Colour postcard divided back - Biscay Greetings, series of 6 photographs of trams, card titled "Trams of Victoria", featuring W6 977, Les Twentyman's cable tram set, Z3 160, Bendigo 17, W7 1024 (Lufthansa - March 1980 - see http://vicsig.net/index.php?page=trams&article=adtrams access 20-12-17) and Ballarat 38. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG193trams, tramways, postcards, cable trams, advertising trams, bendigo, ballarat, w6 class, w7 class, z3 class

Personal Papers, or typed copy of part of Chapter 17, 10 A4 sheets stapled in top left hand corner, titled "Coopers History of Malvern - Chapter 17 Railways &Tramways (1st Part), Prahran & Malvern Tramways Trust". written by J B Cooper in 1935. Details the establishment of tramways in Malvern and Prahran, including the City of Malvern, Alex Cameron, issues with the State Government and the Railways, buses, opening, costs, routes, the success of the tramway, working hours, Thomas Bent, Victorian Parliament and transfer to the MMTB.trams, tramways, pmtt, history, buses, malvern, city of malvern

Newspaper advertisement: Valley Weekly, 17 August 2005, Ray White Real Estate.main road, eltham, property, ray white real estate, eltham village retail hub

Team photograph of Greensborough under 17 football team 1961, with caption by Gary Partington2 p. photocopy of team photograph, with handwritten key to team members by Gary Partingtongreensborough football club

A short outline of activities available in the City of Banyule over the summer months 2016-17.38 pages, col. illus. 2 copies.banyule city council, summer, 2016

Vol.1. No.1. of The Age, newspaper for the Colony of Victoria, Tuesday October 17, 1854.Newspaper, 8 pages.Reproduction of handwritten signature of John Pascoe Fawkner journalism, victoria - history, 1850s, the age, melbourne

Series of 17 photographs taken when society members visited Kirkella in June 1996.stawell

Photograph taken prior to bridge being demolished and replaced with a new wider bridge, 2 March-6 May 2012Colour photo print 43.2 x 55.9 cm Museo Silver Rag Archival Fine Art Inkjet Paper 100% Cotton, gloss finish, No optical brighteners 300 GSM (17 x 22 inch)eltham, wattletree road bridge

Photograph taken prior to bridge being demolished and replaced with a new wider bridge, 2 March-6 May 2012Colour photo print 43.2 x 55.9 cm Museo Silver Rag Archival Fine Art Inkjet Paper 100% Cotton, gloss finish, No optical brighteners 300 GSM (17 x 22 inch)eltham, wattletree road bridge

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted brown brick house with decorative brickwork. Other features include a porch with 2 arched entrances, tiled roof and low unpainted brick fence in the foreground with "17" on the brick pillar beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, plans, jennings group limited, land subdivision, gardens, beauville historic area, brick features, brick fences

Green printed and handwritten receipt for 100 shares in Clarence United on 22/6/1894. Bought from Mr. M. Kelly, total value of £81/17/6. Signed James Taylor per John Taylor.business, stockbroker, kelly & allsop, kelly & allsop collection - receipt for shares in clarence united, james taylor, m kelly, clarence united, john taylor, brockley

Black and white photo of service/maintenance vehicle. Inscription on reverse: Written in blue ink top left corner (17). Stamped in purple ink L. B. Manny collection Photo. No. 768(written in blue ink).person, individual, basil miller

Sebastian Cyanide Works Assay book - 1907 - 1910 entries (although listed as being ''#17 August 1907 to August 1908''). J. Evans collection. Handwritten pencil entries with origin/description of sample and assay results.bendigo, industry, sebastian cyanide works, sebastian cyanide works.

Trams. Two page photocopy of article headed 'Bendigo Trust' listing 22 trams in the fleet with a brief description of each. Includes images of trams Nos. 28, 19, 302, 44, 17, 26. (not very clear)Bendigo Trustorganization, business, trams, bendigo trust, bendigo trams

Typed message from Cohn Bros Vic Brewery to The Registrar General, Melbourne dated July 6th 1921 re money order of £11/17/6 being balance for filing notice of increase in share capital.bendigo, industry, cohn bros brewery, cohn bros filing notice of share capital increase. registrar general office.

Document. Submission to VCAT prepared by the FOBC 10/11 Feb 2005. Prepared by Carol Holsworth. Submission challenged Bendigo Cemeteries Trust application to remove nine peppercorn trees at the White Hills Cemetery. (17 pages).document, memo, submission to vcat

Copy of a letter to Garth Head from George A Ellis, dated 17 May 2000 re: Proposed program for the Unveiling of the Plaque at the Former Long Gully Fire Station on 20 August 2000. Signed George A Ellis.bendigo, history, long gully history group, the long gully history group - unveiling of plaque, cfa, state government of victoria, garth head, mr haermeyer, george a ellis

JAMES MICHAEL HEFFERNAN WAS A VOLUNTEER FIREMAN IN CLUNES FIRE BRIGADE, HE MARRIED JEAN ROBERTS IN CLUNES 14.12.1935. OCCUPATION WOOD CUTTER.BLACK AND WHITE PHOTOGRAPH OF JAMES MICHAEL HEFFERNAN BORN COGHILLS CREEK. 31.7.1910. DIED IN GEELONG 30.10.1978. PHOTOGRAPH SHOWS J. M. HEFFERNAN WEARING CLUNES FIRE BRIGADE UNIFORM IN 1927 AGED 17 YEARS.photography, fire brigade, james michael heffernan

Black and white photo of Family Group outside Eriksson Family Home, 17 Junction Road, Nunawading, Mrs Erikson nursing Olga (Mrs Steel) L-R: Harold, Cecil, Edgar and Mary (Mrs Skinner).eriksson, olga, harold, cecil, edgar, mary, steel, skinner

M113 family of Armoured vehiclesentered service with Australian Army circa 1955.Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Research and historical display value, Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Green vinyl covered manual 54 pages, bound with metal screws being technical Manual User Handbook Carrier Fire Support, Full Tracked M113A1 ( FS }. Published by Australian Army 17 December 1970Ink stamp on title page " 8/13 VMR Regimental Collection "

Newspaper photo mounted on black laminated card. Photo shows Laurel Street Primary School children entertaining the people from the Bethlehem Home for the Aged. Photo from the Bendigo Advertiser, Saturday, December 17, 1988.Bendigo Advertisereducation, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, laurel street primary school children, bethlehem home fo rthe aged, bendigo advertiser 17/12/1988

A Prince 'Precision Graphite' demonstration tennis racquet, with Prince 'Softzorb' synthetic handle grip, and Prince 'Synthetic Gut 17' strings. Materials: Graphite, Composite Materials, Paint, Ink, Plastic, Synthetic Gut, Synthetic materialtennis

Page 673 of Harper's Weekly (17 sept. 1887, featuring colour lithographic images, from photographs, of top U.S. players, withthe heading: THE LEADING PLAYERS AT THE ORANGE LAWN-TENNIS TOURNAMENT. Materials: Paper, Inktennis

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene in the Melbourne Botanical Gardens’ : Views of Victoria (General Series) No.38 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is taken from near the Bridge, which crosses the Garden Lake. The grassy slope in the foreground of the picture is a portion of the North-West or Lower Lawn. Portions of the “Rockery” and the small lake can be seen in the mid-distance, near which is the new Rustic Summer-house. These Gardens are under the management of Mr. Guilfoyle, with about 20 assistant botanists, florists, and general gardeners.’nicholas caire (1837-1918), melbourne botanical gardens, landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene near the Buffalo Mountains’ : Views of Victoria (General Series) No.41 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This scene is taken from the banks of the Buckland River, which is about five miles distant from the Buffalo Mountains, as seen in the distance. These mountains are frequently covered with snow, in consequence of their great altitude. The Buckland River is a small tributary of the Ovens River, which flows through the Beechworth district, and eventually finds its way to the River Murray. The Bridge which is seen on the right of the picture forms the roadway which leads from the Buckland Camp to the Township of Bright.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Mt. Blackwood’ : Views of Victoria (General Series) No.42 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The locality which this illustration represents was formerly known as the Blackwood Forest, and has been the scene of considerable mining activity. The shallow alluvial diggings of the early days have given place to the deep sinking in search of reefs. This scene is characteristic of the wild appearance which many of the inland townships of Victoria represent.’nicholas caire (1837-1918), blackwood (vic), mount blackwood, landscape photography - victoria