Purchased, 1983Gouachegippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Woodcut print and watercolour on handmade papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Woodcut print and watercolour on handmade papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2013Colour etching on papergippsland, artwork, permanent collection

Donated from the estate of Pamela J. Barclay, 2015Oil on canvasgippsland, artwork, permanent collection

Group of People in front of Stawell Town Hall “Back to Stawell” 1922stawell

Mahnke Sloane Street Tea Party. Silver Tea Set at Stawell historical Society.stawell

R D Collins 33 Campbell St Stawellstawell government

Ex Stawell Residents 1935 including Mollie McMurtrie and Elizabeth Harrier and two Webster gentlemen.stawell

212 pages, illustrated.

There are notes taken by Sue Barnett about the family from discussions with Gill Bell. 122p, illustrations, index, contains recipes, personal memories and photographs of the Craig family, many of whom were residents of Surrey Hills and connected with the Surrey Hills Methodist Church.122p, illustrations, index, contains recipes, personal memories and photographs of the Craig family, many of whom were residents of Surrey Hills and connected with the Surrey Hills Methodist Church.craig family, cooking, cook books, (ms) gillian bell

This is one of a series of photos that document John Turnbull’s First Communion. They are representative of this important rite of passage in the Catholic Church in the 1950s. The sacrament of First Communion is an important tradition for Catholic families and individuals. Originally this was celebrated when a child was 10, 12 or even 14 years of age, however in 1910, Pope Pius X issued the decree Quam singulari, which changed the age at which First Communion is taken to 7 years old. Traditions of celebration surrounding First Communion usually include family gatherings and parties to celebrate the event. The first communicant wears special clothing. The clothing is often white to symbolize purity. It is more elaborate for girls but boys wear ‘Sunday best’; it could be a suit and tie or even a tuxedo. Many families have formal professional photographs taken in addition to candid snapshots in order to commemorate the event and some churches arrange for a professional photographer to attend after the ceremony. A black and white photo of a boy taken in a garden in front of a picket fence. He is wearing a white shirt, shorts and long socks and his hands are in prayer position. In the background is a Californian bungalow house. On rear in black ink: "John on his / First Holy / Communion Day / 28/10/51". Below this in John Turnbull's writing: "MY PARENTS / HOUSE 30 PROSPECT / ST. BOX HILL"

Eleanor (Lena) and Sylvia were 2 of the 11 children of Alice Eleanor (1868-1924) and George James Jackson (1868-1950). Another was George Hall Jackson - AIF no 4660. The Jacksons were both jewellers and married in 1890, migrating from England. Lena was born 16 December 1911; d. 30 May 1984. She married Walter John Rea Dawson. Sylvia was born 20 July 1914 at Nurse Talbot's Hospital in Surrey Hills; d 2008.A black and white photograph of three young girls outside 7-9 Russell Street, Surrey Hills. The two taller girls are identified as Sylvia and Lena Jackson, whilst the small girl is unidentified.russell street, surrey hills, 1911, jewellers, clothing and dress, (miss) lena jackson, (miss) sylvia jackson, (miss) eleanor jackson, (mr) george jackson, (mrs) alice jackson, nurse talbot's hospital, mr walter dawson

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who studied at the Ballarat Technical Art School in the 1930s. If you are able to assist please make contact via the comments link below. art, artwork, s.j. allan, colpin avenue, posters, ballarat technical art school

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who studied at the Ballarat Technical Art School in the 1930s. If you are able to assist please make contact via the comments link below.art, artwork, keith, posters, colpin avenue

Lyn COOKE An artist specialising in wildlife, Lyn Cooke draws from the rich heritage of wildlife art in Australia beginning with the natural history illustrations of John William Lewin and John and Elizabeth Gould. Her aim is to accurately depict the natural environment and this is reflected in her highly detailed paintings. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a frog in landscape.Signed lrs 'L. Cooke'art, artwork, lyn cooke, frog, available, rainforest

2 photographs of residents (one unknown with a volunteer and the other of Evelyn Grace Bryant and Terry Fraser, and 1 photograph of Terry Fraser and Carole O'Reilly at the launch of the Australian Large Print cookbook. Terry Fraser was the manager of Baringa and Carole O'Reilly a public relations officer with the AFB.3 black and white images of various sizesnon-fictionelizabeth maxwell, neil maxwell, association for the blind, terry fraser, carole o'reilly, evelyn grace bryant

A woman perches on the edge of a chair as she fingerspells on the palm to an older, deaf-blind woman who is seated. In the second picture, an older female pulls a thread taut as she sits in front of a long table. It is unknown where these images were taken, however assumed to be at Elanora.2 black and white photographs of elderly female residentselanora home (brighton), recreation, association for the blind

‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available

BookThe Australian Home Front in the second World War. - Documents and Commentary

Book

Book

Book

Book

This would have been a display for the annual fruit pruning demonstration. Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried.Colour photograph. Display board with brochures about fruit and vegetable growing attached and some examples of apples and pears on the table below.On reverse, "Photograph by Publicity Branch Victorian Department of Agriculture Ref. No. D.144.D."display board, vegetables, green grows our garden, a.p. winzenried., fruit pruning demonstation, brochures, fruit, apples, pears, publicity