Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and the Civic Collection holds a number of important items within its collection.Two plates produced by Bendigo Pottery with hand painted designs depicting iconic Bendigo landmarks. 0408.1 Front: FCC-A JU HUI (To get together) / Bendigo 2010. Verso: Stamped Bendigo Pottery Est 1858 / Australia, signed FB (Faye Brady). 0408.2 Front: Bendigo / Australia. Verso: Stamped Bendigo pottery Est 1858city of greater bendigo tourism, bendigo pottery, faye brady artist

First held in 1972 the Bendigo International Madison is an athletics and cycling carvial which takes place in Bendigo ove the March Labour Day long weekend. Events include 400m footraces and the largest outdoor Madison event in the world. The madison is a track cycling race in which 17 pairs of riders race over a hectic 200 laps of the Tom Flood Sports Centre in Bendigo. Riders firstly try to gain a lap advantage over other teams or score sprint points during the 34 sprints dotted throughout the race. At any one time, there are riders sprinting, changing or attacking in this frantic event.Large ceramic plate with hand painted design in underglaze depicting three men bicycle racing.Front; 2009 / Bendigo International Madison Reverse; Signed Faye Brady / 09. Stamped; Bendigo Pottery / 1858 / Australiabendigo pottery, city of greater bendigo sport, city of greater bendigo tourism

This sign proudly hung outside the Forests Commission Victoria (FCV) Beechworth office which is now site of the Forestry Heritage Museum. The granite building in the Beechworth's historic precinct was once the Gold Warden's Office and is one of the town's original buildings. The FCV was the main government authority responsible for management and protection of State forests in Victoria between 1918 and 1983. The Commission was responsible for ″forest policy, prevention and suppression of bushfires, issuing leases and licences, planting and thinning of forests, the development of plantations, reforestation, nurseries, forestry education, the development of commercial timber harvesting and marketing of produce, building and maintaining forest roads, provision of recreation facilities, protection of water, soils and wildlife, forest research and making recommendations on the acquisition or alienation of land for forest purposes″. The Forests Commission had a long and proud history of innovation and of managing Victoria's State forests but in September 1983 lost its discrete identity when it was merged into the newly formed Victorian Department of Conservation, Forests and Lands (CFL) along with the Crown Lands and Survey Department, National Park Service, Soil Conservation Authority and Fisheries and Wildlife Service. After the amalgamation the management of State forests and the forestry profession continued but the tempo of change accelerated, with many more departmental restructures occurring over the subsequent four decades. Responsibilities are currently split between the Department of Energy, Environment and Climate Action (DEECA), Forests Fire Management Victoria (FFMV), Parks Victoria, Melbourne Water, Alpine Resorts Commission, the State Government-owned commercial entity VicForests and the privately owned Hancock Victorian Plantations (HVP).Large office sign. Hand painted in traditional FCV mission brown and gold colour scheme.forests commission victoria (fcv), forest signs

3 doilies or tray-covers, with hand-made lace, hand embroidery and machine embroidery are an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900. The family of Carole Pedersen-Green were of Danish origin.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families. The Danish heritage is an example of the many nationalities that were working and living in Moorabbin Shire3 tray – covers / doilies with hand made lace, machine embroidery and hand embroidery.brighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, green carole, pedersen-green carole

Painted by , Esme Reynolds, daughter of Edward Reynolds, early settler.This item is aesthetically significant and shows the artistic skills of women of early settler families.Oil painting of three pink camellias in a bowl with a black/brown background and wooden frame. Painted by Esme Reynolds . Frame has two raised gold lines .Front left - Esme Reynoldspainting-oil reynolds

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain. Paint applied to stencil in the 1980;s for use on an interpretation display board.Rectangular, galvanised iron stencil for oat bag; small section cut away from each corner; bottom R corner cut-out and replaced with new stencil (Lettering 'Horses'), soldered on from behind main sheet. GLEN DEVON lettering surrounded by red paint, then later with blue paint.; red paint around other lettering (feed oats for racehorses)"GLEN DEVON / FEED OATS / FOR / RACE HORSES"

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette

Historic - Industrial drill - typical hand operated design used in workshops.Historic - Industrial drill - typical hand operated design used in workshops.Hand operated drill press. Bench mounted type hand drill press. drill, press, workshop, hand operated, puffing billy

Historic - Industrial drill - typical hand operated design used in workshops.Historic - Industrial drill - typical hand operated design used in workshops.Hand Operated Drill Press Bench mounted type hand drill press. puffing billy, tools, hand tools, drill press

Kath White, student at WHS between 1951 and 1955, made this book to present to her teacher following a Bright excursion her class attended in 1954. Kath kept a diary during the trip and used it to create a memento for a favourite teacher in Miss Boardman.Red leather album tied with yellow, red and black cord. 42 p. Hand painted end papers, hand written and illustrated by Kath White.Inside front cover: To Miss Boardman, with many thanks for your kindness to me. Kath White 29. 10.54.williamstown high school, 1954, kath white, miss boardman, bright, diary, school camp

Circular, brown suede doily with hand painted scallopped edging and leaves and gumnuts. The word "D'Oyleys" is hand written in brown ink across the centre of the doily."D'Oyleys"doilies, table linen

Timetable board giving first and last trams, weekdays, Sat and Sun. To 'City' with mounting holes, lettered on one side only, reverse side painted black, located at Gardens Loop, via Sturt St. sign. Some over painting on sign of former service times. See SECV Timetables. Demonstrates a SECV timetable signs that were located at various points on the tram system,Sheet metal sign, black background, white letters, painted.ballarat trams, timetable boards, secv street furniture

Painted by Enid Philip in 1922 at the National Gallery School, Melbourne for an overseas scholarship.Painting depicts elderly woman, two young women and girl sitting around a table having morning tea. On canvas, oil paint and wooden framesignature of artist Philip, Enid (1898-1984)morning tea painting enid philip national gallery school

The brick buildings were painted blue around the 1960s, and were later sandblasted to return them to red brick colour. Buildings of the Ballarat School of Mines from Lydiard Street South. The brick buildings have all been painted pale blue. ballarat school of mines, lydirad street south, administration building, a building, former wesleyan church, ballarat technical art school

Pocket sized timetable for rail, tram. coach and cabs for Ballarat. Includes Postal guide and diary for the month. Advertisements of Ballarat businesses, Huttons the Jewellers, George Hotel, Chinese Doctor F. S. Goon, and Davey's. Other advertisements by Fry's Chocolate and Palmer's Carragen Cough Mixture. Diary section has been hand inscribed to record race numbers. Brown soft covered booklet for rail, tram, coach, cab as well as postal guide and diary for the month. Darkened colour on the cover, small tear on top spine. Slight crease through the middle of the booklet.Pencil and pen hand drawn markings in diary section of booklet. Relating to horse racing numbers, 'Canterbury Park Cup' and 'Grand National Hurdle Race'.timetable, railway, tram, coach, cab, hutton's the jewellers, george hotel, fry's cocoa, fry's chocolate, f. s. goon, palmer's carragen cough mixture, ballarat, chinese doctor

At the end of World War One, there was a renewed interest in residential land and a number of estates opened up in the Municipality of Moorabbin. The train line from the city to Frankston was electrified in 1922 which intensified the sale in the municipality of Moorabbin, particularly land which was in the vicinity of the railway stations.Example of the progress of the Municipality of MoorabbinHand drawn plan of the McKinnon Railway Estate, McKinnonMcKinnon Railway Estate, McKinnon - hand drawn planmckinnon road, watkins street (now bent street), claire street, real estate, mckinnon, moorabbin

This cup and saucer set was issued as a souvenir of the opening of the Federal Parliament in Canberra in 1927. The building was opened by Prince Albert, the Duke of York who was accompanied by Elizabeth, the Duchess of York. The Duke of York later became King George VI of England. The colonies in Australia became Federated States in 1901 and from that date to 1927 the Australian Federal Parliament sat in Melbourne. When Canberra became the capital of Australia a Parliament House building was erected at a cost of £600,000 but it is now known as Old Parliament House as the present Parliament House was opened in 1988. This cup and saucer set is of interest as a memento of an important event in Australia’s history – the creation of a capital city and the opening of the first Federal Parliament House. It will be useful for display. This is a white china cup and saucer set. Both the cup and saucer have two gold bands around the rims and are decorated with black ornamentation and the portraits of the Duke and Duchess of York contained within gold oval patterns. There is also black lettering on both objects. The name of the maker is printed on the bottoms of both objects. On both objects: ‘The Federal Parliament opened by H.R.H. The Duke of York at Canberra 1927’ ‘Foley China E.B. & Co. Made in England’ opening of federal parliament 1927, history of warrnambool

Model of a Hong Kong double deck tram, No. 45 made by Bachmann models, China. Painted in an overall advertising scheme for Prime Routing for JCDecaux advertising.Demonstrates of a model of Hong Kong double decker tram.Model of Hong Kong double decker tram in cardboard box, clear plastic packaging, instruction sheets made fitted with a motorised bogie, trolley pole. Model shows seats and stairways on upper deck. HO Scale. Model is operable.models, tramcars, hong kong, bachmann models

Canwen Zhao was awarded the $10,000 We The Makers Acquisitive Prize for '35 Life' in 2023. Artist Statement: "35life" is a sustainable fashion project that transforms second-hand clothing materials into urban street outdoor-style products. Highlighting prominent Chinese classic red and green colours not only conveys eastern aesthetics but also adds a sense of unity to the clothing collection. The high-saturation and high-brightness full-colour palette keeps the clothing consistently "fresh," allowing any trendy colours to seamlessly integrate into the project's designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept of "huo feng ding," meaning "exchange the old for the new." it's also influenced by the designer's personal experience with health issues, making the designs suitable for individuals who can't be exposed to sunlight for extended periods, adapting to the changing urban lifestyle. 35life aims to provide visually pleasing and comfortable dressing experiences for urban dwellers who are busy with work and experience high levels of stress. Unlike traditional design patterns, this project adopts a unique design approach. It selects 3-5 pieces of raw materials based on their colours, and then disassembles them through structural lines. While retaining most of their functionality, these materials are rearranged and assembled on a flat surface before being shaped on a dress form. Subsequently, various ways of creating storage bags are derived from the initial clothing prototypes. After refining the designs, the final products are developed, and similar materials are used to create samples. Therefore, under this design methodology, even for the same garment, it is impossible to produce two identical pieces of clothing. Each garment is truly one-of-a-kind, which enhances its rarity and contributes to the longevity of the fashion pieces. The project includes various types of clothing, each with unique storage methods. This yellow look, named "elegant beach sunscreen monarch," draws its fashion inspiration from traditional Han Chinese attire and its storage concept from the Chinese cultural concept of "jiu jiu gui yi." the design employs flat pattern cutting, utilizing materials from the second-hand market such as beach towels, children's waterproof clothing, and women's dresses. Similar colours and patterns are reassembled through cutting and combining. For the sleeves, quick-drying, sun-protective sport fabric forms the base, overlaid with discarded silk fabric dyed with turmeric and plant dyes. This not only ensures functionality but also adds a sense of elegance. The length can be adjusted using drawstrings. Artist Bio: Zhao Canwen is a multidisciplinary fashion designer with a strong passion for integrating art, history, culture, and sustainable design. With over 15 years of experience in painting, she draws inspiration from ancient Chinese philosophy and aesthetics, which gives her a unique sense of beauty. After 8 years of fashion and art training, she possesses a keen insight into current trends and tends to combine art with commercial needs. Zhao's design style is diverse, characterized by a multidimensional approach, a focus on colour application, and storytelling through details.Outfit consisting of six pieces: - Orange plastic eye wear with green paint - Pair of red and green metal clip on earrings - Red beaded phone case with attached beads on string - Pair of red and green painted running shoes - Yellow and green hooded garment with red piping and zips - Brown bag with green beaded handlessustainable, fashion, we the makers, art, culture, design, chinese philosophy, prize

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Small slip of note paper with a printed header containing a hand written reference, from Clive Carey for Frank Wright.Hand written and signedfrank wright, clive carey, reference, musician

Hand painted by Margaret Quayle.Original painting of Heidelberg, Victoria by Margaret Quayle. River scene with house and bridge, in a wooden frame.paintings, artworks

The painted interior of the Clunes Town Hall is a war memorial A number of colour photographs showing the ipainted nterior of the Clunes Town Hall, including the World War One memorial which includes a rising sun painted onto an interior wall.clunes town hall, world war one memorial, rising sun, aif, architecture, clunes

Hand made map of Egypt from a soldier to his motherMap of Egypt. Square, blue,yellow,white,red. CottonHand made

This image was taken for the purposes of illustrating Jack Harvey's book 'Eureka rediscovered'. According to the State Library of Victoria catalogue the work is an over-painted photographic print, photographed by an unknown photographer from the painted canvas by Izett Watson and Thaddeus Welch, which was exhibited as a painted cyclorama in the 'Battle of Waterloo' Cyclorama building, Fitzroy, ca. 1891. This is based on the evidence that the pulleys and brick wall are discernible at the top edge of the image which B. Ireland has not over-painted. This artist may by Beryl Ireland, who was a miniaturist and studied at the National Gallery of Victoria Art School in the 1870s. Beryl Ireland was the niece of Richard Davies Ireland (1816-1877), the lawyer for the Eureka defendants in 1855. Information provided by Dr. Mimi Colligan, 2002. (http://search.slv.vic.gov.au/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=SLV_VOYAGER1657187&indx=2&recIds=SLV_VOYAGER1657187&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=3&frbg=&tab=default_tab&dstmp=1339483021572&srt=rank&mode=Basic&dum=true&fromLogin=true&vl(freeText0)=Eureka%20Stockade%20Ireland&vid=MAIN)Large format reproduction of a handcoloured photograph of the Eureka Stockade taken from the painted canvas by Izett Watson and Thaddeus Welch, which was exhibited as a painted cyclorama in the 'Battle of Waterloo' Cyclorama building, Fitzroy, c1891. The original is in the collection of the State Library of Victoria. (http://handle.slv.vic.gov.au/10381/132726) Signed lower right "B. Ireland"eureka stockade, ireland, b. ireland, beryl ireland

These hand carved framed wooden pictures are part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.Two hand carved Indigenous busts in wood frames.1: A mother wearing a headband and striped gold, white blue and pink painted clothes draped over a baby. Only the face of the baby is depicted. 2: A father's upper body bust also has clothes draped over the baby he is holding. Both are framed using natural sticks which are painted brown on a white backfround.wood carvings, carvings, portraits, artworks, objects

Ellen Soumprou was Manageress at the Continental Guest HouseHand written letter on Continental Guest House letterhead writing paperHand written letter from M. Bleechume.ellen soumprou, continental guest house, phillip island