This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom, shield

Maybe WWI historical significance (unable to find any historic material on this item).Metal vesta container with a ring holder on the side.Inscribed with initials AMB on the front of holder

Bayonet attaches to .303 rifle used in hand to hand combat. Historic significance.Steel bayonet with metal and leather scabbard. Wooden handle.letter A enclosed in Star with X between. Arrow pointing to tip.

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph of Wall paintings at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

Document, National Trust of Australia (Victoria), Classification Report, Eumana, former Teacher's College, Osborne Street and Retreat Road, South Bendigo. The association with Cr. James Henry Curnow, and William Beebe, JP MBE FRVIA, and the introduction of septic tank technology to Victoria. The house is significant for architectural, historic/social and scientific/technical reasons at a Regional level.National Trust of Australia ( Victoria).document, names of bendigo pioneers, eumana

Bendigo Advertiser "The way we were" from Monday, January 31, 2005. historic festival: crowds line the streets of Bendigo's central business district to watch the annual procession. This photograph was taken in the late 1940s or early 1950s. The truck, used by the State Electricity Commission for the parade, was donated by Eric Finch, a general carrier and wood merchant. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Harris collection, Leather bound album with gold embossing of Balmoral castle, inside frontispiece 'The Balmoral Album', H Harris Axedale contains 70 assorted photographs some on tin and greeting cards, some enclosed in decorated pages with illustrations of castles and historic buildings with flowers. Hand written names beside some photos appear to relate to the Harris family.photograph, person, male/ female, axedale-harris family- bendigo- photographers.

Advising that the Nunawading Council is in the final stages of aquiring the historic and last remaining orchard in the municipality as a bicentenial project. The Mathesons, early district pioneers, bought the property in 1914 and have worked and lived there ever since. The orchard off the eastside of Springvale Road between Jolimont Road and Hawthorn Road was orinally cleared and planted by John Fankhauser in the 1880'smatheson, charles, fankhauser, john, orchards, strathdon, nunawading gazette

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Chapman J & C 1999, The history of the Auburn Heights Recreation Club, 1904 to 1908. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Wooden panel listing the Mixed Doubles Champions of the Auburn Heights Tennis Club between 1983 and 1991. The perpetual trophy was named to honour Fred and Dorothea Wall. [The item forms part of the large historic Auburn Heights Recreation Club collection, with items relating to the sports of lawn bowls, tennis and croquet, gifted to the Kew Historical Society in 2020].auburn heights tennis club - barkers road - kew (vic), auburn heights tennis club - trophies

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Chapman J & C 1999, The history of the Auburn Heights Recreation Club, 1904 to 1908. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Wood, metal and enamel trophy shield recording the Auburn Heights Bowling Team as the winners of the John Dobbie Jubilee Shield, held at Glenferrie Hill Recreation Club in 1984. [The item forms part of the large historic Auburn Heights Recreation Club collection, with items relating to the sports of lawn bowls, tennis and croquet, gifted to the Kew Historical Society in 2020].

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Window, D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.Annotation on reverse: "Bars on pantry window were for protection against raiding blacks. Retained for historic interest."australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

.1) Heritage award,bronze male figure of a stonemason standing behind a slab of stone engraved, "Mt. Alexander Branch of National Trust Heritage Award for Excellence" presented to "Thompsons Foundry Drawing Office Interest Group". .2) Framed citation explaining the award. Black plastic frame, glass front, featuring an historic photo of Thompsons drawing office.award, heritage

Black and white postcard showing view of township. Background shows Kalimna escarpment. Middle ground shows historic Club Hotel on left. Foreground shows New Works buildings, school building, corner of Harbour Master's house on right. SS Gippsland at New Works wharf, with passengers. Small sailing boat on lake. Lakes Entrance VictoriaCunninghame from the New Worksjetties, township, boats and boating

Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Fairfield, Rutherglen is located in the North East region of Victoria and is a historic homestead that was built in 1889 and plays a prominent role in the history of the region. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Fairfield homestead on white paperObverse: Cantlon 66/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, homestead, fairfields, rutherglen

In 1875, the Rocky Mountain Extended Gold Sluicing Company Ltd was created, utilising the previous Rocky Mountain claim for the area near Lake Sambell. The company employed A.L Martin to survey an area for a tunnel underneath Beechworth and Johnson Stephens to dig it. The tunnel was built at a rate of 40 feet a month and eventually measured 800 metres. The tunnel was a true accomplishment both in the present and during the 19th century. It was considered to be a marvelous engineering feat. Beechworth is renowned for its hydraulic sluice method of mining. This involved soil being exposed to torrents of water from high-pressure hoses. From 1876 until its closure in 1921, the mine produced an astounding 47,926 ozs of gold. Companies like this were the source of income for many Chinese gold-diggers who sought to make their fortune on the goldfields of Beechworth. During the height of the rush, the town had around 7,000 Chinese inhabitants living on the outskirts of town as they were not permitted to live within Beechworth itself.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portrays an open-cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in 1910. It also shows a location where sluicing was undertaken which provides insight into the impact of sluicing on the environment at a time when it was done. This image of the Rocky Mountain mine is historically significant as the mining complex is now non-existent, with the only remains being the tunnel built in 1880 by the company, which was considered one of the greatest engineering feats of the time. The image also provides a first-hand look into the social and cultural networks at play during the 19th century with racial segregation of the Chinese at the 'Chinese Camp', as well as an insight into Beechworth's origins during the Gold Rush.A sepia rectangular photograph printed on matte photographic paper as a postcardReverse: Historic Beechworth / 7792.1 / ROCKY MOUNTAIN MINE / Viewed from the “Chinese Camp”, shown partly in the foreground, we see the central plant of the famous Rocky Mountain Mining Company. This extensive complex, of which nothing remains, was situated between Silver Creek and the present Lake Sambell area. The company was responsible for a tunnel cut through solid bedrock underneath the town of Beechworth and surfacing near the keystone bridge on the Wangaratta side. Completed in 1880 it was declared to be one of the greatest engineering feats in Australia. The tunnel is still basically intact today. / Series by Wooragee Graphics: Historic Beechworth. / COPYRIGHT BURKE MUSEUM / No.72 beechworth, rocky mountain mine, sluicing, gold rush, mining, gold