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Glenelg Shire Council Cultural Collection
Photograph - Photograph - 120 Ton Lighter, shortly after launching, 1954
Port of Portland Authority archivesFront: 120 Ton Lighter/ Shortly After Launching/ 1.4.54 (typed, lower centre) Back: P.H.T./ Print no. 12/06 Neg. No 240/Date taken 1.4.54/ SUBJECT/ 120 Ton Lighter/ Shortly after/ Launching (purple ink stamp and typing, centre) dred022 (pencil, upper left)port of portland archives, harbour facilities -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority Archivesport of portland archives, portland harbour, fawthrop lagoon -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - 120 Ton Lighter Under construction, 1953
Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print no. 12/3 Neg. No 56/Date taken 30.11.53/ SUBJECT/ 120 Ton Lighter/ Under Construction (purple ink stamp and handwriting, centre) dred024 (pencil, upper left)port of portland archives, 120 ton lighter, construction, harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Commissioner S. L. Patterson, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: 8737/ Delete two side/ figures leaving/ the central man only/ Deep edit(?) (blue pen, upper centre) SULLIVANS' STUDIOS/ 84 PERCY STREET/ PORTLAND (purple ink stamp, centre) S'S' (blue pen, centre) 5" Deep/ 120 Scr... (orange pencil, lower centre) COMM. S.L. PATTERSON (blue pen, lower centre) .... Patterson (orange pencil, lower left)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - 120 Ton Lighter Under Construction, 1953
Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print no. 12/2 Neg. No P43/Date taken 23.9.53./ SUBJECT/ 120 Ton Lighter/ under construction. (purple ink stamp and handwriting, centre) dred025 (pencil, upper left)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - T. C. Jarrett, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Theo Jarrett (blue pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lou Moulton, Secretary, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Lou Moulton/ Secretary (blue pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, construction, site, work site, harbour, portland, battery point, crane -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Piece of Machinery, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: K52K601 (stamp, lower centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, breakwater, construction, portland, harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Piece of Machinery, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: K52K601 (stamp, lower centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, Jul-54
Port of Portland Authority ArchivesBack: PHT Purple Stamp Print No. 4/39 Neg No. 260 Date Taken 14/7/54 Subject Main Breakwater from Battery Pointport of portland archives, harbour, portland, main breakwater, construction -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Canal Bridge Construction, Portland, n.d
Port of Portland Authorityport of portland archives, portland harbour, harbour development, botanical gardens -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Canal Bridge Construction, n.d
Port of Portland Authority Archivesport of portland archives, canal bridge -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority Archivesport of portland archives -
Glenelg Shire Council Cultural Collection
Administrative record - Administrative record - Speech 'Commemorating a tragedy: Celebrating Volunteerism, 2009
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Bendigo Historical Society Inc.
Map - BILL ASHMAN COLLECTION: MAP OF BENDIGO
Map of Bendigo. Contains street of Bendigo with Places of Interest marked, Map of the Bendigo Area with Places of Interest marked, and on the centre page is Bendigo the Golden Gateway to the North. There is a map with circles around Bendigo and their distance from centre Bendigo. Circles go to a distance of 20 miles. Information includes General Information, Scenic Attractions, Industrial Activities, Industries already Established, Sporting Facilities - Bendigo and District, and Cultural Organizations. JCI shield on the left under the map. Also some brief information about Bendigo.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, map of bendigo, cambridge press, a r mcconnachie, bendigo junior chamber of commerce, bendigo city council -
Women's Art Register
Book, Hayden Herrera, Frida. A Biography of Frida Kahlo, 1983
Biography of significant Mexican artist Frida Kahlo (1907 - 1954).Booknon-fictionBiography of significant Mexican artist Frida Kahlo (1907 - 1954).painting, self portraiture -
Women's Art Register
Book, Gillian Swanson & Patricia Wise, Going for Broke. Women's Participation in the Arts and Cultural Industries, N/A
... Australian Key Centre for Cultural and Media Policy... Australian Key Centre for Cultural and Media Policy, Griffith ...Study commissioned by Arts Queensland and the Australia Council in 1994 to address the lack of published information on women's involvement in the arts.BookStudy commissioned by Arts Queensland and the Australia Council in 1994 to address the lack of published information on women's involvement in the arts.regionalism, cultural industraies, equity, professional recognition, indigenous women, multiculturalism -
Melbourne Water
Dish, Maroondah Reservoir, Healesville Souvenir, 1930s-1940s
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.Manufactured in England, this souvenir dish made from bone china with gold trim, features an illustration of the Maroondah Reservoir in the centre reading, “Maroondah Reservoir, Healesville”. On the back of the dish is the makers mark, Royal Stafford, one of the oldest pottery factories in Staffordshire, England. The Royal Stafford brand was established in 1845 and continues to provide high quality tableware in the present day. This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Souvenir dish made from bone china with gold trim, featuring an illustration of the Maroondah Reservoir in the centre reading, “Maroondah Reservoir, Healesville”.Makers mark, Royal Stafford.maroondah, healesville, dish, porcelain, melbourne metropolitan board of works, melbourne water, mmbw -
Melbourne Water
Souvenir Porcelain Milk Jug, 1910-1930
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir milk jug has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Additionally, this item is aesthetically significant as it represents the style and design of the early 1900s.This souvenir white-glazed porcelain milk jug features gold trim and an illustration of the Maroondah Outlet in the centre, with the transfer “Maroondah Dam, Healesville, Vic”. -
Yarra City Council
Artwork, other - Mural, Ky-ya Nicholson-Ward, Aboriginal Lives Matter, 2021
"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country -
Healesville Sanctuary Heritage Centre
NewsPaper Cutting, Article, Tabain, Merita, Worawa program short of funds, Tuesday January 16, 1990
Report of curriculum of school and its intended participation in Healesville Sanctuary's programs. Story on lack of support by State and Federal governments for cultural programs at Worawa College in Healesville. This article represents a continued connection between Aborigal communities and Healesville Sanctuary.Newspaper article -
Dutch Australian Heritage Centre Victoria
Carnival Hat (Karnavalsmuts)
Carnival is an important annual event in the Southern Provinces of The Netherlands with each village often having its own Carnival Club and traditions. The Dutch People from the Southern Provinces continued in many cases this tradition and formed their regional Carnavals Clubs in Australia. Each Carnaval Club has a Council of Eleven with its own colourful uniform, including a hat. There is a variety of hats for the various roles within the committee and club.For people from the Southern Provinces of the Netherlands Carnival is an important cultural event.Decorative hat made of a silky material in green, orange, purple and cream, finished off with wavelike band and brown koala at front of hat (see picture - also see items 6351 and 6353).Has the name "Tony" on the inside -
Dutch Australian Heritage Centre Victoria
Dutch Tile (Tegel), Ridderzaal - Den Haag
Tourism industry highlighting cultural aspect of the Netherlands - Dutch tiles.Promotes tourism to the Netherlands.Ceramic tile in the Delft blue.Front - Representation of the Ridderzaal (Hall of Knights - Seat of the Dutch Parliament) in The Hague. In top left corner - Dutch Coat of Arms. In top right corner - Coat of Arms of The Hague. Back - Metal Triangular hook for hanging. Industrial production marks. Along the bottom - English description of the subject of the tile plus Tourist slogan (THE HAGUE - A New Destination for travel to Holland) and contact information. Bottom right corner - manufacturer logo and name (b.v. plateelbakkerij - located in Schoonhoven, Holland)tourism, tile -
Dutch Australian Heritage Centre Victoria
Tapestry Dutch national costumes, 1971
Martijntje van Dooren created the tapestry in 1971. She migrated to Australia in 1952 from Rotterdam.Dutch cultural piece, accurate depiction national costumes. Used in DAHC displays. Rectangular log landscape shaped wooden framed tapestry, glass front.Dutch National Costumes. MvD'71 -
Dutch Australian Heritage Centre Victoria
Book, 25 Jaar Afsluitdijk 1932-1957 (25 years of the Enclosure Dike), 1957. A stamp - 5 mei 1958 - indicates the library acquired it the following year
The book commemorates the opening of the Afsluitdijk in 1932. Shutting off the North Sea created the IJsselmeer and connected the provinces of North Holland and Friesland. It has remained an essential traffic artery every since.The book records the cultural, economic and social impact of the Afsluitdijk on the Netherlands. A 56page rectanguar book commemorating the opening of the Afsluitdijk. The cover is of thick card while within the pages of text are illustrated with black and white photographs.Originally owned and eventually deregistered by "De Utrechtse Openbare Bibliotheek" (Utrecht Public Library). Another stamp. "Filiaal Elinkwijk" shows it was used by the library branch in Elinkwijk. Full title is "Vijfentwintig Jaar Afsluitdijk". Authors and illustrators are B. Den Oudsten en P.Terpstra with an introduction by the Queen's representative in Friesland, Mr.H.P.Linthorst Homan. Publisher is Algmeen Publiciteit Kantoor, Oosterkade 20b, Leeuwarden. -
Royal Australasian College of Surgeons Museum and Archives
Samovar
Donated by Sir Henry Newland.The samovar stands 41cm high, and is 39cm wide across the handles. It is made of Sheffield plate, and dates from the late 18th century. It is supported on a square base with four cast lion’s feet attached by elaborate mounts at the corners. The main vessel or tank is circular, and set on a short columnar stand. These elements are heavily fluted. There are two elaborately decorated solid cast silver handles attached to the sides of the tank. A long spout with a cast ivory handled tap extends from the bottom of the tank. The lid is plainer, with a fluted and scalloped edge, and is capped with a finial. Inside the tank is a cylindrical immersion container for hot coals, a primitive type of heating element. There is a crest, probably that of the original owner, engraved on the shoulder of the tank above the tap. A samovar is a Russian tea urn but the College’s samovar is not a tea urn, as it does not include the stand or the teapot. Undoubtedly it was intended to provide hot water for tea, and the absence of a matching teapot indicates a cultural difference between the English and the Russians, in the way in which they went about brewing tea. It is a showpiece, intended for use and display in the reception rooms of the house. In the 18th century tea was still a rare and exotic import from the Orient, so the serving of tea was an important act of hospitality and a statement of social status.Sir Henry Newland was the College President 1929-1935Antique sheffield plated samovar with shell design and pressed rib border, finely worked casted handles, spout with swivel top, with tapered centre column, square shaped base with cast lions feet -
Victorian Aboriginal Corporation for Languages
Kit, Western Australia Department of Education et al, Ways of being, ways of talk, 2002
Kit produced by a Primary and Senior Secondary School in Western Australia dealing with communication, language and Aboriginal History. Video 1. Moving Into Other Worlds Video 2. Two Way Learning and Two Kinds of Power Video 3. Now You See It, Now You Don?t Video 4. A Shared World of Communicationb&w illustrations, colour illustrations, b&w photographs, colour photographs, videocassette, bookaboriginal education, aboriginal english, cultural awareness, school curriculum, language and literacy, bilingualism, two way learning -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2010
Mediating conflict in the age of Native Title Peter Sutton (The University of Adelaide and South Australian Museum) Mediators have played roles in managing conflict in Aboriginal societies for a long time. This paper discusses some of the similarities and differences between older customary mediator roles and those of the modern Native Title process. Determinants of tribunal outcomes for Indigenous footballers Neil Brewer, Carla Welsh and Jenny Williams (School of Psychology, Flinders University) This paper reports on a study that examined whether football tribunal members? judgments concerning players? alleged misdemeanours on the sporting field are likely to be shaped by extra-evidential factors that disadvantage players from Indigenous backgrounds. Indigenous and non-Indigenous Australian Football League (AFL) players, matched in terms of their typical levels of confidence and demeanour in public situations, were interrogated in a mock tribunal hearing about a hypothetical incident on the football field. The specific aim was to determine if the pressures of such questioning elicited behavioural differences likely to be interpreted as indicative of testimonial unreliability. Mock tribunal members (number = 103) then made judgments about the degree to which a number of behavioural characteristics were evident in the players? testimonies. Under intense interrogation, Indigenous players were judged as presenting less confidently and displaying a greater degree of gaze aversion than non-Indigenous players. These behavioural characteristics are commonly ? and inappropriately ? used as cues or heuristics to infer testimonial accuracy. The paper discusses the implications for Indigenous players appearing at tribunal hearings ? and for the justice system more broadly. Timothy Korkanoon: A child artist at the Merri Creek Baptist Aboriginal School, Melbourne, Victoria, 1846?47 ? a new interpretation of his life and work Ian D Clark (School of Business, University of Ballarat) This paper is concerned with the Coranderrk Aboriginal artist Timothy Korkanoon. Research has uncovered more about his life before he settled at the Coranderrk station in 1863. Evidence is provided that five sketches acquired by George Augustus Robinson, the former Chief Protector of Aborigines, in November 1851 in Melbourne, and found in his papers in the State Library of New South Wales, may also be attributed to the work of the young Korkanoon when he was a student at the Merri Creek Baptist Aboriginal School from 1846 to 1847. Developing a database for Australian Indigenous kinship terminology: The AustKin project Laurent Dousset (CREDO, and CNRS, Ecole des Hautes Etudes en Sciences Sociales), Rachel Hendery (The Australian National University), Claire Bowern (Yale University), Harold Koch (The Australian National University) and Patrick McConvell (The Australian National University) In order to make Australian Indigenous kinship vocabulary from hundreds of sources comparable, searchable and accessible for research and community purposes, we have developed a database that collates these resources. The creation of such a database brings with it technical, theoretical and practical challenges, some of which also apply to other research projects that collect and compare large amounts of Australian language data, and some of which apply to any database project in the humanities or social sciences. Our project has sought to overcome these challenges by adopting a modular, object-oriented, incremental programming approach, by keeping metadata, data and analysis sharply distinguished, and through ongoing consultation between programmers, linguists and communities. In this paper we report on the challenges and solutions we have come across and the lessons that can be drawn from our experience for other social science database projects, particularly in Australia. A time for change? Indigenous heritage values and management practice in the Coorong and Lower Murray Lakes region, South Australia Lynley A Wallis (Aboriginal Environments Research Centre, The University of Queensland) and Alice C Gorman (Department of Archaeology, Flinders University) The Coorong and Lower Murray Lakes in South Australia have long been recognised under the Ramsar Convention for their natural heritage values. Less well known is the fact that this area also has high social and cultural values, encompassing the traditional lands and waters (ruwe) of the Ngarrindjeri Nation. This unique ecosystem is currently teetering on the verge of collapse, a situation arguably brought about by prolonged drought after decades of unsustainable management practices. While at the federal level there have been moves to better integrate typically disparate ?cultural? and ?natural? heritage management regimes ? thereby supporting Indigenous groups in their attempts to gain a greater voice in how their traditional country is managed ? the distance has not yet been bridged in the Coorong. Here, current management planning continues to emphasise natural heritage values, with limited practical integration of cultural values or Ngarrindjeri viewpoints. As the future of the Coorong and Lower Murray Lakes is being debated, we suggest decision makers would do well to look to the Ngarrindjeri for guidance on the integration of natural and cultural values in management regimes as a vital step towards securing the long-term ecological viability of this iconic part of Australia. Hearts and minds: Evolving understandings of chronic cardiovascular disease in Aboriginal and Torres Strait Islander populations Ernest Hunter (Queensland Health and James Cook University) Using the experience and reflections of a non-Indigenous clinician and researcher, Randolph Spargo, who has worked in remote Aboriginal Australia for more than 40 years, this paper tracks how those at the clinical coal-face thought and responded as cardiovascular and other chronic diseases emerged as new health concerns in the 1970s to become major contributors to the burden of excess ill health across Indigenous Australia. The paper cites research evidence that informed prevailing paradigms drawing primarily on work in which the clinician participated, which was undertaken in the remote Kimberley region in the north of Western Australia. Two reports, one relating to the Narcoonie quarry in the Strzelecki Desert and the other concerning problematic alcohol use in urban settings.maps, b&w photographs, colour photographs, tablesstrzelecki desert, native title, timothy korkanoon, merri creek baptist aboriginal school, austkin project, coorong, lower murray lakes district, south australia, indigenous health