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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's dress, Mid 19th Century
This baby's dress is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire in mid 19th CThe skill and craftsmanship shown in this baby's dress is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire who had to be self reliant and made their own clothing and utensils.Home-made, infant's short, long-sleeved, cream silk dress. With inset machine-made lace panels and ribbon inserts on bodice and on the sleeve cuffs. Small buttons down the back. .clothing, brighton, moorabbin, pioneers, crochet, bentleigh, early settlers, craftwork -
Kew Historical Society Inc
Clothing - Striped Satin Evening Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number donated to the collection by Rosemary Vaughan-Smith.Full length multi-coloured striped satin dress cut on the bias. This style became popular in the 1930s.women's clothing, australian fashion - 1930s, evening dresses, rosemary vaughan-smith -
National Wool Museum
Textile - Three Bears Porridge Rolled Oats Bag
These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and white and black text.Front: THREE BEARS \ PORRIDGE \ ROLLED \ OATS \ SOMEBODYS BEEN TASTIN' MY PORRIDGE / AN' THEY'VE EATEN IT ALL UPwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
Port Fairy Historical Society Museum and Archives
Clothing - Wedding Dress, 1940s
The dress was worn by Gladys May Moutray when she married Alan Tieman at St. John’s Anglican church Port Fairy in 1941.Home made wedding dress with attached train and lining/petticoat. Cream crepe over sewn in rayon lining. Material covered buttons x 7 with fabric loops on each wrist of long sleeves. Hook and eye (hand sewn) at back of neck closure and side closures of lining and dress. Velveteen ruffles around edge of train. Velveteen flower accent at front and back waist with Cornelli embroidery. Shirring at top of shoulders. Press studs at wrist closure. Dress L 134cm, W shoulders (flat) 32 cm, hem (flat) 80 cm. Attached train, L 134cm, W 164 cm. Sleeves, L (inside arm) 46 cm.female costume dress, wedding, gladys may tieman, alan tieman, gladys may moutray -
National Wool Museum
Pamphlet
Pamphlet, "Pickles Taking-Up Motion" Sheet No 23 -Harling & Todd, Burnley. Among items from Yarra Falls Mill.Pamphlet, "Pickles Taking-Up Motion" Sheet No 23 -Harling & Todd, Burnley.various notestextile machinery weaving, yarra falls mill harling and todd ltd, weaving looms, weaving machinery, textile machinery, weaving -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Dr John Meiklejohn, first Moderator-General of the Presbyterian Church of Australia, 1901
Meiklejohn, John MA, DD (20/08/1841- 28/09/1915) b. Larkhall, near Hamilton, Lanarkshire, Scotland; from Duke Street UP Church Glasgow, commenced 1867 Session UP Hall, Probationer 1893; U Glasgow, M.A. 1870, Hon. D.D. 1901. ord. Kirkmuirhill 14.4.1874-2.10.1888, resd because of health. Rec’d PCV 1889: ind South Melbourne (Dorcas St) 1.4.1889-1911. Convener of (federal) Union Comm 1892-1901; President Council of Churches Melbourne 1900; President Vic branch Astronomical Society; Professor, Systematic Theol, Theol Hall. To Qld: Principal, Emmanuel College 1911-14 (without pay), retd d. Melbourne. Mod-Gen, 1901-3.Portraits were taken of Meiklejohn dressed in Moderator-General regalia.Identification of Meiklejohnmeiklejohn, john, moderator-general, presbyterian church of australia -
Melbourne Legacy
Photograph, Annual Demonstration, 195
Black and white photo of six girls in silky costumes backstage during an Annual Demonstration. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of 6 dancers in silk dresses backstage.junior legatees, demonstration, annual demonstration, girls classes, costumes -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1934
This is a photo of the "Queen Competition", probably the best remembered entertainment of the 1930's. Four local lasses were chosen to represent the following: Bellfield Hotel, Grampians House, The Cricket Club and the Grampians Mountains. When the long awaited evening came each Queen and her attendants paraded through the hall, the results were announced and the winner (who this year was Valerie Evans) took her place on a throne erected in the middle of the stage. The other Queens made their way to thrones on either side of her. The audience were treated to a right royal display as the "Bishop" placed a crown on the winner's head. Much merriment followed including a play, with students dressed as Minnie and Mickey Mouse and other Disney characters. For the names of the people in the photo refer to "Bridging the Gap" by Ida Stanton, p.88. The photo shows a group of people arranged on and below a dais. There is a woman dressed as royalty sitting on a throne in the centre, flanked by a man dressed as a bishop on the left and a man dressed as a courtier on the right. There are two young girls in long white dresses wearing flowered bands in their hair standing in front of the men. There are more girls in white dresses and flower bands along both sided of the dais and two youths wearing ruffle fronted shirts and holding batons/walking sticks(?) at the front of each row of girls. Carpeted steps lead down from the dais and in front of the dais on either side are two boys dressed as pages. Flower arrangements flank the foot of the stairs.recreation, entertainment -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1923 c
Black and white photograph of the Harold Peel family showing a man and woman standing with two women and four children dressed up as if for church, baby in cane pram. Lakes Entrance Victoriagenealogy, celebrations -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, oval head and shoulder portrait of a lady. She is wearing a high neck dress with a necklace and a long necklace down towards her waist. Her hair is tied up in a bun.Bent, late Batchelder, Pall Mall, Sandhurstphotograph, portrait, female, portrait of a lady, bent late batchelder -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A WOMAN
Photograph - black and white. Portrait of a woman, hair tied up, hanging earrings, wearing white high collared frilled blouse, satin ribbon and a buttoned dress. No other identifing marks.person, individual, female, portrait of a woman. -
Port Melbourne Historical & Preservation Society
Container - Cigarette boxes, 1900s
In a box dug up during renovations at 78 Station StreetSeven cigarette boxes dug up during renovations at 78 Station Street. From a box of objects dug up at 78 Station Street: cigarette box, matchbox, greeting card "Remembrance" and advertising card for "throat weakness", dating early to mid 1900sdomestic life -
National Wool Museum
Trophy
G.I.C.A. presented by Wardrop "My Taylor" won by Collins Bros 'B' runners up 1938-39.G.I.C.A. presented by Wardrop "My Taylor" won by Collins Bros 'B' runners up 1938-39sporting teams, collins bros mill pty ltd, sport -
Wangaratta Urban Fire Brigade
photograph
S/O Steve sets up Mock Office For S/O Webb's Last Night. 1987.3 black and white photosS/O Steve sets up Mock Office For S/O Webb's Last Night. 1987.steve, webb -
Whitehorse Historical Society Inc.
Wedding dress, 1929
Wedding dress was made and worn by donor's mother, Jean Margaret Mathie, school teacher, who married John Caldwell Wells, farmer of Burwood N.S.W. On 17 December 1954, her daughter, Margaret Eleanor Wells, married Kevin William Mayes and wore the late mother's wedding outfit1929 Cream satin wedding dress; V-neckline, dropped waist, skirt cut on cross, draped long sleeves, long train at back. See also NA3485.1.2 - Gloves; NA3484.1+2 - Headdress + veil; NA3488 - Framed photo of Bride; NA3487 - Photo of Daughter in bridal dress (1954 wedding)costume, female -
Whitehorse Historical Society Inc.
Document - Dress Patterns, 1970s
Style Patterns used by Donor, made up and worn. McCall's - made slacks only and worn by donor.Four Dress Patterns from the 1970s. McCall's Dress Patterns Number one is STYLE 2553 from 1970. Number two is STYLE 1957 from C1970. Number three STYLE 1945 is from C1975 and Number four Style is McCall's 7887 from C1978.STYLE 2553.1957.1945.McCall's 7887handcrafts, dressmaking, domestic items, sewing -
National Wool Museum
Trophy
Cup, presented by Wardrop "My Tailor" G.I.C.A.. runner up Collins Bros 'B' season 1940-41Presented by Wardrop "My Tailor" G.I.C.A.. runner up Collins Bros 'B' Season 1940-41sporting teams, collins bros mill pty ltd, sport -
Whitehorse Historical Society Inc.
Clothing - Dress and slip, 1930's
Dress belonged to the donor's mother or grandmotherFull length black crepe afternoon dress flared skirt. Basque. Front cut under the bust. Cream bib front,pointed collar,frilled edge,fastening with eight pearl buttons and loops and short puff sleeves. Complete with black rayon slip. 1930s.costume accessories, female -
National Wool Museum
Book, Knitting, Vogue Knitting no. 3
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE KNITTING / No. THREE / 3/- / THE KNITTED / LIFE IN / AUTUMN / FASHION / DRESSES WITH EASE / AND ELEGANCE / FOR ALL AGES / SIMPLE LINES IN / TOWN AND / COUNTRY / SWEATERS / COAT-DRESSES / AND COATSknitting crochet fashion, vogue - english, knitting, crochet, fashion -
Kew Historical Society Inc
Clothing - Silk Taffeta, Net & Lace Evening Dress, Mary Cresswell, 1907-1910
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This silk and lace evening dress was made for Lily Clara Wishart (Mayoress of Kew 1906-7) by her niece, Mary Clara Cresswell (nee Skewes), who according to the donor, Lily's great niece, was a 'high class dressmaker'. It is one of two items in the Fashion Collection owned and by Clara Wishart.Long black fine lace evening dress buttoned to the waist at rear. The machine made lace on net fabric features a leaf pattern. Long black silk taffeta shift matching the lace evening dress.women's clothing, evening dresses, evening wear, australian fashion, lily clara wishart -
National Wool Museum
Ribbon
Won by Nellie Alsop when a member of the Federal Mills Basketball team. May be the same ribbon which can be seen being worn in W1283. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne."A" Runners-uptextile mills - sporting teams textile mills - staff sporting teams, federal woollen mills ltd classweave industries pty ltd, sport, textile mills - sporting teams, textile mills - staff, sporting teams -
Sunbury Family History and Heritage Society Inc.
Photograph, School concert 1988, 1988
The children were students in the infant class at Bulla Primary School and were dressed in Chinese costumes for their performance at the 1988 school concert .heir teacher, Jenny Wilson and Wayne Boyer, one of the parents were supervising the children before they entered to hall to perform their item.School concerts encouraged students in understanding and appreciating the creative arts in education.A non-digital coloured photograph sixteen children dressed in Chinese costume standing in a doorway, waiting for two adults to direct them into a hall.school concerts, bulla primary school, jenny wilson, wayne boyer -
Marysville & District Historical Society
Document (Item) - Research Document, Rene de Koning, Wykeham Lindley Perry, 18-08-2022
An account of the life of the artist Wykeham Lindley Perry who grew up near Marysville in Victoria.An account of the life of the artist Wykeham Lindley Perry who grew up near Marysville in Victoria.wykeham lindley perry, marysville, victoria -
Federation University Historical Collection
Photograph - Photograph - Colour, Pipe Bands on Oval
"After the war Pipe-Major Duncan McLennan, moved to Ballarat and took up a position as cadet instructor and leader of the Ballarat Highland Pipe Band and the Ballarat Ladies Pipe Band. " (Victorian Historical Journal Vol. 85, No. 1, June 2014)Coloured photograph numerous pipe bands lined up on an ovalpipe band, oval, ladies highland pipe band, ladies pipe band, photograph, colour photograph -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Lady's black beaded dress, c1900
During the reign of Queen Victoria, whose long and conspicuous grief over the death of her husband, Prince Albert, appropriate dress for men and women for the period of mourning was strictly prescribed and rigidly adhered to. Widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death, although a widow could choose to wear such attire for the rest of her life. To change the costume earlier was considered disrespectful to the deceased and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific time periods; such stages were known by such terms as "full mourning", "half mourning", and similar descriptions. For half mourning, muted colours such as lilac, grey and lavender could be introduced.. Special caps and bonnets, usually in black or other dark colours, went with these ensembles. There was special mourning jewellery, often made of jet. By the late 20th century, this no longer applied, and black had been widely adopted by women in cities as a fashionable colour. A lady's full length black fine wool dress with pleated bodice and skirt. A beaded detachable collar sits over the dress forming a V shape back and front and is attached by hooks and eyes on right shoulder . Centre front from neck to point is a row of small black circular sequins. clothing, dressmaking, craftwork, cheltenham, market gardeners, pioneers, early settlers, moorabbin, bentleigh -
Dutch Australian Heritage Centre Victoria
Child's Petticoat, 1945
This petticoat dress was sewn by Mrs. van den Heuvel and her friend M/s Jos Tersteeg for Marjo van den Heuvel to wear under a white dress on the occasion of her cousin Peter Beeker's First Holy Communion.The material was obtained from one of the many parachutes that became available during the Allied offensive of 1944/45. This material was very welcome after the deprivations suffered during the 5 year German occupation. Petticoat to be worn under child's white First Communion dress, made of white parachute silk sewn in extremely tiny stitches by machine and hand. French seams are used for the sides and shoulders; the hem is handsewn. The garment is fastened at the neck with a narrow white satin ribbon.dutch, migration -
Bialik College
Photograph (item) - Kindergarten students dressed in costume, Carlton, c.1945-1946, 1945
Kindergarten students dressed up as flowers and butterflies at Drummond Street, Carlton, c. 1945-1946. They are possibly dressed up for a Purim celebration. Please contact [email protected] to request access to this record.elc, visual and performing arts, drama, music, 1940s -
Surrey Hills Historical Society Collection
Photograph, Mr and Mrs Percy Pledger senior
Percy Henry (Harry) Pledger (1884-1954) and Eleanor Elizabeth George (1888-1963). They married in 1908 in St Peters, Paddington, London. Percy was a tailor in Barnet, Middlesex and the family migrated to Australia in 1923, arriving in Brisbane on 11 December 1923. They settled in Surrey Hills. Percy had a tailoring and later knitwear business at 418 Canterbury Road, almost opposite Alexandra Avenue (? also at another time in Hansen's Terrace in Canterbury Road). The family was musical. Their children were: Son Percy who joined the staff at Allan’s Music House and rose to become their chief accountant. He also taught and played the violin in a number of orchestras. (See individual entry for him - SH1207) Daughter Jessie married Arthur John Marston Bate (1906-1994) in 1941; he was born in Birmingham and his father was also a tailor. Arthur gained BA and MA from the University of New Zealand. He was also primarily a musician, but worked in theatre, broadcasting and teaching in New Zealand and at the State Theatre in Melbourne and the ABC. He was a pilot during WW2 (SERN 255363), rising to the rank of Flight Lieutenant and also a RAAF Chaplain. Jessie and Arthur lived in Hawthorn, Ashwood and Mount Waverley. They are buried in Box Hill Cemetery (CE-213-0029) along with daughter Christine Elizabeth. Stanley Bertram Pledger, along with Harold Sydserf, assisted Stan's brother Percy to establish the Surrey Hills Musical Club in the 1920s . It soon increased to 12 or 15 members, giving 4 concerts a year. They combined with the Surrey Hills Dramatic Society to produce operettas. In time the group expanded to a total of 30 players and became the Camberwell Symphony Orchestra. Stanley Bertram Pledger (1912-1996) is listed in electoral rolls at a number of addresses around Surrey Hills: 1927 - 36 Suffolk Road; 1940s - Essex Road; 1977 - Burwood. All entries consistently give his occupation as manufacturer and it is assumed that this was with the family business. He retired to Kiama, NSW.A black and white photograph of a couple standing in the rear garden. The lady is wearing a short sleeved, knee length dress and the man is wearing long trousers held up by braces and a short sleeved shirt.clothing and dress, tailor and knitwear, (mr) percy henry pledger, (mrs) eleanor elizabeth pledger, (mrs) nell pledger, (miss) eleanor elizabeth george -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Portrait of a lady seated beside a table. Her right elbow is on the table and her hand is up near her face. She is wearing a dress with beads around the bodice and a belt with a large buckle.photograph, portrait, female, portrait of a lady -
Bendigo Military Museum
Accessory - SEWING KIT, DRICLAD PTY LTD Sydney, 1967
Item issued to Peter James Dodd, refer Cat No 2436.2P for his service details. The item commonly called a “Housewife”Sewing Kit green colour roll up style with black cord to secure, inside has one open pocket & one with a button, item contains needles, various cottons and finger protector.Inside on white sewn in label, “ “DRICLAD PTY LTD NSW 1967 D (arrow up) D, Regimental No, Name” Hand written in spaces, “217842”, “DODD P.J”accessory, sewing, housewife