A wooden racquet with a concave throat, and bulbous handle butt. The throat on obverse features the decal inscription: PRINCESS. The throat on reverse features the decal logo, in gold, red and black, of a dog above a diamond device. Inscription within and below device: D & M/.../SPORTING GOODS/MADE IN/U.S.A. Inscription along left side of stem: MADE BY THE DRAPER-MAYNARD COMPANY/PLYMOUTH, N.H. Materials: Wood, Glue, Lacquer, Metal, Ink, Gut, String, Plastictennis

A wooden racquet with green, white and black striped "indestructo" plastic shoulder reinforcements, brown lozenge decal on both faces of stem, and short, leather handle grip. Inscription across throat on obverse: MCLAUGHLIN (sic)/SCHOLASTIC. Inscription across throat on reverse: WILSON. Inscription along left side of stem: INDESTRUCTO REINFORCEMENT/WRAPPING.Right side; SELECTED/SECOND GROWTH ASH. Materials: Wood, Nylon, Metal, Ink, Lacquer, Glue, Leather, Plastic, Stringtennis

While a later inscription suggests that the photo dates from 1908, by that stage, according to the Sands & McDougall Directories, the forge on the corner of Cotham and Mont Victor Roads had been taken over by H. Wright. F.G.A. Barnard in his Jubilee History of Kew (1910) records that the well known Sandhill Nursery, had been established by William Holt early in the 1850s. Presumably this was an earlier business as by 1888 it is recorded that the business had become a forge. The forge stood on what is now part of the grounds of Genazzano Convent. A rare photograph of a pioneering industrial business in Kew on the site now occupied by Genazzano Convent.The photo shows W. Holt, Wheelwright, Veterinary and General - Blacksmith, Cotham Road, Kew. Inscription front: "Uncle Will Holt, Cotham Road, Kew, opp Normanby Av [sic] 1908 [sic]"; Reverse: "KHS February 1990. Gift of Mr Panther - Manager Westpac Bank, Kew. Given to Kew Historical Soc."sandhill forge, genazzano convent (kew), cotham road (kew), william holt

This lifebuoy is part of the lifesaving equipment from the sailing ship the Falls of Halladale. It is filled with cork and covered with canvas and reinforcing bands. The name of the ship and its origin is printed on the lifebuoy. It has been sealed with several coats of white paint. A lifebuoy, or life-preserver, is used as a buoyancy device to keep a person afloat in the. It is usually connected by a rope to a person in a safe area such a nearby vessel or on shore. The lifebuoy is thrown to a person in distress in the water, allowing the rescuer to pull the person to safety. The lifebuoy is a made from a buoyant material such as cork or rubber and is usually covered with canvas for protection and to make it easy to grip. The first use of life saving devices in recent centuries was by the Nordic people, who used light weight wood or cork blocks to keep afloat. From the early 20th century Kapok fibre was used as a filling for buoys. Light weight balsa wood was used as a filler after WW1. In 1928 Peter Markus invented and patented the first inflatable life-preserver. By WW2 foam was combined with Kapok. Laws were passed over time that has required aeroplanes and water going-vessels to carry life-preservers on board. The Falls of Halladale 1886-1908 The vessel ‘Falls of Halladale’ was a four-masted iron-hulled barque, launched in July 1886, by Russell & Co of Greenock, Scotland and owned by the Glasgow Falls Line, which named its ships after Scottish waterfalls. The ship was built for long distance cargo trade. The Falls of Halladale was one of the last windjammers that sailed the Trade Route. The ship was on its way from New York to Melbourne via the Cape of Good Hope when, after 102 days at sea, its journey suddenly ended. During the night of November 14, 1908, in calm seas with some coastal fog, an ocean swell raised the vessel up then let it down on a submerged reef wrecked at Curdies Inlet, Peterborough. The ship was stranded and the Port Campbell Rocket Crew were sent for, to perform a rescue. However by the time they arrived, all on board had already travelled by lifeboat to the nearby beach at the Bay of Islands. The sight of the slowly disintegrating ship on the rocks attracted many sightseers. This lifebuoy is significant for its association with the famous ship the Falls of Halladale. It is significant for its association with lifesaving equipment used on board vessels in the early 20th century. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Lifebuoy; round white canvas ring, joined with hand stitching. Stencil with inscription is printed in black on first and third quadrant. The canvas has been repainted in white but avoiding the inscription in the lifebuoy. A hanging board for display is attached with white rope. Lifesaving equipment from the Falls of Halladale.“FALLS OF HALLADALE” “GLASGOW”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, life rings, lifebuoy, safety ring, life-saving buoy, ring buoy, life preserver, personal floating device, floatation device, safety equipment, falls of halladale, glasgow falls line, rocket crew, lifeboat, peterborough

A wooden racquet with a convex throat, and octagonal handle. Throat on obverse features decal inscription: REX. Throat on reverse features a decal of two crossed racquets with a ball below. Inscription: E. KENT/TRADE/MARK. Materials: Wood, Glue, Lacquer, Metal, Gut, Ink, Leathertennis

A wooden racquet with red, white and blue whipping around shoulders and stem. Decal image of Ellsworth Vines on stem on obverse. Inscription: ELLSWORTH VINES/MODEL/A. Inscription along stem on reverse: WILSON. Materials: Wood, Gut, String, Ink, Leather, Cloth, Metal, Glue, Lacquertennis

This portable, hand held visual signalling lamp was used for optical communication via Morse code. It comprises the metal encased Aldis lamp with electrical cord and its associated green-painted, hinged wooden carrying case, which has a metal clasp and leather hand grip. Larger versions of these lamps are fixed on ships or pedestals and have shutters on the front that are opened and closed to transmit signals. Smaller hand held versions like the Point Hicks example have a concave mirror that is tilted to focus the light into pulse signals via a trigger. The lamps were pioneered by the British navy in the late nineteenth century and continue to be used to the present day.317 Details on the Point Hicks lamp include a serial number and other information. Another Aldis lamp and case remaining at Cape Nelson Lightstation dates to 1960 and has the initials of the Department of Transport, which at that time incorporated the Commonwealth Lighthouse Service. Wilsons Promontory also has an Aldis lamp and case that dates from around the same year. A lamp formerly at Cape Schanck has disappeared. The Aldis lamp and associated case at Point Hicks has first level contributory significance for its historic values and provenance to the lightstation. PHLS0007.1 Hand held signal light. Painted metal trigger with attached black electrical leads with battery terminals at end. Inscriptions on metal of lantern. PHLS0007.2 Hinged lid, wooden box painted army green to house signal light. Metal plate with inscription on front of box.PHLS0007.1 "D^D / LANTERN PORTABLE SIGNALLING / ADMIRALITY No 5110D / SERIAL No 5482 YEAR 943 / AMALGAMATED WIRELESS / A ASA LTD / 9792-100" •PHLS0007.2 "20 K4 transporting lantern / admirality pattern no 91108"

Similar to railway platform scales and may have been relocated from the nearby Maldon Railway station. The history of its use at the battery is unknown.Large cast iron platform scale, white painted base with 2 wheels. The cast iron plate sits on top of a base with an inscription. There is white and green floral decoration on the frame, which is attached to the base. The white decorative stand with tray and weight measure attached has an inscription.base- "W. & T. Avery Ltd/makers/London &/Birmingham". Platform- "W. & T. Avery Ltd. Weight measure- LB 14 12 10 8 6 4 2"

Item that was used daily for patient ablutions. Would have been used by Alfred hospital nurses on a daily basis. Many of our membership would have memories of using this item. The item is marked with the ward as items sometimes were borrowed or used by different wards or areas of the hospital so labeling was essential for staff to retrieve their equipment back.Item that was used daily for patient ablutions. Would have been used by Alfred hospital nurses on a daily basis. Many of our membership would have memories of using and servicing/cleaning this item. The item is also a good example of wares made by K.G. Luke Pty Ltd.Large monelmetal wash bowl. Bowl is round and made of metal. It has 2 cracks on the rim. It has numerous dents and small scratches from use. On the base/underside of the bowl is an inscription from the maker and additional inscription from it's use on "Ward 5 - Alfred Hospital"PARAMOUNT/ WARE/ K.G. LUKE/ MELBOURNE/ ALFRED/ HOSPITAL/ WARD 5/ahnl, alfred hospital, nurses, patient care, bed bath, alfred hospital nurses league, ward 5 alfred hospital, metal bowl, wash bowl, ward 5, melbourne hospitals, school of nursing, prahran, nursing history, kenneth luke, k.g. luke pty ltd.

This box was presented to Miss Clark in recognition of her services as Organist at the Wesleyan Church Sebastopol, Victoria. It was presented in September 1885. Wm Williams . MinisterHistorical & Personal significance both to the Wesleyan Church, Sebastopol Victoria & the Clark family.Portable Writing Box. A wooden box with a hinged lid which opens to form a sloping writing desk, with inset purple velvet writing surface decorated in gold with an inscription. Writing surface is hinged & opens to 2 large storage compartments. Exterior veneered in dark figured hardwood. Circular lock at frontwith missing circular escutcheon. Top includes inlaid brass circular medallion. surface:Interior, inscription written in gold on purple velvet writing surface. "Presented to Miss Clark,by the Trustees of the Wesleyan Church, Sebastopol,in grateful recognition of her faithful and efficient services as Organist. Wm. Williams, Minister. September 1885.williams, writing box, miss lizzie clark, wesleyan church sebastopol wm, minister

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions) [crop marks over back]port of portland

Joshua Black was an Irish Stonemason who came to Portland. He helped to build many significant buildings including what is now the Royal Hotel and Julia Street Creative Space as well as the Scotts Presbyterian Church.Portrait of a man against a blank brown and black background. He is in formal attire, with black jacket, high-collared white shirt and black cravat. His hair (black) is parted on the left and he has side burns descending past his cheekbones. Framed in a black frame with gilding.Front: (no inscriptions) Back: (no inscriptions) Conservation Centre, Melbourne - label.portrait, portraits, male, man, victorian, portland, buildings, builder

Also postcard size black and white same scene but larger view with two vehicles, with inscription-General view Lakes camping park showing homestead.|Larger copy has the inscription Beautiful view of park from Whiters Lookout Tower.Black and white photograph of Whiters Park, showing residence and office, gardens, tennis court, early model car by the petrol bowser, electric lights on tall poles. Opposite park entry is Aults Motor Engineer, scattered cottages. In distance is Cunninghame Arm, sand hummocks and ocean. Lakes Entrance Victoriaresort, township, transport, recreation

Shipping Wonders of the World flyNo inscriptions and markingsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipping wonders of the world, book

Photographs of Ian and Margaret Rose McKendrick (nee Vyner) on their wedding day. Margaret was the daughter of Reta and Harry Vyner who were early residents of the Kiewa area during the construction of the Hydro Electric Scheme. Margaret and Ian were married at St. Mathews Anglican Church, Albury on 11th January 1958. The cream dress that Margaret wore was her Mother's dress, Reta Vyner. Note: Wedding Dress is stored in Box 66. Wedding Photo is in KVHS 0970(B) This wedding dress was part of a display in the Information Centre and is part of the social history of Mt. Beauty and Bogong Village during the construction period of the Kiewa Hydro Electric Scheme. It is typical of the apparel worn in the 1950's. Two photographs, one black and white and one sepia tone No inscriptions or markingswedding dress, clothing, mt. beauty, social history, mckendrick

This photograph shows the wharf in the 1980's. It is the early days of tourism, and shows Helen Coulson, dressed in period costume guiding the tourists. The sign shows distances from Echuca to significant sites on the Murray River in miles, as that was the way distance was calculated in the 1870's. The sign is no longer there.This photograph shows Helen Coulson as a tour guide. Helen was the first Manager of the Port of Echuca from the mid 1970's. The tourism industry was still in it's infancy and Helen was a strong supporter of the Port. The photograph also shows the structure of the wharf as the photograph is taken on the lower level.3 black and white photographs of tourists under the wharf with Helen Coulson, dressed in period costume, as a tour guide. The structure of the wharf can be clearly seen. Also a sign with towns showing their distance from Echuca, in miles, can clearly be seen. The three photographs are identical. There are no inscriptions or markings.helen coulson, echuca wharf., tourism, murray river, rosel, mike

The photograph is one of a series of photographs taken by Mike Rosel. Photographs P000027, P000028.2, P000029.3, P000030.2, P000031, P000032 are all held by Mike Rosel. This photograph shows Helen Coulson, the first Manager of the Port of Echuca, dressed in period costume, conducting a guided tour for a group of tourists, in the early 1980's. In the background another tour group is being guided through the Echuca Wharf Railway station. Shackell's Bond Store can be seen in the background. Echuca Hotel in High Street can also be seen in the distance. In the foreground there is a pile of sand bags.These photographs are significant because it shows Helen Coulson as a tour guide. It also shows that High Street could be seen from the wharf in the 1980's. These photographs also show the state of the wharf then.2 black and white photographs exactly the same,of tourists standing around a row boat which is sitting on top of the Echuca wharf. The tourists are listening to Helen Coulson, who is dressed in period costume. In the foreground is a pile of sand bags. More tourists can be seen in the background involved in a tour of the Echcua Wharf railway station. Shackell's Bond Store can be seen in the middle background, and Echcua Hotel, in High Street can be seen in the distance.There are no inscriptions or markings.helen coulson, shackell's bond store, echuca hotel, tourism, rosel, mike, echuca wharf

This edition has blue cloth binding with black and gold lettering and decoration with the busy Strand street scene on the front board. The magazine's cover, an illustration looking eastwards down London's Strand towards St Mary-le-Strand, with the title suspended on telegraph wires, was the work of Victorian artist and designer George Charles Haité. The initial cover featured a corner plaque showing the name of Burleigh Street, home to the magazine's original offices. The lettering on the plaque in Haité's design was later changed when Newnes moved to the adjacent address of Southampton Street. Six issues bound in one volume. Complete with half-title and title page with an index of contents. Yellow endpapers, slight foxing, and some tears on pages. Text and illustrating are clean and readable. Inside, the inner hinges are firm with no splits at the endpapers making for a sound and solid binding. All complete and in good order. No jacket. fictionThe Strand Magazine was a monthly British magazine founded by George Newnes, composed of short fiction and general interest articles. It was published in the United Kingdom from January 1891 to March 1950, running to 711 issues, though the first issue was on sale well before Christmas 1890. The Magazine contains articles and fiction by various authors including; chapters VI to XXI of The First Men in the Moon by H.G. Wells illustrated by Claude A. Shepperson; My Life on Devil's Island by Captain Alfred Dreyfus; Strange Stories from Life: three stories by Conan Doyle, An interview with Conan Doyle, and A Visit to Tennyson by Lewis Carroll and others. With illustrations throughout, many by notable illustrators of the time. https://en.wikipedia.org/wiki/The_Strand_Magazine#fiction, magazine

Lens was once the spare lens of the Cape Nelson Lighthouse.|Lens on display in MDC, with interactive component provided by the piece of broken lens - for handling. Investigations underway to use a low-watt light in the lens, which is in working order. Photos in Supplementary File.Glass lens with steel supports, painted black with bronze hinges and latches. From Cape Nelson Lighthouse - spare lens. Base for display purposes - section of contemporary concrete pipe.Front: (no inscriptions)lighthouse, cape nelson lighthouse

182 p.fictionst katherine's church st helena, dawn petts

254 p., illus.fictionst katherine's church st helena, dawn petts

Memorial to those who risked their lives at the wreck of 'Admella', Cape Northumberland 1859 (label, lwr left). Memorial was installed at the Sailors Home, Siddeley Street, Melbourne (now demolished) (label, lwr right)Front: (no inscriptions)

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing wooden tower surrounded by trees, a woman is half-way up a ladder on side of tower.Front: (no inscriptions)esther winifred hall, henty, 1934, portland centenary