Photocopies of plans of 2 adjoining house and garden sites in Toorak, Victoria, 'Aberfeldie' and 'Trawalla'. Handwritten, "Map 937a, Map 937b 'Trawalla', Map 937c, Map 937d."aberfeldie, trawalla

Map of Bendigo creek and adjacent leads - White Hills to Huntly replotted from old 4 chain to 1 inch survey of 1860 by G. W. Hart - Surveyor. Base of roads and streets taken from D.L.S. 1 . 10000 base maps. Legend: battery site, puddling mill site, dam bank site, cutting altering course of creek, lead boundaries.bendigo, mining

Photographs were taken on 6 February 2011Set of six colour photographs of former Faram Bros Hardware store site, 405 -415 Bay St. Photographs show retained facade from the street and aslo from inside the site during demolition works february 2011bay street, business and traders - hardware, built environment - commercial, faram brothers hardware

Port of Portland Archives Authorityport of portland archives, construction, lee breakwater, workmen, trade, site

Port of Portland Authority Archivesport of portland archives, main breakwater, construction, site, portland, harbour

Documents. Harry Biggs Collection. Item 1 - Three letter pro-formas with the letter head 'Eaglehawk Logs Appeal' Town Hall, Eaglehawk, Ph. 8122. R. Manning. Chairman. Dear Sir. . . Includes photo of log cabin in left hand corner. Item 2 - Three banners - Support Eaglehawk Lock-up Appeal. Item 3 - Black & white photo of the log lock-up in Eaglehawk. Item 4 - Newspaper photo of the log lock-up in Eaglehawk with some information about it. Paper & date unknown. Item 5 - An orange card a photo of the Logs at rear of police station Eaglehawk. A written account of the Logs history & construction description. Item 6 - Jotting regarding Eaglehawk lock-up.place, building, site, harry biggs collection, log lock-up, eaglehawk

This book is a 2015 transcription of a 1995 book by Helen Tolcher. It contains the story of the establishment in the 1870s of the Nappa Merrie station on the South Australian- Queensland border on the Coopers Creek. The station was established by John Conrick after he and three other men set off with 1600 cattle in 1872 from Koroit in Victoria, arriving at the new property site eleven months later. John Conrick (1852-1926) was the son of Patrick and Ellen Conrick who were farmers in the Tower Hill area. John Conrick had four sons who continued to run Nappa Merrie until family connections to the property ceased in 1960. This book is of interest as a record of the legend-making overland cattle droving feat by Koroit resident, John Conrick and three others in the early 1870s and of the establishment of an important property in Queensland following the overland trip. This is a soft cover book of 132 pages. The cover is multi-coloured with photographs of John Conrick and the Dig Tree site at Coopers Creek. The pages contain a preface, 19 chapters of text and an index. There are several maps and many black and white and colour photographs. conrick family of koroit, nappa merrie property, queensland, warrnambool

Original building relocated to Mill Point Road Lake Tyers BeachColour photograph of untidy site on Esplanade between Toyworld and hairdressing salon after removal of original building. King and Heath Estate Agents board on site advertising an ambitious development for a residental complex which did not eventuate Lakes Entrance Victoriabusinesses

Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu

Photographic print of a rephotographed photograph. Image shows front entrance to Portland Hospital. Building bluestone, tin roof. Path leads to front entrance through the garden. Front entrance has stone portico supported by 4 stone pillars. 'PORTLAND HOSPITAL' carved into portico.Front: 'Portland Hospital' - green ink Back: 'Old Hospital at site of present' - blue biro