta on 1st July 1940, during World War Two. They camped at the Wangaratta Showgrounds, where they trained until they marched out of Wangaratta on 28th September 1940. Before they marched out Alan MacFarlane and the Battalion were presented with the Battalion pennant by Wangaratta Mayor, Cr Thomas Nolan. They fought in . On 28th September 1990, the 50th anniversary of the Battalion leaving Wangaratta, (retired) Alan MacFarlane, President of the 2nd 24th Battalion Association were presented the Freedom of the City and represented with the Battalion pennant by Wangaratta Mayor, Cr Kevin Gleeson & Cr Val Gleeson, Cr Thomas Nolan's son in law & daughter. This was an Army Battalion formed in Wangaratta. The young men interacted with the businesses, sporting & social societies & families of Wangaratta in the early 1940's. Lifelong friendships were made."Wangaratta's Own", the 2nd 24th Battalion was formed in Wangaratta on 1st July 1940, during World War Two. They camped at the Wangaratta Showgrounds, where they trained until they marched out of Wangaratta on 28th September 1940. Before they marched out Alan MacFarlane and the Battalion were presented with the Battalion pennant by Wangaratta Mayor, Cr Thomas Nolan. They fought in . On 28th September 1990, the 50th anniversary of the Battalion leaving Wangaratta, (retired) Alan MacFarlane, President of the 2nd 24th Battalion Association were presented the Freedom of the City and represented with the Battalion pennant by Wangaratta Mayor, Cr Kevin Gleeson & Cr Val Gleeson, Cr Thomas Nolan's son in law & daughter. army battalion wangaratta's own world war two

an original Great Train Race publicity sign - from inaugural first great train race held on 16 May 1982 ran by the Puffing Billy Preservation society to raise funds for the restoration of G42 Garratt Locomotive Historic - Puffing Billy Railway - PBRS fPublicity event signGreat Train Race Sign - Black printed ink Paper sign glued on to Masonite wood The Great Train Race - 16 May 1982 - 13.5km Belgrave to Emerald Lake a fun run with a difference - "Race Puffing Billy " can you beat Victorias famous 76 year old train ? are you fit enough? Start 9 am at Belgrave Railway Station and enjoy a Sunday morning jog thru the scenic Dandenongs - join your family & friends at beautiful emerald lake finish - enjoy BBQ facilities & other family attractions Prizes outright winner ( not Puffing Billy ) will receive two return tickets to USA on Pan Am Team Prize the four runners with the fastest aggregate team time will each win a return air ticket to Sydney on TAA to compete in the 1982 "the Sun City to surf" Random draws of entrants will be made at 11Am for the many other valuable;e prizes - all proceeds to aid the restoration of Puffing Billy's big brother G42 PAN AM TAA Trans Australia Airlines

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure, the noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.Flora Farnese Presented by Thomas Stoddart 1884flora farnese, stoddart

The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers

Open Monument is a contemporary artwork acknowledging the history of Chinese people in Ballarat. The Chinese diaspora was global and many Chinese people came to Ballarat and the Victorian Goldfields. The work details some of the personal Chinese family memories of Ballarat from the goldrush forward. The 33 marble laser-etched panels include found images and texts mounted on a modernist metal architectural feature holding back a grassed hill landscape. Within the side walkway of gravel and composite stone is an etched of local activities relating to the Chinese community achievements that can be added to by the community.Open Monument is of aesthetic and historical significance to the people of BallaratArchitectural artwork consisting of large marble panels on a corten steel frame imbedded into a grassed mount.Inscription on plaque: Open Monument 無極紀念碑 ​/ Artist: John Young ​/ Officially Launched by Mr Yumin Song / Chinese Consul-General to Victoria​ / 6th September 2015​ / Open Monument unearths stories of the Chinese diaspora in Ballarat, a name which means/ “resting place” to the traditional custodians - the Wadawurrung and Dja Dja Wurrung people.​/ The monument comprises of two artworks: Transculture, a granite-panelled work, evoking stories of alternative worldviews, / modernity, leisure and toil. Whilst Timeline traces the major contributions of the Chinese community in Ballarat, every decade / from the 1850s until the present. The timeline then folds out to 2170, anticipating imaginary future contributions.​ / The monument is open to future interpretations of this history. ​/ I thank you for visiting and acknowledging the contributions and memories that meant so much to / those who have gone before us./ - John Young Zerunge​ / Patron: Mr Henry Thai OAM JP​ / President of Ballarat Chinese ​/ Community Association Inc​ / The following generous donors to this project are acknowledged with gratitude​/ City of Ballarat​ Sovereign Hill Museum Association Inc.​ Ballarat Chinese Community Association Inc.​ Mr Henry Thai OAM JP & Mrs Sandra Thai ​ Mrs Shirley Doon & Family in memory of Harry Doon​ Chinese Masonic Association Inc.​ Mr Mean Te and Mrs Meng Khun​ Mr Jack Nguyen MA JP & Mrs My Tang​ Mr Tony and Mrs Elise Yu​ Mr Chang Zhen Zhen & Family​ Australian Lian Jiang Association​ The Federation of Chinese Associations Vic​ The Leesoon Family​ Mr Stephen K.F Ng OAM JP​ Dr Che Sam Lo MD phD JP OAM​ Elderly Chinese Home Inc.​ The Federation of Chinese Org from VN Cambodian and Lao Association of Vic. Inc.​ Bright Moon Buddhist Society​ Nam Pon Soon Club House​ See-Yup Society​ Mr Peter Chong Wai Lo​ Mr Qing Song Lin​ Mr Binh Quoc Mao & Mrs Thuy Cam Thai​ Mr Alexander Mao​ Mr Yuet Lung Kwok JP​ Mr Tai The Tran​ Mr Phillip K. L. Tran​ Mr William K. L. Tran​ Mr Quang Khon Tran JP​ Mr Kouy Taing​ Mrs Kieng Hor Lou​ Mr Bill Chang Piu Au​ Mr Maurice Kwok Leong ​ Mrs Eunice J. Leong​ Mr Vi Minh Tran JP​ Mr Frank Cheng​ Mr David Cheng​ Mr William Thai​ Mr Lizhen Lin​ Mr Phillip Richard Thai​ Mr Hoan Ping Kow​ Mrs Xao Nhu Kow​ Mr Huy Thai​ Mr Yun Kuen Lo​ Mr Chiu Yip & Mrs Yuan Han Cho​ Mrs Jacqueline Louise Thai Greenwood​ Mr Joe Hap Chi Chao & Mrs Rosana Wei Ning Chao​ Charity & Multi Art Association of Victoria Inc.​ Mr Billy Cai​ Miss Nikki Cai​ Miss Su-Ling & Miss Lily Mays-Doon​ Mr Anthony Doon​ Mr H J Moy & Family​ Chinese Australian Cultural Society Ballarat Inc​ open monument chinese, chinese history ballarat goldfields, china, ballarat, goldfields, john young, chinese, mining, multicultural, immigration, tong way, goon, joss house, embroidery, billy butterfly, chinese market gardens, red lion hotel, ah soon, mayor of main road, chinese herbalist, yee lee, james hong, cheok cheong hong, john ah loo, wathawurrung, robe, lowe kong meng, louis ah mouy, tongway, gallipoli, william lung

The Garden of the Grieving Mother is an acknowledgement of the trauma, grief and anxiety felt by the families of Australian servicemen and women. Of the 3,801 WWI service men and women commemorated in the Ballarat Avenue of Honour, 1 in 5 made the ultimate sacrifice, giving their lives. At the centre of the memorial space is a bronze sculpture of a mother clutching a photograph of her son by sculptor Peter Corlett who has created many war memorial public artworks. The memorial was unveiled on 15 February 2017 by Governor General Sir Peter Cosgrove and Mrs Kaye Baird, mother of posthumous Victoria Cross recipient, Corporal Cameron Baird.Bronze sculpture installed in landscaped garden on lit plintha mother grieving the loss of her child at war

Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art

Discusses future cities and speculates on future trends. Looks back at ideas on the future of housing held by Boyd and his contemporaries in the 1950s and discusses how the reality of housing in the 1970s differs.Typewritten, quarto, 9 pagesfuture cities, apartments, suburban sprawl, modern houses, australian families, prefabrication, density, tensile construction, habitat 67, caravans, fred hoyle, tange, habitat 67, moomba, robin boyd, manuscript

The Boyd family recall how Robin Boyd loved gadgets for their beautiful industrial design and their functionality.Juice-O-Mat. Metal handle on right-hand side, metal squeezer on top. Cream coloured body to hold cup. When the handle pulled back the fruit can be inserted.On base: SINGLE-ACTION Juice-O-MAT. US CAT NO 462-C. Rival MFG. CO Kansas City MO. U.S.A.gadget, walsh st appliances, robin boyd, ohm2022, ohm2022_11

Robin Boyd had the sound system put in by a friend who ran the iconic Thomas’ Music in the city of Melbourne. The Boyd family thinks that Robin designed the facade and logo for Thomas’ Music. Penleigh Boyd recalls "there was no 'hi-fi' record player in the living room until about 1963. Robin always had the speaker holes in the floating joinery unit but couldn’t afford the necessary equipment till years after we had moved into the house. Apparently one time some guest looked at the speaker holes (they had matchstick blind screening) and asked Robin what type of equipment he had. That was enough for Robin, and he immediately had a system installed - the one that is still there." (See also the amplifier item F030.)Turntable without lidthomas' music, sound system, walsh st house, ohm2022, ohm2022_8

Robin Boyd had the sound system put in by a friend who ran the iconic Thomas’ Music in the city of Melbourne. The Boyd family think that Robin designed the facade and logo for Thomas’ Music. Penleigh Boyd's recalls " there was no “hi-fi” record player at the living room end till about 1963. Robin always had the speaker holes in the floating joinery unit but couldn’t afford the necessary equipment till years after we had moved into the house. Apparently onetime some guest looked at the speaker holes (they had matchstick blind screening) and asked Robin what type of equipment he had? That was enough for Robin, and he immediately had a system installed - the one that is still there." See also item F029.Tempo solid state stereo amplifier in timber surroundthomas' music, sound system, walsh st house, robin boyd, walsh st

A image of the weatherboard Railway Hotel with two men shaking hands on the r/h side and on the l/h side a family group consisting of a man, two women and four children. This hotel is now known as the Olive Tree HotelAn image of the weatherboard Railway Hotel with two men shaking hands on the RH side and on the LH side a family group consisting of a man, two women and four children. This hotel is now known as the Olive Tree Hotel.hotels, clothing and dress, olive tree hotel, people, lamb, george, railway hotel, sunbury, george evans collection

The photo may have been taken to celebrate a specific event relevant to the Shire of Bulla because the people are dressed in their 'Sunday best' attire.A mounted sepia photograph of a number of families who are outside the old Shire Hall at Bulla. Some people are seated on a branch along the picket fence and others are standing. A large conifer tree is growing behind the fence. The photograph is mounted on a cream frame with a grey border around the photo.on the back: SHIRE HALL BULLAshire of bulla, halls, municipal offices, festivals and celebrations, clothing and dress, shire halls, bulla, george evans collection

The aerial photograph shows the market garden situated on the river bend and flat of the Deep Creek at Bulla. In the 19th Century a hotel occupied the site. After World War II the property was owned by the Hughes family, who grew flowers. In 1971 Andrew Vlass purchased the property and it became a market garden until the Vlass family sold it in 1990.A black and white aerial photograph of the river bend and river flat of the Deep Creek at Bulla.scale - 170 feet = 1 inchdeep creek, market gardens, sunbury road, bulla, horticulture, hughes family, vlass, andrew, hotels, george evans collection

When this photo was taken "Holly Green" as it was called then was owned by the Webb family. It was originally called "Emu Bottom" when the Evans family owned the property and re-named "Emu Bottom" when Hedly Elliot acquired it in the 1960s.A mounted black and white photograph of "Holly Green". There is a picket fence with a stone wall entrance on either side of a cyclone gate in the foreground. The fountain is on the LHS and a flowerbed on the RHS. The homestead is beyond the lawn. The mount is buff coloured with an inscription underneath the photo in gothic script.HOLLY GREEN / VICTORIA'S OLDEST HOMESTEAD AT THE AGE OF 101 YEARS / SUNBURY, 1937holly green, emu bottom, fences, fountains, sunbury, evans, george, webb, harry, stringer, esme, elliot, hedley, oldest house, house names, 1930s, george evans collection