Showing 3588 items
matching jacket or bodice
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Clunes Museum
Clothing - LADIES UNDERWEAR
FINE COTTON UNDERWEAR WITH COTTON LACE INSERTION AND PIN TUCKS - SHORT BODICE WITH PRESS STUDS AT FRONT OPENING - WORN BENEATH DRESS OR BLOUSEfemale underwear, costumes - female underwear -
Whitehorse Historical Society Inc.
Clothing - Camisole
Cream silk camisole with square neckline. Shoulder straps and bodice made of cream lace. Scalloped hem and pin tucking and triangle shaped lacecostume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Dress, c 1950s
Made by donor for her children during 1950's.Cream viyella dress with smocked bodice and sleeves, with pink and blue rosebuds. Neck has white lace trim and press stud at opening at backcostume, infants' -
Kew Historical Society Inc
Clothing - Blue Silk Jacket & Skirt, 1868-1872
Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Blue silk, floor length day dress comprised of a tightly fitted, long, waisted jacket joined by hooks and eyes at centre front. The bodice features large ornamental buttons from neck to waist, covered in a figured silk fabric of the same colour as the dress. The gown has extensive pin tucking on the sleeves, on the flounce of the skirt, and on the long train. The line of the outfit is emphasised by the flattened front, which is typical of the period. Its cut and lack of adornment emphasises the tailored effect.australian fashion, fashion & design, costumes, dresses, women's clothing, fashion - 1860s, fashion - 1870s -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: FULL LENGTH SLEEVELESS DIAMANTE DRESS, 1950s
Full length sleeveless dress of dark blue fabric with light blue all over embossed floral pattern. Front of bodice made from one piece with two darts from the waist. Back same as above. Square neckline formed by pleated section of fabric (upward facing knife pleats) across the front. The pleating continues on the shoulder panels at the front. 13cm wide at shoulders. The shoulder pieces continue to attach at the back bodice but widen to form a rounded collar effect on either side. At centre back where collar joins, a folded piece of fabric is attached to form two tails of a bow falling past the waist (39cm). A decorative metal clasp with three rows of diamantes is attached at the top of the bow, 7cm below the neckline. On the front bodice there are two decorative rows of diamantes below the shoulders where the shoulder piece joins the pleated section across the front. Front and back bodice dip slightly at centre. Side opening on LHS with 36cm metal zipper from armhole. Hook and eye at top. Fabric piping around waistline front and back. Skirt made of four pieces. Centre and side seams. Gathered into waist (bodice) with series of small pleats random (uneven) knife and box flat seams. Large stitches visible on front of bodice where pleated section is visible. 2cm wide strips of elastic hand stitched inside each shoulder section, attaching front and backs of bodice. Check collar attached.costume, female evening, dress -
Bright & District Historical Society operating the Bright Museum
Jacket, Female
Belonged to Mrs Weston of Porepunkah.Female jacket. Short black taffeta jacket. Long sleeves trimmed with lace and beading at cuff. Collar trimmed in lace and beading. Black jet buttons in front, boned and lined. Hand stitched. womens jacket, beads, lace, boned, lined, taffeta, ladies apparel -
Bendigo Military Museum
Uniform - UNIFORM, ARMY, CEREMONIAL BLUES, Commonwealth Govt Clothing Factory, 1) 1970
Uniform re Lt Col Murray Metherall, refer Cat No 590.2 for service history..1) Jacket blue colour, Patrol Blues, gold metal buttons, service ribbons Vietnam and long service, shoulder rank insignia. .2) Trousers, khaki. (Not part of Patrol Blues jacket.uniform, ceremonial, blues -
Tatura Irrigation & Wartime Camps Museum
Book, Historic Court Houses of Victoria
Donation from Altona Historical Society, Owen Hyde. The book shows different styles of courthouses and their builders around Victoria.Hard cover with dust jacket. Hard cover is burgundy. Dust jacket is burgundy with a white rectangle on front with sketches of historic court houses surrounding the title and author. Spine has title and author on it. courthouses, courthouses of victoria, courthouses of tatura, altona historical society, historic courthouses, courthouse architecture, courthouse trials -
Flagstaff Hill Maritime Museum and Village
Clothing - Skirt, before April 1874
THE SKIRT The skirt has a gentle, soft, feminine design which keeps it in good shape and condition, preserving it from soiling and prolonging its life: - the satin fabric is softly pleated at the waist and falls gently to almost floor length - the opening is concealed at the back within one of the folds and closes with hooks and eyes underneath the bow at the back of the jacket - the horizontal stitching at the base of the skirt joins the lining to the skirt, and the firmness it creates allows it to gently flare out at the base without the need of hooped petticoats - a removable fabric lining at the hem protects the front and back of the skirt from friction and soiling from the wearer’s footwear THE SKIRT This evening outfit is significant for its connection with colonial Australia, Victoria and Warrnambool. It is a fine example of female fashion of the mid to late 1900s. The outfit is significant for its connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The outfit is significant too for connecting the colonial families to the indigenous culture of the district and the contact between the native and European people. The lined, floor-length, amber satin skirt has gentle folds that gather into a fitted waistband. One of the folds at the back conceals the opening of the skirt that fastens using metal hooks and eyes. The bow at the back of the jacket covers the top of the closure. There are metal hooks distributed around the top of the waistband. The skirt is stitched horizontally around the hem in several rows. There is a removable fabric lining at the base of the skirt.evening skirt, ladies 1h century skirt, satin skirt, antique satin skirt -
Brighton Historical Society
Clothing - Dress, Evening dress, c. 1909
This evening dress belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A yellow and lime green silk and net evening dress from c.1909. The bodice is constructed of a golden silk satin with an over bodice of a very soft gold net with soft gold and lime green embroidery decorated with flower and bow motif's. The neckline is bateau like in shape with the edge following the flowers of the lace design. The bodice is sleeveless with a loose detached cap that hangs down over the top of the arm with a lace covering. The under fabric of the bodice is shaped and lightly boned but the over lace is looser, nipping in at the waist where it joins the skirt. At the back, the bodice neckline scoops lower than the front with the lace overlay creating a v shape at the centre back. The bodice is secured with hooks and eyes and waist tapes. The skirt is flat fronted and floor length consisting of the same golden yellow silk with soft gold and lime green embroidered net over skirt. The lace net over skirt features larger motifs and greater embellishment towards the bottom of the skirt. The lace over lay also has an edge that follows the design of the lace rather than a straight edge. At the back the underskirt is flat and shaped but the over skirt is lightly gathered and loose hanging. The skirt finishes in a full skirt and a rounded, small train.woolbrook, septimus miller, cantala, henry 'money' miller, gwendoline miller, clara miller, 1900s fashion, caulfield, brighton general cemetery -
Kew Historical Society Inc
Clothing - Buttoned, Beige Striped Silk Bodice, 1870s
1870s women's fashion placed an emphasis on the back of the skirt, with long trains and fabric draped up into bustles with an abundance of flounces and ruching. The waist was lower in the 1870s than the 1860s, with an elongated and tight bodice and a flat fronted skirt. Beige coloured silk top with narrow mauve stripes. The top has a piped mandarin collar. The top has satin trimming. women's clothing, fashion - melbourne - 1870s, bodices -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM SILK AND TULLE VICTORIAN EMBROIDERED BODICE, Layte 1800's - early 1900
Clothing. Beautiful deep cream silk bodice, fully lined with cream tulle/net. Elbow length sleeves have a semi-circle of embroidered silk, and an embroidered tulle ''flounce'', edged with cream cord - 17 cms long. The bodice has seven pin-tucks, angled from the shoulder to the waistline on each side of the front and back. Between the pin-tucks at centre front panel is an extensive cream silk, floral embroidery. A rounded neckline at front and back, is in-filled with embroidered tulle - small 1 cm diameter flowers, in a 3 cm diameter circle, defined by 12 small (3mm) embroidered circles. The tulle infill extends to a 7 cm high stand-up collar-supported by seven plastic ''bones''. The collar also features the same, circular, floral embroidery, and is also edged at the throat with cream cording. The bodice while in good condition, has been cut at the hemline, and a 10.5 cm strip of fabric has been added but unfinished. 18 metal hooks, and hand-stitched loops fasten the back of the bodice. Sleeves are an extension of the bodice.costume, female, cream silk and tulle bodice -
Kew Historical Society Inc
Clothing - Striped pink and beige silk bodice, c. 1891-95
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Striped pink and beige silk bodice, joined at the front with twelve mother-of-pearl buttons and featuring extensive use of cream coloured lace, particularly at the cuffs of the wide sleeves. There is an inner sleeve of lace as well as an extended ruffle of lace extending from the cuff. The bodice has a floating panel at the front, which is bordered with lace. The lace extends in a wider panel to the round neck.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, bodices, fashion -- 1890s -
Whitehorse Historical Society Inc.
Clothing - Baby's Dress, 1964
Frock was worn by donor's daughter Susan during time the family lived in England1964 white terylene dress, puff sleeves gathered at bodice and trimmed with nylon lace from neck edge to skirt. Five pearl buttons from neckline to skirt. Dress is lined from the bodice to the hem which is trimmed with nylon lace. Neck rear has two button opening. See also NA3591.1.2 Booties, NA3586 Bonnet, NA3592.1.2 BootiesSally Pigtail Regd - Terylenecostume, children's -
Bendigo Historical Society Inc.
Clothing - HANRO COLLECTION: NIGHTGOWN, 1960s - 1970s
White full-length nylon nightgown. A tiny flower design is painted on to the fabric. Bodice has a V shaped cross-over bodice gathered onto a midriff band, 3.5 cms wide at the front and a V neckline at the back. Front and back tie together at the shoulders. A full-length gathered skirt has a 3 cms wide tie at the back waistline.Label on side-seam of skirt, near hemline reads: Hanro Quality Underwear SW Small Women’scostume, female underwear, nightgown -
Greensborough Historical Society
Book, alan marshall, Pioneers & painters: one hundred years of Eltham and its Shire, 1971_
Hardback, 144 p. colour and black and white illustrations, dust jacketnon-fictioneltham, shire of eltham, artists -
Greensborough Historical Society
Book, Basil Fuller, The Nullarbor story, by Basil Fuller, 1970_
The history of development of the Nullarbor and the author's personal journey across this area of Australia. Hardback, 165 p., black and white photographs, col. dust jacket."C. G. Aitken"south australia, nullarbor -
Marysville & District Historical Society
Book, The Red Gate-A History of Alexandra, 1969
A history of AlexandraHardcover. Front cover of dust jacket has a drawing of old Alexandra.Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779alexandra, north east victoria, victoria, australia, history, gerald w noble -
Marysville & District Historical Society
Book, The Red Gate-A History of Alexandra, 1969
A history of AlexandraHardcover. Front cover of dust jacket has a drawing of old Alexandra.Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779alexandra, north east victoria, victoria, australia, history, gerald w noble -
Eltham District Historical Society Inc
Book, Alan Marshall (1902-1984), These are my people / by Alan Marshall, 1944
Hardback with dust jacket; 202 p. : ill., map ; 19 cm.alan marshall, victoria description and travel, travel, reminiscences, anecdotes, country life -
Eltham District Historical Society Inc
Book, Roland, Betty, 1903-1996, The eye of the beholder / Betty Roland, 1984
Hardback with dust jacket; 325 p. : ill., ports. ; 23 cm.ISBN 0868061697 ISBN 0868061700betty roland, justus jorgensen, montsalvat, artists, eltham -
Eltham District Historical Society Inc
Book, Alan Marshall (1902-1984), Pull down the blind / Alan Marshall ; illustrations by Noel Counihan, 1949
Hardback, missing dust jacket; 117 p. : ill. ; 22 cm. -
Robin Boyd Foundation
Book, Robin Boyd, The Australian Ugliness, 1960
“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover, no dust jacket. Rebound copy from the State Library of Victoria.Catalogue card slipped between pages. Catalogue number 203794. Inside front cover, pasted "NOTICE TO BORROWERS" from the State Lending Library of Victoria. Due date stamp page insideaustralian architecture, australian society, australian culture, home, suburbs, robin boyd, walsh st library -
National Wool Museum
Textile - Wool
Used by Sylvia Maidment.Left over wool used by Sylvia Maidment to knit bed jacket.knitting, maidment, mr ian maidment, ms sylvia, wool, yarn, blue -
Hume City Civic Collection
Photograph, Frederick Mommsen
Frederick Mommsen served as a councillor on the former Shire of Bulla council.A portrait photograph mounted on chip board of a man dressed in tweed jacketWritten on the back - Frederick Christian Mommsen (Councillor)shire of bulla, frederick christian mommsen, councillors -
Clayton RSL Sub Branch
hard cover non-fiction book, Reed Books, ANZACS, Australians at War, 1991
A narrative history by A.K.Macdougall, outlining the Australia participation from the Boer War to the Gulf War.hard cover non-fiction book with jacket and library plastic coveringInside book is a newspaper clipping outlining key dates in Gallipoli campaign -
Bendigo Military Museum
Uniform - JACKET, WORK DRESS, RAAF
119452 R G Bennetts RAAF 1942-45. Re-enlisted again in 1953.Bomber Jacket - polyester, khaki, long sleeved, black buttons, epaulettes. Mid sleeve embroidered propeller, mauve cotton. uniform, raaf -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Trousers - Dress
Trousers dress. Signal Corps (Part of UC041) (Stored with jacket UU086)uniform, 1973, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Uniform Complete
Pilot Officer. Jacket Trousers.Tailored, Cap H067, Hat,, Shirt U675uniform, ww2, raaf -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Jacket - Dress Blue
Jacket Army Dress. With Sergeants Stripes & Engineers Insignia 3786676 I.E.Buckuniform, c1977 / 8, army