T shirt, white cotton, short sleeves, XXL size with a Basic Cotton 100% featuring an image of tram W6 665 showing City and route 64 in the Met colour scheme. This tram was donated to the Danish Tramway Museum c2006. Advised by Mikael Lund, Chairman of the Danish Tramway Museum 15-12-17, that these t-shirts are still in production by them.trams, tramways, clothing, t-shirts, w6 class, tram 965

The following are listed as having pyrites treated at the Ballarat School of Mines: Louis Ballhausen, Alexander Millan, Tuckey Quartz Mining Co (New Zealand), Egerton Mining Company, Park Gold Mining Company, S. Livingston Learmonth, New North Clunes Mining Company, Malcolm Morris, Mr Seal.Five printed foolscap pages presented to both houses of Parliament in 1873. The report details budget, student numbers, examiners, candidate for examination, museum and rooms.ballarat school of mines, serjeant, r.m. serjeant, flude, joseph flude, richard gibbs, stawell, lynch, john lynch, r.s. mitchell, mitchell, bull, e. bull, bickett, j.m. bickett, parliament, louis ballhausen, alexander millan, tuckey quartz mining co (new zealand), egerton mining company, park gold mining company, s. livingston learmonth, new north clunes mining company, malcolm morris, seal, f. ive, rev. g.j. russell, p.c. fitzpatrick, j. m. bickett, b. bryant, n. kent, a. martin, p. matthews, j. robinson, j.m. troup

Meredith Blake (left) and Clare Gervasoni (holding award) at the 2013 Museums Australia (Victoria) Awards. University of Ballarat won the Victorian Collections Cataloging Award. victorian collections, clare gervasoni, meredith blake, museums australia, awards

Card issued by 'The tramway Museum Society of Victoria Ltd'. ' Last Trammail Cover'. Reverse: short note of thanks to 'Basil Miller' from 'Bob Prentice'.person, individual, basil miller

Tetragraptus acclinans Keble, Lancefieldian. Pale grey rock, 'La16' on sticker. Fossil collection was formerly held by the School of Mines Museum, Pall Mall, Bendigo.

Tetragraptus acclinans Keble, Lancefieldian. Pale grey rock, 'La16' on sticker. Fossil collection was formerly held by the School of Mines Museum, Pall Mall, Bendigo.

This scanned copy was made of the original water colour which was painted in Camp 13, and presented to AWAS. Officer Elva Hurrell attached to the Garrison at POW. Camp 13.A4 Photograph on 150 gram per sq. metre paper. Folder with documents pertaining to Courage to Care touring exhibit hosted at Tatura Museum in 1998.Italian Fountain, P.W. Camp, Murchison. 1943, and W.J. Salter 1945.murchison pow camp 13, camp artwork, italian pows, photography, photograph, slides, film

Templer Society AnniversaryBlack and white photograph of Mr Dieter Ruff standing inside Tatura Museum. At and behind his left should the replica of the tin hut, centre of display. templer society, templer society anniversary, dieter ruff

COLOURED PHOTOGRAPH OF CLUNES MAIN STREET, WITH BUILDINGS, PRESENT MUSEUM, CLUB HOTEL, OLD BANK BUILDINGS. FLAGS ACROSS THE STREET. SOLDIERS MONUMENT IN FOREGROUND.FRASER STREET, CLUNES WITH SOLDIERS MONUMENT.photographs, clunes township

Various publicity items for the launch of 'Spiders in the Loo' ed. by Pat Richardson, at the Schwerkolt Cottage & Museum Complex 11 June 2011, introduced by Gerry Robinson.Various publicity items for the launch of 'Spiders in the Loo' ed. by Pat Richardson, at the Schwerkolt Cottage & Museum Complex 11 June 2011.richardson, patricia. spiders in the loo, robinson, gerry, jones-evans, vicki, whitehorse historical society inc

Black and white photo of View looking North along Deep Creek Road, Mitcham, taken from Car Park of Schwerkolt Cottage and Museum Complex.mitcham

Coloured - A member with the display of the Australian Lamplighters' Guild at Whitehorse Historical Society's Heritage Day held at Schwerkolt Cottage and Museum Complex on 13 April 2003australian lamplighters' guild, whitehorse historical society, heritage day 2003

Coloured - A member of the Australian Lamplighters' Guild with their display at Whitehorse Historical Society's Heritage Day held at Schwerkolt Cottage and Museum Complex on 13 April 2003australian lamplighters' guild, whitehorse historical society, heritage day 2003

Photo of Bike presented to The Nunawading & District Historical Society (Blue frame with Red - Man's Bike) (NA2587). The Red Woman's Bike was presented to The Museum of Victoria.blackburn road, blackburn, no. 12, robinson, george, rob's cycle and sports

Yvonne Fitzmaurice has donated the doll's house she made for her daughter between 1976 -78 for permanent display in the Schwerkolt Cottage & Museum Complex.fitzmaurice, yvonne, whitehorse historical society, toys

Digital photos of the reconstruction of the sub-station Ballarat Tramway Museum - 11/6/2014 with the Ballarat Eureka mini mix truck waiting on the access track. Photo by Peter Waugh, collected for reference purposestrams, tramways, btm, substation, depot, reconstruction, access track

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program