H. Bellamy Gardner, an anaesthetist at the Charing Cross Hospital, was the first to use open ether in England and was responsible for popularizing the technique. Bellamy Gardner's mask consists of a wire frame which was covered with layers of gauze. He recommended constructing a face-pad consisting of several layers of gauze which were rolled together and tied to make an oval. This was applied to the face and the mask rested on the top. Ether was then administered directly on to the mask.Oval chrome-plated steel wire frame designed to fit around a face. The wire-framed dome has both vertical and horizontal wire components to sit over a patient's nose and mouth. Ether was applied to a gauze pad which was held securely in place by a hinged wire lid. This is a modified version of Bellamy Gardner's original mask.Etched on clasp: BELLAMY / GARDNER'S / ETHER MASKether, gauze

Displayed in History House. Borough of Portland (1864-1949)Large black and white photograph of a man with receding grey hair and a neat rounded white beard and moustache. He is wearing a three-piece suit with a dark tie and white shirt, and holding folded white paper in his left hand. Mounted in a wood veneer matt in a wide wooden frame, under glass.Front: Cr Hill/August 1920-1932/Mayor 1926-27, 1928-29 (engraved on plawue, lower centre frame)civic photography, portrait, councillor, city of portland

Black and white photograph mounted on dark brown frame. 18 young men posing for photograph in 3 row structure - on the background, arena style sitting area - and serious man on top left, dressed in 'detective' style. They are all in Victoria Police Football Club uniform, white or dark shorts, socks to the knees, sporting boots and shirts with VFP letters.Handwritten in the front of the frame, bellow photograph: Victorian Police Football Club June 1926 Handwritten on the back of the frame: 41502 // Bill 20 years Victoria Police Football // Team 1926 // Premiers Mid Week Association // 1926 BILL POULTER // FRONT ROW EXTREM RIGHTvictoria police museum, police officers, police academy, police force, football, sports, vpfa, william, poulter, bill poulter, victoria police football team, victoria police football club

The Government Promises that each rallier will receive 10 items. Picture of boy on a buffalo on back. Picture is torn on one side.pamphlet, psycological warfare, propaganda, nva/vc

Art collection Previously located in History HouseThe painting depicts a large body of water surrounded by tree-covered riverbank. Depicted in shades of blue and grey, the water features patches of brown and blue which illustrate the reflections of riverbank trees. In the foreground to the left of the water is a large tree which extends up to cover the top left skyline of the work. Featured in the background is a dense patch of trees completed in shades of blue. To the right of the water is a dense patch of trees completed in shades of brown and black. These trees reach into a purple and blue cloud-filled sky. The work has a gilded ornate frame with cardboard and gold mount and exposed canvas.Front: A.S. Murray Plaque attached to frame: SCENE on the RIVER MURRAY Back: (no inscriptions)

Black and white small format postcard showing a distant view of the town, taken from the southern shore of the lake. The view shows a glimpse of the beach known formerly as Play Point, the picture framed by native vegetation. Lakes Entrance VictoriaLakes Entrance from front beach armtownship, waterfront

Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil).

Framed portrait of David Robertson who was the first President of the Association for the Advancement of the Blind, from 1895-1899. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Robertson sits with his hands resting upon a wooden cane. He is wearing dark spectacles, a gray suit and waistcoat, white shirt with starched collar and pleated front, and a red and blue striped necktie. On his left lapel is a blue and red medal. David Robertson was educated at the Royal Victorian Institute for the Blind and was trained as a basket maker. He was one of eight foundation members of the Association for the Advancement of the Blind (now Vision Australia Foundation ) which was formed in 1895 in order to encourage blind people to manage their own affairs and build their self esteem. He was appointed the inaugural president and served as such from 1895 to 1899 and again in 1913 as well as acting as vice president from 1900 to 1902 and in 1911 and 1915. Known as a level headed and wise peacemaker he was elected chairman of the first interstate conference of blind people, which took place in Melbourne in 1913. From this evolved the Federal Council of Organizations of the Blind, which undertook to consider all matters affecting blind people. 1 art original in gold frameThe plaque at the base of the painting reads 'David Robertson / Inaugural President of / Association for Advancement of the Blind'.david robertson, association for the advancement of the blind

Cloth sample from an opera cloak made in England c. 1820 from wool clipped from Macarthur's merino sheep in 1816. The cloak was passed down through the family to Harold Lethbridge with whom the main part of the cloak resides, in Narrandera. The fragment was passed to Lethbridge's niece who gave it to the donor's mother who passed it onto him and then it was donated to the National Wool Museum. The cloth fragment was tested by Gordon Institute of Technology in 1974 showing the wool to be very fine (15-16 microns) which is consistent with the pure lineage of Macarthur's sheep. The cloth fragment was framed in 1952 and remains in the original frame to this day. Cloth sample form an opera cloak made in England c. 1820. Wool for the cloak was clipped from John Macarthur’s merino sheep in 1816. Macarthur is recognised as the pioneer of the wool industry that was to boom in Australia in the early 19th century and become a trademark of the nation. Macarthur was responsible for the first bale of Australian wool to be exported. The British woollen mills were desperate for wool at the time because of the Napoleonic blockade, and the Australian bale sold for a record price. Australia needed a product to sell in European markets which did not perish during long sea-voyages and which offered high value per unit of weight. Wool also had a ready market in England because the Napoleonic Wars had increased demand and cut English cloth-makers off from their traditional source of quality wool, Spain. Australia's first $2 banknote featured John Macarthur thanks largely to his establishment of wool as the backbone of the early Australian economy. Red fabric sample folded in half and mounted in the centre of a brown metal frame.'ARCO' MADE IN ENGLANDmacarthur, wool industry, australian economy

The framed photographs were presented to University of Ballarat to commemorate 140 years of Technical Education. The Ballarat School of Mines was the first site of technical education in Australasia.Framed photographs of two views of the Ballarat School of Mines Administration Building. The first was was taken c1901 and shows the former Ballarat Circuit Couthouse (now demolished) and the original front of the former Ballarat Wesleyan Church. The second photo was taken in 2010 and shows the former Wesleyan Church, the Administration Building and the Ballarat Technical Art School. Presented by the City of Ballarat in recognition of 140 years of Technical Education in Ballarat.ballarat school of mines, administration building, new classroom, ballarat circuit court, ballarat wesleyan church, a building, anniversary, available

This early 20th-century chest of drawers is unique. It was made from recycled timber kerosene boxes and metal tins. The case was made in South Australia between 1905 and 1927 by the British Imperial Oil Company Ltd, which was the first business to import bulk petroleum products into Australia. Before this, ships carried crates of kerosene as cargo. Items salvaged from the 1880 wreck of the vessel Eric the Red included kerosene boxes. Kerosene replaced plant and animal-based fuel, such as whale oil, for lighting in homes and for the lamps in lighthouses and on marine vessels. It was also used for cooking and heating and as engine fuel. The last kerosene-fueled lighthouse lamp was transferred to solar power in 1985. The chest of drawers is one-of-a-kind. The original uses for the components of the chest of drawers, the wooden box and metal tins were for containing and transporting kerosene. Kerosene was used from the late 19th century for fuel in lamps, heating, and cooling. Previously whale oil was used for the lamps in lighthouses. The company providing the kerosene was the first to import it into Australia in bulk quantities. The set of drawers is one of the many ways that inventive Australians were able to repurpose materials.Chest of drawers; wooden frame and rails, metal drawers with vertical metal handles. The frame has been constructed from the wooden panels of a vintage oil and kerosene box. The three drawers have been created from empty kerosene cans that were cut in half from top to bottom, some with the round opening closed over. Inscriptions from the original box and cams are stencilled on the top and base of the frame and impressed or painted on the metal cans. The frame has provision for a further drawer. The wooden case and metal tins were made in Australia.Top and base of frame; "THE BRITISH IMPERIAL OIL CO. LTD." "OIL ENGINE KEROSENE" "CASE ANDTINS AUSTRALIAN MADE" On tin; "POWIRIN" "BIOCO LTD" Logo [cross} with inscription on horizontal bar "CROSS" Impressed in timber drawer dividers (indecipherable text) Side of drawer, painted in orange on black; "TY -, REG U S - TIDE - "flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, antique, domestic equipment, chest of drawers, tool box, furniture, storage, recycled tin, recycled box, kerosene, fossil fuel, lighthouse lamp fuel, british imperial oil company ltd.

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Once a row of shops wase situated here and then the Eltham RSL sub branch occupied this site from the 1950s. The War Memorial obelisk was relocated here from it oriiginal site and situated in front of the building. After the branch amalgamated with Montmorency in 2012, the building was subsequently sold and demolished. The memorial was relocated. Units now occupy the site. Changing streetscapeRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscapeRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingchurch, pitt street, st margaret's anglican church

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering