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Wyndham Art Gallery (Wyndham City Council)
Print, Edwina Green, Untitled, 2023
Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Deanne Gilson, Untitled, 2023
Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Deanne Gilson, Untitled, 2023
Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Marlene Gilson, Untitled, 2023
Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Ellie Franks, Untitled, 2023
Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Ellie Franks, Untitled, 2023
Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Federation University Art Collection
Work on paper - artwork, Susanna Castledon, 'Untitled' by Susanna Castledon
Susanna CASTLEDON (1968 - ) Born London, England Arrived Australia 1977 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.parallel prints, printmaking, map, susanna castledon -
Federation University Art Collection
Painting - Gouache, Sue Quinlan, Untitled by Sue Quinlan, 1984
This item was purchased for the Ballarat College of Advanced Education (later Federation University Australia) by the Art Acquisition Committee. It is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting using gouache. If you can provide information on this artist or artwork please use the comment link below.art, artwork, sue quinlan, quinlan, abstract, gouache -
Federation University Art Collection
Painting - Artwork, [Untitled]
If you can assist with information on this artist or artwork please use the comments link below.asian, calligraphy, flowers, flora, available -
Federation University Art Collection
Artwork, Lloyd, Debbie, [Untitled] by Debbie Lloyd, 2007
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, debbie lloyd, available -
Clunes Museum
Painting - WATER COLOUR, A C COOKE, UNTITLED, UNKNOWN
WOOD FRAMED WATERCOLOUR LANDSCAPE OF CLUNES.PAINTED BY A. C. COOKE.local history, illustrations, watercolour -
Federation University Art Collection
Ceramic - Artwork - Ceramics, [Untitled]
Jan FEDER ( - 1981) Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation University Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students could benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. a total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residence Program assisted the collection, with many resident artists contributing to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Jan Feder Memorial Ceramics Collectionjan feder, jan feder memorial collection, ceramics, gippsland campus -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Julia Mildenhall, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cllr David Brand when plans for demolition were approved by Councilblack and white photograph of Sugar Shed, corner Rouse and Johnston St. 'Untitled' collageindustry, manufacturing, sugar shed, joshua brothers distillery -
Bendigo Historical Society Inc.
Artwork, other - Portrait Pencil sketch, William A. Delecca
Pencil sketch of the face of a young woman looking left. Untitled. William Delecca collection.Signed by the author: w A Deleccawilliam delecca, sketch, young woman -
Melbourne Tram Museum
Newspaper, Melbourne W2 482 in Seattle, c1990
Newspaper clippings - untitled - undated - with a photo of former Melbourne W2 482 in Seattle Washington. c1990trams, tramways, seattle, w2 class -
Bendigo Historical Society Inc.
Drawing - Portrait Pencil sketch
Bust sketch of a lady with long hair and glasses, wearing a blouse. Untitled. William Delecca collectionSigned by the artistwilliam delecca, lady, pencil drawing -
Bendigo Historical Society Inc.
Document - BUSH COLLECTION: INVOICE BOOK (RULED) - UNTITLED BUSH'S STORE?, 1969
Invoice Book (Ruled) - Untitled - Bush's Store? Alphabetical entries of invoices to (Bendigo? Mainly) businesses.person, individual, bush collection - personal, bush collection, collection, bendigo, business, retail, commerce -
Bendigo Historical Society Inc.
Painting - Landscape, William A. Delecca
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Watercolour of a dirt road, tall trees on both sides and a mountain in the background. Untitled. William Delecca collectionThe signature of the artist at bottom rightlandscape, william delecca -
Australian Army Museum of Western Australia
Stereographic Image, 1900
The 1st Contingent departed Fremantle on 7 November 1899 and returned on 29 December 1900. The 2nd Contingent departed 3 February 1900 and returned 8 December 1900. Due to the shortage of khaki material, the 1st Contingent uniforms wore their blue militia tunics, blue puttees and a dark blue puggaree on departure. An Anglo Boer War Service of Reconciliation is held annually on the first Sunday in June at the "Fallen Soldiers" (Boer War) Memorial in Kings Park attended by descendants and representative of all combatant nations. The date selected is the closest Sunday to the date of signing of the Treaty or Peace of Vereeniging (31 May 1902). The culmination of the service is the laying of the Emily Hobhouse wreath.Unique series of stereoscopic images showing both the 1st and 2nd West Australian Mounted Infantry Contingents to the Anglo Boer War. Images contain details of uniforms, accoutrements, camp life, civic honours and departure.Untitled [Mounted Exercises in Karrakatta Camp]. Published in Australian Stereoscopic Views, WA Series, Photographed and published by Craig and Solin, Fremantle and KalgoorliePhotographed and published by Craig and Solin, Fremantle and Kalgoorliestereoscope, boer war, south africa, capetown -
Australian Army Museum of Western Australia
Stereographic Image, 1900
The 1st Contingent departed Fremantle on 7 November 1899 and returned on 29 December 1900. The 2nd Contingent departed 3 February 1900 and returned 8 December 1900. Due to the shortage of khaki material, the 1st Contingent uniforms wore their blue militia tunics, blue puttees and a dark blue puggaree on departure. An Anglo Boer War Service of Reconciliation is held annually on the first Sunday in June at the "Fallen Soldiers" (Boer War) Memorial in Kings Park attended by descendants and representative of all combatant nations. The date selected is the closest Sunday to the date of signing of the Treaty or Peace of Vereeniging (31 May 1902). The culmination of the service is the laying of the Emily Hobhouse wreath.Unique series of stereoscopic images showing both the 1st and 2nd West Australian Mounted Infantry Contingents to the Anglo Boer War. Images contain details of uniforms, accoutrements, camp life, civic honours and departure.Untitled [Issue of Harness at Karrakatta Camp]. Published in Australian Stereoscopic Views, WA Series, Photographed and published by Craig and Solin, Fremantle and KalgoorliePhotographed and published by Craig and Solin, Fremantle and Kalgoorliestereoscope, boer war, south africa, capetown -
Bendigo Historical Society Inc.
Painting - Portrait, William A. Delecca
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Portrait of a young man. He has dark hair and dark eyes. The signature of the artist at bottom right. Untitled. William Delecca collection.On the back: Camden Art Centerpainting, male youth, portrait -
Bendigo Historical Society Inc.
Artwork, other - Portrait Pencil sketch, William A. Delecca
Pencil sketch of a young lady sitting on what looks like grass. She is wearing a long sleeves dress. Untitled. William Delecca collection.Signed by the artist: W A Deleccawilliam delecca, sketch, young woman -
Port Melbourne Historical & Preservation Society
Book - Untitled register of visitors, c. 1897
Untitled register of visitors, assumed to be to Port Melbourne Free Library at the Town hall, from 25.07.1897 to 04.08.1898, listing "Name" and "residence". Red binding. worn printed cover.port melbourne library, port melbourne town hall, local government - town of port melbourne, port melbourne free library -
Ringwood and District Historical Society
Book, Short History of Ringwood Bowling Club from 1929 -1961
The idea for a Bowling Club was started by Mr. Bert Cocks, the Manager of the State Savings Bank when he arrived in Ringwood in 1929 but it took two years before a suitable site and was found and in 1931 the club as formed. Ther were 57 foundation members. The President was Councillor Arthur Blood and W. Cox, Secretary. Ten months later the first Annual Report stated that " the green was ready for sowing, a Club House with a billiard table , donations of light fittings and furnishings by members and committee and a balance sheet showing assets over liabilities of £446,3,8." The book continues until 1961.It was compiled by Members Jack Knox and Wilfred Bamford.Plain green hard-covered book (untitled) with 25 typed pages. Letter to members inviting them to read the story and pass the book onto other members. Foreword by the President in 1961 -
Bendigo Historical Society Inc.
Painting - Landscape, William A. Delecca
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Oil pastel painting of a weatherboard house behind a wooden fence. A bare tree is next to the house and another outside the fence next to a boat. A green shrub at the right. The painting is signed by W.A. Delecca '52. Untitled. William Delecca collection.Signature of the artist at bottom rightaustralian bush, william delecca, landscape -
Bendigo Historical Society Inc.
Photograph - VIEW OF TENT TOWN FROM THE TOP OF BIG HILL: BENDIGO
View of tent-town from the top of Big Hill, Bendigo (untitled?) c 1858-1861 by Gustavus Ferdinand von Tempsky. Pencil on paper, unsigned. Provenance: from Waikato Art Museum, New Zealand (1978) - attached correspondence for details.bendigo, streetscape, big hill -
Bendigo Historical Society Inc.
Document - NORMAN OLIVER COLLECTION: SPEECH NOTES, ANZAC DAY 1951
The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Five pages of typed notes, untitled and undated, but with reference to Anzac Day 1951 in the body of the notes. Corrections in blue ink.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. mayor of bendigo. anzac day. -
Bendigo Historical Society Inc.
Painting - Stone building, William A. Delecca
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage -
Bendigo Historical Society Inc.
Booklet - My Book of Memories by Mary Hazeldene
29-page spiral bound booklet with plastic front cover. Typed and copied pages. 'My Book of Memories' by Mary Hazeldene dated February 1984. Divided into 3 sections. Book No. 1 Childhood, Book No. 2 untitled, Book No.3 My Memories of Lockwood. Handwritten in pencil on front cover 'Mostly country live in wider district'mary hazeldene, family history -
Robin Boyd Foundation
Container - Hanging Files
Robin Boyd used these hanging files for personal and professional documents. They are labelled "Puzzle of Architecture & Living in Australia". 'Stegbar", 'Letters", 'Flying Dogtor", 'Publications", 'Crawfords", 'Club", 'The Australian", 'Miscellaneous", "Historical Notes". 'The Aist'n Ugliness", 'Trips", "290 Walsh St", "Car", "insurance", "Foster Parents", "Penleigh & Suzy" and some are untitled. These were kept in a special built in space in the upstairs south shelves.walsh st miscellaneous, robin boyd