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Whitehorse Historical Society Inc.
Photograph, Display - Arts on Parade, 1/06/2001 12:00:00 AM
Coloured photograph of display ladies' nightwear from the collection for Whitehorse Arts on Parade held in Whitehorse Centre on weekend 29th June to 1st July 2001.whitehorse arts council, arts on parade, nunawading and district historical society. -
Whitehorse Historical Society Inc.
Functional object - Card of Buttons, c1930
From the Betty McPhee sewing collection.A card labelled 'Modern Miss' with a colour picture of a ladies face and a reel of thread and scissors with five 22 cm cream plastic buttons attached by thread.'Modern Miss'handcrafts, dressmaking -
Numurkah & District Historical Society
Ladies handbag - taupe colour, suede
Ladies handbag, suede, taupe colour, gold metal hinge and round gold metal lock. strap handle made of taupe leather, Suede lining Inside bag: Reptilehandbag, ladies, -
Southern Sherbrooke Historical Society Inc.
Ladies Guild minutes - Carlotta Tye Memorial Church, 1972-1977
Photocopied pages from an exercise book, containing minutes of various meetings of the Selby Ladies Guild between 23/2/1972 and 15/6/1977.carlotta tye memorial church -
Bendigo Historical Society Inc.
Document - BERT GRAHAM COLLECTION: BENDIGO EAST CARPET BOWLS, 27/8/1952 - 1/3/1977
Documents Bert Graham Collection, Bendigo East Carpet Bowls and Ladies bowls, annual meetings from 27/8/1952 - 1/3/1977.bendigo, clubs, bendigo east progress carpet bowls -
Bendigo Historical Society Inc.
Document - BERT GRAHAM COLLECTION: BENDIGO EAST SWIMMING CLUB LADIES COMMITTEE, 24/5/1966 - 26/11/1974
Documents, Bert Graham Collection, Bendigo East Swimming Club Ladies Committee, annual meetings for the Kiosk from May 24th 1966 to Nov 26,1974.bendigo, clubs, bendigo east swimming club -
Bendigo Historical Society Inc.
Slide - FLEMING COLLECTION: 1950S BENDIGO SLIDE, 1950s
Bendigo 1950s. Bendigo Easter Fair 22/4/1957. Base Hospital float. 2 ladies sitting on float. Girls marching along side.Kodakevent, easter fair, bendigo easter fair, bendigo 1950s. bendigo easter fair 22/4/1957. base hospital float. 2 ladies sitting on float. girls marching along side. -
Bendigo Historical Society Inc.
Document - BERT GRAHAM COLLECTION: BENDIGO EAST SWIMMING CLUB, LADIES COMMITTEE, 26/4/1960 - 13/12/1965
Document, Bert Graham Collection, Bendigo East Swimming Club, Ladies Committee, Minutes Book, from 26 April 1960 - 13 December 1965.bendigo, clubs, bendigo east swimming club -
Tennis Australia
Reproduction, Post 1890
Reproduction of c1890 watercolour 'The Lawn Tennis Party (also known as Ladies' Volley'), byTito Agujari. Materials: Ink, Paper, Metal, Wood, Glass, Cardboardtennis -
Surrey Hills Historical Society Collection
photograph, Ivy Burns with her parents, Elizabeth and Samuel Bolton, 1940
Samuel and Elizabeth Bolton with daughter Ivy at about the time of her wedding in 1940. Samuel Bolton was a butcher at Euroa before they came to live at 244 Union Road, Surrey Hills (some time between 1926-1931). He had a shop at the Mont Albert tram terminus. After he sold it, it became part of the supermarket on the north side of Whitehorse Road. Elizabeth Bolton was the daughter of James Albertus Maker (1854-1941; died Surrey Hills) and his wife Tabitha Butterfield (1863-1935). Ivy Lillian Ellen Bolton was born at Seymour in 1908; she married Patrick James Burns in 1940 at Holy Trinity, Surrey Hills. She died in 2004 at Mansfield and is buried at Fawkner Cemetery, as are her parents. A black and white photograph of three people, two ladies and one gentleman, all dressed very smartly including hats. The younger lady is wearing gloves.(mr) samuel bolton, (mrs) elizabeth bolton, (miss) ivy bolton, (mrs) ivy burns, butcher, mont albert, clothing and dress, hats, (miss) elizabeth maker -
Mont De Lancey
Clothing - Baby bibs, 1920
Two white baby bibs: one is silk crocheted and the other is made of white cotton with two embroidered outlines of ladies wearing purple bonnets - c1920.baby clothing, baby bibs -
Phillip Island and District Historical Society Inc.
Ticket, 1999
Donated by Bruce ProcterSepia coloured ticket to the 75th Anniversary of Warley Hospital & The Continental Hotel Dinner Dance, 6/3/1999.Ticket No. 054. Dress - Ladies - After 5 fashions over last 75 years. Men - Lounge suit or Black tie.warley hospital 75th anniversary, the continental hotel, bruce procter -
Glenelg Shire Council Cultural Collection
Award - Award - Silver Lidded Trophy, Portland Caledonian Society, n.d
Portland Highland Pipe BandSilver double handled urn, with lid, mounted on brown bakelite stand. The urn tapers downwards, and has a grecian keyfrieze around upper lip. Lid tapers to a point at top. Base in two tiers: 1st, 8 s, ded, sitting on round base. Inscription on urn.Front: Urn- ' Portland Caledonian Society Trophy Highland Gathering 1962 Street March Portland Ladies Highland Pipe band -
Rutherglen Historical Society
Certificate, Corowa Free Press, 1945 Corowa Eisteddfod, 1945
Mrs Grail was a well known social singerFirst prize certificate printed in black on medium blue background on light card, Awarded to Mrs William Grail at the Corowa Eisteddfod in 1945"First Prize Awarded to Name: Mrs. W. Grail Item: Sacred solo. Ladies Points: 95 Adjudicator: Harold Rodgers" mrs grail, corowa, first prize, sacred solo ladies -
National Wool Museum
Document - Business Card, Tina Knitwear, 1980-2000
Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Standard size cream business card with black embossed lettering.front: TELEPHONE: 596 1489 / TINA KNITWEAR / FOR ALL MEN'S AND LADIES' WEAR / 17 ORCHARD STREET, NORTH BRIGHTON, 3186knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Clunes Museum
Photograph, 1988
PHOTOGRAPHS TAKEN BY RON PRYOR 1988COLOURED PHOTOGRAPHS CLUNES BOWLING CLUB HONOUR / MEMORIAL BOARDS. 1. DESIGNED AND DONATED BY LACHLAN McLENNAN - BILL JONES MEMORIAL. 2. DONATED BY W.S.&M. ANDERSON - CLUNES LADIES BOWLING CLUB. 3. JANET McDONALD MEMORIAL PAIRS. 4. CLUNES BOWLING CLUB PRESIDENTS & CHAMPIONS BOARD DONATED BY JACK McMILLAN. 5. CLUNES LADIES BOWLING CLUB CHAMPIONS AND PRESIDENTS.local history, photography, photographs, sport, bowling club clunes -
Ballarat Clarendon College
Framed photograph, c1907
Clarendon Ladies College class photograph Gray-scale photograph, neutral mount and carved varnished, natural wood frame -
Lorne Historical Society
Photograph, Opening Great Ocean Road 1922
Photograph of what is a decorative arch with fans being inscribed "Eastern View Wishes Good Luck" Six elegantly attired ladies, and two gentlemen there is a car in the background. g.o.r opening 1922. eastern view -
Orbost & District Historical Society
black and white photograph, January 1901
This photograph was taken at the "old station" at Corringle near Orbost. It was a popular picnic spot. Late in 1857 Mr Thomas T. Stirling took over Corringle Run ("Corringle" means "shallow water"). Mr Stirling and his family came from the wester district - Winchelsea. He settled at the Old Station. A few people were employed at the Orbost Stationb and there was settlement on the Orbost flats, Mr T. T. Stirling held the land from Lake Tyrers to Bemm River as a cattle run. About 1888 he became Secretary of the new Tambo Shire.This is a contemporary pictorial record of rural family life in Orbost in the early 20th century.A black / white photograph showing people on a beach with some in the water. those on the sand are dressed formally - men wearing suits and hats, the ladies in long dresses and hats.on back - "Picnic at OLD STATION Jan 1901"orbost-station orbost-family-life recreation -
Flagstaff Hill Maritime Museum and Village
Shoe sole
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oak with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Sole of a ladies shoe, part of the stiching has parted, in a poor state of disrepair. Some encrustation. Artefact Reg No S/127.Recovered from the wreck of the Schomberg.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, schomberg, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, ladies shoe, sole -
Bendigo Historical Society Inc.
Book - FOREST STREET UNITING CHURCH COLLECTION: MEETING MINUTE BOOK, 1893-1896
Wesleyan Church Forest Street Bendigo Minutes of Meetings - Trustees of Church Ladies of Congregation. 1893-1896 Light brown cover with marbled pattern. Handwritten minutes.church, history, uniting church forest street -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: MEN'S AND LADIES PULLOVER NO. 147, not known
Photograph: black and white photo of man and woman posing in cable knit pullover. On top of photo '504 men's pullover, 0/212 ladies pullover no. 147'Hanroorganization, business, hanro, hanro, bendigo, manufacturing, clothing, samples -
Bendigo Historical Society Inc.
Clothing - BLACK ONE PIECE LADIES BATHERS
Black one piece ladies bathers with bra inserts and skirt front. Square neckline. White embroidered chain pattern around neckline and on straps over shoulders.Tag on Inside seam, ''Made in England'' '' All Bri Nylon'' Palmers Swimwear''.costume, female, black one piece bathers -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR LADIES SHORT BLACK GLOVES, 1950's
One pair of ladies black cotton wrist length gloves. Three pintucks on back of gloves. Fold over 2.5 cm cuff at wrist with scalloped edge,Labels inside both gloves; ''MAMBO 7 ALL COTTON''costume accessories, female, ladies short black cotton gloves -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR LADIES LONG BLACK FINGERLESS GLOVES, 1950's
One pair of ladies nylon black elbow length fingerless gloves. Pleated frill around seam at elbow. Diamond pattern, see through fabric , no labels.costume accessories, female, ladies long fingerless gloves -
Tatura Irrigation & Wartime Camps Museum
Photograph, Bulach, Ehnis, Beilharz and Froschle Family February 1943
The Bulach, Ehnis, Beilharz and Froschle families were interned in Camp 3 during WW2. Photograph taken 13 February 1943. Back row (left to right): Fritz Bulach, Annelise Bulach, Eleonore Ehnis, Hermann Beilharz, Friedhelm Bulach, Irene Beilharz, Friedrich Froschle. Front row: Gunda Froschle, Ernstine Beilharz, Rudiger Froschle, Heinz Bulach and Anne Bulach. Black and white photograph of a 6 people standing, 3 women sitting with 2 children on ladies lap and 1 child standing in front of a hut, camp 3. internment camp 3, bulach family, ehnis family, beilharz family, froschle family -
Stawell Historical Society Inc
Footwear - Costume and Accessories
Ladies Ankle Boots in Brownish Black Leather above ankle. Lace ups. Mid height heel, tin plate on heals. Size 5. Dane Family. stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Ladies Black Silk Jacket. Silk, High Neck, Leg of Mutton Sleeves. Tucked Collar. Black Lace Guipure on front Cuffs. Sateen Lining. Boned.stawell clothing material -
Clunes Museum
Clothing - CAMISOLE
CREAM COLOURED SILK LADIES SLIP ON CAMISOLE, MACHINE AND AND HAND EMBROIDERED. NARROW ELASTIC IN CASING AT WAIST AND FINE SCALLOP EDGING ROUND NECK AND ARMHOLE OPENINGS.local history, costume, ladies lingerie, costumes, female underwear -
Whitehorse Historical Society Inc.
Document, Blackburn North Progress Association, 1953-1969
Blackburn North Progress Association papers incl. Minutes and Account books of the Association and its Ladies Auxiliary and Social Committee.Blackburn North Progress Association papers incl. Minutes and Account books of the Association and its Ladies Auxiliary and Social Committee. See list of Contents in box for details.Blackburn North Progress Association papers incl. Minutes and Account books of the Association and its Ladies Auxiliary and Social Committee.blackburn north progress association, minutes, account books