Faded Brown cloth embossed cover with gold writing on spine 'Chambers English Literature' xvi ; 717 pages ; 27 cm ; IlluHandwritten inscription on first page '9' & 'no 60 Kilmore Mechanics Institute' Stamp on multiple pages 'Kilmore Mechanics Institute'encyclopedia, kilmore mechanics institute library.

Presented to the Wandin Historical Society by Mrs. Noel Rowe (nee Massina), 1992. Restored by Apollo Moon.Navy hard covered book with gold embossing of title and decorative border. Includes maps and blank pages. Has marbled end papers.upper yarra, yarra river

Stiff & Gannon was a major retail outlet and employer in Wodonga from August 1946 until 28 February 1970.Local significance as Stiff & Gannon was a major retail outlet and employer in Wodonga from the mid 1940s.Purchase order book used for accounting by Stiff & Gannon, Hardware and Grocery Merchants, Wodonga and embossed business envelopes printed in red ink.Envelope Proper Right Top corner: "STIFF & GANNON/ HARDWARE/ SPORTING GOODS/ KITCHENWARE/ THE BIG BRIGHT STORE/ WODONGA". Envelope Proper Right Lower Corner: If not delivered in 7 days please return to/ Post Office Box 146, Wodonga, Vic, 3690" business, high street wodonga, general store, stiff and gannon

Invitation to the 'arrival' of the Hotel St Moritz at 14-15 The Esplanade, St Kilda, on 10 October 1991. The hotel was built on the site of the former St Moritz ice rink. The Hotel St Moritz became Novotel Bayside in 1993 and The Novotel St Kilda in 1999. The building was demolished in 2019 and replaced with apartments.White glossy folded card with folded white paper insert, printed in blue. An illustration of the hotel and palm trees is embossed on the front of the card.hotel st moritz, novotel, st kilda hotels

320 p.: decorative grey and black cover with images of a ship on the sea, seaweed or flowers. Title and author's name embossed in gold on spine.fictionfiction, fred j. whishaw

384 p. : ill. ; red cover embossed in black with geometric design. Title printed in red on gold rectangle on front cover, and on spine.fictionFictionalised account of the life of Richard Hunne, an English merchant who during the reign of Henry VIII, and just prior to the English Reformation, fell into dispute with the Catholic Church, was accused of heresy, and died in mysterious circumstances in prison.fiction, george e.sargent, robert hisshion

Acquired when "Classweave Industries" closed down. Black and white photograph, mounted on grey board, embossed at edges. Photograph is a group portrait of men photographed on the steps of the Geelong City Hall6 6/87 B Marhall/ 3 McKillop St/ Phone 2071 Geelongtextile mills woollen mills, classweave industries pty ltd federal woollen mills ltd, textile mills, woollen mills

Moomba is the festival of the city of Melbourne, initiated by the City Development Association to liven up Melbourne and attract tourists. The first Moomba parade took place in 1955 on the Labour Day public holiday in March, which commemorated the advent of the eight hour working day, which was first won in 1856 (https://blogs.slv.vic.gov.au/such-was-life/moomba). Large silver platter with ornate embossed grape and vine leaf decoration on rim, ornate engraving on flat surface are with engraved text in centre. 1987 /Moomba Procession / Moomba Award / for the best country entry Reverse; label 'Ranleigh A1 quality silverware'city of greater bendigo awards

Green tinged glass bottle. Imperial Half Gallon wine flagon. Rimmed near top and base. Embossed with 'HALF GALLON IMPERIAL'HALF GALLON IMPERIAL

Eight silos added in 1940s.Large landscape black and white photo set on a blue card backing. The card has a green holly leaf pattern embossed on the edge.A view of Charlton. The Season's Greetings from Charlton.charlton, noske bros, noske's, flour mill

This book includes the classic poem ‘Rime of the Ancient Mariner’ by Samuel Taylor Coleridge, the lines of which are set out in twelve pages of double columns. Each section of the poem is titled, such as 'Part the Sixth'. The twenty lithographed line drawings by J. Noel Paton RSA illustrate major events of the story and repeat the applicable verse below them. Most of the drawings have the initials of the artist and the lithographer on the bottom corners, below which are printed their names. The margins of the poem contain printed author's notes. Interestingly, the printer's name is added as a footnote on page 12, at the end of the poem. The book is included in the Rare Books collection of Flagstaff Hill. Its description closely matches one of two copies of the book held by the British Museum. There have been other publications of Coleridge’s poem over the years, based on various editions of his poem and illustrated by other artists. When this book was first published, Paton’s illustrations were available individually for the public to purchase. The author, Samuel Taylor Coleridge (1772-1834), was a notable late 18th to early 19th century English poet. He was the youngest of fourteen children. His father was a vicar as well as the master of a grammar school, with Samuel attended. Coleridge's longest poem, 'Rime of the Ancient Mariner', was written about 1797-1798 and tells of the experiences and adventures of a sailor. It was included in a collection of poetry titled 'Lyrical Ballads', jointly written with his friend William Wordsworth. The volume is considered the beginning of the Romantic era of British poetry. Coleridge acknowledges William Wordsworth in this poem, in ‘Part the Forth’ with the footnote “For the two left lines of this stanza, I am indebted to Mr Wordsworth. It was on a delightful walk from Nether Stowey to Dulverton, with him and his sister, in the autumn of 1797, that this poem was planned, and in part composed”. Sir Joseph Noel Paton RSA (1821-1901) is a well-known Scottish-born artist and painter of historical artwork, created the line illustrations in 1863, highlighting the main points of the poem. In the same year he also illustrated Charles Kingsley's 'Water Babies'. He was appointed Queen’s Limner for Scotland from 1866. The book was published in 1863 by the Art Union of London, an organisation whose members paid an annual subscription, and who received an annual prize of a work of art. The organisation was established in 1837 and membership quickly grew until the 1870's. Membership then slowly dropped off until the organisation was would up in 1912. Lithographer William Husband McFarlane, of Edinburgh, Scotland, created the black and white lithograph outlines from Paton’s drawings, illustrating many of the lines of the poem. The book of poetry and Illustrations was then printed by Neill & Company, Edinburgh, in 1763. The company was formed by Patrick Neill in 176. The company was known for inventing one of the early mechanical typesetting machines, which was used for the Company's publications as well as sold to other companies even into the early 1900s. The firm continued in business until 1973. This copy of the book was presented to Emily Taylor Smith by her father on September 16, 1867, four years after it was published. There is no further information available about Emily at this point in time.This Victorian era book of poetry with illustrated prints, the 'Rime of the Ancient Mariner' by Samuel Taylor Coleridge, is considered to be a rare book. The British Museum holds two copies, one of which is very similar in description. The book is significant for containing a poem written by the renowned British poet Samuel Coleridge, who acknowledges the contribution of a couple of the lines to his friend William Wordsworth. The book's significance is increased for being included in a collection of poetical works jointly written by Coleridge and his friend William Wordsworth, entitled 'Lyrical Ballads' and published in 1797. The printer of the book, Neill & Company, was known for pioneering an early mechanical typesetting machine. It’s significance also includes the collection of Victorian artwork within. Coleridge's poem is significant for being included in 'Lyrical Ballads', which is considered to signify the beginning of the Romantic era of British poetry. Book: large, burgundy linen covered, hard cover, with gold embossed title and images, landscape orientation. Title: Coleridge's Rime of the Ancient Mariner. Author: Samuel Taylor Coleridge Illustrator: J. Noel Paton, R.S.A. Publisher: Art-Union of London in 1863. Lithographer: W.H. McFarlane in Edinburgh, Scotland, 1863. Printer: Neill & Company, Edinburgh, Scotland Contents include the lines of a poem, with lithograph illustrations above applicable short verse. The cover and fly page have the same emblems. A personal inscription is hand written in nib pen inside the book.Printed: "COLERIDGE'S RIME OF THE ANCIENT MARINER" "ILLUSTRATED BY J. NOEL PATON, R.S.A." "ART-UNION OF LONDON, 1863" " W.H. McFARLANE, LITHOGr, EDINBURGH" "Printed by Neill & Company, Edingurgh" Emblems embossed on cover, and a repeat printed on fly page, include stars encircling a crucifix and a snake entwined around a cross bow with a branch in its mouth.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coleridge's rime of the ancient mariner, rime of the ancient mariner, ancient mariner, samuel coleridge, j. noel paton, art-union of london, 1863, rare book, samuel taylor coleridge, art union of london, w.h. mcfarlane, william husband macfarlane, sir joseph noel paton, poem, emily taylor smith, 1867, romantic period, william wordsworth, lithograph, poetry, lyrical ballads, british romantic movement, literary work, neill & company edinburgh, j. noel paton rsa, mechanical typesetting, alexander neill fraser, mechanical typesetting machine

Example of a Braille magazine imported from the United States for readers in Australia. Better Homes and Gardens was produced by the National Library Service in Braille and exported to Braille libraries around the world. Magazines were costly to produce in-house, as they often held timely information that were not as relevant to the reader by the time that the transcription and embossing process was finished, and each issues required the process to be restarted each time a print issue was created. Working from the magazine itself, rather than an electronic file, and with no automated process yet developed, this issue in 1974 would have been scribed by hand and manually checked before being sent to the large embossing and binding machines for distribution. 1 Braille volume of Better Homes and Gardens magazineBetter Homes and Gardens February 1974 Part IIIbraille library of victoria, braille books

Example of a Braille magazine imported from the United States for readers in Australia. Playboy was produced by the National Library Service in Braille and exported to Braille libraries around the world. Magazines were costly to produce in-house, as they often held timely information that were not as relevant to the reader by the time that the transcription and embossing process was finished, and each issues required the process to be restarted each time a print issue was created. Working from the magazine itself, rather than an electronic file, and with no automated process yet developed, this issue in 1974 would have been scribed by hand and manually checked before being sent to the large embossing and binding machines for distribution. 1 Braille volume of Playboy magazinePlayboy - entertainment for men, August 1974, Volume 21, No 8, Part IVbraille library of victoria, braille books

This card was presented to the Society by Mrs Irene Meek of Lake Bolac. The card is a Christmas/New year wish from Walter to Annie Hill and the Girlies while overseas in military combate in the First World War. It demonstrates the craftmanship of needlework and paper embossing at this time.White paper card with hand stitched pansies in purple, pink, blue, green and gold. The stitching is placed towards the centre forming an inner frame. The words Best Thoughts printed in gold on paper and placed between a layer of cotton material."With loving wishes to Annie Hill & dear girlies for a Merry Xmas & a Happy & Prosporous New Year with love from Walter. Hynes No 6 - Hynes (George & I still going strong) 30/10/16" Written in pencil across back of card.world war one, needlework, handcraft, embossing, post card, haberdashery, personal letter

Embossing indicates that the brown glass bottle contained Penfold brand wine, a South Australian wine company formed in 1913. This particular bottle was the shape used for their fortified wines and would date between c.1917 and the early 1930s. It was found on the beach or in the sea.The brown glass bottle has a lip and collar with a tall neck and narrow shoulder and would have had a cork stopper. " PENFOLD / THIS BOTTLE IS THE PROPERTY OF / PENFOLDS WINES"

This refillable ink bottle was extensively in use in the early 1900's, firstly with the nib pen and then with the fountain pen. Both these pens required to be refreshed with ink as they had no long term self storage capacity. The requirement, before the 1970's, for all legal documents, wills and heath certificates etc. forms had to be signed with penned ink and not biro(1950's onward). This caveat was to prevent forgeries (signatures) from ocurring. Hand writing experts can clearly distinguish forgeries because by using nibs, the "natural" and distinctive hand inflections whilst forming the signiture cannot be replicated by forgers.This item is significant to the Kiewa Valley because it details that even in the rural sector,(Kiewa Valley) the legal requirements of the day had to be adhered to. This was even at a time when in the rural areas a "man's word and handshake" was his bond", especially between neighbours or others in a small rural region. This however was not the case for Government Departments , banks and the hospital. To highlight certain words or paragraphs due to their importance, the red ink application was not only highly visible but also less likely to be tampered withThis is a clear thick glass bottle with shoulders tapering up to the neck. The red stain on the cork stopper indicates that the bottle contained red ink.On one side is embossed "ANGUS & C0" and on the base "J 32" and below this "M" (the manufacturer's mark)dip pen ink, ink bottle, writing methods, nib.

Reginald Howard SPARKS (1899-1981) was son of Alice May Nightingale and grandson of Emma Augusta Thompson. He married Eileen Maddock (1900-1984) in 1921. Best man looks like bother of Reg Sparks, Edmund HenrySepia photograph mounted on light board; wedding party 1921Markers Mark: embossed insignia: Gainsborough Studio Inscription on back: To Grandma from Eileen and Regthompson collection, nightingale, maddock, sparks

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1900 -1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray

Gold coloured Medal with American Eagle standing over three arrows, and wings outstretched. Green and white stripe ribbon attached with pin on reverse : two bars in green with white stripes All enclosed in blue vinyl/leather hard case On reverse of Medal "Awarded for Military Merit"Box navy with gold embossed design left hand side and United States of America in goldmedal

Condiments set including stand made of brass (?) with four ball feet, flat base, wire frame and handle to fit four glass containers. 1st glass container: rectangular glass box (no lid) with moulded geometric pattern. 2nd glass container: square base with round neck, same geometric pattern, broken stopper. 3rd glass container: square with metal hinged lid with knob.E.P.N.S., 1' (Electro-Plated Nickel Silver), embossed on frame and metal lid of 3rd itemdomestic items, food and drink consumption, condiments, glass, rack, e.p.n.s., metalwork

Acquired by Clyde Marshall During his tour of duty with RAAF 2 Squadron 1967/68Obtained whilst Clyde was on duty with 2 SquadronScabbard metal French Circa 1875 embossed numbers on bayonet stock 97314 preceding the numbers is indecipherable mark that could be a maker markscabbard, metal scabbard, french scabbard