This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Pen and ink sketch of two magpies.Signed lower left "Neville M. Bunning"art, artwork, watercolour, neville bunning, magpie, birds, unframed

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a woman fixing her hair.Signed lower left "Neville M. Bunning"art, artwork, neville bunning, unframed

The Type 62 is a re-badged British Pattern 1907 bayonet. Siam purchased 10,000 SMLE rifles and Pattern 1907 bayonets from Britain in 1919 to equip the "Wild Tiger Corps," royal bodyguard of Vajiravudh, King Rama VI (reigned 1910–1925). The tiger figural on the ricasso is representative of the Wild Tiger Corps. Year 2462 on the Buddhist Calendar corresponds to 1919. SMLE rifles and Pattern 1907 bayonets were taken from British stocks, refurbished by Birmingham Small Arms (BSA), and remarked with Siamese markings. The bayonets were shipped with standard steel-mounted leather scabbards. However, the leather rapidly deteriorated in the tropical climate, so the Siamese made a replacement steel scabbard body to which the original steel mounts were brazed. Sword bayonet for use with the .303 caliber Short, Magazine, Lee-Enfield No. I Mk. III (SMLE) rifle.A tiger head on the left side with some symbolsww2, world war 2, bayonet

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Thirty eight faience amulets glued to piece of card with small paper label inscribed with 'C2'.Inscribed in pencil at top left corner with 'Amulets'.james dodgson, aquila dodgson, flinders petrie, amulet

KEVIN ‘BOOFA’ INNES By Lucy McCormick Kevin was a member of the celebrated Innes clan from Inglewood, in Central Victoria. “I think the first Innes’ came to Inglewood in 1851. My daughter used to say she can’t marry anyone from Inglewood, because she’s related to them all,” says Kevin. ‘Boofa’ is enjoying some well-earned relaxation on the couch after breaking a kneecap six or seven months ago in a track work incident. Not that it seems to be bothering him too much; he’s got plenty of time to keep up with the trots on television. “I do follow them,” Kevin says. “I don’t miss many, and I do have a bet. I like to sit in the chair and drive a race as much as anyone.” With an illustrious career both as a trainer and in the sulky, it’s a safe bet that Kevin Innes is a more than handy ‘grandstand driver’. His name is associated as a trainer/driver with many handy horses, including Lea Sands, Imatoff and Stormy Morn to name a few. Kevin is typically circumspect about his bigger triumphs, however that doesn’t seem to be what interests him the most. “I’ll tell you something,” he declares, doing just that, “I like winning with the horses that were no good. Some people never get a good horse. Imagine that. Luck is a very, very important thing. You have to have luck to buy a good horse at the sales, to get it going, keep it sound, find a race for it, find and owner and get a draw. And they still make a liar of you.” Funny, interesting or quirky stories seem to be of greater interest to Kevin, such as the time he had a strong chance in a standing start race – the favourite in the race being his only worry. “I told the owner it only had a 20-metre handicap – I couldn’t beat it off that,” he remembers. “So I was leading, waiting for the favourite to run past me. Toward the finish, I heard it coming, and it ran straight past all right – minus the driver. He’d fallen out of the cart and I won the race. Just lucky.” The Innes family have always been heavily involved in one sporting pursuit or another – Kevin himself being a champion bike rider of his time. “My Uncle Roy was a good bike rider, so he dared me to have a go. It turned out I was quite good at it as well.” So good, in fact that for many years Kevin was able to make a living from bike riding, riding the ‘board track’ for many years. “We trained hard. Bike riding was very big back then, we’d train and ride three or four times a week.” Kevin’s riding career spanned four Herald Sun Tours, a Warrnambool to Melbourne and a Sydney to Melbourne race, to name a few. “It definitely gets you in – it was long hours,” he muses. “But like anything, horse racing included, you only get back what you put in. We trained hard. I never drank, and I still don’t. I’ve seen that many athletes, great ones too, brought down by alcohol.” Lucky with injury too, Kevin can only remember a sore ankle – as well as the requisite scrapes and abrasions from tumbles on the wooden boards of the velodromes. He still enjoys watching all the big bike races when he can. “You can watch them race all over the world – France, Sweden, Germany. “To be honest I sit up and watch them with my son and we get just as much of a kick looking at the countryside than anything else. It’s so different to when I was racing.” Betting on the bike racing was big in Kevin’s day as well, and some of the bookies Kevin saw betting on the bike racing, he saw at the Showgrounds betting on the trots on a Friday or Saturday night. “Racing was different back then. There would be twelve thousand people at the showgrounds – they don’t have to come anymore, it’s just as easy to watch it on the TV.” Kevin remembers in those days that drivers had to ‘weigh in’ as well – everyone who drove needed to weigh ten stone (just under 65 kilograms). It’s something he remembers fondly. “I know not everyone will.” Kevin won’t be drawn on the subject of favourite drivers, either. “Look. Driving is different now. No disrespect to current drivers, but you had to think a lot more on a three furlong track than they do now on the bigger tracks. You had to drive with brains. And I really believe that good horses make good drivers. The horses are very good these days. Today’s drivers – your Gavin Langs, Chris Alfords – they’re thinkers, and brains will beat brawn every time. The girls are just as good now too. You only have to look at Kerryn Manning.” A garrulous and popular character, Kevin has trained horses for the likes of legendary Richmond player Jack Dyer, and also spent his fair share of time hosting sportsman’s nights, holding his own with the likes of Ron Barassi. On one such night, they had flown in a light aircraft to their destination. During their show, Kevin noticed their pilot, sitting in the front row, laughing appreciatively. There was one problem. He had a beer in his hand, and was consuming it with some enthusiasm. As the night wore on, the pilot became more and more inebriated, and Kevin became more and more disturbed, knowing that this was the same pilot who was to fly them home when they finished. Unbeknownst to Kevin, however, the flight had been cancelled and the pilot hadn’t told anyone, instead deciding to take full advantage of his client’s hospitality. For now, Kevin is happy living in Inglewood with partner Barbara. Son Grant and daughter Carla aren’t far away (both work at the Bendigo Harness track, and Carla has held both a trainer and driver’s licence). His granddaughter, Barclay Sands, was born on the same day of the demise of their star performer, Lea Sands, and may give the biggest hint yet just how important the world of harness racing is to Kevin ‘Boofa’ Innes. Blue with white yolkKevin Innes embroidered on left side chestkevin innes, k innes, bendigo harness racing club, bhrc, bendigo, horses, race colours, trotting, pacing, harness racing

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Painting of a woman holding a flower signed: CM Pattenden 2006 (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a old house on the streetSigned: R READ 2000 (lower left)

Photocopy of a Newspaper Clipping - from The Sun, most likely 17/4/1939 about the closure of the Collingwood line on Saturday 15/4/1939. Bus services replaced the trams during the afternoon or earlier that the scheduled last tram in order to prevent damage by revellers. Titled "Tram Chairman beats revellers". Has a photo of the last tram with Mr. J. Peden as Gripman and E. McLeod as the conductor with two male passengers."1939" written in on the left hand side in ink.trams, tramways, collingwood, closure, cable trams, crews

Set of correspondence titled "Historic Tram - Conversion from W2 class to W1 class", comprising 10 A4 sheets, photocopied dated Nov. 1985 to May 1986, Metropolitan Transit, memos, concerning the conversion and the use of volunteers at the workshops to do the work. Includes cost estimate, notes, extract from Destination City book, letter signed by K. Moran MTA Secretary, noting the board support (Maddock / Dr. Joy), May 1986 cover sheet to TMSV Running Journal, letter to A. Hall of TMSV from Norm Maddock, Employee's Representative to MTA Board and a copy of the motion supporting the conversion.In top left hand corner "1954 MMTB"trams, tramways, tmsv, w1 class, w2 class, conversion, preston workshops, mta

Drawing - showing the extent of the "Prahran and Malvern Tramways Trust" tramways prior to the take over by the MMTB in 1920. Shows their lines, as well as cable trams, Hawthorn Tramways Trust lines and the Victorian Railways tramways and railways. Includes depots and substations. Used in publications such as Feeding and Filling by Graeme Breydon item 1350, though slightly modified to show the curves at junctions.Yields information about the PMTT operated lines and how they served the eastern suburbs of Melbourne.Drawing - black ink on linen.Has "1/" in top left hand corner.tramways, pmtt, track plans, tram lines, htt

Report - Foolscap 16 pages typed carbon copy including drawings, with card covers and a red binding strip titled - dated April 1966. Part 1 - Horizontal track curvature and cant (super elevation) Part 2 - Transition curves Part 3 - Vertical curvesIn top left hand corner "Lees" in penciltrams, tramways, trackwork, melbourne, underground tramways

Report - Foolscap 21 typed pages, 18 bound sheets of diagrams and 1 loose diagram, with card covers, with red binding strips, titled "A discussion on fundamental aspects of underground tram operations that are of importance for the preliminary design', dated July 1966. Looks at the design aspects, tunnel sections, size, passenger access (all stairs), direction of operation - allowed for reversal of running, curvature, turnouts and cross overs, gradients, storage sidings, freight, ventilation and emergency uses. A loose sheet of a doubled deck Liverpool tram. Vehicles modelled included double deck buses and suburban trains including W class trams.In top left hand corner "Lees" in penciltrams, tramways, trackwork, melbourne, underground tramways, crossover

Report - Foolscap 11 typed pages, 12 bound sheets of diagrams and tables with card covers, with red binding strips, titled ""Travel time contours for travel by tram and train from the central business area", dated July 1966. Looks at journey time for both trams and trains with two speeds - 10mph and 18mph.In top left hand corner "Lees" in penciltrams, tramways, mmtb, tramways, railways, speed of services, travel promotion

.1 - Report Foolscap 6 typed pages, multiple diagrams and tables (some on heat sensitive paper) with card covers, with red binding strips, titled "Comparison between service requirements using two bogie trams and a mixed fleet of three bogie articulated trams and two bogie trams for Kew Depot routes", dated June 1965. Includes diagrams of passengers each hour for multiple stops. Concludes that crew and tram savings would be in excess of 20%. Report - Foolscap 6 typed pages, multiple diagrams and tables (some on heat sensitive paper) with card covers, with red binding strips, titled "East Preston depot routes - comparison between service requirements using two bogie trams and a mixed fleet of three bogie articulated trams and two bogie trams" Dated September 1965. Includes diagrams of passengers each hour for multiple stops. Concludes that for the East Preston route, a 20% saving in crews. Brunswick route would not applicable.In top left hand corner "Lees" in penciltrams, tramways, mmtb, tramways, speed of services, articulated trams, surveys, east preston depot, kew depot

Tilly Aston wearing a dark coloured plain dress with lace cuffs and a hat adored with flowers and ribbon on the side. She stands with her arm holding the back of a chair, and in her hand she holds a purse. Around her neck rests a multi-swirled scarf and around her neck lays a necklace with a single bead. Unknown date, however this portrait was taken at the Gainsborough studio, which was also used for another portrait shoot. Various tones and sizes have been made.B/W photograph in various tonesGainsborough ... embossed upon lower left cornertilly aston, gainsborough studio

Alun LEACH-JONES (1937-24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Pastel drawing on Stonehenge paper. Donated through the Australian Government's Cultural Gifts Program by David Thomas and Brenda Martin, 2011Signed verso lower left 'A. Leach-Jones'art, artwork, leach-jones, alun leach-jones, cultural gifts program, new abstraction, the field

Group of young People in uniform with LeaderOn Left Beatrice Gray Guard Learder with Guards

Flag signed to commemorate the winning the FCPB MWV-CP Champions 2004. Showing signatures and names of the crew of HMAS BendigoLarge rectangular white Australia flag with the Union Jack, top left hand corner and blue southern cross stars. Flag has one attachment clip top left hand corner and an attachment clip on a 50cm chord, bottom left hand corner. The flag is covered with the name of Ship HMAS BENDIGO and names of the crew written in black textaOn front of flag in black texta FCPB MWV-CP CHAMPIONS 2004 HMAS BENDIGO 08 MAY 2004 P211 and many names of the crew spread over the flagflag, naval, bendigo

black and white photograph - copy of original: streetscape of Pall Mall showing Bank of Australasia at left ( on corner of Williamson St. with Batchelder's photographer handcart in front. From left to right Bank of Australasia, 'Rowkirk & Co. ' on curved parapet. Shows Pall Mall from corner of William St. at left towards Mitchell St. off the RH side of image.Batchelder, Sandhurstplace, streetscape, pall mall

Black and white photograph taken from St. Paul's, Mitchell runs from left corner. Cathedral spire in centre. T.V. towers in background. Central Deborah poppet head far left ? Ian Wild 7.2000 ' photo - Peter Hyett 1995 - ? From St. Paul's. Mitchell St. runs across photo - intersection with Edwards St. on left ';Peter Hyettcottage, miners

Warrnambool South Primary School was opened in 1877 and the first teacher was Mrs Eliza Clarke. Many of the trades of the early parents were occupations such as tanners, saddlers, wharf labourers and fishermen. The school celebrated its centenary in 1977 and was decommissioned around the 1990’s.The community of South Warrnambool was close knit and the school was a focal point of that community. The McDonald name has had a strong association with that community for over 100 years. The game of cricket was and remains an important part of sporting life. Black and white photograph, on cinnamon coloured mount, with fifteen boys front row sitting and back row standing. Man on left side of group and children at either end of front row, have cricket bats. Boy kneeling at front is holding a sign with group details.On blackboard in Photo: Warrnambool Sth. SS 1902 Cricket Club. On back of mount: Stuart McDonald in pen struck through with black lead, Pink stamp H Webb, Photographer, weddings and picnics attended, In grey lead: Person to left of Roy was P? Knights. Roy (Goog) McDonald born 21.12.1903. Father was Griff or Charlie. In red felt pen McDonald. south warrnambool, warrnambool south ss cricket team, boys cricket team south warrnambool, ss1902

Print Council of Australia Members' Print Commission, 1977.Screenprint and embossed print. Screenprinted image is in upper 1/2 of print. Two rectangular prints in gold and mauve in abstract pattern. Overlaying these is a royal blue dotted print, framing top and sides of gold and mauve print. Over centres of gold and mauve prints are rectangles of royal blue dots, giving appearance of Benday dots, or mesh screen. The density of this mesh fades gradually from top to bottom. The bottom edge of the screenprints are undulating, meeting the upper edge of the embossing that occupies remaining lower area of the print. The embossing is the same pattern as in the mauve and gold screenprint above. Mounted in pale cream matt. In black painted wodden frame, with glass.Front: A. P. VIII/X (lower left) Ewins 77 (lower right) (pencil) Back: 1978 (upper left, pencil)

Port of Portland Authority archivesFront: (no inscriptions) Back: Sunflower seeds or Lucerne pellets (balck pen, top left) 1972 (pencil, top centre left)port of portland archives, storage shed

Depicted are 13 students comprising the the 1950 Ruyton Girls' School hockey team. The photograph is an official school portrait taken outdoors on a patch of grass with a leafy bush visible in the background. The students are all dressed in light coloured shorts with a collared, buttoned blouse, wool blazers, white socks and white sneakers. Five girls are kneeling in the front row, and seven are standing up in the back row. All of the students are holding their own hockey stick. The idea of field hockey for female players was brought to Victoria by two sisters, Lillian and Margaret Irving, who had first seen girls playing it during their travels in England in 1902. By 1903, the Irving sisters were joint headmistresses of Lauriston, a school they had founded two years earlier. Both had deep connections to Ruyton Girls' School through their time as teachers at the older school during the 1880s-1890s. For Lilian Irving, this had included seven years as Ruyton's co-Principal with Miss Eliza Bromby from 1888-1895. With these links it was only natural that Ruyton students would join Lauriston to try out the new game. On a vacant block on the corner of Mercer and Malvern Roads, students from Ruyton and Lauriston Girls' Schools had assembled to play Victoria’s first ever inter-school hockey match for girls. Some students from Melbourne Girls' Grammar School came along to watch the spectacle and assess the new game's potential. Hockey quickly caught on, and friendly games were soon being played amongst a number of Melbourne's girls' schools. An Association was formed in 1905, and the rules formalised. These included arrangements around the competition fixture and the length of games (35 minutes for each half). In celebration of their joint role in bringing field hockey to Victorian school girls, Ruyton and Lauriston have met for friendly re-enactment matches in 2003 and 2018. The photograph also illustrates the shift in hockey uniform and apparatus. In the early 1920s, Ruyton established instructions for playing attire: "skirts must be eight inches off the ground. No white petticoats...", and importantly, least any team get an unfair advantage, "hard-rimmed hats and hatpins must not be worn during play." Ruyton appears to have taken the latter instruction to heart, and adopted the soft tam o’shanter hat as seen in surviving photographs of early teams. The tam o’shanter may have been removed for play, but the blouse and long skirt had to be put up with. According to Lilian Irving they had "a horrid habit of parting company", and she was delighted to see the transition to a more comfortable tunic in later years. Another change she observed was the hockey stick itself, which originally were all of "uniform thickness from handle to head, about the thickness of a stout walking stick" and so very different from the hockey sticks that are used today.The record has strong historic significance as it depicts a former notable student, Helen Gordon (maiden name Cole), pictured third from the right in the front row. Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. Helen passed away in July 2023 at age 88. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photographs printed on matte photographic paper.Reverse: Ruyton Hockey Team 1950. / 17 Cole / From left to right standing. / Helen Cole. / Left to right kneeling. /ruyton girls' school, kew, victoria, tennis, sport, women's sport, students, school, 1950s, uniform, lauriston, hockey, field hockey, hockey stick

Colour aerial photograph of Rutherglen, viewed from the South West.Written on back of photo: "St Stevens lower left corner, State School just above | & Glenview, Silos mid left"rutherglen, st stephens church, saint stephens church, rutherglen winebottle, glenview nursing home, rutherglen state school