This photograph is of “The Crags” an area on the coast half way between Port Fairy and Yambuk. The name is an abbreviation of McKechnies Craigs/Crags owners of property in the vicinity. it is close to ancient aboriginal campsites but these are not accessible to the public. Because of the nature of the geology in this area this photograph shows a seascape that it is not possible to see now.Hand coloured photograph used as postcardThe Crags Port Fairyseascape, sea, beach, the crags, mckechnie’s crags or craigs

Front cover has a photograph of the Patterson family c.1904. Back cover has the blurb of the book and information about the authors of the book.non-fictionOn Taungurung Land: Sharing History and Culture is the first monograph to examine how the Taungurung Nation of central Victoria negotiated with protectors and pastoralists to retain possession of their own country for as long as possible.taungurung nation, elder uncle roy patterson, jennifer jones, acheron aboriginal station, mohican aboriginal station, central victoria, history, white settlement

James Wigley (1917-1999) is an Australian painter known for his sensitive depictions of aboriginal camp scenes and desert landscapes. He served in the army in WW2. On his discharge he built himself a stone house at Warrandtye where he lived for some years before moving to Port Hedland in 1957, where he studied the "aboriginal and half-caste" life for which his work is perhaps best known. He returned to the Eltham and Warrandyte districts from time to time between making many tours into outback Australia.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, james wigley, aboriginal australians, painters, warrandyte, drawing, figures

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

The set of 20 photographs were taken of a number of archaeological sites in Sunbury of sacred sites and aboriginal rings. The photographs were included in a study of these sites which was published by the Shire of Bulla in the early 1990's.A soil profile showing a whitened lava flow above decomposing timber and soil at the lower level.aboriginal ring sites, george evans collection

The set of 20 photographs were taken of a number of archaeological sites in Sunbury of sacred sites and aboriginal rings. The photographs were included in a study of these sites which was published by the Shire of Bulla in the early 1990's.A coloured photograph of a scarred tree trunk at Rupertswood estate. It is a close-up photograph of the lower section of the tree. There is a gentle rise behind the tree and two outbuildings along the hill top on the RHS.aboriginal ring sites, scarred trees, rupertswood estate, george evans collection

Used to communicate with the local telephone exchange and for connection to other subscribers. The introduction of automatic exchanges saw the their demise. This phone was used in the family home of the donor at Caboolture (aboriginal for carpet snake) during the 1940s and 1950s.A magneto telephone for communication with a manual telephone exchange. The handle on the right hand side, which was turned to rotate the magneto to call the exchange - ask operator for a number and then to be connected. Telephone enclosed in a specially designed box for mounting on the wall. There was a bell on top which rang when the magneto ringer at the exchange was turned. Fitted with a carbon microphone mounted on the front of the box for the transmission of the spoken word and an electro- magnet. A receiver which hangs on the left hand side on a hook. The hook acts as the on and off switch to answer the call and to switch on the battery to provide power for the receiver and energize the transmitter. There is an angled ledge for writing any messages. There is no battery. The circuit for the phone is on the inside of the door to the interior of the phone. pHone is type CDA116 - PMG Registered - Ericsson.communication, telephonic

Taking the Bar, 1876 woodcut of original entrance, with paddle steamer 'Lady of the Lake' and pilot boat grinding through rough conditions, can see Roadknight's Jetty, they lived at Merrangbaur, is aboriginal for home of lyrebirds.Colour photograph of a painting of a ship being towed over the natural entrance to the Gippsland Lakes. Red Bluff in background, Roadknight Jetty glimpsed through the natural vegetation. Lakes Entrance VictoriaTaking the Bar from Roadknights Jettyjetties, public works

A handkerchief box containing newspaper cuttings from 'The Sun-News Pictorial' dated 1938, 'Wonders Of The Outback' on the beauty of and life in the outback. A series numbered 1 to 83. these clips contain photos and descriptions of Aboriginal/Indigenous People, Flora, Fauna, Lizards, Insects, land formations etc.Wonders of the outback 1938. 25 + 26 missing. Up to 83sciences, general, flora and fauna, lydia chancellor, collection, australian outback, outback, australian wildlife, wildlife, australian aborigines, aborigines, australian birds, birds, australian rock carvings, rock carvings, australian deserts, deserts, aboriginal, place, sciences, region, australia, plants, flora, fauna

Refer to Cat 6631P J.A. Fleming for his service history. Pte Condic. This would be Pte James Andrew Condick No 15, enlisted 26.2.1916 age 30 years 7 months in D Coy 38th Bn, embark for England 20.6.1916, hospital in England he rejoins 38th Bn in the field on 15.1.1917, transfers to 3rd Div Salvage Coy 21.1.1917, WIA 30.4.1918 Gassed, he returns to Australia late 1919.This is a broad leather belt, made in 2 pieces, hemmed at top and bottom edge. It has a large rectangular buckle which is engraved. The belt has three tarnished silver shields which are engraved. Between the shields are diamond shaped "holes", red, white and blue alternatively. The buckle is engraved. There are blank spaces of 5 missing winner's or other shields.The buckle is engraved: - "Presented to Champion Boxer of 38th Regiment A.I.F. by the Bendigo Independent Pty Ltd. Victoria Australia." On three shields:- 1.”Won by Pte Condic, June 1916, Bendigo” 2. “Won by WO Fleming J.A. HMAT Ronic August 1916” (“Ronic” This should be "Runic"'). 3. “Won by 2 LT Fleming J.A. Salisbury November 1916”boxing belt, aif, passchendaele barracks trust, 38th

This booklet was collated and printed for the 2014 Lake Bolac Eel Festival, ‘Return to Country’. The author, Peter Bakker, has spent several years researching the part played by south western Victorian aborigines and this booklet details the results of this research. Several of the soldiers came from the Warrnambool area.This is a booklet of ten pages with printed material and black and white and colour photographs and a map.Front Cover: ‘Fighting For Country – Honouring Aborigines from South West Victoria who served Australia during War Time’ (plus other printed material) Back Cover: Map and List of Service Men and Women of Aboriginal Descent with connections to South West Victoria aborigines from south west victoria, return to country, lake bolac eel festival, peter bakker, world war one, world war two, korean war, vietnam war

This is the thirteenth issue of the Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". It belonged to Mary Gilbert, a former teacher at the school.This is the thirteenth issue of the Orbost High School magazine and is a useful reference tool.A magazine with a pale blue cover. Dark blue printing : Croajingolong and the Orbost High School crest of a sheaf of corn inside a double oval with Orbost High School and its motto " acti labores iucundi". Vol. No 13 1960.This publication has been professionally printed and contains photographs.croajingolong orbost-high-school

Mungo National Park is a desert north of Mildura. It has numerous archaeological relics, and is the site of ancient Aboriginal burials known as Mungo Man and Mungo Woman. This photograph was taken during an expedition by Naga Tours in 2008.Colour photograph in digital format showing sand dunes and dramatic natural lighting at dusk at Mungo National Park. lake mungo, desert, archaeology, sand dune

George Pethard Collection including references to Taraxale Brewing Company Pty brown covered 29x19mm photographic album bound with gold string / 52 black and white Photographs of Reso tour to central Australia and Northern Territory / includes Aboriginal camps , camel trains / landscapes , war cemetery at Adelaide River / May 13- June 13 1947 / the 40 members of the party are also named includes: George Pethard / Aboriginal camp , Jay Creek consisting of makeshift tents / crowd playing 'Two Up ' Photo of the ship 'Meggs' at Darwin / Manton Dam - Darwin's water supply photo. Reso Tour to Central Australia and Northern Territory.Roy Dunstan Publicity and Tourist services Victoria Railwaysphotograph, person, male, george pethard / taraxale brewing company pty ltd / aboriginal camps / camel trains / war cemetary at adelaide river photo of the ship 'meggs' at darwin / manton dam - darwin's water supply photo

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Annette Xibarras and Bill Nicholson Jnr discuss the indigenous significance of the Truganina Explosives Reserve. At the time of the interview Annette was the manager of the Kulin Nations Cultural Heritage Organisation. Bill, a Wurundjeri Elder, was a Wurundjeri Cultural Officer. They discussed their childhood, aboriginal customs, connection with the land and the locating of aboriginal remains at the Museum of Victoria and the re-burial at the site where they were found. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018julia jones, princess balam balam, archaeological survey, middens, wurundjeri, kulin nations, coranderrk, braybrook, sacred sites, mt william, bunurong, museum victoria, altona, martha nicholson

This is a photo of a painting by Nicholas Chevalier (1828-1902). The painting is "Mt Abrupt, Grampians", circa 1864, oil on canvas, 46.0 x 61.0 cm (held in a private collection, London).This is a photo of a painting. It shows a stylised view of a mountain with a further peak behind it. The front of the peaks have high, rock cliffs. In the foreground there is an aboriginal camp, including a shelter with two people sitting in it, two people and two dogs sitting outside on the grass and a camp fire between them and the hut.painting, landscape

Booklet. ALEC H CHISHOLM COLLECTION. 48 page softcover booklet on the meanings of Aboriginal words. Compiled by Sydney J Endacott. National Handbook No.20. Published in 1944 (2nd edition) by Robertson & Mullens and printed by W.D.Joynt & Co., Melbourne. Catalogue sticker ''2235 END'' on front cover.Sydney J Endacottbooks, collections, etymology, alec h chisholm collection, aboriginal words, sydney j endacott, etymology

Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available

This is the third issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". It belonged to Mary Gilbert, a former teacher at the school.This item is a useful reference tool.A 39 pp grey paper back magazine with the Orbost High School badge in black and gold on the front cover, a sheaf of corn inside a double oval. inside which is the school motto, " acti labores iundi".on front cover - "M. Gilbert 1950" in red peneducation magazine-croajingolong-1950 orbost-high-school

This is the first issue of the Orbost High School annual magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This book belonged to Mary Gilbert, a teacher at the school.This is the first edition of the Orbost secondary school magazine and is a useful reference tool. A 32 pp grey covered magazine titled Croajingolong 1948. It is the annual magazine of the Orbost High School. It has an Orbost High School badge in black print on the front cover. This is the first issue of the magazine.croajingolong orbost-high-school

This is the seventeenth issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". It belonged to Mary Gilbert, a former teacher at the school.This magazine is a useful reference tool.A yellow covered magazine with black print : Croajingolong Vol. 1 No. 17 1964. On the left side is the Orbost High School badge, a sheaf of corn inside a double oval. inside which is the school motto, " acti labores iundi".

The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This is the second edition of the annual magazine of Orbost High School. The magazine belonged to Mary Gilbert, a former teacher at the school.This magazine is the second issue of the Magazine producd by Orbost High School and is a useful reference tool.A 28 pp buff coloured magazine titled Croajingolong 1949. This is the second issue of the annual magazine of Orbost High School.on front cover - M Gilbert handwritten in blue penorbost-high-school magazine

This is the 4th issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This magazine was owned by Mary Gilbert, a former teacher at the school.This magazine is the fourth issue of the annual Orbost High School magazine and is a useful reference tool. A 36 pp green covered magazine titled Croajingolong 1951. This is the 4th issue of the annual Orbost High School magazine.croajingolong orbost-high-school

This is the fifth issue of the Orbost High School annual magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This magazine belonged to Mary Gilbert, a former teacher at the school.This fifth issue of the annual Orbost High School magazine is a useful reference tool.A grey covered magazine of 32 pp. On the front cover is the text Orbost High school Croajingolong 1952 Dec. 1952 Vol.1 No.5croajingolong orbost-high-school

This is the sixth issue of the Orbost High School annual magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This magazine belonged to Mary Gilbert, a former teacher at the school.This sixth issue of the Orbost High School's annual magazine is a useful reference tool.A grey covered magazine of 28 pp. The front cover has dark blue text The Magazine of the Orbost High School Croajingolong 1953 Vol.1 No. 6on front cover - M Gilbert handwritten in blue inkcroajingolong orbost-high-school

This is the seventh issue of the Orbost High School annual magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". this magazine was owned by Mary Gilbert, a former teacher at the school.This seventh issue of the annual magazine of Orbost High School is a useful reference tool.A 22 pp grey covered magazine titled Croajingolong 1954 Vol. 1 No. 7 Dec. 1954On front cover - M. Gilbert handwritten in blue pencroajingolong orbost-high-school

This is the eighth issue of the Orbost High School annual magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This magazine belonged to Mary Gilbert, a former teacher at the school.This eighth issue of the annual Orbost High School magazine is a useful reference tool.A 24 pp magazine with a grey cover titled Croajingolong 1955. Vol.1 No. 8croajingolong orbost-high-school