Robert ALLAN Born Hopetoun, Victoria Bob Allan graduated from Melbourne teachers' College in 1967. He obtained an Associateship Diploma in 1973, and a Fellowship Diploma of Art (potter) in 1976 from the Royal Melbourne Institute of Technology. Since 1968 he taught art and pottery at various Victorian secondary schools, and joined the staff of the Ballarat University College (now Federation University Australia) in 1976. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Colour photograph of a view of the Federation University Arts Academy campus before custom buildings were erected.Rust stain 7 cm long on lower right hand corner of glass. art, artwork, allan, bob allan, available, camp street, photography, staff, ballarat university college

framed colour print on paperin sepia ink right side under image 'Ben Martineau 1/3' bookplate, ben martineau, available, framed bookplate, available bookplate

Framed seven colour serigraph of a Papuan village. Donated through the Australian Gifts Programme by Katherine Littlewood.papua, papua new guinea, village, printmaking, kenneth jack

The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Framed colour Lithograph13/50printmaking, print council australia, gippsland campus, churchill, gippsland printmaking teaching collection, lithograph

Five test slabs with colour inlays bisque fired. coloured clay, test tile, ceramics

Framed six colour serigraph showing a volcano surrounded by water. Donated through the Australian Gifts Programme by Katherine Littlewood. Signed lrs "Kenneth Jack" Edition: 25/30kenneth jack, printmaking, volcano

Sarah ANDERSON (1984- ) Born Ararat, Victoria Sarah Anderson is a ceramic artist currently completing her tertiary education at Federation University, and upon completion intends to study for a post-graduate teaching qualification. Influences on Sarah’s work range greatly, from historical Mexican tilework to delicate pinched porcelain sculpture. Barbara Hepworth, Constantin Brancusi and Jun Kaneko continue to be great sources of inspiration for Sarah’s final year of studies, for their challenging looks at shape, form and colour in their ceramic work. Sarah’s current ceramic practice involves exploring organic shapes in brightly coloured finishes. At once the shapes are earthy and vaguely figurative, an exploration of three dimensional shape and how our minds seek to align them with familiar forms. Her colour treatments are designed to create a dichotomy between shape and colour, inviting the viewer to apply their own meaning to the works. In future, Sarah hopes to combine her love for art history and education with her art practice in a fulfilling career. Sarah Anderson completed a Bachelor Visual Arts (Ceramics) at the Federation University Arts Acadamy in 2017. Three earthernware sculptures with mid-fired underglaze treatment. An airplant is attached to one of the items. This work won the 2017 Federation University 3D Art Acquisition award.On each base 'Sarah Anderson'sarah anderson, ceramics, sculpture, alumni, art acquisition award, available

Framed six colour serigraph depicting a building known as the Supreme Court in Brisbane, Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 24/30kenneth jack, supreme court brisbane, printmaking, serigraph

Framed six colour serigraph showing the bandstand at Walhalla. Donated through the Australian Gifts Programme by Katherine Littlewood.Artist's proofkenneth jack, printmaking, walhalla, bandstand, serigraph

Framed five colour serigraph. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 6/24printmaking, kenneth jack, seascape

Framed four colour lithograph depicting Camooweal in the Australian State of Queensland. Donated through the Australian Gifts Programme by Katherine Littlewood.printmaking, kenneth jack, camooweal

Dale HICKEY (31 July 1937 - ) Born Melbourne Dale Hickey studied art at Swinburne College of Technology before teaching at Phillip Institute of Technology (now Royal Melbourne Institute of Technology) from 1973–89. Leaving that position he devoted himself full-time to painting. In 1968 he was included in the National Gallery of Victoria exhibition of Australian minimalism, 'The Field'. His work is known for an awareness of minamalism, colour field and realism. In 1986 Dale Hickey won the Ballarat Fine Art Gallery's Hugh Williamson Art Prize. In 1988 the Ballarat Fine Art Gallery mounted a large retrospective exhibition of his work which was then toured. His work is widely represented in Australian public collections. Framed painting. dale hickey, available

Kurt WEBB United States of America Acclaimed ceramacist and ceramics instructor Kurt Webb attended Illinois State University. He teaches classes with young adults and high school students.Stoneware ceramic piece most probably made at Churchill Campus in 1988 while Kurt Webb was a visiting artist. The exterior features blue and green shaps on tan, with the interior a mid-blue colour with impressed shapes and swirls. kurt webb, ceramics, gippsland campus, jan feder memorial ceramics collection

Primarily a promotional publication to attract new residents and encourage tourism to the district. This publication espouses the many attractions and benefits of life in Bendigo while not relying heavily on its gold rush past. 'In the restful atmosphere of a provincial city Bendigo's 40,000 inhabitants are contented and friendly, ever ready to make a newcomer at home'. Booklet promoting the climate, character and industries of the City of Bendigo and surrounding districts. Includes black and white and colour photographs, drawings, and text describing various facets of life in regional Victoria. Publication art work and design are particularly striking. councillor alec craig, city of greater bendigo tourism, mayor w cambridge, cambridge press, making a nation exhibition

This group portrait was taken at a City of Greater Bendigo function marking the 100,000th visitor entering the Grace Kelly: Style Icon exhibition.Colour photograph taken at the Bendigo Art Gallery of gallery staff and volunteers, Visitor Centre staff and volunteers, Mayor Sandner, CEO Craig Niemann and various other COGB staff.city of greater bendigo tourism, bendigo art gallery, mayor sandner

This painting of Lake Wendouree gives an accurate idea of activities at the Lake in 1873.This newspaper print of the painting is historically important in giving a clear idea of the environs, recreational activities and the people visiting Lake Wendouree in1873.1 large sheet in colour of a painting, oil on canvas entitled Lake Wendouree, by Thomas Thompson.Lefthand corner, to celebrate the Ballarat Courier's 140 years. Righthand corner, restored for the Ballarat Fine Art Gallery.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, lake wendouree, thomas thompson, ballarat fine art gallery, ballarat courier, john garner collection, gardens, ballarat

Making trench art was a common way of passing time. Soldiers would use what was available to them. In this case a brass shellMade from brass 25Pdr shell. The has raised clovers and 1914 prominent around a systematically pitted surface. Previous attempts to polish the shell have left these pits white/green in colour. The top of the shell has been cut with triangles removed to leave a sharply serrated top. 1914ww1, trench art, wark vc club, regimental property

Three Volumes of The World's Greatest Paintings - Selected Masterpieces of Famous Art Galleries. Large format blue hardcovers with a decorative embossed front cover with an ancient Greek or Roman head bust at the top. The spine has two sets of gold bands at the top and bottom with the title in gold lettering. The work has one hundred fine colour plates of well know pictures with information about each master. Each book has a brown paper dustjacket with the title at the top in black lettering.non-fictionThis work is published in three volumes containing one hundred fine colour plates of well-known pictures from many lands for the general public to enjoy. In addition to the plates there is a brief account of the life and times of each master represented avoiding all discussion of technical matter as far as possible.art books, art, painters, artists, artworks

Part of the PeopleScape Federation Celebration An initiative of the National Council for the Centenary of Federation, celebrating the contribution of Australians to their community and country. The final event of the year long celebrations, held in Canberra, the city that Federation created. The public art installation told the individual stories of Australians from all walks of life, from those living and those who had died. The massive sculpture depicted the life of the nation. The figures were nominated and decorated by individuals, groups of individuals and organisations from across Australia with every state, territory and region represented with approx. half from regional and the remote areas of Australia. The sculpture was installed in alphabtical order, each with a plaque at its base outlining the individual's achivement. The yellow colour of the figures against the green grass represented the colours of Australia.Close ups of Edna's Collo Characterlocal identities

Saunders Waterford - water coloursigned: M Chapple (lower left)

Launch of Legacy Week in 1990 included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. A newspaper article published on 23 August 1990, mentions that Frank Harding had painted over 50 paintings of aircraft flown by Australians and published a book of the images. It was called 'They flew for the King'. Each painting had been extensively researched to capture a specific moment in the World War 2 combat career of various pilots, flight officers or bomb-aimers. His aim was to honour the fine efforts of these great individuals. Unfortunately the artist died a few weeks after the exhibition and launch of his book. Guests included Bud Tingwell, who flew for the RAAF in World War 2 and other RAAF personnel. It appears to have included a heritage display from the Royal Australian Air Force Museum at the same time. The article is at 01522 also see media release at 01521, more photos of the paintings and guests are in 01524. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Was in a scrapbook of photos spanning 1987 to 1991.An example of an art exhibition being held at Legacy House to promote Legacy during Legacy week in 1990.Colour photo x 6 of an art exhibition for Legacy Week in 1990.legacy week, paintings, planes, warplanes, promotion