Robin Boyd travelled to Europe in 1951 on a Haddon Scholarship. He may have picked up this book on this trip.This is a black and white illustrated booklet of 64 pages. The Author's summary on the reverse of back cover says "This book of pictures tries to show what good modern Swedish architecture looks like and its connection with ordinary people in their daily life. The pictures are not typical, but they represent some of the best achievements during the last ten years."sweden, architecture, town and country, swedish architecture, hulten , walsh st library

Project: Boyd House 2 drawn by Michael Ong. 11 Drawings - Student Project for "House of Ideas" ExhibitionStructural Details, Tracing Paper - Working Drawing

Article celebrating the Tower Hill State Game reserve and the new Natural History Centre, designed by Robin Boyd.Double page, p 34-35walsh st library

A letter from Hector Crawford to Robin Boyd regarding amendments to The Flying Dogtor scripts, episodes 19-23.Typewritten, one page

In this letter, Fabinyi says he would like to read Robin Boyd's manuscript for 'The Great, Great, Australian Dream'.Typewritten, quarto, 1 page.

The names of Melbourne Club List of Members and the year each was elected are listed. It includes Robin Boyd, elected in 1954.Ten pages plus cover.

Boyd muses over Melbourne and its "schizophrenic or split-urbanity", exploring the contrasts that make its character. Poses question "Why don't I live in Sydney?", weighing the "humility" of Melbourne versus the arrogance of Sydney. Every creative movement of importance in Australia in the twentieth century had its origins in Melbourne, therefore Melbourne, Boyd argues, is the moral capital of Australia.Original manuscript of an article published in "The Australian", 04.03.1969. This is the first of a series of three articles about Melbourne published on consecutive days (see D023 and D024).Typewritten carbon copy, quarto, 8 pagesPencil annotationsmelbourne, collins street, alexandra avenue, george miles, boomerang, robin boyd, manuscript

Boyd discusses Graeme Gunn's Plumbers & Gasfitters Employees Union Building; indicates it is unusual for Australian trade unions to be a patron of the arts; discusses the angular design and its raw concrete, which Boyd praises as internationally fashionable; suggests that the last great piece of union-commissioned architecture was the Wharf Labourers' Union building, a 1916 Art Nouveau building by Robert Haddon.Original manuscript of an article published in "The Sunday Australian", 06.06.1971 (Review of Graeme Gunn’s Plumbers and Gas Fitters Building, Victoria Parade, Carlton).Typewritten (c copy), quarto, 7 pagestrade unions, plumbers and gasfitters employees union of australia, graeme gunn, brutalism, concrete, robert haddon, wharf labourers' union building, flinders st, robin boyd, manuscript

This is a manuscript associated with the Royal Australian Institute of Architects Convention, "Civic Architecture, the Architect and Society" which discusses city development. Boyd argues that an Australian architectural style is growing with the contemporary generation of architects departing from international modern architectural influences from which they studied. Boyd explains how a pattern of Australian architecture can be seen through materiality and the expression of structure.Typewritten (c copy), foolscap, 4 pages (two copies)Minor handwritten edit on both copiesroyal australian institute of architects, convention, technology, australian cities, urbanism, australian architecture, international modern architecture, walkabout, robin boyd, manuscript

In this article, requested by Architecture in Australia, Boyd condemns the lack of development in the shaping the identity of Australian architecture, similar to the contents of Texas Quarterly 'Architecture in Australia' Vol.5 (see D092), Boyd writes about the need for designers and architects to create a new design language rather than recycling and reminiscing on old British aesthetics despite wanting to gain international recognition.Original manuscript of an article published in Architecture in Australia, Vol.56, No.3, June 1967 pp.454-465.Typewritten (c copy), pencil edits, quarto, 26 pagesPencil corrections and edits in textaustralian architecture, sydney school, architecture in australia, robin boyd, manuscript

Order of presentation of honours and medals at War Memorial Opera House, San Francisco Monday May 7, 1973 at 3pm at the 1973 American Institute of Architects Convention. Patricia Boyd travelled to this conventian to accept the AIA's Architecture Critics Medal on behalf of her late husband Robin Boyd. She gave an acceptance speech at this event. The certificate accompanying the medal is item C07.Two copieswalsh st library

Appears to be a handwritten speech where Boyd discusses the architect's role in the community and describes architecture as "getting bigger". Boyd describes the shift in architect's thinking as moving away from the individual building to the city or the community. He argues that architecture inherently affects our lives if we live in ugliness, or in attractive surroundings and that the architect is responsible as moral and artistic leaders of the built environment.Handwritten (pencil), quarto, 1 pageNumbered paragraphs. Underlined phrases. Circles in margin.w.churchill, buckminster fuller, strategic plan for sydney, megastructure, community, park the length of swanston street, japan

This letter from Mr L.R. Killeen, Secretary and Manager of National Capital Development Commission, is an invitation to Robin Boyd to join the judging panel for a competition for a memorial to activities of the Royal Australian Air Force over the past 50 years. The letter also discusses financial recompense. The background information concerning the project was enclosed, but has not been found in Robin Boyd's papers here.

Robin Boyd’s desk cupboard contained two exercise books (D482.1-D482.2) and assorted articles, essays and other material regarding Sydney Opera House (P1378.01-P1378.36, D179-D181, D479-D480), inserted inside the front cover of Walkabout Magazine July 1966 (P1377). Robin Boyd asked Mandie Eckersley (nee Boyd), his eldest daughter, to research the Sydney Opera House for him in the Mitchell Library, both before and after Utzon left. Robin was writing a book, but was very disillusioned with the way the entire saga unfolded. Mandie Boyd recalls: “It was a huge task because he wanted any mention at all in any publications to be noted. No one else had done it at that stage, not even the clippings service.” This second (and final) volume is filled with transcriptions on newspaper articles, editorials and letters to the editor covering the period 1962 to 1966 when Utzon quits. The Reding Universal Exercise Book, filled to pp 0-48 and p 92Written on front cover: "Mandie Eckersley, 19 South Street, Edgecliff. NSW." In exercise book: handwritten notes. On back cover: list of dates from 1966-1977. Inserts in page 41: Public Library of New South Wales photocopying service receipts dated 8-2-67. Public Library of New South Wales Applications slips for books from stack.sydney opera house, jorn utzon, sydney opera house project

Hardcover w/ Dust JacketDedication written inside front cover - "To Robin, 1971". Also, clipping dated 27/1/71 about Melbourne's Underground Rail Loop Authority citing the value of having Robin Boyd on the Authority.walsh st library

Boyd discusses the future planning of two major symbolic national buildings - Parliament House and the National Centre (an arts centre).Original manuscript of an article published as 'Symbol City' in The Australian on 28.11.1964.Typewritten (c copy), quarto, 5 pagescanberra, parliament house, national centre, chandigarh, brasilia, robin boyd, manuscript, national capital

Boyd bemoans the fact that Australia looks to overseas engineers, architects and other creative people to design new infrastructure projects.Original manuscript published as 'We're building monuments to the cultural cringe' in 'The Australian' on 10.10.1964.Typewritten (c copy), pencil edits, quarto, 4 pagesaustralian design, imported design, gladesville bridge, robin boyd, manuscript

Boyd suggests the emergence of an Australian School of modern architecture and points to orderliness, material and structural honesty and austerity as characteristic features.Original manuscript of an article published as 'Australian Architecture' in "Australian Building Profile", 1964, pp. 8-9.Typewritten (c copy), quarto, 2 pagesaustralian school, robin boyd, manuscript

The American Institute of Architects Honorary Fellow Medal to Robin Boyd. See also the accompanying certificate (items D491 and D492).awards, honours, robin boyd, walsh st

This folder contained a collection of clippings about Robin Boyd's legacy plus many other topics (items P1375.01-P1375.20).Australian Consolidated Industries Limited Annual Report 1974POP underlined

Robin Boyd conceived the idea of a satellite city in Sunbury, formulated through the Royal Australian Institute of Architects, Victorian chapter.A and date in red pen.sunbury, walsh st library

Article stating the Robin Boyd will start assessing designs for extensions to Britain's House of Parliament, as part of a Committee of five men.S and date in blue pen.britain's house of parliament, walsh st library

This announces the launching of a public appeal for restoration of church as the new headquarters of Victorian Chapter of RAIA, as a memorial tribute to Robin Boyd.walsh st library

Contains drawings and impressions of the Western Front by Australian artist Sergt. Penleigh Boyd. Electrical and mechanical Mining Co. AIFwalsh st library

Robin Boyd received a letter from the Dennis family, the owners of Tarndwarncoort Homestead in July 1956 (see item D306).Colour slide in a mount. Tarndwarncoort, Warncoort, Victoria, AustraliaMount Made in Englandslide, robin boyd, tarndwarncoort, tardnie

This article announces that Robin Boyd had been awarded the Gold medal by the Australian Institute of Architects. It is a comprehensive biographical piece.Photocopy of newspaper clipping.walsh st library

This is a copy of the contract for 'The Puzzle of Architecture', signed by Robin Boyd and the Vice Chancellor and Registrar of the University of Melbourne on 14 May, 1963.Typewritten and handwritten date

The is a letter from Brian Stegley, Chairman of Stegbar, to Robin Boyd confirming his appointment as a Director of Stegbar and the financial arrangements.Typewritten, one page

J M Richards, the Editor of Architectural Review, writes to thank Robin Boyd for sending him a copy of 'Living in Australia'.Typewritten, one page