The Locality Store is a young mens' clothing store, situated at 24 Main Street GreensboroughBlack & white, one-sided card; and sticker with red textlocality store, main street greensborough

Used for pinning onto clothing or other accessories. Advertisement of the RTBU is printed on one side.A recent item advertising the RTBU.Round metallic badge with the text "WE RUN THE NETWORK" and "RAIL TRAM TRAM & BUS UNION" printed in front in concentric red and white circles. Nestled within are the lines "RTBU" and "THE POWER OF UNION" printed in white, horizontally on a blue background.public transport, rtbu, unions

This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing

Badge issued to War Widows and Widowed mothers in recognition of loss of family on active service.Small circular badge, Gold colour, blue band around edge with "War Widows & Widowed Mothers" inscribed & "Association" across the bottom. Inscription in gold writing. Centre is white background and Southern Cross stars. On back is pin and hook to attach to clothing.Inscribed "Stokes & Sons". On front "War Widows & Widowed Mothers Association"war widows, badge

John Newman DAY Regt No V155751 enlisted at Inglewood, Vic on 20.07.1941, age 30 years. Discharged from the Army on 28.02.1946 with the rank of Sgt in HQ AMF POOL A.A. EDUCATION SERVICE.Demobilization Procedure Book AAB.87 No 146533, brown covers, 32 pages contains details of the soldier's records, leave, clothing issue, education, hand written in black, blue, stamped throughout in purple and red, rear page has slip pasted in."V155751 DAY John Newman, 43 Chapel Street, Bendigo, Vic" "VN152"demobilization, procedures, books

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland. Donated by Ms. Mary Robinson, acting on behalf of Mrs. W.G. Hutchinson "Tellong", Blackwood River Drive, Balingup, W.A. 6253Black and white photograph of people in C19 clothing. In foreground, 2 men and 2 women are posed in a line. The men are carrying shotguns, the women are holding parasols - one open, one closed. Women are wearing bonnets and man on right wears a dark hat.Front: (no inscriptions) Back: (no inscriptions)

Bendigo Advertiser "The way we were" from Saturday, August 28, 2004. Business: Dorothy Mitchell (nee Burns) and Marlene Gray in 1948 at the Bendigo Mining Exchange. Employees of Honey's (downstairs) also ran their own clothing alterations shop upstairs.newspaper, bendigo advertiser, the way we were

Black and white print of Jack Prisk, SEC Driver and daughter Marg standing in front of a bluestone walled building in formal clothing. Printed on Kodak paper/ See worksheets in Reg. Item 3140 for details about Jack and his SEC driving career.On back of photograph in black ink "Jack Prisk Sec. Driver & Daughter Marg."tramways, trams, secv, drivers, esco, crews

This day book dating from September 4th, 1905 to April 7, 1906 is a record of cash transactions for a store in that dealt in clothing items and fabrics. A later day book identifies the business as Efron and Symman, Drapers and Tailers 166 of Mitchell St, Bendigocompany day book, efron and symmans, drapers, tailors

This day book dating from April 9, 1906 to December 7, 1906 is a record of cash transactions for a store in that dealt in clothing items and fabrics. A stamp at the rear of the book identifies the business as Efron and Symman, Drapers and Tailers 166 of Mitchell St, Bendigocompany day book, efron and symmans, drapers, tailors

Ethel Bersey and James Wishart married in 1910. Note: The inscription on the back of this photo incorrectly identifies it as "Mrs Costello". (Flossie Bersey's aunt, Emily Bersey, married Michael Costello in 1877, before Ethel Bersey was born.)Oval black and white head and shoulders photograph of a young woman in light coloured clothing, who is wearing a large and decorative hat. This photograph is a companion to Registration no. 057. It appears to have been cropped from the wedding photo of Ethel Bersey and James Wishart.ethel wishart nee bersey

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This particular skirt, by one-time Kew resident Prie Acton, was sourced by Margaret Robinson. A-line suede leather midi-length skirt featuring "bull's eye" and zig-zag appliques at hemline. Skirt is black coloured.Label inside back waistband: Prue Acton / AUSTRALIA women's clothing, australian fashion, prue acton, skirts, costumes, 1970s fashion, melbourne fashion designers, margaret robinson

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This lingerie dress is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from the first years of the 20th century.Long white cotton muslin lingerie dress with inserted panels of white lace and additional white and black embroidery applied to the shoulders, waist and hem. australian fashion - 1900s, women's clothing, white muslin dresses, embroidery, tea dresses, lingerie dresses, rosemary vaughan-smith

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 1930s dress and jacket is one of a number of items donated to the Fashion Collection by Teresa Mayer.Long burgundy machine-made lace evening dress with a separate red underslip. The dress is currently paired with a red velvet jacket and belt which it is believed was part of the original donation by Teresa Mayer.evening dresses, australian fashion - 1930s, women's clothing, evening wear, evening ensembles

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This (part) wedding dress is one of a number of items donated to the Fashion Collection by Netta Fuller.Very full cream silk skirt with Brussels lace used on the front and hem of the garment. At the front there is a separate panel of the same fabric. The skirt is believed to date from the 1890s.The skirt suffers from shattered silk.wedding dresses - 1890s, netta fuller, women's clothing

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This sequinned evening jacket is one of a number of items donated to the collection by Rosemary Vaughan-Smith.Evening jacket heavily embroidered with gold sequins.australian fashion -- 1970s, evening wear, evening jackets, rosemary vaughan-smith

1981 Wool Serge Officers Pants.Pants to Officers UniformKhaki Wool Serge Pants. Zip Fly. Buttons for Bracers. Two front and One Fob Pocket. One Rear Pocket R.H. Lable has attached a mending patch. AGCF VIC 1981 8405.66 025 6193 SIZE 86 L. MACQUARIE 80 BATCH A DRY CLEAN ONLY Mending Patch Attached

As an historic army uniform with an association to Victoria this item is of local historic and social significance. It is also in very good condition. Woolen khaki peaked hat has a central head band with solid peak connected to the lower front of the head band. The top is high at the front and protrudes out from the headband about 3cm on all sides. There is a brown leather chinstrap on the lower front of the headband above the peak and this has a slide extension that can be enlarged to go under the neck to keep the hat in position in high winds. The chin strap in connected to the headband with two plastic button that have queens crown above a map of Australia. Affixed to the front of the headband above the peak is the Artillery Corps metal hat badge in gold colouring. The interior of the top of the hat has a cotton lining under the woollen exterior and then a plastic protective lining to avoid sweat bleeding onto the exterior. A cloth badge with the makers name sewn to the cloth lining and covered by the plastic protective layer. uniform

The photograph depicts one young man and two young women. They are all dressed in casual clothing.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5664 / t / O /entertainment, entertainment album, beechworth, 1950s, arts, recreation, theatrical group, theatre

Used in laundering clothing etc. Item would be rubbed against corrugations to remove ingrained dirt.Unpainted wooden framed washboard, clear glass corrugated on one side, with metal insert in top of frame.washboards, laundry, laundry equipment

The women of the early settler families in Moorabbin Shirewere skilled dressmakers and craftworkers and made the clothing for their families .The family of Nance Blackburn were early settlers in Moorabbin ShireA Lady's black jap silk 'bloomers' blackburn nance, early settlers, moorabbin, cheltenham, bentleigh clothing, dressmaking,

non-fictionPhotos and description of Elizabeth Batman's dolltoys, clothing and dress

leather bag used around the 1920's for carrying documents or alternatively as an overnight bag for clothingManufactured and sold by Holden and Frost and used used as carry bagSolid leather dual locking bag stitched frame two carry handles from "shoudler"leather, bags, brief bag

Black and white white photograph showing a float of Lakes Entrance State School on the occasion of the Centenary Parade. Lakes Entrance VictoriaCentenary of Lakes Entrance 1956. The photo below was taken on the occasion of the Centenary parade, in May 1956. It was of the float of the Lakes Entrance Primary School, and students wore clothing of their parents and grandparents days. The' Teacher' on the day was Mrs. Evelyn May.schools, students

Beret dark green size 52 of the Royal Australian Ordnance Corp; black cotton bias ribbon securing the outer and inner material; cotton bias ribbon draw string to adjust fit to head size; Royal Australian Army Ordnance Corps cap badge there is a plastic weather proof lining on the inside four air holes 5mm dia 20 mm apart Inside beret storage bar code label with: NSN 8410-66-097-7302/Beret W Dark Green 52/ self adhesive clothing stores sales price tag / D8410 66/M097 7302/ >>>$8.80

Item in a collection relating to Wes Bertuch, refer Cat No 1664.2 Jacket - bespoke handmade, in black cotton fabric exterior and white silk fabric lining. With collar, long sleeves, cuffs with black plastic buttons, inset pockets and elasticised area on waist band. Front zipper closure. Handstitched decoration on front, top of sleeves and back of jacket. Front - left side, yellow cotton? Vietnamese writing, Right side - yellow, orange, white and brown cotton - face of a tiger. Top of sleeves - left and right - orange and white cotton - dragons. Back of jacket - blue, orange, green and yellow map of Vietnam, Laos and Cambodia.On Jacket back - handstitched in yellow cotton "WHEN I DIE I'LL GO TO HEAVEN/ BECAUSE/ I'VE SPENT MY TIME IN HELL/ VIET & NAM/ 68 69". On and beside map - hand stitched in white cotton "LOVIS/ HANOI/ THAILAND HUE/ DA-NANG/ QLV-NI-ION/ BANGKOK NHA- TRANG/CAM-RANH/PHAN THIET/ BIEN HOA/ . On map - yellow cotton "CAMBODIA/SAIGON"souvenir, vietnam, clothing

A long brown wooden elongated oval shaped body and shaped handle with stiff black pig bristles costume accessories, personal effects, clothing

Part of uniform worn by CPL Bramley at Montmorency ANZAC Day 2006.Blue Cotton skirt, belt with chrome buckle.Sewn Patch ADI Vic 1992 Size 70Lclothing, skirt, dress

The Samuel Browne belt is named after Sir Samuel James Browne VC. In 1858, Browne lost his left arm in battle (as a result of a sword cut) and as the dress regulations of his regiment required officers to wear their waist belts under their tunics, Browne found this ungainly and devised an external belt supported on the left-hand (sword) side by a shoulder strap. The belt had two shoulder straps when a holster was worn. In the Australian Army, a brown leather version is worn on ceremonial occasions by officers and Warrant Officers Class One of all corps, except those who wear silver dress embellishments (Armoured, Aviation and Nursing Corps). These members wear a black Sam Browne belt. Wide brown pattern stitched brown leather belt with adustable shoulder strap, brass buckle and brass loop fittings (4 at the top and 2 at the bottom) attached to the belt by stitched leather straps.Nonesam browne, belt, clothing