Showing 6345 items
matching no. 17.
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Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: TRAMS
Black and white photo of service/maintenance vehicle. Inscription on reverse: Written in blue ink top left corner (17). Stamped in purple ink L. B. Manny collection Photo. No. 768(written in blue ink).person, individual, basil miller -
Bendigo Historical Society Inc.
Document - JOHN EVANS COLLECTION: SEBASTIAN CYANIDE WORKS ASSAY BOOK: 1907 TO 1910 ENTRIES
Sebastian Cyanide Works Assay book - 1907 - 1910 entries (although listed as being ''#17 August 1907 to August 1908''). J. Evans collection. Handwritten pencil entries with origin/description of sample and assay results.bendigo, industry, sebastian cyanide works, sebastian cyanide works. -
Bendigo Historical Society Inc.
Document - STOCK LIST OF BENDIGO TRAMS - PHOTOCOPY, c.1985
Trams. Two page photocopy of article headed 'Bendigo Trust' listing 22 trams in the fleet with a brief description of each. Includes images of trams Nos. 28, 19, 302, 44, 17, 26. (not very clear)Bendigo Trustorganization, business, trams, bendigo trust, bendigo trams -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: TYPED MESSAGE DATED 1921
Typed message from Cohn Bros Vic Brewery to The Registrar General, Melbourne dated July 6th 1921 re money order of £11/17/6 being balance for filing notice of increase in share capital.bendigo, industry, cohn bros brewery, cohn bros filing notice of share capital increase. registrar general office. -
Port Melbourne Historical & Preservation Society
Photograph - Former COR site and surrounds, Douglas Smallpage, 1960s
17 colour and Black and White transparency slides of C.O.R (BP) oil co site, sites around Station Pier. Port Melbourne library and Senior Citizens Centre in Liardet St and Trugo Club in Garden Citysport - trugo, built environment - civic, built environment - industrial, sandridge trugo club -
Port Melbourne Historical & Preservation Society
Document - Photocopy, History of Josephine Antoinnette Liardet, 1700 - 2000
From red binder of family history of Caroline and Willbraham Liardet consisting of photocopies of various photos and documents, family trees, etc.donated by Philippa Gamlin, granddaughter of Leonora. .17 - History of Josephine Antoinnete Liardet 1830 to 1928.Each leaf is numberedliardet family, phillippa gamlin, ynys grecian -
Port Melbourne Historical & Preservation Society
Photograph - 15 & 17 Evans Street, Port Melbourne, Meredith Turnbull, Dec 1996
Meredith Turnbull photographed this series in 1996 to record the rapidly changing streetscape, which had already had a number of old houses replaced by concrete two-storey structures under the State government's urban consolidation policyFrom a series of 70 colour photos recording all buildings in Evans Street from Graham Street overpass to Ingles Street, as photographed from the railway reservation, by Meredith Turnbull in December 1996 - number 15, 17House numbers noted on backbuilt environment - domestic, meredith turnbull -
Port Melbourne Historical & Preservation Society
Document - Papers, Welfare and Recreation Committee, City of Port Melbourne, A David Graham, Town Clerk, 1991 - 1992
Welfare and Recreation Committee, City of Port Melbourne, agendas. .01 - 24 September 1991 .02 - 17 March 1992 .03 - 7 April 1992 .04 - 19 May 1992 .05 - 11 August 1992local government - city of port melbourne, health - general health, port melbourne library, recreation, societies clubs unions and other organisations, sport, town clerks, wendy morris, david graham -
Bendigo Historical Society Inc.
Document - FRIENDS OF WHITE HILLS CEMETERY COLLECTION: SUBMISSION TO VCAT, 2005
Document. Submission to VCAT prepared by the FOBC 10/11 Feb 2005. Prepared by Carol Holsworth. Submission challenged Bendigo Cemeteries Trust application to remove nine peppercorn trees at the White Hills Cemetery. (17 pages).document, memo, submission to vcat -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: UNVEILING OF PLAQUE
Copy of a letter to Garth Head from George A Ellis, dated 17 May 2000 re: Proposed program for the Unveiling of the Plaque at the Former Long Gully Fire Station on 20 August 2000. Signed George A Ellis.bendigo, history, long gully history group, the long gully history group - unveiling of plaque, cfa, state government of victoria, garth head, mr haermeyer, george a ellis -
Clunes Museum
Photograph - PHOTOGRAPH JAMES MICHAEL HEFFERNAN, 1927
JAMES MICHAEL HEFFERNAN WAS A VOLUNTEER FIREMAN IN CLUNES FIRE BRIGADE, HE MARRIED JEAN ROBERTS IN CLUNES 14.12.1935. OCCUPATION WOOD CUTTER.BLACK AND WHITE PHOTOGRAPH OF JAMES MICHAEL HEFFERNAN BORN COGHILLS CREEK. 31.7.1910. DIED IN GEELONG 30.10.1978. PHOTOGRAPH SHOWS J. M. HEFFERNAN WEARING CLUNES FIRE BRIGADE UNIFORM IN 1927 AGED 17 YEARS.photography, fire brigade, james michael heffernan -
Whitehorse Historical Society Inc.
Photograph, Eriksson Family Home, C.1903
Black and white photo of Family Group outside Eriksson Family Home, 17 Junction Road, Nunawading, Mrs Erikson nursing Olga (Mrs Steel) L-R: Harold, Cecil, Edgar and Mary (Mrs Skinner).eriksson, olga, harold, cecil, edgar, mary, steel, skinner -
8th/13th Victorian Mounted Rifles Regimental Collection
Manual
M113 family of Armoured vehiclesentered service with Australian Army circa 1955.Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Research and historical display value, Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Green vinyl covered manual 54 pages, bound with metal screws being technical Manual User Handbook Carrier Fire Support, Full Tracked M113A1 ( FS }. Published by Australian Army 17 December 1970Ink stamp on title page " 8/13 VMR Regimental Collection " -
Bendigo Historical Society Inc.
Newspaper - GOLDEN SQUARE P.S. 1189 COLLECTION: NEWSPAPER CUTTINGS, Saturday 17th December
Newspaper photo mounted on black laminated card. Photo shows Laurel Street Primary School children entertaining the people from the Bethlehem Home for the Aged. Photo from the Bendigo Advertiser, Saturday, December 17, 1988.Bendigo Advertisereducation, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, laurel street primary school children, bethlehem home fo rthe aged, bendigo advertiser 17/12/1988 -
Tennis Australia
Racquet, Circa 1995
A Prince 'Precision Graphite' demonstration tennis racquet, with Prince 'Softzorb' synthetic handle grip, and Prince 'Synthetic Gut 17' strings. Materials: Graphite, Composite Materials, Paint, Ink, Plastic, Synthetic Gut, Synthetic materialtennis -
Tennis Australia
Page from Magazine, 17 Sep 1887
Page 673 of Harper's Weekly (17 sept. 1887, featuring colour lithographic images, from photographs, of top U.S. players, withthe heading: THE LEADING PLAYERS AT THE ORANGE LAWN-TENNIS TOURNAMENT. Materials: Paper, Inktennis -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene in the Melbourne Botanical Gardens, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene in the Melbourne Botanical Gardens’ : Views of Victoria (General Series) No.38 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is taken from near the Bridge, which crosses the Garden Lake. The grassy slope in the foreground of the picture is a portion of the North-West or Lower Lawn. Portions of the “Rockery” and the small lake can be seen in the mid-distance, near which is the new Rustic Summer-house. These Gardens are under the management of Mr. Guilfoyle, with about 20 assistant botanists, florists, and general gardeners.’nicholas caire (1837-1918), melbourne botanical gardens, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene Near the Buffalo Mountains, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene near the Buffalo Mountains’ : Views of Victoria (General Series) No.41 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This scene is taken from the banks of the Buckland River, which is about five miles distant from the Buffalo Mountains, as seen in the distance. These mountains are frequently covered with snow, in consequence of their great altitude. The Buckland River is a small tributary of the Ovens River, which flows through the Beechworth district, and eventually finds its way to the River Murray. The Bridge which is seen on the right of the picture forms the roadway which leads from the Buckland Camp to the Township of Bright.’nicholas caire (1837-1918), landscape photography -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the Township of Mt. Blackwood, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Mt. Blackwood’ : Views of Victoria (General Series) No.42 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The locality which this illustration represents was formerly known as the Blackwood Forest, and has been the scene of considerable mining activity. The shallow alluvial diggings of the early days have given place to the deep sinking in search of reefs. This scene is characteristic of the wild appearance which many of the inland townships of Victoria represent.’nicholas caire (1837-1918), blackwood (vic), mount blackwood, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View on the Upper Buckland River, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View on the upper Buckland River’ : Views of Victoria (General Series) No.46 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buckland River is situated near the western extremity of the Australian Alps, and forms one of the sources of the Ovens River. Its watercourse is very shallow, except in flood time. Our illustration is taken on the upper portion of the River, near Reeve’s dam.’nicholas caire (1837-1918), buckland river (vic), landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, The Bend of the Yarra at Studley Park, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Bend of the Yarra at Studley Park’ : Views of Victoria (General Series) No.49 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: The subject of the present illustration is taken from near the Kew Road, on the Park-hill side of the Yarra. The curve of the River at this and other parts of the Park represents a gigantic letter S. It is a remarkable fact that the hilly side of the River is covered with a mass of foliage of various descriptions, from the stately gum tree to the stunted wattle, whilst the opposite side of flat country has scarcely a shrub to be seen any where.’nicholas caire (1837-1918), studley park, yarra river, kew, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the township of Golden Square, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Golden Square’ : Views of Victoria (General Series) No.57 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This Township is situated in the Bendigo district, on the road to Castlemaine, and although it is of little importance as a business town, is nevertheless of large importance in consequence of the great number of Quartz Reefs it contains. Almost every house is undermined, and large fortunes have been made by the proprietors. The Church in the distance is that of the Wesleyan body. It was in this township that gold was first discovered in the district of Bendigo.’nicholas caire (1837-1918), golden square (vic), bendigo (vic), gold mining, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Township of Lorne, and Loutitt Bay, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Township of Lorne, and Loutitt Bay’ : Views of Victoria (General Series) No.60 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Loutitt Bay is fast becoming one of the most fashionable Watering-places in Victoria, partly from its easy access by Rail, combined with the magnificent scenery to be found in the Cape Otway Ranges, and the very moderate charges of the houses of accommodation. The large house near the foreground is that of Mr. Mountjoy, which is a Restaurant. Duncan’s Hotel can be seen in the distance, on the brow of the hill.’nicholas caire (1837-1918), lorne (vic), duncan's hotel, loutitt bay, landscape photography - victoria -
University of Melbourne, Burnley Campus Archives
Administrative record, New Buildings File, 1983-1987
buildings, plant science laboratory, light framed lecture theatre, planting plan, vcah burnley, victorian college of agriculture and horticulture -
University of Melbourne, Burnley Campus Archives
Slide - 35mm Colour slides, Tree Pruning, 1996
50 slides demonstrating pruning of trees and various problems.1. "Pruning 1" 7 May labelled "Elm Grv '96" and 17 others. 2. "Pruning 2" 7 slides. "Pruning 3" 24 slides.pruning, elm grove, arboriculture, street tree pruning, tree pruning, problems in trees -
Melbourne Tram Museum
Administrative Record - Table Cards, Melbourne & Metropolitan Tramways Board (MMTB), blank form, c1980
Table card - blank unused form on preprinted card ruled to provide a timetable for crews - drivers and conductors, and hours worked. See Reg Item 1376 for a completed sample. 2nd copy added 10/4/17trams, tramways, forms, drivers, table cards, conductors -
Melbourne Tram Museum
Document - Receipt/s, Melbourne & Metropolitan Tramways Board (MMTB), "Cash Receipt", c1970
Cash Receipt - printed on a blue sheet of paper, No. 65940, issued by the MMTB to Drv. A. Berg for the replacement of his driver plastic uniform number - $1. Issued 17-11-1972. Form 1/14, Dec. 1971trams, tramways, mmtb, finances, uniforms, cash handling -
Melbourne Tram Museum
Document - Memorandum, Melbourne & Metropolitan Tramways Board (MMTB), Parade of Units of Volunteer Defence Corps Saturday 17 July 1943, Jul. 1943
Parade of Units of Volunteer Defence Corps Saturday 17 July 1943 Letter from Capt L Purze-Morrish to Traffic Superintendent MMTB, Order No 2/43, and letter from HS Wootton, Town Clerk.Notations written in pencil on documents.trams, tramways, events, parades, hanna st depot -
Melbourne Tram Museum
Negative, Wal Jack, 23/05/1941 12:00:00 AM
Black and white negative, by Wal Jack, of Freight car No. 17 at Brunswick Depot. Photo dated, 23/5/1941 in the Wal Jack album. See also Reg item 5238 for another photo of this car at Brunswick.trams, tramways, freight tram, brunswick, brill 21e, tram 17 -
Ballarat Tramway Museum
Postcard, Nu-color-vue or Nucolorvue Productions, Bendigo 17, 1980's
Colour printed postcard of cross bench tramcar, Bendigo 17 with the driver on the step and passengers on the tram. Produced by Nu-Color-Vue. Has details of the tram on the rear, along with the publishers symbol, location for a stamp and an address block.On rear of card in pencil "21" in a circle.trams, tramways, bendigo, toastrack tram, tram 17