Landscape view. Mountjoy on hill, post office and residence with fence and sign post. Mrs Eliza Hand and (probably) Miss Florence hand outside. Another person standing on Ridge Road on the left. On right, the Methodist Church.eliza hand, florence hand, methodist church, mountjoy, mt dandenong north, post office, ridge road

Yields information about the Victoria St and its Gardens with a tram passing. Shows the road and garden arrangement when trams were operational.Colour slide - 35mm - of the Ballarat tram No. 11, inbound from Victoria St, with the railway bridge in the background. Note the rose bushes and gardens in the Sturt St. landscaping strips on either side of the roadway. Photo Chas Bevan."Ballarat trams 1971"tramways, trams, sturt st, gardens, victoria st, tram 11

This is a view of one of the settled parts of Sunbury when it was a small country service town and before its rapid suburban expansion.A black and white photo with a cream border of a landscape in a country town. A driveway is in the foreground wi A small settlement on a distant rise is visible. a post and rail fence in the middle distance and two tries growing beyond the fence line.

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Winner of the Australian Primary Student Design Award section of the Australian Bookplate Design competition 2020.Freehand drawn quartered shield within a rectangular border. The four segments of the shield are drawn with - clockwise from upper left, Boy doing handstand, earth & rocket, Girl on skateboard surmounting smiley sketch, dog in landscape.Ellie Flanagan lower right of sketched frame.

Postcard Album of Blanche Sly. Postcards stored in Folder 81 (49 postcards). 1403.1 - 1403.28 Grey linen look cover with picture of a small sailing boat pasted centre front pf cover. Partly torn sticker on lower LH corner. Blanche Victoria SLY Born: 11 Oct 1890, daughter of William and Hannah Sly Address: 1913; Loddon Vale Address: 1980; 100 Barnard Street Bendigo Died: Bendigo 12 June 1982, buried Bendigo G3 William Sly: Born: 1856 at Smythesdale, Victoria Married in Victoria in 1887; Hannah Theilman Died: Bendigo 1937, buried Bendigo G1 Hannah Sly Nee Theilman Born: 1866 Married in Victoria in 1887; William Sly Died: Bendigo 1948, buried Bendigo G3 See additional Research .Postcard Album of Blanche Sly containing 49 postcards. See 1403 Coloured painting of a landscape of the river Nile near Assuan. Egypt Small village with palm trees on near bank and desert dunes on far bank. . Addressee - Mrs. W Sly, Loddon Vale, via Pyramid, Victoria Sender - Pte S Olgaiti Not datedpostcard, collector, blanche sly

Port of Portland Collection.Depiction of a boat with furled sails on choppy waters, sailing towards land. The landscape includes a hill and several buildings, including a wind mill and a church spire. Mounted in cream matt. Framed under glass in wooden frame.Front: Belfast Port Fairy (lower centre) (printed). Published by Sands & Kenny, Melbourne & Sydney 1857. Back: 19 Upper left pencil. 1996 upper right pencil.port fairy, belfast, landscape, drawing, print, coastal, 1800s

Report - Foolscap landscape format, red comb binding - approx. 50 pages with notes, titled "Preston Origin and Destination Survey February 1975 - Remarks on Survey Cards West Preston Route". Dated March 1975.In top right hand corner "Lees" in inktrams, tramways, mmtb, tramways, west preston, surveys

Burleigh Ware have been making their products since 1851 at Middleport Pottery in Stoke-on-Trent, England.A blue and white Willow Pattern scalloped edged dessert plate with the traditional oriental landscape scene on the front with a highly decorative blue and white floral raised edge and fine gold line trim around the outer edge.'Burleigh Ware, willow, made in England, 1'. This is stamped on the base of the plate on a blue leaf pattern.side plates, serving plate, butter plates

Construction of Eltham Town Park; landscape has been scupltured and lakes formed. Shillinglaw Cottage and the Eltham Trestle Bridge visible. The park was later renamed Alistair Knox Park.35 mm colour positive transparency Mount - Agfacolor Service (Blue)Memorial Park 25 July 1973eltham, alistair knox park, eltham town park, shillinglaw cottage, 1973-07-25, eltham trestle bridge

Photograph two of a series of three panoramic photographs of Greensborough before and after the construction of Greensborough Plaza at the end of the 1970s. Shows the changing landscape of Greensborough from rural to suburban township.These photographs clearly show the change in the street scape of Greensborough from the Hailes Street/Circuit side of town.Panorama photograph in timber frame. One of three in series.Labelled in red on front of frame "Greensborough ... December 1977"greensborough, greensborough plaza

Photograph one of a series of three panoramic photographs of Greensborough before and after the construction of Greensborough Plaza at the end of the 1970s. Shows the changing landscape of Greensborough from rural to suburban township.These photographs clearly show the change in the street scape of Greensborough from the Hailes Street/Circuit side of town.Panorama photograph in timber frame. One of three in series. Labelled in red on front of frame 'Greensborough June 1977"greensborough, greensborough plaza

Photograph three in a series of three panoramic photographs of Greensborough before and after the construction of Greensborough Plaza at the end of the 1970s. Shows the changing landscape of Greensborough from rural to suburban township.These photographs clearly show the change in the street scape of Greensborough from the Hailes Street/Circuit side of townPanorama photograph in timber frame. One of three in series. Labelled in red on front of frame 'Greensborough December 1978'greensborough, greensborough plaza

The dwelling is representative of the development of the Georgian Revival style in the 1920s and 30s and its popularity amongst the upper-middle classes as a result of the work of William Hardy Wilson and Professor Leslie Wilkinson. It is of importance as a fine and largely intact designer/builder example of the Georgian Revival style, with American Georgian Revival influences. The dwelling embodies the principal characteristics of the style. American Georgian Revival influences are noted in the deep eaves with modillions, central broken pediment, brick quoins and presentation of the central porch. The garden wall, with arched opening, in the side setback appears to be an early or original landscape feature, based on the comparable brick work detail construction with that of the house. Considering this, it is the only early landscape feature extant which assists in providing some understanding of the original landscape layout of the property. (Criteria D and E) (Boroondara Planning Scheme)Colour photographic positive of 264 Cotham Road, Kew. The residence was constructed in 1931 for the Howitt family. 264 Cotham Road, Kew (HO813) is an individually listed building of significance under Amendment C294 of the Boroondara Planning Scheme. 264 cotham road -- kew (vic.)

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Hyde Park is now a small recreation reserve bordered by Willsmere and Kilby Roads and White Avenue. In 1982, Hyde Park was cut off from the Yarra River by the construction of the Eastern Freeway. The building of the latter was to transform the natural landscape, including the Yarra, as well as Hyde Park. The construction of the Freeway makes it difficult to view the scene with the photographer’s eye. Today’s Hyde Park is located on land purchased in 1847 by John Cowell, and in 1851 Catherine Cowell, yet the scene selected by the photographer may well have been located on farmland owned by the Wills family. Farquhar’s point-of-view emphasises both the pastoral and recreational elements of the scene: the grazing cows, three boys, and in the distance two figures, seated on the bank with a parasol. By 1891, an environmental consequence of human activity, including farming, was deforestation, leading to the erosion of the south bank of the Yarra. In contrast, the land on the Alphington side of the river in 1891 included remnant bushland.The Yarra in Hyde Parkkew illustrated, kew where we live, photographic books, henry kellett, yarra river

Records of the Ringwood artists group, AGMs, committee and general meetings from 4-Mar-1985 to 18-Jun-1987. Index of artists specialising in landscape, portrait and still life demonstrations.Red covered Collins minute book. Ringwood Artists group 14-Mar-1955 to 18-Jun-1987. Book 2 of 3 +Additional Keywords: Reynolds, E (Pres) / Shaw, Val (Pres) / Buchanan, John (Sec)

AUSTRALIAN LANDSCAPES. (1918, December 14). The Daily Mail (Brisbane, Qld. : 1903; 1916 - 1926), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article215454911Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers

AUSTRALIAN LANDSCAPES. (1918, December 14). The Daily Mail (Brisbane, Qld. : 1903; 1916 - 1926), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article215454911Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers

This book, in short, is our tribute to the Pioneers of the Wycheproof Shire. Their struggle to establish communities against the backdrop of an immense landscape reflects the confidence and hopes placed in the Mallee but times were not always prosperous.The many,many changes in our communities in Mallee life over the past years to 1994 have been drawn together in a competent manner by historian Jennifer McLennan.This book at State level is socially, historically and architectually important.Time,Tide and the Tyrrell has 314 pages; first published in 1994. Its golden jacket pictures 3 wheat lumpers unloading a wagon load of wheat. In the top right hand corner is a sketch of Lake Tyrrell.wycheproof - shire, wycheproof - pioneers, wycheproof shire - early- schools, second world-war.

The article gives an overview of the development of the landscaping of factory gardens in the early part of the 20th century. The Fletcher Jones Gardens feature strongly and a brief history is given of the establishment of the Fletcher Jones factory. Fletcher Jones Factory held a significant place in the economic development of the city. The Fletcher Jones Gardens remain a significant landmark in the cityArticle titled “Fletcher Jones Gardens Warrnambool,” printed with blue background. Three coloured photographs showing different vistas of the gardens.warrnambool, fletcher jones, pleasant hill, fletcher jones gardens

Robin Boyd has written 'Australiana' on the slide mount. Robin Boyd was always on the lookout for signage and blots on the landscape, especially when writing and illustrating his 1960 book, “The Australian Ugliness”. Colour slide in a mount. Unknown location, Australia.Mount Made in Australia / 13 / Encircled 14 (Handwritten) / a (Handwritten) / Australiana 5a (black box) (Handwritten)australian, slide, robin boyd

Robin Boyd has written 'Australiana' on the slide mount. Robin Boyd was always on the lookout for signage and blots on the landscape, especially when writing and illustrating his 1960 book, “The Australian Ugliness”. Colour slide in a mount. Golden Fleece sign, Kew, Melbourne, Victoria, AustraliaAUG65M/ Encircled 25 (Handwritten)/ Australiana 1 (Handwritten)/2melbourne, australiana, slide

A Carte de Visite (hereafter CdV) (also known as a calling card) was popular within the mid-19th Century. It is a small card with a photographic portrait mounted on it. These cards were exchanged during the Victorian era (peaking in the 1860s) between families and friends. This particular CdV was captured by James Bray in c.1870. Bray who worked as a professional photographer in Camp Street Beechworth from 1870-1891. He was one of four men who photographed the Kelly Gang after the siege in Glenrowan in 1880. He is also renowned for his previous work photographing members of the Kelly gang. Depicted in this photograph is Isaiah “Wild” Wright. Wright was born in approximately 1846 in County Monaghan, Ireland. At age 11, Wright arrived with his father John Wright, mother Margaret and younger siblings in Victoria on the 9th of July 1857. They sailed on the ship ‘Carleton’ which left from Liverpool in England. Wright was stood 5 foot 11 inches tall and had brown hair with hazel eyes. He had a scar on the inside corner of his left eyebrow, a large scar on his right cheek and a scar on the back of his head. Over the years in Australia, Wright was sentenced on numerous (particularly of horse theft) charges and spent time in Pentridge, Hulk Sacramento and Hulk Sandridge. Wright married Bridget Lloyd in 1973. Through this marriage he was connected to the Kelly family as Bridget’s mother was one of Ellen Kelly’s (Ellen was the mother of Edward “Ned” Kelly) sisters. Wright is famous for his participation in the horse stealing incident of 1871 and subsequent bare knuckle fight against Ned Kelly that occurred in 1874. In 1878, Bridget and Isaiah Wright became parents to John "Jack" Thomas Wright. Jack Wright was an Australian rules footballer who played for Geelong in the Victorian Football League 1902-1906. Wright passed away on the 29th of May 1911.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Individuals like Isaiah “Wild” Wright played an essential part in the Kelly story which have been enlarged and adapted for popular culture. The study of these individuals thorugh their images and records can help researchers to correctly interpret their involvement with Ned Kelly and the Kelly gang. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Beechworth photographer James Bray who is responsible for many images depicting members of the Kelly Gang. Sepia oval CDV printed on Card. Obverse: J.E. Bray/ Photo Reverse: 10238 Portrait & Landscape/ Photographer J E Bray Signature Beechworth/ Victoria/ Negatives Kept. Copies 5I/. Each May/ Be Had By Forwarding Name And Address/ Accompanied With Remittance To/ The Amount Of Order/ Photographs Coloured In Watercolourskelly album, kelly gang, beechworth, wild wright, boxing, burke museum, imperial hotel, bare-knuckle boxing, isaiah wright, ned kelly, isaiah wild wright, horse theft, hulk sacramento, calling card, pentridge, james bray, cdv, carte de visite

White card with black print and yellow, black and red circle with yellow and white printThe restoration of Jardwadjali and Djab warruning names for Rock Arts Sites and Landscape Features in and around Grampians National Park Underlined: A Submission to the Victorian Palce Names Committee 24 May 1990 Yellow Print: Koorie Tourism Black Print: Victorian Tourism Commissionstawell

Black and white photograph of house. (3 copies)Written on back of photographs, "This house is said to be the original home on which the High School, Bedford Road now stands. Owner of the orchard was Mrs. Theo Anderson, landscape painting artist. Original owner of land was ? Williams". Other copy says artist was, "Theodosia Anderson".

This document was produced in 1989 for Orbost Shire Council. It ccovers the area s of Orbost, Mallacoota, Cann River and Newmerella and includes urban and non-urban areas.This document is a useful reference tool.A book with a brown front cover with a plastic over-sheet and plastic binding.On the cover are b/w drawings of rural landscapes, trees and the coast. It is titled SHIRE OF ORBOST PLANNING STUDY Part 1 Strategic Overviews, March 1989.orbost-planning

This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows the entire display and record # 455 shows a different close-up view of the display. The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. A landscape painting and a framed wildflower painting can be seen on the wall behind the stage. A sign, partly visible on the right, reads "193(. . .) Wildflower and (. . .)".events, wildflower show

Black and white photograph.Doubles table tennis game in Landscape Design room upstairs in the Administration Building. Student seated at left rear is Graham Gregory (1952), student about to receive is Rosemary Hamley (1951). Other students watching.table tennis, landscape design room, students, graham gregory, rosemary hamley, administration building, recreation, main building, interior administration building, interior main building