Showing 10205 items
matching inside
-
Stawell Historical Society Inc
Photograph, “Maori’s Idol” Trotter - Brian Healy Marnoo
“Maori’s Idol” Trotter - Brian Healy Marnoo. Horse inside bar with silver cup drinking beer.stawell -
St Kilda Historical Society
Postcard, Graeme S Breydon, 6 Dickens St, St Kilda
Photo taken from inside Blessington St Gardens (Botanic Gardens) looking at property on Dickens Streetblack and white photograph, unmounted, original, good condition -
Moorabbin Air Museum
Manual (item) - Pratt & Whitney Twin Wasp R2000 Parts Catalogue, Twin Wasp R-2000 2SD13G
Note on the inside states "T.A.A. No.2105" which suggests the manual was previously used by Trans Australia Airlines -
Stawell Historical Society Inc
Photograph, Ledcourt Homestead interior with ladies -- Mrs Eileen Cooper nee Unknown and possibly Mrs Ethel Cooper nee Unknown -- Colored
Colour photo of inside of Ledcourt Homestead. Ladies are Mrs Eileen Cooper and possibly Mrs Ethel Cooperstawell -
National Vietnam Veterans Museum (NVVM)
Equipment - Sleeping bag liner, 1971
Used by Army in training and during service to put inside a sleeping bag, or instead of a sleeping bag in the heat.Khaki coloured rectangular nylon bag secured on one side by four press studs.CONLONS Australia, 1971, 8465-66-011-5816 (broad arrow)sleeping bag, personal equipment, conlons, geelong rsl, army, vietnam -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, East Gippsland National Estate Report, 1996
109 printed pages, plastic envelope containing maps inside rear cover, spiral wire boundBuff coloured cover with leaf pattern, left side of cover is brown, rear cover is monotone buff.documents, reports -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, LP Newspaper, 1/09/1993 12:00:00 AM
Also a second colour photograph of Mrs Jessie Coates sorting mail inside Post Office 04550.1Colour photograph of Mrs Jessie Coates retiring postmistress in side post Office at Buchan Victoriabridges -
Wangaratta RSL Sub Branch
Equipment - WW2 Telephone Set, Standard Telephone and Cables Pty Ltd, 1942
An example of a Telephone Set D Mk V which was used by Australian forces during the Second World War for verbal and Morse code communications over short distances via a telephone line.An example of a Telephone Set D Mk V which was used by Australian forces during the Second World War for verbal and Morse code communications over short distances via a telephone line. Rectangular aluminum green painted box with broad canvas webbing strap secured to the side of the body through metal loops. Two vertical webbing loops are attached to the rear of the body. Stencilled in black on top TELE. SET. D. MK. V.'. The housing opens by a hinged fold back lid that is secured by a hook and eye closure. Attached to the inside of the lid are two metal plates. The first is a circuitry diagram, the second is the instructions for use of the set. The interior contains the phone assembly and is divided by a metal shelf. On the left is a bell with two screw terminal in front. At the center is the telegraph key and behind that is the battery box with a small metal plate with, 'TELEPHONE SET. D.MK.V To the right is metal box with two terminals in frontAttached to the bottom of the shelf is a slide out metal key Below the shelf is a compartment in which is stowed a black metal headset with provision for a bakelite handset with attached cord and four-prong plug.Tele Set stamped on outside of unit. Inside lid plaque - Telephone Set D MK V -
Bendigo Military Museum
Book - BOOK, RAF, 1937
Item belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No 1959 for his service history. RAF Pocket Book 1937, AP 1081 Stamped inside cover M L MATHESON, 87 Reservoir Strathdale Bendigo 3550. Orange vinyl colour with inside pocket containing copy of appendix V Booklet.On Book Plate “M MATHESON”books reference, military history - airforce, raf -
Warrnambool and District Historical Society Inc.
Document, First Formal Mess, 1960
This program contains a menu and order of events for the evening on Saturday 6th February 1960.. It was held by the United Service Institution of Victoria, Warrnambool Branch which was a group associated with naval, military and Air Force background. When the organisation was established in 1891 their membership was officers of the three disciplines and their main objective was the higher professional education of officers and to maintain forces in a state of efficiency. To this end they attempted to establish reading rooms , museums and lecture rooms. This card has come to the society from W R Angus who was a local doctor in Warrnambool for many years.Significant for its list of local signatures and their link with a state organisation.Cream card with black text with logo in centre front of the page. There are a number of signatures over the front and back coversand also inside .The inside pages has a menu on one side and the toast list on the right hand side.Please return to W R Angus. There are a number of signatures some of which are unreadable. but include Bell, Langley, John Andrew Brown,C Phillips, J J Godfrey,C Phillips, D A Austin * Rorke, Howletts G R Philpott W Noyes, Helsham A W Stewart, W Titchman, O' Connorwarrnambool,, w r angus, united service institution of victoria -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Sailing Ship in Bottle, POW- Pedereul, Sailing Ship Wendy, 1944
Made by a POW as gift to Guard Clement Williams to celebrate the birth of a daughter A 3 mast sailing ship inside a spirits bottle. Polished wood with white sails. The name "Wendy" on the hull. A distant scene is painted on the back inside of bottle. A dark stained wooden stand is provided to hold the bottle."Wendy" on hull. "POW Pedereul Murchison POW 7231 Murchison" on bottle.pow, camp 13, murchison, ship in bottle -
Flagstaff Hill Maritime Museum and Village
Lamp
Lamp square brass & glass with cage on outside, inside parts intact. Has metal swivel handle & hinged top the number 5 written in texta pen inside lid.Measurments 6" x 6" x 13".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Orbost & District Historical Society
book, Autographs, 1920's
Possibly owned by Joseph H. Keightly Heath St Gildenhall Stoke-on-Trent N. Staffs EnglandA rectangular book with a dark grey/green cover which is padded. The word AUTOGRAPHS is stamped in gold on the ront cover. The inside covers are marbled and the pages are gold edged. Inside are autographs of early Orbost residents, sketches and comments.autographs orbost album -
Dandenong/Cranbourne RSL Sub Branch
Metal Helmet, 1939-1945 circ
Round metal Belgian WWII helmet with chin strap. Inside head harness/fitting of leather with shoestring adjustments and 4 rubber buffers between harness and metal helmet, Inside of helmet reinforced with cross metal strapping. Name Jolley painted in white on outside front. Black Yellow Red Patch on outside right hand side. -
Bendigo Military Museum
Equipment - TELEPHONE WW2, 1939 onwards
The FULLERPHONE was invented by Capt AC Fuller British Army to resolve a “Eavesdropping” problem by the enemy in 1915. This model was introduced in 1939 and several other MK variations followed later on.Fuller phone MKIV, green wooden box with metal hinged lid, steel strapping around box & lid. Steel handles on 2 sides. Inside is the phone apparatus. On the lid inside is metal plate with instructions on use.“Fuller Phone MKIV 2005”military equpment - communications, communications - telegraphic, fuller -
Bendigo Military Museum
Headwear - HELMET, UNITED NATIONS
Helmet belonged to "Gordon Bruce Bearman". Served in the Citizen Military Forces - Nov 1965 to April 1979. Army Reserve Aug 1980 - Oct 1984. Part of this time was spent in Cyprus with United Nations Peacekeeping. Blue painted helmet with United Nations insignia on front. Initials "UN" on right hand side. Inside of helmet is brown in colour. Adjustable webbing is attached with rivets to inside to fit wearer's head. Chin strap missing.On transfer on right hand side "UN" , united nations peacekeeping, uniform, helmet, gordon bruce bearman -
Bendigo Historical Society Inc.
Book - BUSH COLLECTION: STOCK BOOK (BUSH'S STORE), 1915
Hard-bound stock Book (Bush's Store). Inscribed in ink on inside cover 'Stock Jan 14th 1915 fol1'. Stamped on inside cover - ''Mason & Carter, Stationers Etc Main St Bairnsdale' (Hence - Bush).person, individual, bush collection - personal -
Tatura Irrigation & Wartime Camps Museum
Tin box, First Aid Kit
Used as a first aid tin for Reilly's Flour Mill. Contents still inside (3 unknown measuring devises, Zain Buk ointment, APC Bottle, Rexona ointment, tin of Zonas adhesive plaster (small roll inside), 2 small rolls of gauze bandage, piece of wadding, 3 different size finger stalls, temperature gauge, tweezers).Black tin box with catch and oval handle, hinged lid.first aid kits, reilly's flour mill -
Ballarat Tramway Museum
Photograph - Framed Photographs, Floral Tram, No. 29, 1938
In 1938, the SEC Ballarat decoarated a tram with paper flowers for the Floral Festival. Has four ladies dressed in matching clothes standing inside the tram and four inside the doorways. Photographed in Wendouree Parade with Lake Wendouree in the background. The story is that it rained on the day and the ink in the dresses ran. See Reg Item 5188 for a coloured postcard of the ladies standing outside the tram. Yields information about a tram decorated for the 1939 floral festival colour scheme and has a strong association with the people involved in it. Demonstrates the colours used.Framed photograph of the 1939 Floral Tram, No. 29, photographed in Wendouree Parade, rendered, hand painted, in colour. March 1939. Frame - wooden, light brown frame, glazed, with a cut cardboard piece framing the photograph and most of the damage around the print. Has two rounded screw hooks with picture wire between them.Has a label on the front of the glass "Decorated Tram 1938" and number 01291. On the cardboard piece are the initials upside down "FKN"trams, tramways, floral tram, decorated trams, tram 29 -
Wangaratta RSL Sub Branch
Administrative record - Book, Propeller Log Book, 1967
Australian Army Cessna used during Vietnam War - Logbook contains service history between 1/5/1978 to 28/1/2011 when propeller was removed from aircraft. Contained inside sleeve attached to inside rear cover is cardboard record detailing service history between 17/7/1967 and 6/8/1974Grey cardboard book with spine bound in blue fabricSymbol containing Department of Transport Australia Propeller Log Book Serial No 61209 Log Book No Onelogbook, australian army cessna, vietnam war -
Kiewa Valley Historical Society
Plate - CWA
Country Women's Association of Victoria was a popular, widely known organisation throughout Australia.Historical: Each town / area in the Kiewa Valley had an active CWA.Ceramic cream speckled plate with green insignia of the CWA in the centre. Insignia: Green circle, Victoria in gold at top in side circle beneath which is a green shield with CWA overlapping letters inside. The base is cream with an inside circle base allowing sides to slope upwards. Inside the base is inscribed in silver 'Smith' - this centre part is thinner than the rest of the plate.'Smith' on the base.country women's association, cwa, victoria, community, volunteers, charity -
Bendigo Historical Society Inc.
Administrative record - Stock Book
The item is a hard cover book recording stock in 1889 for T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page lists goods by location, quantity, description, prices with price total at the bottom of each page. Locations include shelves, floor, yard, factory, paint shop. Pages 1 to 175 have been numbered by hand. An alphabetical index list types of stock from pages 158 to 164. Pages from number 165 to the end of the book are blank. The hard cover is patterned and shows some wearing at the corners and front and large patches of wear on the back. The spine edge is red with considerable wear at the top and bottom. The front cover has a paper rectangle stuck to the middle, with an ornate printed border and "Stock 1889" handwritten inside the border. The pages are bound together with string. This item is part of the Margaret Roberts Collection.The front cover has a paper rectangle stuck to the middle, with an ornate printed border and "Stock 1889" handwritten inside the border. A list of numbers is handwritten inside the back cover. The first six numbers are crossed out. Ticks and crosses sit beside some of the numbers.margaret roberts collection, ironmongers, forest street, bendigo businesses -
Woodend RSL
Equipment - Pattern 37 Utility Pouch
Utility Pouch was a rectangular web case that was designed to carry three Bren 30 round magazines, or two Anti-tank Rifle Magazines, or Small Arms Ammunition, or a number of Grenades, or a Water Bottle. They were secured with a flap at the top, hinged at the rear, which was fastened with a brass stud fastener on a short web tab.The object is representative of utility pouch/pouch for carrying magazine/ammunition and other items of equipment from the mid to late 20th century. The original design is the 1937 pattern web equipment.Utility Pouch of rectangular web case. Of rectangular parallelepipped shape made of thick and sturdy fabric (canvas). The colour is of a pale shade of green. Front view - Rectangular shape with overlapping closing flap with a press-stud fastener to maintain closed. Left and right views - Both sides are identical. Made of a one piece of fabric forming the base as well ("U" shape) Back view - Rectangular with metal hooks on the middle part for attachment to a belt. There is a Twigg buckle on the top part of the pouch mounted on another piece of canvass ending in a triangular shape. . Bottom view - ‘the fabric forming the base is also forming the sides of the pouch. Top view - closing flap overlapping on 3 sides and forming part of the back of the pouch. Inside view - There is excess fabric from the back panel that forms an additional layer at the base of the pouch.. Handwritten on the back: 3/750133. DELVE S.J.E. On the inside of the closing flap: presence of very faded markings (unreadable) -
Flagstaff Hill Maritime Museum and Village
Domestic object - Bowl
The Process of Making Pottery Decorating, Firing, Glazing, Making, Technical There is a rhythm and flow to clay. It can’t be done all at once! Even the making process! It can take weeks to get everything done, especially if you can only work on your pottery once a week! Even though we have three hour classes, it’s often just not enough time! Here is an overview of some of the processes so you have a bit more grasp on some of the technical stuff! Step One – Design There are SO many ideas out there for making stuff in clay! From delicate porcelain jewellery, through to heavy sculptural work and everything in between. Deciding your direction is sometimes not that easy – when you first start, try everything, you will naturally gravitate to the style that you enjoy! The options and variations are endless and can get a wee bit overwhelming too! Check in with me before you start to ensure your ideas will work, what order you might do things, how you could achieve the look you are seeking and any other technical data required! Step Two – Making Clay is thixotropic. This means that as you work with it, the clay first gets sloppier and wetter, before is begins to dry in the atmosphere. For most things, you simply can’t do all parts of the project at once. An example of work order might look like: Get last weeks work out from the shelves Prepare clay for today’s work – roll your clay, prepare balls for throwing, make the first stage of a pinch pot) Clean up last week’s work and put it on the shelf for bisque firing Check that you have any glazing to do – and do enough of it that you will have time to finish your main project Do the next step of your next project – there might be a further step that can’t be complete immediately, in that case, wrap your work well and put onto the shelves. Letting your work rest for a while can really help keep your work clean and professional looking. Many things require bagging under plastic to keep it ready for work the next week – put your name on the outside of the bag so you can find your work easily. We have stickers and markers. Consider how you want to decorate your work – coloured slip can be applied at a fairly wet stage (remembering that it will make your work even wetter!). Trying to apply slip to dry clay won’t work! If you want to do sgraffito – you will need to keep the work leather hard (a state of dryness where you can still work the clay with a little effort and a little water and care). Step Three – Drying Most of the time your work can go into the rack uncovered to let it dry out for the following week. If you want to continue forming or shaping you will need to double bag your work – put your work on a suitable sized bat and put the bat in a bag so the base of the bag is under the bat, then put another bag over the top of the work and tuck the top of the bag under the bat. If you want to trim (or turn) your thrown work the following week, it should also be double bagged. If your work is large, delicate, or of uneven thicknesses, you should lightly cover your work for drying. When considering the drying process, bare in mind the weather, humidity and wind! The hotter and dryer, the faster things dry and work can dry unevenly in the shelves – this can lead to cracking – another time to lightly cover your work for drying. Step Four – Trimming and Cleaning Up Your work is dry! It is called greenware now and it is at it’s most fragile! Handle everything with two hands. I often refer to soft hands – keep everything gentle and with your fingers spread as much as possible. Try to not pick up things like plates too much, and always with both hands! Before your work can be bisque fired it should be “cleaned up”. You work won’t go into the kiln if it has sharp edges – when glazed, sharp edges turn into razor blades! Use a piece of fly wire to rub the work all over – this will scratch a little so be light handed. Use a knife or metal kidney to scrape any areas that require a bit more dynamic treatment than the fly wire offers! Finally, a very light wipe over with a slightly damp sponge can help soften and soothe all of your edges and dags! Trimming thrown work: If you are planning to trim (or turn) your thrown work (and you should be), make sure you bag it well – your work should be leather hard to almost dry for easiest trimming. Use this step to finish the work completely – use a metal kidney to polish the surface, or a slightly damp sponge to give a freshly thrown look. Wipe the sponge around the rim after trimming, and check the inside of the pot for dags! Trimming slip cast work: Usually I will trim the rims of your work on the wheel the following day to make that stage easier, however you will still need to check your work for lumps and bumps. Last but not least – check that your name is still clearly on the bottom of your work. Step Five – Bisque Firing When the work is completely dry it can go into the bisque kiln. The bisque kiln is fired to 1000°C. This process burns off the water in the clay as well as some of the chemically bound water. The structure of the clay is not altered that much at this temperature. Inside the bisque kiln, the work is stacked a little, small bowl inside a larger bowl and onto a heavy plate. Smaller items like decorations or drink coasters might get stacked several high. Consideration is paid to the weight of the stack and shape of the work. A bisque kiln can fire about one and a half times the amount of work that the glaze kiln can fire. The firing takes about 10 hours to complete the cycle and about two days to cool down. Once it has been emptied the work is placed in the glaze room ready for you to decorate! Step Six – Glazing Decorating your work with colour can be a lot of fun – and time consuming! There are three main options for surface treatment at this stage: Oxide Washes Underglazes Glazes Washes and underglazes do not “glaze” the work – It will still need a layer of glaze to fully seal the clay (washes don’t need glaze on surfaces not designed for food or liquid as they can gloss up a little on their own). Underglazes are stable colourants that turn out pretty much how they look in the jar. They can be mixed with each other to form other colours and can be used like water colours to paint onto your work. Mostly they should have a clear glaze on top to seal them. Oxides are a different species – the pink oxide (cobalt) wash turns out bright blue for instance. They don’t always need a glaze on top, and some glazes can change the colour of the wash! The glazes need no other “glaze” on top! Be careful of unknown glaze interactions – you can put any combination of glaze in a bowl or on a plate, but only a single glaze on the outside of any vertical surface! Glazes are a chemical reaction under heat. We don’t know the exact chemicals in the Mayco glazes we use. I can guess by the way they interact with each other, however, on the whole, you need to test every idea you have, and not run the test on a vertical surface! Simply put, glaze is a layer of glass like substance that bonds with the clay underneath. Clay is made of silica, alumina and water. Glaze is made of mostly silica. Silica has a melting point of 1700°C and we fire to 1240°C. The silica requires a “flux” to help it melt at the lower temperature. Fluxes can be all sorts of chemicals – a common one is calcium – calcium has a melting point of 2500°C, however, together they both melt at a much lower temperature! Colourants are metal oxides like cobalt (blue), chrome (green through black), copper (green, blue, even red!), manganese (black, purple and pink) iron (red brown), etc. Different chemicals in the glaze can have dramatic effects. for example, barium carbonate (which we don’t use) turns manganese bright pink! Other elements can turn manganese dioxide brown, blue, purple and reddish brown. Manganese dioxide is a flux in and of itself as well. So, glazes that get their black and purple colours, often interact with other glazes and RUN! Our mirror black is a good example – it mixes really well with many glazes because it fluxes them – causes them to melt faster. It will also bring out many beautiful colours in the glazes because it’s black colouring most definitely comes from manganese dioxide! Glaze chemistry is a whole subject on it’s own! We use commercial Mayco glazes on purpose – for their huge range of colour possibilities, stability, cool interactions, artistic freedom with the ability to easily brush the glazes on and ease of use. We currently have almost 50 glazes on hand! A major project is to test the interactions of all glazes with each other. That is 2,500 test tiles!!!! I’m going to make the wall behind the wheels the feature wall of pretty colours! Step Seven – Glaze (Gloss or sometimes called “Glost”) Firing Most of the time this is the final stage of making your creation (but not always!) The glaze kiln goes to 1240°C. This is called cone 6, or midrange. It is the low end of stoneware temperatures. Stoneware clays and glazes are typically fired at cone 8 – 10, that is 1260 – 1290°C. The energy requirement to go from 1240°C to 1280°C is almost a 30% more! Our clay is formulated to vitrify (mature, turn “glass-like”) at 1240°, as are our glazes. A glaze kiln take around 12 hours to reach temperature and two to three days to cool down. Sometimes a third firing process is required – this is for decoration that is added to work after the glaze firing. For example – adding precious metals and lustres. this firing temperature is usually around 600 – 800°C depending upon the techniques being used. There are many students interested in gold and silver trims – we will be doing this third type of firing soon! After firing your work will be in the student finished work shelves. Remember to pay for it before you head out the door! There is a small extra charge for using porcelain clay (it’s more than twice the price of regular clay), and for any third firing process! Once your work has been fired it can not turn back into clay for millennia – so don’t fire it if you don’t like it! Put it in the bucket for recycling. https://firebirdstudios.com.au/the-process-of-making-pottery/ This bowl is an example of kitchenware used in the 19th century and still in use today.Bowl white ceramic plain that has two sets of edging around lip. Inside bowl has plaster designed to look like cooking mixture.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, kitchen equipment, ceramic -
Bendigo Historical Society Inc.
Clothing - ALLAN MONAGHAN COLLECTION: DEEP YELLOW TRACKSUIT TOP, 1970-1990
Deep yellow tracksuit top with dark green trim-7cm band around waist, 7cm band at wrist, 3.5 cm band on either side of front zipper opening. 16 cm roll over collar and 4 cm band on top side of raglan sleeves from shoulder to wrist band. dark green appliquéd letters across the back of the garment "AUSTRALIA''.Lower front :LHS has diagonal zipper (15cm) for internal pocket. Inside body of garment is lined with white perforated nylon fabric. Sleeves unlined.''SPEEDO'' emblem appliqued over RHS chest. Label inside back neck ; Speedo Actionwear in 100% nylon, 40''-106cm. Made in Britain Under licence''.costume, male, deep yellow tracksuit top -
Beechworth RSL Sub-Branch
Uniform - Hat Beret
Beret dark green size 52 of the Royal Australian Ordnance Corp; black cotton bias ribbon securing the outer and inner material; cotton bias ribbon draw string to adjust fit to head size; Royal Australian Army Ordnance Corps cap badge there is a plastic weather proof lining on the inside four air holes 5mm dia 20 mm apart Inside beret storage bar code label with: NSN 8410-66-097-7302/Beret W Dark Green 52/ self adhesive clothing stores sales price tag / D8410 66/M097 7302/ >>>$8.80 -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1880s to 1910s
This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. The bottle’s shine has been worn from around 3/4 of its body, indicating that it has been resting horizontally on an abrasive surface, perhaps in the ground or on a river or sea bed. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. This turn-moulded glass bottle is made distinctive due to its round seamless body and indented base.Bottle, dark green glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ bump in the centre. Bottle is straight from base to half height, then tapers to a shoulder over the next quarter, than almost straight up to the mouth. The shine has been worn from three-quarters of the body of the bottle. There are particles adhered to the inside of the bottle. Possibly used for ginger beer. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, green glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker -
Kiewa Valley Historical Society
Educational Program, Two Years in the Infant School. Topics 1 to 21; 22 to 42; 43 to 63; 64 to 84
This educational program was used at Mt Beauty Primary school possibly in the 1950s.Historical: Mt Beauty primary School was establish in the late 1940s as a result of an increase in the population due to the Kiewa Hydro Electric Scheme. Provenance: As a new school it was considered to be very modern with the latest equipment. This program can be compared to other programs used in Education.4 grey boxes which open up with a lid that is the shape of the box cut diagonally in half. The side opposite the hinge falls down as it is attached at the bottom (not the sides). Inside are a lot of pamphlets. Each topic is bound with string through 2 holes punched along the side. Each topic is numbered and of about 8 Sections which cover each area of the curriculum. eg. Topic 19 is 'Sugar' and has 14 pages. Box 1 has topics 1 to 21; Box 2 has topics 22 to 42; Box 3 has topics 43 to 63 and Box 4 has topics 64 to 84.Inside front of box in ink 'E.A. Plyton(?) On cover page: Two Years / in the / Infant School / Prepared / Under the Supervision of / Enid Blyton, N.F.U.mt beauty primary school. educational program. enid blyton. teaching infants. -
Bendigo Historical Society Inc.
Textile - GREY COTTON GLOVES, Worn from 1960s onwards
Textiles. Grey cotton gloves. Fastened at wrist with dark grey plastic button (1.4 cm) and button hole. Three pin tucks on back of glove. Three other pairs still inside cellophane sleeves. 2 X size 10; 1 x size 9 1/2. Stapled. Beehive labels removed , uncatalogued.Label inside RH glove ''Dent's cotton Made in England''.Cardboard label-removed and stored separately, ''The Beehive 4R 13/11''. Printed on Cellophane sleeves, 'Dents gloves'. 'Hand in Glove with the World'. Made in England'. Picture of a Gloved hand holding a world glove.textiles, domestic, grey cotton gloves -
Shepparton RSL Sub Branch
Uniform, Jacket, 8th. July 1971
Peace Time (1971) Navy CommodoreBlack Wool. Royal Australian Navy. Commodore Mess Jacket. Gold Lace Rank to both Lower Sleeves. Gold Buttons (8). Gold Thread Australia to both shoulders. Two Fob Pockets to Front. Black cotton lining. Pocket to left hand inside Australia to both shoulders. Inside left of jacket J.N.Crosthwaite. (John Nevil) C.G.C.F. Which is Commonwealth Clothing Factory. R.A.N. Which is. Royal Australian navy. Made in australia. Gold Circular Rosette 4.5cm dia. Width of Gold Laceing. 4.5cm. Two Jacket buttons Link with metal link. Black cotton lining in side. Lable to Collar C.G.C.F.uniform, royal australian navy, commodore