Yields information about the provision of derailment equipment to be stored at the rear of the city offices., Yields information about the provision of derailment equipment to be stored at the rear of the city offices.Memorandum on Electricity Supply Department letterhead, foolscap, from the Works Superintendent to the Branch Manager with a copy to the Tram Depot Foreman, dated 19-5-1959, providing a list of re-railing equipment to be provided at the rear of the City Offices and details of keys to the locker.trams, tramways, derailments, sec showroom sturt st, equipment

This object relates to Harold Ernest GOLDSMITH. He was born on 03/01/1914 in Ballarat, VIC. Harold Ernest served in the Army (VX22236) enlisting on, 05/06/1940 in Ballarat North, VIC before being discharged from duties with the 5 AUST W/SHOP COY A E M E as a Army Non-Commissioned Craftsman(CFN) on 10/07/1945. Harold Ernest GOLDSMITH was not a prisoner of war. His next of kin is Alice GOLDSMITH.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to Harold Ernest GOLDSMITH. He was born on 03/01/1914 in Ballarat, VIC. Harold Ernest served in the Army (VX22236) enlisting on, 05/06/1940 in Ballarat North, VIC before being discharged from duties with the 5 AUST W/SHOP COY A E M E as a Army Non-Commissioned Craftsman(CFN) on 10/07/1945. Harold Ernest GOLDSMITH was not a prisoner of war. His next of kin is Alice GOLDSMITH.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to Harold Ernest GOLDSMITH. He was born on 03/01/1914 in Ballarat, VIC. Harold Ernest served in the Army (VX22236) enlisting on, 05/06/1940 in Ballarat North, VIC before being discharged from duties with the 5 AUST W/SHOP COY A E M E as a Army Non-Commissioned Craftsman(CFN) on 10/07/1945. Harold Ernest GOLDSMITH was not a prisoner of war. His next of kin is Alice GOLDSMITH.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to Arthur Ernest BLAKE. He was born on 1/01/1896 in Clunes, VIC. Arthur Ernest served in the Army (3724) enlisting on, 08/08/1915 in Boulder, WA before being discharged from duties with the 12 REINFORCEMENTS/11 BATT as a Army Non-Commissioned Private (PTE) on 03/06/1919. Arthur Blake was awarded the 1914 Star, British War Medal, Victory Medal. Arthur Ernest BLAKE was not a prisoner of war.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to Oliver Charles MURPHY. He was born on 1/01/1879 in Lexton, VIC. Oliver Charles served in the Army (6047) enlisting on, 20/03/1916 in Swan Hill, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Corporal / Bombardier (CPL/LBDR) on 23/06/1919. Oliver Charles MURPHY was not a prisoner of war. His next of kin is Mrs Sarah Ann MURPHY - Wife.first world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat

This object relates to Oliver Charles MURPHY. He was born on 1/01/1879 in Lexton, VIC. Oliver Charles served in the Army (6047) enlisting on, 20/03/1916 in Swan Hill, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Corporal / Bombardier (CPL/LBDR) on 23/06/1919. Oliver Charles MURPHY was not a prisoner of war. His next of kin is Mrs Sarah Ann MURPHY - Wife.Badge with motif of the Rising Sun, for use on Australian Army slouch hats. Rising Sun includes rays of sunshine in an arch around a crown, below which there is a scroll bearing text. On reverse, two loops are soldered to the badge and a pin is fed through both loops, used for attachment to slouch hat. On front: “AUSTRALIAN COMMONWEALTH/MILITARY FORCES”first world war (ww1), 1914 - 1918, uniforms, ballarat rsl, ballarat

This object relates to Oliver Charles MURPHY. He was born on 1/01/1879 in Lexton, VIC. Oliver Charles served in the Army (6047) enlisting on, 20/03/1916 in Swan Hill, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Corporal / Bombardier (CPL/LBDR) on 23/06/1919. Oliver Charles MURPHY was not a prisoner of war. His next of kin is Mrs Sarah Ann MURPHY - Wife.Three tags of leather attached via a light brown cotton tape. Two tags are hexagonal in shape with two holes punched in opposite sides; the third tag is round with two holes punched at 12 o’clock and 6 o’clock. The tags are embossed/branded with text.Round tag: “O C MURPHY (on outer)/5/BATT/6047/A I/ C E” Hexangonal tag: “MURPHY OC/ PTE/6047/C E/5 AIF” Hexagonal tag: “6047/5/ OC MURPHY”first world war (ww1), 1914 - 1918, uniforms, ballarat rsl, ballarat

A film of the 1959 rehearsal for Junior Legatee Demonstration at Melbourne Olympic Swimming Stadium. The commentary notes how the fitness programmes avoided bad posture which would 'lead to a loss of confidence in a sensitive child' and helped them to avoid 'falling into bad company and delinquency.' It also noted the 'wise counsel' given to their mothers by Legatees and details the assistance available from Legacy to 9,000 fatherless families in Victoria alone. There are synchronised exercises, judo demonstrations, mass marching, girls creative dancing and a final tableau in readiness for two night's public performances. It is in black and white and last 14 mins, 16mm B/W, Sound. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of the numbers of children cared for by Melbourne Legacy and the activities organised for them.Large circular case with semi fitted reel inside. Film is approx. 550 feet, 16mm. Note loose inside case. Two stickers on the lid. Tape scattered around the edge of the lid.Front stickers: CINE SERVICE PTY. LTD. / 368 Post Office Place Melbourne / TITLE DEMO (1959) COPY / No 1 / LENGTH 1000' REEL 1ofl. / It is stressed that the film should be used in a Class project using a 1,000 Watt lamp with a trained Operator handling the machine. Handwritten note: Demo Rehearsal. Film Damaged Other side printed: MELBOURNE LEGACY "Lest We Forget"annual demonstration, junior legatee

Hardcover w/ Dust JacketInserted invoice from "Hatchards Printed Matter" in London, dated 06/10/82walsh st library

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: (illegible) / BEECHWORTH Reverse: BEECHWORTH / MARCUSE BEECHWORTH NOSTALGIA BW-06 / B10 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

The grave of James Young Beale (died 06/07/1905), son of Anthony and Katherine Beale, St Helena Cemetery, Greensborough. This is a replacement headstone.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photographst helena cemetery, james young beale

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2019. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.57 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2021. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.61 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2022. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.56 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

Grave of Mrs H. W. Stead (died 11/03/1886) Plot# unknown, Greensborough Cemetery.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of grave/headstone.h w stead, greensborough cemetery

.03 - Picture of donor, Sharon WILCOX in front of Welcome Home rotunda .04 Picture of donor and Rachel McVEAN as waterfront welcomers.societies clubs unions and other organisations, sharon wilcox, rachel mcvean, war - world war i, anzac centenary, remembrance day, waterfront welcomers, boomerang bag, band rotunda

These taken by neighbour Pat Grainger during the old seaman's lifetime (.01 and .02) and after his death, as the old (c 1900) shop was replaced by a 1990s house.From a series of colour photos of the changing property at 231 Princes Street. .03 - another photo of Vic's house up for auctionVarious numbers on back re some former use.built environment, victor cann, gladys cann

Set of five colour photographs of the repair of northern end of Wendouree Parade. Photos taken on 5 and 6/4/2003, printed on AGFA paper. 2557.1 - The general scene with the new kerb and channel on the north side - backfilling around the sleepers 5/4/03. 2557.2 - Packing between the sleepers, Len Millar, Sam Boon and Richard Gilbert 5/4/03. 2557.3 - Welding track bonds - Paul Mong 6/4/03 2557.4 - Packing the broken joint area - Simon Green, Alan Snowball, Gary Wood, Bryan Hill, Paul Mong and Peter Winspur with No. 8 in the background. 6/4/03. 2557.5 - Testing the track with No. 8 - Garry Wood and Sam Boon.trackwork, wendouree parade, track, tram 8

Black and white photographs of the temporary track being completed during the first stage of the construction of the King St overpass in Flinders St. looking west. shows work being completed. Reg Item 4274 by Keith Kings dates the work to mid Nov. 1959.Some photos have pencil marks on rear.trams, tramways, trackwork, rails, track materials, track repairs, sleepers, equipment, flinders st, king st, kingsway

Port of Portland Authority archivesFront: (no inscriptions) Back: 1959/ Lady Bay Reclamation/ Aerial view looking West showing dumping of/ Quarry overburden (black pen, upper left)port of portland archives, lady bay, reclamation, 1960s