The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. These images taken in the Greensborough area. Photograph by Marilyn Smith 2014.Digital copy of colour photograph.plenty river, greensborough

View of farm land and mill on the Plenty River near Bundoora, circa 1877; photograph by Fred Kruger. Original held at SLV (accession # H473 and Image # a53840)Black and white photograph, enlarged and laminated.fred kruger, plenty river

Digital copy of one of 7 slides depicting photographs of police from 1858 to 1930s. This image is of a group of Melbourne detectives circa 1890. Inspector Downie is on right.Digital copy of black and white slide.victoria police

These advertisements were found in a suitcase donated by a GHS member. The case contained newspapers and other items. This advertisement for Robia fabric and depicts an elegant image of a completed dress.Although the advertisement not Greensborough based, it came from a local home.Digital copy of newspaper advertisement.robia fabric

Greeting card from Neville Emerson and Staff with sketch commissioned by Neville Emerson Real Estate The image was also used on the Wiregrass Gallery calendar for c.1984Christmas cardart, grand hall, montsalvat, artist, bill caldwell, fay bridge collection, neville emerson real estate, sketches, the grand hall montsalvat, wiregrass gallery calendar

One of a set of display images thought to be produced by the Shire of Eltham c.1979-1987. External view of Eltham Community Centre which opened in April 1978.Illustrative of services provided by former Shire of ElthamColour photograph 20 x 29 cm mounted on green-painted chipboard 28 x 35.5 cm (string on back for hanging)Title printed on label adhered to board below photograph (replaced June 2017)eltham community centre

One of a set of display images thought to be produced by the Shire of Eltham c.1979-1987. External view of Eltham Community Centre which opened in April 1978.Illustrative of services provided by former Shire of ElthamColour photograph 20 x 29 cm mounted on green-painted chipboard 28 x 35.5 cm (string on back for hanging)Title printed on label adhered to board below photograph (replaced June 2017)eltham community centre

One of a set of display images thought to be produced by the Shire of Eltham c.1979-1987. A woman stands with a basket beside the Shire of Eltham Meals on Wheels van.Illustrative of services provided by former Shire of ElthamColour photograph 20 x 29 cm mounted on green-painted chipboard 28 x 35.5 cm (string on back for hanging)Title printed on label adhered to board below photograph (replaced June 2017)meals on wheels

Copied during development of Fisher Folk of Fishermens Bend. Peter James, a Bend fisherman, built this boat. This image used in 'Historic Port Melbourne' calendar 2005B&W photo of Peter James' boat, with family and friends from The Bend. Peter sitting, father (also Peter James) squatting in centre on sand. Boat is on slip logs. 1936fishermans bend, peter james, peter 'pop james, sol ireton, dave turnbull, ballast ground, the bend

The source of the images is unknown. The date has been estimated in reference to catalogue items 2989 (approx 1945) and 2990 (approx 1970) - both aerial photos of the area.Two black and white aerial photos of J Kitchen & Sons factory prrecinct, approximately 1960s. .01- Looking towards the East with Ingles St in the centre and Port Melbourne cricket/football ground on the right. Rail line is at the top. The Kitchen property is outlined. .02 - Looking towards the North with Port Melbourne cricket/football ground at the bottom, Kitchens (outlined) in the centre and other industrial to the North.built environment - industrial, industry - manufacturing, sport - australian rules football, business and traders - soaps/candles, j kitchen & sons pty ltd, port melbourne football and cricket ground, north port oval

An early Barratt photo of the Cockatoo Creek, looking towards the McBride St bridge. The four men depicted in the image, look relaxed and are taking in the serenity of the creek below.Dear Florrie, just a card to let you know I haven't quite ? altogether am up here among the ferns and ? It is a lovely place for a quiet holiday the fern gullys are just lovely you can see the Ranges in the distance as blue as the sea. This view is the bridge over Cockatoo creek near the R. Station. As space is short I will close Best Love from ?Original Barratt Photo, of four men standing on the McBride St bridge over the Cockatoo CreekRear of the postcard includes handwritten correspondence in ink, to someone called Florriea. t barratt, postcard, cockatoo creek, cockatoo, views of cockatoo,

Two identical paperback publications with a cream rippled cardboard cover with a sketch on the front of a two diggers pulling a horse-drawn cart with mail and other items. The title 'Sunbury' is embossed on the cover. non-fictionThe booklet gives a brief outline of Sunbury's history from European settlement to the late 20th century. australia post, post office, sunbury post office

These are photographs by Mark Strizic of the 290 Walsh Street house in 1959-1960. These may be the images sent by the designer Bruce Anderson to Patricia Boyd (see item D339).Set of five black and white polaroid photographsmark strizic, walsh street, bruce anderson

These images came with other memorabilia from former 6481 Private S G Carley who served as a divisional observer with HQ 1st Division in France WWI.A collection of four coloured pictures of caps, epaulets and sword knots used to distinguish WWI German regiments, all glued to a board.german, regiment, carley, wwi

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

An aerial photograph of the Heidelberg Golf Course, around late 1970s. Known as the 'new course' it was designed in 1968. This image shows the encroaching residential areas around the course.One of several aerial photogrphs showing the layout of the Heidelberg Golf CourseLarge colour aerial photograph, timber frame with glass. heidelberg golf club, new course 1968

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

These 3 images show the new renovations to the bar, dining area of the Bendigo District Servicemen’s Club in early 1994. Refer Cat No's 8073P, 8171 & 8230.2.1) - .3) Photographs colour showing the Bar and 2 areas of the newly renovated bar and meals area of the Servicemen’s Club.brsl, smirsl, bdsc

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Photograph of the Kew and Malvern Depots football teams early 1930's. Photo undated. Has 25 players and team officials in the image. Photographed at an oval with a grandstand.Yields information about the members of a Kew and Malvern depots football clubs.Photograph mounted on heavy card within a printed border.Along the bottom edge in pencil "Q-M"tramways, sports, kew depot, football

A colourful image of a cable tram set with three passengers and crew shows the destination of "Kraft," which has been partially blacked out. The trailer is number 586. Demonstrates table mat featuring a cable tram with passengers.Printed plasticized card table mat with rounded corners.tramways, cable trams, tram 586

This is a photograph of some of the buildings at the Sunbury Asylum. There are three women dressed in nurses uniforms of the early 1900s. A tramline which carried goods around the complex is visible in the image. A black and white photograph of a group of brick buildings with a view of the slate roofs, chimneys and high picket fences. Unmounted.sunbury asylum, nurses, fences, uniforms, george evans collection

These postcards depict a selection of re-enactment photos of Ned Kelly. Ned Kelly was an infamous outlaw in the late 19th-century whose image lives on in Australian legend.These postcards are in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. A collection of postcards depicting the crimes and arrest of Ned Kelly.Postcard 1: 'Ned Kelly shoots Fitzpatrick' Postcard 2: 'Pulling up the line at Glenrowan' Postcard 3: 'The Police surrounding Glenrowan Hotel' Postcard 4: 'Capture of Ned Kelly' Postcard 5: 'Dan Kelly & Joe Byrne'postcard, photography, 1900s, ned kelly, "green postcard album"

Image clearly shows new alignment of Princes Highway around Jemmys Point and part of the original high road to the first bend above North Arm BridgeBlack and white postcard aerial view of the western area of the town, Bullock Island and Snake Island and waterways Lakes Entrance VictoriaAerial View Lakes Entrancewaterways, islands, township