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Port Melbourne Historical & Preservation Society
Programme - Special Council meeting to swear-in successful candidates for Port Phillip, 2004
Successful candidate Janet BOLITHO was elected Deputy Mayor - ref item 2082Program for special council meeting on 2nd December 2004 to swear-in successful candidates for Port Phillip Councilpolitics, local government - city of port phillip, janet bolitho, julian hill -
Port Melbourne Historical & Preservation Society
Card - Janet Bolitho, candidate, 2004 Port Phillip Council election, 2004
Successful candidate Janet Bolitho was elected Deputy Mayor - ref item 2082Candidate's card for Janet Bolitho for Port Phillip Council elections November 2004politics, local government - city of port phillip, janet bolitho -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS members, Norah HOWARD, Pat GRAINGER, Glen STUART, Russell GRIFFITHS and Janet BOLITHO, Dec 2004
Colour photographs from the after swearing-in party, with other PMHPS members. Norah HOWARD, Pat GRAINGER, Glen STUART, Russell GRIFFITHS, Janet BOLITHOlocal government - city of port phillip, politics, janet bolitho, norah howard nee mallet, pat grainger, glen stuart, russell griffiths -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS members, Norah Howard, Pat Grainger and Perce White, Dec 2004
Colour photograph from the after swearing -in party, with other PMHPS members. Norah HOWARD, Pat GRAINGER, Perce WHITElocal government - city of port phillip, politics, janet bolitho, pat grainger, glen stuart, norah howard nee mallet, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS members, Hilda Daley, Lois Daley and Janet Bolitho, Dec 2004
Colour photographs from the after swearing -in party, with other PMHPS members. Hilda Daley, Lois Daley, Janet Bolitholocal government - city of port phillip, politics, janet bolitho, hilda daley, lois daley -
Port Melbourne Historical & Preservation Society
Card - How-to-vote, Joseph BERTIE, Aug 1951
Prepared for J BERTIE for Council elections 25.8.1951. nb Bertie listed as retired at that date, so he must have lost the electionSandridge Ward how-to-vote card for Cr. Joseph BERTIS, 'Life-long Unionist Candidate' 1930s or 40slocal government - city of port melbourne, politics, societies clubs unions and other organisations, joseph bertie, municipal elections -
Port Melbourne Historical & Preservation Society
Document - Electoral Roll, Town of Port Melbourne, 1904
Voters' roll for the Town of Port Melbourne, year ending August 1904 - alphabetical listing of eligible voters giving occupation and address (52 pages, 2297 voters)local government - town of port melbourne, politics -
Women's Art Register
Book - Catalogue, National gallery of Australia, Frida Kahlo and Diego Rivera and Mexican Modernism The Jacques and Natasha German Collection, 2001
Catalogue for exhibition at National Gallery of Australia 2001 comprising essays, images and list of exhibited works by Mexican modernist artists working in 1930's to 1950s, born in, or influenced by, Mexiconon-fictionCatalogue for exhibition at National Gallery of Australia 2001 comprising essays, images and list of exhibited works by Mexican modernist artists working in 1930's to 1950s, born in, or influenced by, Mexicomodernism, painting, collage, selfportraiture, portraiture, 1910 mexican revolution, photography -
Women's Art Register
Book, Janine Burke, Australian Women Artists 1840 - 1940, 17/04/22
A history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records.non-fictionA history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records. painting, water colour, portraiture, print making -
Women's Art Register
Book - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Women's Art Register
Book, Eva Cockcroft, John Weber, James Cockcroft, Towards a People's Art. The Contemporary Mural Movement, 1977
Written by two muralists and a sociologists the book documents the community based mural movement in the late 60s and early 70s in Canada and the USA.Booknon-fictionWritten by two muralists and a sociologists the book documents the community based mural movement in the late 60s and early 70s in Canada and the USA.political art, revolutionary art, community arts, large scale works -
Women's Art Register
Book, Vivienne Binns, Community and the Arts. History. Theory. Practice.Australian Perspectives, 1991
Anthology of articles on the history and theory of community arts in Australia written by artists and artsworkers involved.Booknon-fictionAnthology of articles on the history and theory of community arts in Australia written by artists and artsworkers involved. community arts, collaborative practice, art history, political art, community arts network, aboriginal land rights -
Women's Art Register
Book - Anthology, Sneja Gunew & Anna Yeatman, Feminism and the Politics of Difference, 1993
Collection of essays written by feminist theorists from several disciplines in Australia, New Zealand, Canada and the US, challenging 'western ' feminism, examining identity politics and intersectionality.Booknon-fictionCollection of essays written by feminist theorists from several disciplines in Australia, New Zealand, Canada and the US, challenging 'western ' feminism, examining identity politics and intersectionality.post-colonialism, body, postmodernism, poststructuralism, theory, racism, globalization -
Women's Art Register
Book, Uta Grosenick, Women Artists in the 20th and 21st Century, 2003
Individual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.bookIndividual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.marina abramovic, louise bourgeois, guerrilla girls, cindy sherman, adrian piper, georgia o'keefe, portraiture, perfomance, political art, tracey emin, hannah hoch -
Women's Art Register
Book, Chris Wallace et al, Megalomania 35 years of posters made at Megan Print Studio 1980 - 2013, 2013
A visual record of posters made at Megalomania Print Studio, a print collective in Canberra 1980-2013Booknon-fictionA visual record of posters made at Megalomania Print Studio, a print collective in Canberra 1980-2013community, political art, artist unknown, gender, health, environment -
Women's Art Register
Book, Jennifer Isaacs, Aboriginality. Contemporary Aboriginal Paintings & Prints, N/A
Overview of traditional and urban imagery with each chapter describing the creative philosophies and inspirations behind each artists' works including the spiritual and political. practiceBooknon-fictionOverview of traditional and urban imagery with each chapter describing the creative philosophies and inspirations behind each artists' works including the spiritual and political. practicefiona foley, gorden bennett, ellen jose, heather walker, raymond meeks -
Women's Art Register
Book - Anthology, Joan Kerr and Jo Holder, Past Present. The National Women's Art Anthology, N/A
Essays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices -
Women's Art Register
Book, Sandy Kirby, Sight Lines. Women's Art and Feminist Perspectives in Australia, 1992
Charts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch -
Women's Art Register
Book, Judith Brooks, The Women's Gallery 1988 - 1995, 2019
Documents every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.BOOKnon-fictionDocuments every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.solo and group exhibitions, spiritual art, political art, portraiture, iwd exhibitions, collaborative prectice, collective practice -
Women's Art Register
Book, Somer Brodribb, Nothing Mat(t)ers. A Feminist critique of Postmodernism, 1992
A feminist critique of post-modernism to create a new discourse in feminist theory.Book non-fictionA feminist critique of post-modernism to create a new discourse in feminist theory.structuralism, deconstructivism, theory, political art, modernism, feminism -
Women's Art Register
Book, David Humphries et al, The Mural Manual. A guide to community murals in Australia, 1982
An illustrated survey of public mural projects during the 1970's and 1980's in metropolitan and regional communities including feminist, Trade Union, and Indigenous projects.non-fictionAn illustrated survey of public mural projects during the 1970's and 1980's in metropolitan and regional communities including feminist, Trade Union, and Indigenous projects.murals, trade unions, women's murals, indigenous, urban art, political art, community arts, community arts network, eve glen, carol ruff, sarah macnamarra, barbary o'brien, community arts board, geoff hogg, ann newmarch, merilyn fairskye, catriona moore -
Women's Art Register
Book, Harper Collins, Confessions of The Guerilla Girls, 1995
An illustrated survey of the work of the Guerrilla Girls with interviews, an essay by Whitney Chadwick, and four pull-out postcards by the Guerrilla Girls.non-fictionAn illustrated survey of the work of the Guerrilla Girls with interviews, an essay by Whitney Chadwick, and four pull-out postcards by the Guerrilla Girls. feminist art, political art, urban art, street art, activism, posters -
Women's Art Register
Book, Evelyn Healy, Artist of the Left. A Personal Experience 1930s to 1990s, 1993
A history of the authors life as an artist, teacher, and political activist in Australia.non-fictionA history of the authors life as an artist, teacher, and political activist in Australia.trade unions, social realism, communist party of australia, peace art, australia council, community arts, art and working life, international co-operation art award, cpa, political cartoons, cabramatta and districts art society, noel counihan, contemporary art society of victoria -
Women's Art Register
Book, Fiona Foley et al, The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art, 2006
A collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists.non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture -
Port Melbourne Historical & Preservation Society
Document - Ballot paper, Town of Port Melbourne Council election, Aug 1912
Ballot from Town of Port Melbourne Council election of three Councillors from four candidates: HOWE, SINCLAIR, TUCKER and WALTER, 22.8.1912 (TUCKER lost but was elected in 1914; rear used as note paper re dog complaint)On rear in pencil: 'Mrs Ford, Ross St - Mrs Cooper 78 Crockford St. dog belongs to Mrs Ford, Ross St.'local government - town of port melbourne, politics, william howe, owen sinclair, albert tucker, george samuel walter -
Monbulk RSL Sub Branch
Book, Paul Ham, Passchendaele : requiem for doomed youth, 2016
Passchendaele epitomises everything that was most terrible about the Western Front. The photographs never sleep of this four-month battle, fought from July to November 1917, the worst year of the war- blackened tree stumps rising out of a field of mud, corpses of men and horses drowned in shell holes, terrified soldiers huddled in trenches awaiting the whistle. The intervening century, the most violent in human history, has not disarmed these pictures of their power to shock. At the very least they ask us, on the 100th anniversary of the battle, to see and to try to understand what happened here. Yes, we commemorate the event. Yes, we adorn our breasts with poppies. But have we seen? Have we understood? Have we dared to reason why? What happened at Passchendaele was the expression of the 'wearing-down war', the war of pure attrition at its most spectacular and ferocious. Paul Ham's Passchendaele- Requiem for Doomed Youth shows how ordinary men on both sides endured this constant state of siege, with a very real awareness that they were being gradually, deliberately, wiped out. Yet the men never broke- they went over the top, when ordered, again and again and again. And if they fell dead or wounded, they were casualties in the 'normal wastage', as the commanders described them, of attritional war. Only the soldier's friends at the front knew him as a man, with thoughts and feelings. His family back home knew him as a son, husband or brother, before he had enlisted. By the end of 1917 he was a different creature- his experiences on the Western Front were simply beyond their powers of comprehension. The book tells the story of ordinary men in the grip of a political and military power struggle that determined their fate and has foreshadowed the destiny of the world for a century. Passchendaele lays down a powerful challenge to the idea of war as an inevitable expression of the human will, and examines the culpability of governments and military commanders in a catastrophe that destroyed the best part of a generation. Collapse summaryIndex, bibliography, notes, ill (maps), p.565.non-fictionPasschendaele epitomises everything that was most terrible about the Western Front. The photographs never sleep of this four-month battle, fought from July to November 1917, the worst year of the war- blackened tree stumps rising out of a field of mud, corpses of men and horses drowned in shell holes, terrified soldiers huddled in trenches awaiting the whistle. The intervening century, the most violent in human history, has not disarmed these pictures of their power to shock. At the very least they ask us, on the 100th anniversary of the battle, to see and to try to understand what happened here. Yes, we commemorate the event. Yes, we adorn our breasts with poppies. But have we seen? Have we understood? Have we dared to reason why? What happened at Passchendaele was the expression of the 'wearing-down war', the war of pure attrition at its most spectacular and ferocious. Paul Ham's Passchendaele- Requiem for Doomed Youth shows how ordinary men on both sides endured this constant state of siege, with a very real awareness that they were being gradually, deliberately, wiped out. Yet the men never broke- they went over the top, when ordered, again and again and again. And if they fell dead or wounded, they were casualties in the 'normal wastage', as the commanders described them, of attritional war. Only the soldier's friends at the front knew him as a man, with thoughts and feelings. His family back home knew him as a son, husband or brother, before he had enlisted. By the end of 1917 he was a different creature- his experiences on the Western Front were simply beyond their powers of comprehension. The book tells the story of ordinary men in the grip of a political and military power struggle that determined their fate and has foreshadowed the destiny of the world for a century. Passchendaele lays down a powerful challenge to the idea of war as an inevitable expression of the human will, and examines the culpability of governments and military commanders in a catastrophe that destroyed the best part of a generation. Collapse summary world war 1914-1918 - campaigns - western front, france - campaigns - passchaendaele -
Monbulk RSL Sub Branch
Book, Vintage books, In the footsteps of Private Lynch, 2008
Retrace Australia's role in the First World War from the trenches of Somme Mud to the wider war on the Western Front. Imagine this. You are a country boy and just eighteen. The war has been raging for two years and because of your age, you have not been eligible for enlistment. Your mates, older by a few months are joining up and disappearing to the great adventure across the world in Europe. And there is forever talk of the need for reinforcements, for men like you to join up and support the Empire, Australia and your mates in the line. Such was the case for Edward Francis Lynch, a typical country boy from Perthville, near Bathurst. When war was declared in early August 1914, he was just sixteen and still at school, but like a generation of young males in Australia, there was something to prove and a need to be there. Will Davies, editor of the bestselling Somme Mud, meticulously tracked Lynch and his battalion's travels; their long route marches to flea ridden billets, into the frontline at such places as Messines, Dernancourt, Stormy Trench and Villers Bretonneux, to rest areas behind the lines and finally, on the great push to the final victory after August 1918. In words and pictures Davies fills in the gaps in Private Lynch's story and through the movements of the other battalions of the AIF provides impact and context to their plight and achievements. Looking at these battlefields today, the pilgrims who visit and those who attend to the land we come to understand how the spirit of Australia developed and of our enduring role in world politics.Bibliography, notes, ill, maps, p.245.non-fictionRetrace Australia's role in the First World War from the trenches of Somme Mud to the wider war on the Western Front. Imagine this. You are a country boy and just eighteen. The war has been raging for two years and because of your age, you have not been eligible for enlistment. Your mates, older by a few months are joining up and disappearing to the great adventure across the world in Europe. And there is forever talk of the need for reinforcements, for men like you to join up and support the Empire, Australia and your mates in the line. Such was the case for Edward Francis Lynch, a typical country boy from Perthville, near Bathurst. When war was declared in early August 1914, he was just sixteen and still at school, but like a generation of young males in Australia, there was something to prove and a need to be there. Will Davies, editor of the bestselling Somme Mud, meticulously tracked Lynch and his battalion's travels; their long route marches to flea ridden billets, into the frontline at such places as Messines, Dernancourt, Stormy Trench and Villers Bretonneux, to rest areas behind the lines and finally, on the great push to the final victory after August 1918. In words and pictures Davies fills in the gaps in Private Lynch's story and through the movements of the other battalions of the AIF provides impact and context to their plight and achievements. Looking at these battlefields today, the pilgrims who visit and those who attend to the land we come to understand how the spirit of Australia developed and of our enduring role in world politics.world war 1914-1918 - personal narratives - australia, western front 1914-1918 - australian participation -
Monbulk RSL Sub Branch
Book, Winston Churchill, The gathering storm, 1964
Covers the period from the Treaty of Versailles to Churchill's appointment as Prime Minister in 1940Ill, maps, p.353.non-fictionCovers the period from the Treaty of Versailles to Churchill's appointment as Prime Minister in 1940world war 1939-1945 - history, europe - politics and government - 1918-1945 -
Monbulk RSL Sub Branch
Book, Allen & Unwin, On our doorstep : when Australia faced the threat of invasion by the Japanese, 2020
By March 1942, the Japanese had steamrolled through Malaya, laid siege to Singapore, and bombed Darwin with the same ferocity they had dealt Pearl Harbor. Nothing could stop them. Their next step was inevitable, surely: the invasion and occupation of Australia. Meanwhile, as Australian prime minister John Curtin was battling with Winston Churchill to get troops back from overseas to defend their homeland, he was also positioning to ensure the United States would be there with us to fend off the approaching enemy. And at home, people pitched in as best they could and in any way to frustrate the invader. They all played their part, torn between 'she'll be right' and near panic. On Our Doorstep is the story of how Australia and Australians - the government, the military and the people - prepared to face this calamity, and the events that persuaded them of its probability. In the end, Japan found it had stretched itself beyond the reliability of its supply line, but had it ever intended to invade Australia?Index, bibliography, notes, ill, map, p.404.non-fictionBy March 1942, the Japanese had steamrolled through Malaya, laid siege to Singapore, and bombed Darwin with the same ferocity they had dealt Pearl Harbor. Nothing could stop them. Their next step was inevitable, surely: the invasion and occupation of Australia. Meanwhile, as Australian prime minister John Curtin was battling with Winston Churchill to get troops back from overseas to defend their homeland, he was also positioning to ensure the United States would be there with us to fend off the approaching enemy. And at home, people pitched in as best they could and in any way to frustrate the invader. They all played their part, torn between 'she'll be right' and near panic. On Our Doorstep is the story of how Australia and Australians - the government, the military and the people - prepared to face this calamity, and the events that persuaded them of its probability. In the end, Japan found it had stretched itself beyond the reliability of its supply line, but had it ever intended to invade Australia?world war 1939 – 1945 – campaigns – south west pacific, australia - politics and government - 1939-1945 -
Monbulk RSL Sub Branch
Book, Peter Thompson et al, Operation Rimau : Australia's heroic and daring commando raid on Singapore, 2015
In the last months of 1944, a group of elite Australian and British commandos was selected for the biggest Allied behind-the-scenes operation of the Pacific War. Their mission: to devastate the enemy's shipping by destroying the Japanese ships at anchor in Singapore Harbour. Operation Rimau, Britain's last throw of the colonial dice in South-East Asia, was intended as a body blow to the Japanese and a signal to the world that she would reclaim her Eastern Empire. Britain was trying to reclaim past glory - while Australia's wartime prime minister, John Curtin, had turned to America. In this atmosphere, Operation Rimau was planned ... Operation Rimau takes us inside the fierce conflict, and tells what really happened to these brave commandos - from the very beginnings of the operation through to their intense and courageous fighting in the South China Seas, and its aftermath. It exposes the sloppy planning behind the raid, and names the officers who betrayed and abandoned them in their hour of need, and details the political double-dealing which for so many years hid the real story behind red tape and bureaucratic lies.Index, bibliography,ill, maps, p.310.non-fictionIn the last months of 1944, a group of elite Australian and British commandos was selected for the biggest Allied behind-the-scenes operation of the Pacific War. Their mission: to devastate the enemy's shipping by destroying the Japanese ships at anchor in Singapore Harbour. Operation Rimau, Britain's last throw of the colonial dice in South-East Asia, was intended as a body blow to the Japanese and a signal to the world that she would reclaim her Eastern Empire. Britain was trying to reclaim past glory - while Australia's wartime prime minister, John Curtin, had turned to America. In this atmosphere, Operation Rimau was planned ... Operation Rimau takes us inside the fierce conflict, and tells what really happened to these brave commandos - from the very beginnings of the operation through to their intense and courageous fighting in the South China Seas, and its aftermath. It exposes the sloppy planning behind the raid, and names the officers who betrayed and abandoned them in their hour of need, and details the political double-dealing which for so many years hid the real story behind red tape and bureaucratic lies.world war 1939-1945 - covert operations - australia, krait (ship)