Historical Plaques in the Greensborough shopping strip. The Commercial Bank was the first purpose-built bank in Greensborough. It stood near the current (2019) site of LaPorchetta in Main Street. Further information available on GHS website.The Main Street Plaques Project was undertaken by Greensborough Historical Society and made possible with a grant from the Greensborough RSL.Digital copies of 2 colour photographsmain street greensborough, main street plaques project

Historical Plaques in the Greensborough shopping strip. The Ashril Theatre in Main Street Greensborough. This Theatre stood near the current (2019) site of the Plaza entrance in Main Street. Further information available on GHS website.The Main Street Plaques Project was undertaken by Greensborough Historical Society and made possible with a grant from the Greensborough RSL. Digital copy colour photographmain street greensborough, main street plaques project, ashril theatre

The Grave of Alfred Mapleton, aged 4 months (died 14/07/1879), Maberly Ann Ellis (died 14/10/1883), Ann Mapleton (died 24/12/1884) and Frederick William Ellis (died 28/09/1890), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, mapleton family, ellis family

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ABBOT BAGGY / B'WORTH / CARRIAGE MUSEUM Reverse: B7 / Beechworth Nostalgia / BW - 07 B (crossed out) / 008ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

"Growing Pains" by Sue Hewitt Article from the RACV magazine Royalauto about Melbourne's road congestion. Although the article doesn't mention trams it features two photos of the St Kilda Rd tramways. First photo from 1925 shows construction of tramway at St Kilda Rd and Domain Road. Second photo shows Metro Tunnel Project's ANZAC station at same intersection in 2019.trams, tramways, track construction, trackwork, track laying, metro tunnel, anzac station, domain junction

Real estate advertisement for 119 Delta Road Greensborough, a 3 bedroom house. Originally listed by Barry Plant, this house was sold 09/03/2019 for $670,000 by Jellis Craig. Previous sales: April 2013 $450,000.Real estate advertisement black text and colour photographdelta road greensborough

Promotional material issued on Nelson Alexander's "Foundation Day", 25 May 2019. Foundation Day is an initiative of the Nelson Alexander Charitable Foundation, supporting local charities. Includes five property description leaflets, business card, cloth shopping bag and miniature plastic AFL football.Advertising promotional package containing five property description documents and leaflets, business card, cloth shopping bag and miniature plastic AFL footballreal estate agents, nelson alexander

The Ballarat School of Mines was established in 1870 and was a predecessor institution of Federation University. The first president of the Ballarat School of Mines was Redmond Barry.Half leather bound ledger containing handwritten minutes of the Ballarat School of Mines. Includes: * Foundation Class in Pharmacy and Botany (17/04/1979) * Female Telegraphy Students (12/06/1917)ballarat school of mines, henry richards caselli, w.h. barnard, flude, usher, august hoelscher, warrington rogers, james oddie, robert m. sergeant, ferdinand krause, curator, w.p. bechervaise, james flude, school of mines exhibition committee, james bickett, hugh grey & son, ballarat juvenile industrial exhibition, charles shoppee, g.o. preshaw, alfred mica smith, rivet henry bland, r.w. newman, noble wilson, william burbidge, marie barbour, george hall, susan cahir, mary troy, pharmacy, botany, f.f. bailliere, richard viccars, mary usher, f. pinkerton, pyrites works, james campbell, telegraphy, william bailey, judge rogers, ballarat school of mines certificates, william f. west, j. bryant, henry obree, w.h. odgers, edward debois, james darby, redmond barry, pharmacy board, w.h. keast, george perry, f.w. niven, fedinand von mueller, benjamin trewhella, d. miliken, charles strachan, william wilson, r.a.f. murray, e.p. figgis, charles flude, laboratory, john richards, eyres brothers, john armstrong, h.b. de la poer wall, c.f. crouch, william h. keast, frank pintkerton, hugh grey

Sixteen cheque stubs for Army Allotments and FRB Benefit Refund Gratuity Recovery issued by Commonwealh Treasury, Canberra to N E Swainston between 09/09/71 and 06/11/72army allotments, frb benefit, refund gratuity recovery, swainston collection

Historical Plaques in the Greensborough shopping strip. The view of Main Street Greensborough in 1923. This photograph was taken from near the current (2019) site of the Plaza entrance in Main Street. Further information available on GHS website.The Main Street Plaques Project was undertaken by Greensborough Historical Society and made possible with a grant from the Greensborough RSL.Digital copy colour photographmain street greensborough, main street plaques project

Desmond TutuThere are five couriers 05/01/1987 07/01/1987 08/01/1987 09/01/1987 10/01/1987 12/01/1987 One copy of the Age 12/01/1987Articles on the visit of Desmond Tutu

Various typed sheets of language study Vienamese translation for English. Dated 27-07-1964. US logistic systems Army Intelligence Centre. Helpful expressions in Vietnamese from Army Forces Language Schoolvietnam

Feb 1973 flood Charlton, Victoria. Old Ive's house with floodwater to front fence on the Calder Highway opposite Charlton Park Gates. Mrs Gloria Jordan.B/W Photograph of February 1973 flood. Old Ive's house with floodwater to front fence on Calder Highway opposite Charlton Park gates. Photo used in Charlton Tribune on 09/07/1973 P4.flood, charlton, calder highway, local brick

The dilator is designed to fascilitate the tracheostomy tube into the trachea via the initial incision http://entinstruments.blogspot.com.au/2011/07/trousseaus-tracheal-dilator.html#!/2011/07/trousseaus-tracheal-dilator.htmlCurved end stainless steel percutaneous dilator "STAINLESS STEEL" "Martin" "568"trousseau dilator, tracheostomy

Document. The Owen Williams collection. Land Sale Note for View Heights Estate Bendigo. Sold to Mr Williams’s lot numbered 2 on plan of Subdivision of land View Heights Estate for the sum of fifty Pounds. Balance to be paid in equal payments at 03/06/99 and 12 months at 5%. It has a one penny orange duty stamp at the bottom with 19/08/99 and Mr Daley written on.bendigo, land sales, view heights estate, owen williams & co.

1/06/2003 12:00:00 AMColour photograph showing close-up of cement truck and pile driver forming foundations for the Esplanade Waterfront Resort, behind security fence, native trees in backgound. Lakes Entrance Victoriabuilding industry, construction, fences, machinery

Set of 6 Tram Route Guides, published during April 2017, following the introduction of route 58. Consolidates into 6 folders the previous individual guides for each route.. Each comprises a A2 folded sheet, full colour printed on non-gloss paper. Has the Yarra Trams and PTV logos, listing the stops, interchanges with bus and other tram services, ticketing zones, estimated frequencies with adverts for Night tram services, TramTracker and Myki tickets. On the rear is a large map, a list of the other route guides and a short summary of the routes list in the guide. .1 - Set A - Routes 1, 6, 11, 19 and 86 .2 - Set B - Routes 57, 58, 59 and 82 .3 - Set C - Routes 3, 3a, 64 and 67 .4 - Set D - Routes 48, 78, 75, 78 and 109 .5 - Set E - Routes 5, 6, 16, 58 and 72 .6 - Set F - Routes 12, 30, 35, 96 .7 - as for .1 A - dated May 2017 .8 - as for .2 B- dated 20 May 2018 .9 - as for .3 C- dated 20 May 2018 .10 - as for .4 D - dated 20 May 2018 .11 - as for .6 F - dated 20 May 2018 (E was not updated as at 17-7-2018) .12 - as for .1, dated 16/9/2018. .13 - Set A - dated 1 June 2019 .14 - Set B - dated 1 Jan 2019 .15 - Set C - dated 1 Jan 2019 .16 - Set D - dated 1 June 2019 .17 - Set E - dated 1 Jan 2019 .18 - Set F - dated 1 Jan 2019 .19 - Set F - dated 1 June 2019 Collected during 2019, added 2/1/2020.trams, tramways, timetables, maps, route 1, route 3, route 3a, route 5, route 6, route 8, route 11, route 12, route 30, route 35, route 19, route 48, route 57, route 58, route 59, route 70, route 72, route 75, route 78, route 82, route 86, route 96, route 109, east coburg, south melbourne, malvern, glen iris, moreland, toorak, west maribyrnong, wattle park, docklands, camberwell, vermont south, footscray, moonee ponds

6 receipt from the Bendigo and Eaglehawk Star Permanent Building Society The receipt are dated 05/03/1931 - 10/04/1931 - 08/05/1931 - 30/05/1931 - 18/06/1931 - 30/06/1931. Received from Wilkinson for rent Wright property. The amounts are: 2 pounds, 3 pounds, 2 pounds, 1 pound 7 shillings, 2 pounds, 1 pound 15 shillings 9 penny. The receipt are in a manilla folder.organization, business, h.a. & s.r wilkinson real estate, yellow label 595.

A collection of photographs donated by M Kearn.Collection of 7 photographs on cardboard from Album. 259-01. Black & White photograph of Cowes from the pier. Many people on the pier, shed in the background and 2 small boats in the water. 259-02. Black & White photograph of seals on Seal Rocks. 259-03. Black & White photograph of Cape Woolamai Granite Quarry looking towards San Remo. People on the rocks. 259-04. Black & White photograph of a lady with a boy and girl on a bridge. 259-05. Black & White photograph of Yackatoon Guesthouse, Cowes. 259-06. Black & White photograph of a koala up a tree. 259-07. Black & White photograph of The Nobbies with Seal Rocks in the distance.wildlife - koalas, koala phillip island, the nobbies, the nobbies phillip island, seal rocks phillip island, wildlife - seals, seals on seal rocks phillip island, cape woolamai granite quarry, people, yackatoon guesthouse cowes phillip island, guesthouses cowes phillip island, m kearn

This photograph shows the entrance to the newly-opened Aitken Gallery of the Kett Optometry Museum, located on the first floor of the Australian College of Optometry.Digital photograph of the entrance of the Kett Optometry Museum's Aitken Gallery. The signage is accompanied by a display of eye baths and ointment pots

Digital photograph of 1930s optometric consulting room in the Aitken Gallery of the Kett Optometry Museum. The photograph is taken looking through the door labelled 'W.E.SMITH. FVOA OPTOMETRIST AND OPTICIAN'. The detailed exhibit shows equipment, instruments and furniture typical of optometry practices in the 1930s.