Image depicts an east view of El Dorado, circa 1920s.el dorado, eldorado

Digital images of some yellow tailed black cockatoos.yellow tail black cockatoo, cockatoo, black cockatoo, birds, apollo bay

Digital images of St Brigid's, Crossley, on the night of the centenary.st brigid's crossley, st brigid's, catholic church, catholic, church, religion, centenary, celebrations, 100, anniversary, commemoration, night, window, light

Digital images of the interior of St Brigid's Crossley, Victoria.st brigid's crossley, st brigid's, catholic church, catholic, church, religion, centenary, celebrations, 100, anniversary, commemoration, interior

The Boroondara General Cemetery is registerd by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital image of the Springthorpe Memorial in the Boroondara General Cemeterycemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, springthorpe memorial

The Boroondara General Cemetery is registered by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 (undated change to citation made since 2005) What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery. Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. ... ... The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Walter Richmond Butler is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. ... How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. ... ...Digital image of the Syme memorial in Boroondara Cemetery, Kew. cemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial

Four digital images from the Koroit Irish Festival.koroit, irish, koroit irish festival, festival, potato, bagging, competition

Digital Image of the former Bradmill Factory in Yarraville, Melbourne.factory, industrial heritage, industry, yarraville, bradmill factory

Image is of the decorated tram stop shelter in 1938 at Grenville St. The shelter has been decorated with an outline of a boat. Bailey Bros Butchers in the background.Yields information about the centenary of settlement in Ballarat during 1939Digital image obtained from the Museum of Victorian websiteshelters, ballarat centenary celebrations, grenville st, tramways

Photograph of ESCo No. 6 at the Drummond St North terminus in Macarthur St. Has a shop for H.J. Symons in the background. Tram has advertisements for Suttons, Ballarat, Melbourne, Bendigo, Geelong and Sydney and an ad for "DAD" on the front dash panel. Original Printed on matt paper.Yields information about ESCo trams in the 1920's or 1930's and Macarthur St. area.Digital image from the Wal Jack Ballarat Album.trams, tramways, esco, drummond st nth, macarthur st, tram 6

Photo of ESCo cross bench tram No. 20 and ESCo 2 at the intersection of Sturt and Lydiard Streets, with the post office in the background, Summerscales offices, Robbie Burns statue, Vita Studio, and George Payne Jewellers in the background. The conductor on the rear of No. 2 is holding the trolley rope, while the driver of No. 20 is watching the road closely. The conductor of the tram is reboarding or about to alight. No. 20 has the destination of Gardens via Convent. Other trams are in the background. Wal has dated the photograph about 1909. Note the point frog or pan in the overhead above No. 20. See image i2 for the rear of the photograph and image i3 for a hi-res scan of the photograph. See image i4 for a hi-res scan of the copy negative, with a drawing pin mark in the top left-hand corner,Yields information about the use of ESCo trams c1910 and the overhead.Digital image from the Wal Jack Ballarat Album.On rear of photograph in ink: "T161, Ballarat Tramways No. 20 Summer Car & No. 2 old Type, Sturt St. Ballarat 1909 / W. Jack Collection."trams, tramways, esco, cross bench tram, sturt st, post office, lydiard st, tram 20, tram 2

Photograph of the three trams at the Mt Pleasant terminus during an AETA tour 21-4-1962. No. 20 the service tram, 18 and 37 the tour trams. No. 20 has Advertisements for the SEC, Ilford Film and a dash panel advert for The Age newspaper. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeYields information about the trams used for an AETA visit in 1962 and worked within the service trams.Digital image from the Wal Jack Ballarat Album. On rear of photograph in ink "SEC, Ballarat AETA Special Tour, No. 20 Service car, Nos. 18 and 37 as specials, Mt Pleasant terminus 21-4-62" and Wal Jack stamp in top right hand corner with number "T1268" written in.trams, tramways, aeta, tours, special trams, mt pleasant, tram 20, tram 18, tram 37

Photograph of MMTB No. 137, at Tramway centre or Sturt St with Town Hall in the background, 22-3-1947. Tram un-numbered at the time of the photograph, later No. 34. Note the folding gates on the tram. See image i2 for rear of photograph. Yields information about the early use of Ballarat's bogie trams and Sturt St.Digital image from the Wal Jack Ballarat Album.On rear in ink "SEC Ballarat Tramways Ex M&MTB 137 now 34 Ballarat fitting with folding gates Sturt St, Ballarat 22-3-47" Wal Jack stamp in top right hand corner with number "T108" written in.trams, tramways, sturt st, town hall, bogie trams, tram 137, tram 34

Photo of MMTB No. 137, at Tramway centre or Sturt St with Town Hall in the background, 22-3-1947. Tram un-numbered at the time of the photograph, later No. 34. Note the folding gates on the tram. Photo by Leon Marshall Wood, dated 9-11-1947. Noted Reg Item 5289, same tram same condition 8 months earlier. See image i2 for rear of photograph.Yields information about the early use of Ballarat's bogie trams and Sturt St.Digital image from the Wal Jack Ballarat Album.On rear in ink "SEC of Victoria ex MMTB "C" class car at Ballarat on 9:11:47, car not yet renumbered or painted in local livery. L.M-Wood."trams, tramways, sturt st, town hall, bogie trams, tram 137, tram 34

The Kew Croquet Club rooms were designed by Roland Chipperfield. The Club was founded in 1934 and is located in Victoria Park, Kew.Born digital image of the interior of the Kew Croquet Club.kew croquet club - kew (vic), sporting clubs -- kew (vic.)

The Kew Croquet Club rooms were designed by Roland Chipperfield. The Club was founded in 1934 and is located in Victoria Park, Kew.Born digital image of a seat at the Kew Croquet Club. kew croquet club - kew (vic), sporting clubs -- kew (vic.)

Rectangular (hand tooled) worked (raised) copper plaque on wooden base in dark wood frame with light wood edges. (Eight sided backing). Metal name plate on base. Design on copper of trees/ leaves/ plants. Two screws and wire on reverse side of base for hanging. "Doris Long" written on masking tape on rear, however creator is unknown.1 x digital image of copper wall hangingRainforest Doris Longrecreation, association for the blind

1. A female assists a boy cut his hot dog on a plate. 2. An elderly female and older man engage with each other, in black and white. 3. A young child looks at a brightly coloured book. 4. A Christmas gift exchanges hands.4 digital images originally printed on to oversize blocksvision australia, carols by candlelight, kodak

Volunteering has been an integral part in providing services. This award was presented to the Loddon Mallee (Bendigo and Swan Hill) offices for their active use of volunteers in providing recreational programs. It reads as follows: Volunteer Involvement Program - Sport and Recreation Victoria State Recognition Award 1996 Association for the Blind Loddon Mallee Region For outstanding achievement in the management and recognition of their volunteers Australian Sports Commission Sports and Recreation VictoriaDigital image of bronze inscribed plate on marbled surfaceassociation for the blind, awards

Colour photograph taken of the Royal Blind Society of New South Wales building in Enfield, as viewed from Henley Park. A red buildng with grey stairwells and window fixtures, surrounded by a concrete balcony that overlooks the park. Digital Image of Enfield building taken from parkroyal blind society of new south wales, buildings

In recognition of the support from various Qld senate parties, the Royal Blind Foundation of Queensland named a meeting room in their honour at the Kent Street offices.Digital image of gold coloured plaque with brown writing"The Senatorial Suite" In a display of genuine unity, Queensland's 12 senators of four political persuasions contributed equally toward part of the cost of the 1990 restoration of our premises. This is, in all likelihood, the first occasion in our nations history of such a unified act of giving of this kind. This room was officially named "The Senatorial Suite" on 20 March 1991 by Qld's longest serving current senator, Senator Mal Coulson.royal blind foundation of queensland, nameplates

Employment is a key area that blind or vision impaired people are under-represented. These photographs were taken to demonstrate and provide examples of how blind and visually impaired workers can undertake skilled positions. One image comes was used by the Royal Blind Society publicity department (the man using a writing guide).employment, royal blind society of nsw

"This room is dedicated to the memory of Mary Longman, founded of the University of the Third Age at Kooyong and a tireless worker for blind and vision impaired people." Underneath this is the braille transcription of the above and a U3A symbol. This room was located behind reception and used for many meetings as well as gathering of U3A.1 digital image of blue sign with white inscriptionnameplates, mary longman

On February 13, 2008 a tandem cycling event was held at Kooyong. Riding around the blind cricket oval, then along the Gardiner's Creek bike track beside the freeway.19 digital images of tandem cycling event at Kooyongvision australia, recreation, owen d'costa, kate gniel

Images of the DAISY circulation process - from receiving DAISY books in the mail and stacking them on the trolleys for return with Tim Mitchell, retrieving DAISY books from the vertical carousel and packaging them into mail pouches for dispatch, listening to DAISY books for quality checking, and loading the duplicator that burns copies of each disk with Ted Johnson.9 digital images of staff handling Daisy booksvision australia, library, audio books, tim mitchell, ted johnson

Michele Prentice holds a black card holder containing Braille UNO cards and an old baseboard for a braille frame. She is standing in the corridor where a permanent Heritage display faces the in-house cafe. The corridor leads between the main thoroughfare and the exit to Talbot Crescent.7 digital images of staff member Michele Prenticevision australia, staff, michele prentice

Penny Stevenson uses her white cane and dog guide to walk down from Talbot Road and around the grass between the path and the blind cricket club house.11 digital images of staff member Penny Stevensonvision australia, staff, penny stevenson