Slide. Bendigo Street Views & Fortuna. A fish -eye view over Bendigo houses with the Sacred Heart Cathedral in the centre.slide, bendigo, bendigo street views & fortuna., bendigo street views & fortuna.

Slide. Bendigo Street Views & Fortuna. View Point, Armstrongs Tyre Service on right,The fountain on the right, a tram in front.slide, bendigo, bendigo street views & fortuna., bendigo street views & fortuna.

Slide, ALLAN BUDGE COLLECTION, General Views, Cobden Street, General Views. A simple dwelling with fine chimney detailing.house, public, allan budge collection, allan budge collection

Private Albert Russell was a AMF Garrison member, 17th Battalion at Camp 1 during WW2.Black and white photograph of two photographs of an internee/pow showing height, front view, back view and internment number.V84216camp 1 garrison, 17th garrison battalion, pte albert russell, photograph, people, russell, garrison, sentry box

Three black and white photos St. Matthew’s Church Stawell. Two of the photos are identical showing a Holden & Hilman cars parked out the front with a group of people at the entrance to the church. A flag is flying to the right in the photograph. The second photo similar view with no people or cars outside with a United Church sign on the right. Photo taken after 1977 which saw changes to Uniting Church.Three black & white photos of St. Matthew's Church. Two of the photos are identical showing a Holden & Hilman cars parked out the front with a group of people at the entrance to the church. A flag is flying to the right in the photograph, The second photo similar view with no people or cars outside.stawell religion

Heavy wooden frame, glass front, khaki coloured border, black & white photo of an Australian Light Horse Soldier on a donkey with a bandolier of extra ammunition around its neck.Top "Palestine 1917". Bottom, "Off to view the Promised land"photography-photographs, military history - army, palestine

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary celebrations in Portland.Black and white photograph showing a coastal scene with from left, foreshore with buildings, cars, people, pier and ocean.Back: "View of Portland Bay to E.W. Hall from Marg..."esther winifred hall, 1934, centenary, portland, photography

Catalogue card reads, "Eastland, during construction". (2 views)

Written on back of photograph, "2/81. View Telephone Exchange".

Black and white photographs (3)Ringwood State School- View of building with students assembled outside.

Black and white photograph (2 copies)Written on backing sheet, "View from Ringwood Hill - 1974".

Catalogue card reads, "View of the Dandenongs from Loughnan Hill".

Copy of photo looking north in Bay Street from Beach and Bay, Morley's Coal Depot cart in foreground, c1873On back: view up Bay St circa 1872-3business and traders, william morley

Milk jug sold at Johnston's Newsagency to commemorate the official opening of the Tatura Band RotundaSmall White jug with a small coloured picture of the Tatura Rotunda on the front"A view at Tatura" Royal Scenic China made in Czechoslvakia IBCtatura, rotunda, local history, offical opening

James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Murgatroyd Photograph CollectionF Murgatroyd back view of Hattersley/ loom at Federal Milltextile machinery textile mills weaving mills textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill federal woollen mills ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills

1966 Panorama from Big Hill. New technical school prominent in photo. Grampians and Black Range in background. Visible are St Patrick's Church, Kinsella, Nalders Garage, Town Hall, St Matthews, Upper Main Street. Trees in foreground.Panorama of Stawell from Big Hill in 1966Magnificent View of Stawell from Big Hill c 1966stawell, education, panorama, streetscape

Donated by Max Turner of Yarrambat, a former resident of Rutherglen.Postcard size, black & white reproduced photograph of Post Office Lane (Western side) 1930s, unframed, plasticised"A Garden View at Rutherglen. A.P. Thomas Publisher F. 2601"gardens, rutherglen post office, post office lane

The Bendigo & Region Branch is the National Trust’s voice in the region. The Branch works with council and the community on local heritage issues. New members are always welcome at any of the Branch’s meetings and events.No 61 Olinda Street Quarry Hill Bendigo - Late Edwardian - SlideNo 61 is on the slide but a search of Google Street View could not find it.history, bendigo, national trust collection bendigo, 61 olinda street quarry hill bendigo

Flooding of the Yarra Valley, including that section of the Yarra bordering Kew and Kew East in the north and west of the municipality, was a regular occurrence. Extreme flood events of the Yarra River are recorded to have occurred in 1891, 1901, 1916, 1923 and 1934. The Municipality of Kew's response to these floods was to enact planning decisions restricting residential development in flood prone areas following the floods of 1916, 1921 and 1934. While floods continued after the development of the Upper Yarra Reservoir (construction 1948-57), the regularity and extent of these inundations diminished.Print copy of an original photo of the River Yarra in Flood, taken from Kilby Road.VIEW ACROSS YARRA IN FLOOD / FROM KILBY RD KEWkilby road, floods -- kew (vic.), kilby farm

The gardens of Ovens District Hospital were laid out and planted by R H Jenkyns in 1874. Over 200 species of trees and shrubs were planted, including several large Himalayan Cedars (Cedrus deodora), a Coast Redwood (Sequoia sempervirens), rare Scots Pine (Pinus sylvestris), Pencil Cedar (Juniperus virginiana), Bunya Bunya Pines (Araucaria bidwillii), a Purple-leaved Dutch Elm (Ulmus x hollandica 'Purpurascens'), American Ash (Fraxinus americana), Pinus radiata, and numerous Populus alba trees and suckers. The gardens were considered integral to the healing process, also including orchards and kitchen gardens. In the 1880s, tourists flocked to Beechworth as the area became recognised as a health resort and picturesque beauty spot. Although the hospital closed in 1940, and parts were subsequently demolished, the gardens remain and form part of the site's listing on the Victorian Heritage Register. This photograph is part of a collection of items held by the Burke Museum relating to Ovens District Hospital. At the time of being built, the Ovens District Hospital was the only hospital between Melbourne, Victoria, and Goulburn, New South Wales, treating patients from all of north-east Victoria, including Indigo Shire.Black and white stereoscopic photograph mounted on card.Reverse: 97-2292 / View up centre path of Hospital / A03177 / BMM3177 / Note: A03178 / View of the central path of the Ovens Hospital / (Church St) Beechworthovens hospital, hospital garden, gardens and parks, ovens district hospital

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Photograph taken in 1913 from Barbers Road showing the view down the valley. Roof in foreground is house on Bob Logan's Lot 28 in the Village Settlement. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.1913 view over Logan’s house on Village Settlement Lot 28 taken from Barber’s Road. This is the house that the runaway log leaped over in 1930 to land far down the orchard row beyond the house. “Shiloah” is centre partly behind the clump of trees and the paddocks of Child and Richardsons pioneer selections are in the background. Link Road is centre right.logan, bob logan, robert logan, barbers road, shiloah, child, richardson, link road

Yields information about the condition of Ballarat ESCo tram No. 22 prior to acquisition by the Museum in 2009.Stt of 6 digital image prints - printed on a colour laser printer of Ballarat No. 22 prior to recovery from Sebastopol. Photos taken by Paul Mong 2/2/2009. See email in worksheet file for source information. .1 - 3/4 front on view .2 - side on view .3 - Interior roof view .4 - end view of number .5 - view of the side of the tram that was against the fence. .6 - another side view. See email date 2/2/2009trams, tramways, btm, sebastopol type, recovery, acquisitions, tram 22

Part of "Woolcock Gallery Collection" Exhibition 1989, CEMAFlower study with detailed views. View on left is of a stem of two entwined pale green tin stalks, with three-leafed stems coming from it, flower buds, flowers and a seed pod. Views on right are details of (top-bottom): a blue flower (top view), two leaves, a seed, and three views of flower emerging from purple sepals. View labled in pencil and with typed letters on paper glued to surface of image. Mounted in a double matt (grey on pale blue) in wooden frame with gold and blue paint.Front: Glycine clandestina (lower left) (pencil) Back: 75 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection